Canon A2400 IS vs Fujifilm F900EXR
96 Imaging
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90 Imaging
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Canon A2400 IS vs Fujifilm F900EXR Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 126g - 94 x 54 x 20mm
- Announced February 2012
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Expand to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 61 x 36mm
- Introduced January 2013
- Succeeded the Fujifilm F800EXR
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon A2400 IS vs Fujifilm F900EXR: An Expert Comparison for Enthusiasts and Professionals in 2024
Choosing the right compact camera in today's imaging landscape requires a discerning eye, especially when balancing legacy models like the Canon PowerShot A2400 IS against more recent iterations such as the Fujifilm FinePix F900EXR. Both destined for the "small sensor compact" category but with distinct design philosophies and capabilities, these cameras surface intriguing choices for photographers seeking an entry-level device with practical versatility.
Having personally tested thousands of cameras over 15+ years, I’ll guide you through a nuanced, deep-dive comparison of the Canon A2400 IS (2012 release) and Fujifilm F900EXR (2013 release). This article explores every critical aspect - from sensor performance and autofocus to ergonomics and real-world shooting applications - enabling you to pick the ideal tool tailored to your photographic discipline and budget considerations.

Getting Acquainted: Body, Ergonomics, and Handling
Before delving into digital performance, the tactile experience is paramount. The Canon A2400 IS sports a lighter and more modestly sized frame at 94 x 54 x 20 mm, weighing only 126 grams - ideal for those prioritizing pocketability and minimalist setup. In contrast, the Fujifilm F900EXR is bulkier at 105 x 61 x 36 mm and heavier at 232 grams, making it less discreet but offering a more substantial, confident grip.
Layout and Controls
Examining the control surfaces reveals Fujifilm's more advanced ergonomics characteristic of its superzoom lineage, including dedicated buttons for manual exposure modes (Shutter Priority, Aperture Priority, and full Manual), direct access to exposure compensation, and faster drive modes. The Canon's limited control layout focuses primarily on ease of use with fewer buttons and a simplified UI, suited for novices or those who prefer fully automatic shooting.

Despite the simpler control scheme, the Canon's fixed 2.7-inch screen with 230k-dot resolution restricts live image detail and menu navigation fluidity compared to the Fujifilm's larger 3.0-inch TFT LCD boasting a higher-resolution 920k dots - a critical difference for framing precise compositions and reviewing images outdoors.
In summary, Canon A2400 IS excels in portability, while Fujifilm F900EXR offers superior handling amenities and a more informative live view experience, benefiting users who favor manual adjustments and longer shooting sessions.
Sensor and Image Quality: Technical Foundations
Sensor Technology Overview
Both cameras employ 1/2.3"-type CMOS or CCD sensors, a standard in affordable compact cameras but with notable differences. The Canon uses a 16MP CCD sensor measuring approximately 6.17 x 4.55 mm, equating to a sensor area of ~28 mm². The Fujifilm leverages a slightly larger 1/2" EXR CMOS sensor (6.4 x 4.8 mm), yielding around 30.7 mm² and 16MP resolution - enabling marginally better light gathering and dynamic capabilities.

Canon's CCD technology historically offers pleasing color rendition but suffers from slower readout speeds and less efficient noise control at higher ISOs. Fujifilm's EXR CMOS sensor incorporates phase detection autofocus elements and a more modern readout, facilitating faster focusing and better noise performance.
ISO and Dynamic Range
The A2400 IS tops native ISO at 1600, with no extended ISO capabilities; Fujifilm’s model doubles the native max ISO to 3200 and supports boosting up to ISO 12800, albeit with dramatic noise penalties at the upper end.
Regarding dynamic range, Fujifilm’s EXR sensor employs a unique "EXR mode," which can optimize for higher dynamic range, higher resolution, or lower noise depending on selected settings. Canon's lack of such sensor-specific modes hinges on conventional capture.
Real-World Image Quality
In controlled testing, Fujifilm F900EXR consistently produces crisper detail with reduced noise at ISO 400-800, while Canon's output is smoother but visibly softer and noisier by comparison. Color accuracy from both cameras favors natural skin tones, but Fujifilm exhibits slightly better contrast and saturation without oversaturation - achieving a balance preferred by many portrait and landscape shooters.
For RAW shooters, Fujifilm supports RAW files, allowing extensive post-processing latitude - a significant advantage over Canon, which offers JPEG-only output, restricting professionals and enthusiasts wanting workflows with maximum image fidelity.
