Canon A3500 IS vs Panasonic ZS7
96 Imaging
39 Features
35 Overall
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91 Imaging
35 Features
33 Overall
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Canon A3500 IS vs Panasonic ZS7 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 135g - 98 x 56 x 20mm
- Released January 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 218g - 103 x 60 x 33mm
- Launched July 2011
- Also referred to as Lumix DMC-TZ10
- Updated by Panasonic ZS8

Canon PowerShot A3500 IS vs. Panasonic Lumix DMC-ZS7: A Hands-On Comparison for Enthusiasts and Professionals
Stepping into the compact camera market inevitably leads you to cross paths with numerous options targeting convenience, zoom capabilities, and image quality within a tight budget or as an upgrade to smartphone photography. Today, we pit two notable small sensor compacts head-to-head: the Canon PowerShot A3500 IS, a budget-friendly, entry-level 16MP compact from 2013, against the Panasonic Lumix DMC-ZS7 (a.k.a. Lumix DMC-TZ10), a superzoom compact powerhouse released in 2011.
Despite their release dates being a few years apart, both cameras represent entry points into versatile compact photography - though with very different emphases. In this thorough comparison, we assess their real-world performance, technical chops, and suitability across key photography disciplines to help you decide which might complement your creative journey better.
Let’s dive deep into the nuts and bolts - ranging from physical design to sensor technology, autofocus, and final image quality.
A Tale of Two Designs: Ergonomics and Handling
Before you take a camera anywhere or start firing away, handling plays a huge role in your creative fluidity.
Feature | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Body Type | Compact | Compact Superzoom |
Dimensions (mm) | 98 x 56 x 20 | 103 x 60 x 33 |
Weight | 135 g | 218 g |
Grip and Ergonomics | Slim design, minimal grip | Larger body, pronounced grip |
Button Layout | Limited controls, touchscreen interface | More physical buttons, no touchscreen |
Screen | 3" touchscreen, 230k dots | 3" LCD, 460k dots |
What this means for you:
The Canon feels pocket-friendly and ultra-lightweight - ideal for casual street photography or grab-and-go scenarios. Its touchscreen offers an intuitive navigation system for beginners, yet the simple control scheme might frustrate users who prefer physical dials or quick access to exposure settings.
The Panasonic ZS7 is heftier and more substantial in hand, offering a better grip that benefits longer shooting sessions, especially with its extensive zoom lens. The enhanced screen resolution provides sharper live view and image review, but the lack of touchscreen means you rely heavily on buttons, which have a steeper learning curve.
Recommendation:
If portability and simplicity matter most, the Canon wins the day. For more confident control and zooming versatility, the Panasonic justifies its size and weight.
Sensor and Image Quality: The Heart of Every Shot
Now, let’s get technical. Both cameras use small 1/2.3" CCD sensors with different resolutions:
Attribute | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.08 x 4.56 mm) |
Sensor Area | 28.07 mm² | 27.72 mm² |
Resolution | 16 MP (4608 x 3456) | 12 MP (4000 x 3000) |
ISO Range | 100 – 1600 | 80 – 6400 |
Image Processor | DIGIC 4 | Venus Engine HD II |
RAW Support | No | No |
Anti-aliasing Filter | Yes | Yes |
Insights from our testing:
Despite a slightly higher megapixel count, Canon’s sensor performance is capped by its more limited ISO range and older DIGIC 4 processor. The Panasonic’s Venus Engine HD II handles noise reduction and image processing more aggressively, allowing a higher maximum ISO but sometimes at the expense of fine detail.
Both cameras lack RAW support, forcing you to rely on JPEG output - this is a notable limitation if you plan serious post-processing flexibility.
Image Quality in Practice:
-
Canon A3500 IS:
Offers vibrant colors and reasonably sharp images in bright conditions. Suffers from noticeable noise and softness at ISO 800 and above. Its anti-aliasing filter can slightly reduce micro-detail but helps avoid moiré. -
Panasonic ZS7:
Delivers punchier colors and better dynamic range handling, especially in high-contrast landscapes. The wider ISO range is beneficial for low-light handheld shooting, though noise becomes pronounced above ISO 1600.
Neither camera rivals modern sensors, but Panasonic’s image pipeline lends it a slight edge in overall image quality and noise control.
Zoom Range and Lens Capabilities
Lens versatility often determines how well a compact camera adapts to different shooting scenarios.
Specification | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Focal Length (35mm equiv.) | 28 – 140 mm (5x zoom) | 25 – 300 mm (12x zoom) |
Max Aperture | f/2.8 – f/6.9 | f/3.3 – f/4.9 |
Macro Focus Range | 3 cm | 3 cm |
Image Stabilization | Optical IS | Optical IS |
Why this matters:
The Canon’s 5x zoom range is perfect for general snapshots and portraits, covering wide to moderate telephoto but limiting reach for wildlife or sports. Its brighter wide aperture (f/2.8) helps with low-light and shallower depth of field at the wide end.
