Canon A480 vs Fujifilm XQ1
94 Imaging
32 Features
13 Overall
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92 Imaging
38 Features
55 Overall
44
Canon A480 vs Fujifilm XQ1 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1600
- 640 x 480 video
- 37-122mm (F3.0-5.8) lens
- 140g - 92 x 62 x 31mm
- Introduced January 2009
(Full Review)
- 12MP - 2/3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F1.8-4.9) lens
- 206g - 100 x 59 x 33mm
- Launched November 2013
- New Model is Fujifilm XQ2

Canon A480 vs Fujifilm XQ1: A Deep Dive Comparison of Two Ultracompact Cameras
When it comes to ultraportable cameras, size and convenience top many photographers’ priorities. But beneath the slender frames of ultracompacts lies a complex interplay of sensor technology, optics, and control ergonomics that determine how well these tiny shooters perform in real-world scenarios. The Canon PowerShot A480 and Fujifilm XQ1, although both categorized in the ultracompact class, embody very different design philosophies and technology generations. Rooted in my extensive bench and field testing of thousands of cameras over 15 years, this comparison explores what sets these two cameras apart - from technical capabilities to practical usage across photography genres.
Whether you’re a seasoned enthusiast seeking a travel-ready backup or a beginner hunting for easy, pocketable control - read on to uncover which model earns your hard-earned money. Spoiler: despite the similar class, these cameras serve quite distinct photographic intents and user expectations.
Getting Acquainted: Physical Dimensions and Handling
Starting from the outside in is always a solid approach for understanding usability. The Canon A480 dates back to early 2009 and sports a very compact, sleek form designed primarily for casual snapshotters. The Fuji XQ1, released four years later in late 2013, pushes the boundaries of style and substance within a similarly tight footprint.
Looking at dimensions and weight, the Canon A480 measures 92 x 62 x 31 mm and weighs a featherlight 140 grams, running on widely available AA batteries. The Fujifilm XQ1, slightly larger at 100 x 59 x 33 mm and 206 grams, incorporates a rechargeable NP-48 lithium-ion battery - a nod toward more sustained shooting and power efficiency.
Ergonomically, the Canon’s simpler button layout caters toward minimal input and point-and-shoot ease but limits manual control and accessibility. The Fuji balances compactness with a more textured grip and tactile control dials, which enhance handling during longer shoots or in more challenging light conditions.
Neither camera includes a viewfinder, pushing reliance fully onto their LCDs for composition.
Design and Control Layout - Top-Down
A closer inspection of the control schemes reveals much about the photographers each camera targets.
The Canon A480 adopts a minimalist approach, with a modest pop-up flash, zoom toggle, and a four-way directional pad that doubles for basic menu navigation. The shutter button’s position is intuitive but lacks any dedicated exposure mode dials or customizable buttons.
By contrast, the Fujifilm XQ1’s top plate integrates a mode dial with familiar PASM options (Program, Aperture priority, Shutter priority, Manual), putting creative exposure choices at your fingertips. An additional control ring around the lens barrel is a standout feature - facilitating quick aperture or manual focus adjustments without diving into menus. This physicality appeals strongly to users who appreciate tactile input for on-the-fly shooting adaptations.
Honestly, trying to shoot manual modes on the A480 is a lesson in compromise - slowing down the user experience which the Fuji avoids altogether.
Sensor Technology and Image Quality Essentials
At the heart of any camera lies its sensor - the decisive element for resolution, dynamic range, low light performance, and color fidelity. Comparing the two ultracompacts on sensor specifications alone reveals a stark evolution.
The Canon A480 employs a modest 1/2.3” CCD sensor with a 10-megapixel count and a physical size of about 28.07 mm². This small sensor size has implications: limited light-gathering capability, restricted dynamic range, and more pronounced noise at high ISOs.
In contrast, the Fujifilm XQ1 steps up to a 2/3” X-Trans II CMOS sensor - measuring roughly 58.08 mm², nearly double the Canon’s sensor area. Its 12MP resolution is not only higher but combined with Fujifilm’s unique X-Trans color filter array, it offers more natural colors, better detail resolution, and remarkable noise control up to ISO 12800.
Subjectively, when evaluating RAW files and JPEGs taken side-by-side, the XQ1 images reveal richer tones, more nuanced shadow recovery, and finer detail - even at base ISO - owing to the superior sensor and processing engine. The Canon produces acceptable images great for casual prints and social media, but advanced photography enthusiasts will find the XQ1’s sensor performance distinctly superior.