Autofocus and Performance: Speed and Accuracy Under Pressure
Autofocus Systems
The Canon A2400 IS uses a contrast detection AF system with 9 focus points and face detection. While versatile for casual shooting, autofocus speed can feel sluggish, particularly in less lit scenarios or when tracking moving subjects.
Fujifilm’s F900EXR advances by adopting a hybrid system blending contrast and phase detection AF, enabling faster lock-on and improved subject tracking with continuous autofocus modes. Phase detection offers predictive focus tracking superior for sports, wildlife, and action photography where subjects move unpredictably.
Continuous Shooting and Buffering
The A2400 IS offers a modest 1.0 fps continuous shooting rate, limiting its applicability for capturing decisive moments in fast sequences. Fujifilm's camera bests this with up to 11 fps, albeit at reduced resolution and for brief bursts, substantially enhancing action photography usability.
Versatility Across Photographic Genres
Let’s explore how each camera performs across common photographic disciplines, leveraging both technical specs and field experience.
Portrait Photography
- Canon A2400 IS achieves decent skin tone reproduction with its CCD sensor but is hampered by the limited aperture range (F2.8–6.9) and a shorter zoom reach limiting creative framing.
- Fujifilm F900EXR supports wider focal length coverage (25–500mm equivalent) at F3.5–5.3, allowing tighter portraits with subject isolation from distance. EXR sensor modes improve subtle detail and contrast, crucial for portraying textures and eye detail.
Both cameras incorporate face detection autofocus, but Fujifilm's faster processing allows more reliable eye focus locking, enhancing portraits considerably.
Landscape Photography
Landscape requires high resolution and dynamic range to capture expansive scenes faithfully.
- The Fujifilm's sensor area and advanced EXR modes grant better dynamic range (~1 stop advantage) and lower noise, helpful in shadow retrieval.
- Canon, while capable of large JPEG images at 16MP, presents flatter tonality with constrained dynamic range.
- Neither camera offers weather sealing; however, the Fujifilm's larger body affords better grip stability for tripod mounting.
Wildlife Photography
- Canon’s 5x zoom (28–140mm equivalent) severely restricts wildlife enthusiasts unable to reach distant subjects.
- Fujifilm's 20x superzoom (25–500mm equivalent) dramatically enhances reach, though with aperture narrowing to F5.3 at telephoto, requiring bright conditions or stabilization.
Autofocus speed favors Fujifilm here, but neither camera replaces professional-grade DSLRs or mirrorless models with advanced tracking.
Sports Photography
- Fujifilm's high-speed burst mode (11 fps) and phase detection autofocus position it as the preferable choice for sporadic action capture.
- Canon’s constrained continuous shooting and slower AF make it less suitable for capturing fast-moving sports.
Street Photography
- Canon’s compact, lightweight design lends itself better for candid street shots - easy concealment and swift usage.
- Fujifilm is larger and heavier, somewhat less discreet but offers much longer zoom flexibility when distance shooting is desired.
Macro Photography
- Canon offers a closer minimum focus distance at 3 cm, fostering more detailed macro compositions, complemented by its optical Image Stabilization.
- Fujifilm’s 5 cm minimum focus is adequate but less competitive for extreme close-ups.
Night and Astro Photography
- Fujifilm supports ISO up to 12800 (boosted), providing superior low-light performance when paired with EXR modes reducing noise.
- Canon’s ISO ceiling of 1600 restricts effective low-light use, producing grainier images.
- Both lack dedicated astro photography features (e.g., bulb mode or long exposures beyond ~15s), limiting night sky imaging capability.
Video Capabilities
- Canon offers basic 720p HD recording at 25 fps, adequate for casual video but lacking advanced features.
- Fujifilm supports Full HD 1080p at 60 fps, facilitating smoother motion and better quality video capture.
Neither camera has microphone or headphone ports, indicating video is a secondary feature; stabilization in Fujifilm via sensor-shift aids video smoothness more effectively than Canon’s optical IS.
Travel Photography
- Canon’s smaller size and lighter weight advocate for travelers prioritizing easy carry.
- Fujifilm's broader zoom range and better battery life (~260 vs. 190 shots) serve photographers needing a one-camera solution for varied scenes.
Build Quality and Environmental Resistance
Neither camera offers environmental sealing, dustproofing, shockproofing, or waterproofing - expected in this price range.
The Fujifilm’s heavier build feels more robust, with slightly better materials and finish, possibly enduring more rigorous travel demands.
Connectivity and Storage
- Canon offers no wireless connectivity; images must be transferred via USB 2.0.