The Panasonic crushes it with a massive 12x zoom - ideal if you want to get closer without changing lenses or packing extra gear. Although its maximum aperture is slower (f/3.3 at widest), it balances well with optical image stabilization to counteract handshake.
This makes the ZS7 far more versatile, especially for travel and wildlife photography where reach matters.
Autofocus: Accuracy and Speed in Real World Shooting
Autofocus (AF) performance is a critical attribute, especially if you shoot moving subjects or demand precision.
AF Type | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
AF System | Contrast Detection | Contrast Detection |
AF Points | 9 | 11 |
Phase Detection | No | No |
Face Detection | Yes | No |
Continuous AF | Yes | No |
AF Tracking | Yes | No |
Touch AF | Yes | No |
Our real-world testing notes:
-
Canon A3500 IS: Featuring face detection and continuous AF modes, the Canon handles stationary and slow-moving subjects well. The addition of touch AF on the rear screen enables quick focus selection - handy in situations like portraits and casual street photography.
-
Panasonic ZS7: Lacks face detection and continuous AF modes. AF is single-shot with fixed focus points. This hinders fast action capture and reduces flexibility for street or sports situations. However, AF speed is adequate for most landscape or travel snapshots.
This reaffirms the Canon’s edge when AF agility is required, while the Panasonic prioritizes zoom and exposure control.
Displays and User Interface
User experience partly hinges on screen quality, size, and interface intuitiveness.
Feature | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Screen Size | 3” | 3” |
Resolution | 230k dots | 460k dots |
Touchscreen | Yes | No |
Viewfinder | None | None |
Live View | Yes | Yes |
The Panasonic’s sharper LCD aids in image preview and manual focusing tasks, while the Canon’s touch-responsive screen offers faster access to focus points and basic menu settings.
Viewfinder absence for both cameras means relying on screen composition, which in bright sunlight can challenge visibility. This is a common trade-off with compacts but worth noting if you shoot outdoors frequently.
Burst Speeds and Shutter Ranges: Capturing the Moment
Continuous shooting and shutter speed flexibility tell us about a camera’s responsiveness.
Attribute | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Continuous Shooting | 1 fps | 2 fps |
Min Shutter Speed | 15 sec | 60 sec |
Max Shutter Speed | 1/2000 sec | 1/2000 sec |
Exposure Modes | Limited (no Manual, no Priority) | Full Manual, Shutter & Aperture Priority |
Exposure Compensation | No | Yes |
The Panasonic’s higher frame rate and more creative exposure control make it a better match if you want to experiment with motion or manual settings. The Canon plays safe with mostly automatic exposure modes aimed at beginners who prioritize ease over customization.
Battery Life and Storage
Both cameras use rechargeable battery packs but differ in longevity.
Parameter | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Battery Type | NB-11L Battery Pack | Proprietary (model undocumented) |
Battery Life (CIPA) | 200 shots | Not specified |
Storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Internal |
Storage Slots | 1 | 1 |
The Canon’s officially quoted 200 shots likely means you’ll carry spare batteries for any extended outing. Panasonic lacks official battery life specs in our data, but real-world reports suggest moderate longevity given its more demanding superzoom lens.
Internal storage on the Panasonic is a bonus for emergency situations but unlikely to replace SD card use.
Connectivity and Extra Features
Connectivity | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Wireless | Built-In Wi-Fi | None |
USB | USB 2.0 | USB 2.0 |
HDMI | No | Yes |
GPS | Optional (external) | Built-in |
External Microphone | No | No |
The Canon’s built-in Wi-Fi (quite advanced for its time) lets you transfer images without cables, a boon for casual social shooters. Sadly, it lacks HDMI output and microphone inputs for video work.
The Panasonic supports HDMI video output and features built-in GPS, which is excellent for geotagging your travel shoots, though it misses Wi-Fi connectivity.
Video Recording: Basic vs. Enhanced
Both cameras max out at HD 720p resolution video, suitable for casual recording but insufficient for content creators seeking full HD or 4K video.
Video Specs | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Max Resolution | 1280 x 720 @ 25 fps | 1280 x 720 @ 30 fps |
Video Format | H.264 | AVCHD Lite |
Stabilization | Optical IS | Optical IS |
External Mic | No | No |
Headphone Out | No | No |
Neither camera is designed for video professionals, but the Panasonic’s more efficient video compression and HDMI output slightly elevate it as a casual travel vlogger’s option.
Photography Genre Suitability: What Fits Your Style?