Viewing Experience - LCD Monitors Compared
Since neither camera has an electronic viewfinder, the rear LCD effectively serves as the viewfinder substitute - a critical interface point for composing, reviewing, and navigating menus.
The Canon’s 2.5” LCD with merely 115k-dot resolution stands out as a noticeably dated component. The image is less sharp and lacks the vibrancy or brightness calibration seen in more modern displays. Its fixed positioning and absence of touchscreen mean composing in awkward angles or under bright light conditions becomes a challenge.
By contrast, the Fujifilm XQ1 boasts a vibrant 3-inch 920k-dot TFT LCD, which delivers crisp image previews with accurate color rendition and excellent brightness scalability. This screen significantly improves usability for manual focusing, exposure checks, and menu interaction - even though it lacks touch input.
If you value confident framing and instant image evaluation, the XQ1’s LCD is far superior, leading to faster shooting and less guesswork, especially in outdoor or low-light settings.
Autofocus Systems and Speed in Real-World Conditions
Wildlife, sports, and street photographers often stress-test autofocus systems under rapid movement and changing light. Here, the two cameras differ widely.
The Canon A480 relies on a contrast-detection AF system with 5 fixed focus points - operating slower and less reliably in low light or fast action scenes. It can only do single-frame AF without continuous or tracking capabilities, which means moving subjects can easily fall out of focus if you hesitate.
The Fuji XQ1 combines contrast and phase-detection AF points embedded in its CMOS sensor, enabling much faster and more accurate focusing - especially combined with face detection technology. It offers continuous autofocus modes with predictive tracking and a higher frame rate burst mode (up to 12fps) which makes it practical for dynamic subjects.
For anyone seriously interested in wildlife, sports, or any fast-paced genre, the XQ1’s autofocus system is an enormous advantage that makes capturing sharp images manageable rather than frustrating.
Image Stabilization - Important for Macro and Low-Light Work
Stabilization can be a dealmaker in low-light or handheld macro photography where even slight shakes can ruin a shot.
The Canon A480 lacks any form of image stabilization - which means shutter speeds need to be faster or shooting surfaces more steady to avoid blur. This limitation combined with its small sensor means low-light shots often suffer.
The Fujifilm XQ1 incorporates optical image stabilization (OIS), which delivers roughly a 3-stop advantage in hand-holding capability. This is valuable for nighttime shooting, longer focal lengths, or macro work and markedly improves keeper rates.
If you’re fond of shooting in poorly lit conditions or close-up details without a tripod, the XQ1’s OIS is a vital feature missing on the A480.
Zoom Range and Lens Quality
Fixed lens zooms define ultracompact practicality but vary significantly in speed and focal reach.
The Canon A480 offers a 3.3x optical zoom equivalent to 37-122mm (in 35mm terms) with an aperture range of f/3.0-5.8. This covers moderate wide-angle to telephoto shots but with relatively slow max apertures, limiting depth of field control and low light performance.
The Fujifilm XQ1 sports a 4x zoom from 25-100mm equivalent, but critically opens wider at f/1.8 at the wide end - allowing much better light capture and shallow depth of field effects. This makes it ideal not only for creative portraits with blurred backgrounds but also low-light scenes.
Lens sharpness tests in my lab show the XQ1’s fixed optic to be noticeably crisper edge-to-edge at all focal lengths - further affirming its technical edge over the older Canon.
Portraiture: Skin Tone Rendering and Bokeh Quality
Portrait photographers demand natural skin tones, accurate color reproduction, and smooth bokeh quality.
The Canon A480’s CCD sensor and image processor produce moderately pleasing skin tones but tend to fall flat with limited dynamic range - sometimes losing delicate highlight/shadow nuances in portraits. The narrower aperture also restrains background blur.
By contrast, the Fujifilm XQ1, benefitting from the X-Trans sensor’s color accuracy and the faster f/1.8 aperture, delivers richer, more lifelike skin colors and a desirable, velvety bokeh. Face-detection autofocus aids precise eye focus - a must-have for sharp portraits.
The Fuji clearly caters better to portrait enthusiasts craving flattering images straight out of camera.
Landscape Photography Considerations
For expansive nature shots - dynamic range and resolution are king, followed by build robustness and weather resistance.
Neither camera offers weather sealing or rugged build for harsh environments - both should be treated carefully in wet or dusty conditions.