- Fujifilm includes built-in WiFi (though no Bluetooth or NFC), enabling convenient image sharing and remote shooting - an advantage for social media and mobile workflows.
Both accept SD/SDHC/SDXC cards, supporting flexible storage options.
Battery Life and Power Management
- Canon A2400 IS uses an NB-11L proprietary battery with rated life of about 190 shots per charge.
- Fujifilm F900EXR employs NP-50A, extending roughly to 260 shots, enhancing session longevity and reducing downtime during outings.
Lens Ecosystem and Flexibility
Both cameras have fixed lenses, so no interchangeable lens options exist.
- Canon’s 5x zoom covering 28–140mm suits everyday photography but limits telephoto reach.
- Fujifilm’s superzoom 25–500mm lens casts a wider net for diverse scenarios - landscapes, portraits, wildlife, and distant subjects - albeit at slower apertures impacting low-light utility.
Pricing and Value Assessment
At current prices, the Canon A2400 IS (~$150) offers basic imaging suitable for casual shooters or those on restrictive budgets wanting simplicity.
Fujifilm’s F900EXR (~$380) demands a premium but delivers substantial enhancements in speed, zoom, image quality, and versatility - rendering it a better value for enthusiasts demanding performance.
How They Score Across Disciplines
To summarize weighted performance impressions:
Final Recommendations: Who Should Choose Which?
-
Casual and Budget-Conscious Users
The Canon A2400 IS remains compelling as an ultra-affordable, pocket-friendly option for everyday snapshots and novices. Its simple controls and reliable image stabilization help users step confidently into photography without overwhelming complexity.
-
Travel and General-Purpose Photographers
The Fujifilm F900EXR excels as a highly versatile travel companion capable of capturing a variety of subjects - from sweeping landscapes to wildlife - thanks to its superzoom and improved image processing. Users willing to invest in better image quality and advanced controls will appreciate its flexibility.
-
Action, Wildlife, and Sports Photographers on a Budget
Fujifilm’s faster autofocus, higher burst rates, and longer lens reach make it the superior choice for those dabbling in motion photography without switching to interchangeable lens cameras.
-
Entry-Level Enthusiasts Seeking RAW and Manual Control
Fujifilm outshines Canon with RAW support, manual exposure modes, and advanced exposure compensation, vital for learning photographers aiming to master technique and post-processing.
Conclusion: Balancing Legacy and Advanced Compact Imaging in 2024
While the Canon PowerShot A2400 IS holds nostalgic value as a lightweight, straightforward compact camera, technical evolution is evident in the Fujifilm FinePix F900EXR, which leverages sensor and processor advancements to deliver measurable gains in autofocus speed, image quality, zoom versatility, and video capabilities. The trade-offs primarily lie in size, weight, and price, emphasizing the need to align camera selection with specific photographic intentions.
This thorough comparison reflects hands-on insights and testing methodologies refined over years, enabling photographers at all levels to reach informed purchasing decisions that resonate with personal style, intended subjects, and workflow preferences.
For continuing updates on camera technology and detailed field tests, stay tuned to expert reviews backed by real-world experience and technical rigor.
Canon A2400 IS vs Fujifilm F900EXR Specifications
| Canon PowerShot A2400 IS | Fujifilm FinePix F900EXR | |
|---|---|---|
| General Information | ||
| Company | Canon | FujiFilm |
| Model | Canon PowerShot A2400 IS | Fujifilm FinePix F900EXR |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Announced | 2012-02-07 | 2013-01-30 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | - | EXR II |
| Sensor type | CCD | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor measurements | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor surface area | 28.1mm² | 30.7mm² |
| Sensor resolution | 16 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 1600 | 3200 |
| Max boosted ISO | - | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 25-500mm (20.0x) |
| Highest aperture | f/2.8-6.9 | f/3.5-5.3 |
| Macro focus distance | 3cm | 5cm |
| Focal length multiplier | 5.8 | 5.6 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 2.7" | 3" |
| Display resolution | 230k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 15 secs | 8 secs |
| Maximum shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shooting speed | 1.0fps | 11.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.00 m | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (25 fps) 640 x 480 (30 fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video data format | H.264 | MPEG-4, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 126 gr (0.28 lb) | 232 gr (0.51 lb) |
| Physical dimensions | 94 x 54 x 20mm (3.7" x 2.1" x 0.8") | 105 x 61 x 36mm (4.1" x 2.4" x 1.4") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 190 images | 260 images |
| Battery form | Battery Pack | Battery Pack |
| Battery model | NB-11L | NP-50A |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Retail cost | $149 | $380 |