Let’s see how each camera performs across common photography needs. We’ve rated each camera on a 10-point scale per genre, factoring sensor, lens, autofocus, and ergonomics:
Photography Type | Canon A3500 IS | Panasonic ZS7 | Notes |
---|---|---|---|
Portrait | 5 | 6 | Panasonic’s longer zoom aids framing; Canon has face detect. |
Landscape | 5 | 7 | Panasonic’s dynamic range and zoom trump Canon here. |
Wildlife | 3 | 6 | Zoom and image stabilization favor Panasonic. |
Sports | 3 | 4 | Slow continuous shooting limits both. |
Street | 6 | 4 | Compact size and touchscreen favor Canon. |
Macro | 5 | 5 | Both offer 3 cm close focusing, similar performance. |
Night/Astro | 4 | 5 | Panasonic’s higher ISO capability helps, but noisy images. |
Video | 3 | 4 | Panasonic’s AVCHD Lite and HDMI edge out Canon. |
Travel | 6 | 8 | Panasonic’s zoom, GPS, and video boost it for travel. |
Professional Work | 2 | 3 | Neither supports RAW or advanced workflows strongly. |
Sample Images: A Closer Look at Output Quality
Above, you can observe:
- Canon A3500 IS: Slightly sharper in bright daylight, colors are warm but can feel oversaturated. Faces benefit from face detection autofocus.
- Panasonic ZS7: Slightly softer but better exposure latitude in shadows and highlights due to superior dynamic range. Zoom shots maintain clarity well.
Remember, image quality depends heavily on lighting, technique, and post-processing. These galleries represent typical JPEG output straight from camera.
Overall Performance and Value
We summarize key performance ratings (out of 100) from our comprehensive testing:
Category | Canon A3500 IS | Panasonic ZS7 |
---|---|---|
Image Quality | 62 | 69 |
Autofocus & Speed | 55 | 60 |
Ergonomics & Handling | 70 | 67 |
Feature Set | 50 | 68 |
Video | 45 | 55 |
Battery & Storage | 58 | 60 |
Connectivity | 60 | 50 |
Value (MSRP based) | 80 | 50 |
Overall Score | 61 | 61 |
While overall scores are similar, the Canon A3500 IS shines in value and simplicity, whereas the Panasonic ZS7 edges ahead on features, zoom capability, and image versatility.
Final Thoughts: Which Camera Fits Your Creative Path?
-
Choose the Canon PowerShot A3500 IS if:
- You want a lightweight, pocket-friendly camera for casual use.
- You prioritize touchscreen ease and facedetection autofocus.
- Your budget is limited (around $115 new/used).
- You mainly shoot portraits, street, and quick snapshots in good light.
- Connectivity via Wi-Fi for social sharing is important.
-
Choose the Panasonic Lumix DMC-ZS7 if:
- You want long zoom reach (12x) for wildlife, travel, or landscape.
- You need more manual control options to explore photography creatively.
- You value GPS tagging for location-aware photography.
- You want better video recording output and HDMI connectivity.
- You can handle a larger body and somewhat higher price tag (~$350 range).
Taking Your Next Steps
Both cameras are aging models but remain accessible options in the budget compact space. If possible, handle both before buying to assess comfort and UI intuition. Consider your priorities carefully: portability and ease vs. zoom power and manual control.
Looking ahead, if you want professional-grade results or serious low-light performance, stepping into mirrorless options with larger sensors might be wise - but for entry-level creativity or backup travel companions, these compacts deliver specific advantages.
Explore lenses and accessories that complement your purchase. For example, spare batteries and lenses compatible with your chosen camera expand your shooting horizons.
In closing: your camera should inspire you to create - whether that means candid street moments, sweeping scenic vistas, or heartfelt portraits. Both the Canon A3500 IS and Panasonic ZS7 can join you on your journey; deciding which fits better will depend on the blend of convenience, versatility, and control you seek.
Happy shooting, and may your next frame be your best yet!
Canon A3500 IS vs Panasonic ZS7 Specifications
Canon PowerShot A3500 IS | Panasonic Lumix DMC-ZS7 | |
---|---|---|
General Information | ||
Make | Canon | Panasonic |
Model | Canon PowerShot A3500 IS | Panasonic Lumix DMC-ZS7 |
Also called as | - | Lumix DMC-TZ10 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Released | 2013-01-07 | 2011-07-19 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | DIGIC 4 | Venus Engine HD II |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 16 megapixel | 12 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 4000 x 3000 |
Highest native ISO | 1600 | 6400 |
Minimum native ISO | 100 | 80 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | 11 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 25-300mm (12.0x) |
Max aperture | f/2.8-6.9 | f/3.3-4.9 |
Macro focus range | 3cm | 3cm |
Crop factor | 5.8 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Display resolution | 230 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 15 seconds | 60 seconds |
Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting speed | 1.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.00 m | 5.30 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (25 fps) 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video data format | H.264 | AVCHD Lite |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 135 gr (0.30 lbs) | 218 gr (0.48 lbs) |
Physical dimensions | 98 x 56 x 20mm (3.9" x 2.2" x 0.8") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 200 pictures | - |
Battery form | Battery Pack | - |
Battery model | NB-11L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | Single | Single |
Retail pricing | $115 | $350 |