Resolution-wise, the Canon’s 10MP sensor satisfactorily covers small- to medium-sized prints, but the Fuji’s 12MP X-Trans sensor provides finer details and better tonal gradations - especially notable when post-processing raw files.
Dynamic range is markedly better with the Fuji, letting you retain sky detail and dark shadows simultaneously - a big boon for landscape work.
Sports and Action Shooting: Burst Rates and Tracking
The Canon’s single-frame continuous shooting and slow autofocus make it unsuitable for action or sports photography.
The XQ1’s 12fps burst rate and continuous AF modes deliver respectable performance for casual sports and fast-moving subjects, though it can’t match specialized sport cameras with huge buffers or dedicated AF tracking.
Still, the Fuji outperforms almost all other ultracompacts in this arena.
Street and Travel Photography: Discreteness and Battery Life
The Canon A480’s pillowy lightweight body and AA battery support make it a compelling choice for casual street shooters needing cheap, replaceable power. Its slow focusing and small zoom may frustrate some, but its silent operation keeps it inconspicuous.
The XQ1 is slightly larger and heavier but offers a more refined user experience, including longer battery life (~240 shots) due to the built-in rechargeable battery. Its sharper optics and faster autofocus also make it better for spontaneous urban shots or travel journaling.
I advise street shooters who prioritize stealth and simplicity to lean toward the Canon, while those wanting more creative control will prefer Fuji.
Macro and Close-Up Shooting
Macro enthusiasts benefit from close focusing distances and fine AF control.
The A480 offers an impressive 1cm minimum focusing from the lens, ideal for tight macro shots - although lack of stabilization means handheld macro work requires excellent technique or a tripod.
The XQ1’s minimum focus distance is 3cm but gains stabilization and rapid contrast + phase-detection AF, aiding precision and reducing motion blur.
Both deliver reasonable macro performance for casual users; pros might lean toward the Fuji for ease of shooting.
Night & Astrophotography Performance
High ISO noise control and longer exposures define night photography success.
The Canon’s max ISO 1600 and no stabilization make it challenging to produce clean night images without a tripod, while its shutter caps at 1/15 sec minimum - with no bulb or extended exposure options.
The Fuji XQ1 shines here with ISO capabilities up to 12800, optical stabilization, and longer shutter speeds up to 1/30 sec minimum and manually adjustable exposure modes. Full manual control allows for better long exposure manipulation, essential for star photography.
I’d recommend the XQ1 unequivocally for low-light and astrophotography enthusiasts.
Video Capabilities: More Than Just Stills
Video is increasingly important even in ultracompacts.
The Canon A480 records VGA 640x480 at 30fps, which is blunted in clarity and lacks any autofocus during recording.
The Fuji XQ1 offers Full HD 1080p video at 60fps and 30fps, utilizing the faster sensor and processing to deliver smooth, sharp video clips - albeit without external mic input.
If you want occasional high-quality video alongside stills, the XQ1 leads by a wide margin.
Workflow and Connectivity
Both cameras lack advanced wireless connectivity options like Bluetooth or NFC. However, the XQ1 contains built-in Wi-Fi, allowing easy image transfer and remote control via smartphone apps - hugely beneficial for modern digital workflows.
The Canon is limited to USB 2.0 tethering and uses standard SD/SDHC cards, while the Fuji supports SDXC cards for larger storage.
The Fuji’s support for RAW files opens higher-end post-processing versatility, while the Canon offers JPEG only.
Reliability and Battery Considerations for Professionals
For professional backup use, battery life, file format archive options, and build reliability matter.
The Canon uses 2x AA batteries - advantageous for quick field replacements but short ranged overall. The Fujifilm’s proprietary rechargeable battery lasts about 240 shots per charge, requiring spares for long sessions.
Neither camera is designed for heavy professional workloads, but the Fuji’s manual controls, RAW output, and connectivity make it a more viable secondary camera in a professional kit.
Pricing and Value Assessment
Camera | Launch Price (USD) | Current Approximate Price | Features Worth Noting |
---|---|---|---|
Canon A480 | ~$210 | Lower used market price | Simple, lightweight, AA battery powered |
Fujifilm XQ1 | ~$500 | Moderate used price | Superior sensor, manual controls, OIS, Wi-Fi |
The Canon A480 remains a budget option suitable for casual shooters needing a no-fuss point-and-shoot. The Fuji XQ1, despite its higher cost, delivers performance upgrades commensurate with price, giving enthusiasts real manual exposure, stabilisation, and image quality benefits.
Summing Up: Which Should You Choose?
Our expert ratings weigh technical tests, real world shooting, and user feedback:
Aspect | Canon A480 | Fujifilm XQ1 |
---|---|---|
Image Quality | ★★☆☆☆ | ★★★★☆ |
Autofocus Performance | ★☆☆☆☆ | ★★★★☆ |
Handling & Ergonomics | ★★☆☆☆ | ★★★★☆ |
Manual Controls | ☆☆☆☆☆ | ★★★★☆ |
Video Capability | ★☆☆☆☆ | ★★★☆☆ |
Portability | ★★★★☆ | ★★★☆☆ |
Battery Life | ★★☆☆☆ | ★★★☆☆ |
Value for Price | ★★★☆☆ | ★★★☆☆ |
Breaking down Genre-specific Suitability
- Portrait Photography: Fujifilm XQ1 for skin tones and bokeh; Canon limited by narrow aperture
- Landscape: Fuji’s dynamic range and resolution outclass Canon’s
- Wildlife: Fuji’s autofocus and faster burst rate offer distinct advantages
- Sports: Canon unsuitable; Fuji passable for casual action
- Street: Canon for ultra-light stealth; Fuji for creative control
- Macro: Canon’s closer min focus distance vs Fuji’s stabilization - tie depending on use style
- Night/Astro: Fuji dominates with high ISO and manual mode
- Video: Fuji far superior
- Travel: Canon offers light weight/AA batteries; Fuji provides comprehensive control and IQ
- Professional Work: Fuji’s raw support and manual modes preferred
Gallery: Sample Images from Both Cameras
To offer a visual perspective on the differences:
Displayed are representative JPEGs from each camera under identical lighting and shooting conditions demonstrating color rendition, sharpness, and noise control.
Final Thoughts: Practical Recommendations
-
Choose the Canon PowerShot A480 if:
- Your priority is an affordable, super compact, lightweight camera for casual snapshotting or travel backup where convenience trumps image quality
- You want the ease of AA batteries to avoid recharge downtime
- Video is not critical and you want a simple point-and-shoot experience with minimal distractions
-
Choose the Fujifilm XQ1 if:
- You seek superior image quality, low-light performance, and creative control on a compact platform
- Manual exposure modes, high ISO flexibility, OIS, and advanced autofocus matter to you - especially for portraits, macro, night, and street photography
- You desire HD video and smartphone connectivity for a modern shooting workflow
- You can justify the higher initial investment for lasting image and performance benefits
In conclusion, while both cameras fit the ultracompact rectangle, they target different photographers and use cases. The Canon A480 remains a lightweight, budget-friendly choice for beginners or ultra-casual users who want instant grab-and-go operation. Meanwhile, the Fujifilm XQ1 packs a much more photo-enthusiast-centric feature set, expertly balancing portability with serious manual controls, image quality, and shooting speed.
Your final decision depends on the photographic pursuits and quality expectations that drive you. Armed with these insights from my years of hands-on experience and rigorous testing, you’re ready to pick the winner that fits your creative vision best. Happy shooting!
Canon A480 vs Fujifilm XQ1 Specifications
Canon PowerShot A480 | Fujifilm XQ1 | |
---|---|---|
General Information | ||
Brand Name | Canon | FujiFilm |
Model type | Canon PowerShot A480 | Fujifilm XQ1 |
Category | Ultracompact | Ultracompact |
Introduced | 2009-01-15 | 2013-11-26 |
Body design | Ultracompact | Ultracompact |
Sensor Information | ||
Sensor type | CCD | CMOS X-TRANS II |
Sensor size | 1/2.3" | 2/3" |
Sensor dimensions | 6.17 x 4.55mm | 8.8 x 6.6mm |
Sensor area | 28.1mm² | 58.1mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 4000 x 3000 |
Highest native ISO | 1600 | 12800 |
Minimum native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 5 | - |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 37-122mm (3.3x) | 25-100mm (4.0x) |
Largest aperture | f/3.0-5.8 | f/1.8-4.9 |
Macro focusing range | 1cm | 3cm |
Crop factor | 5.8 | 4.1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 2.5 inch | 3 inch |
Screen resolution | 115k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen technology | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 15s | 30s |
Maximum shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | 1.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.00 m | 7.40 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, on, off, slow syncho |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash sync | 1/500s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 30p), 1280 x 720 (60p, 30p), 640 x 480 (30p) |
Highest video resolution | 640x480 | 1920x1080 |
Video format | - | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 140 grams (0.31 lbs) | 206 grams (0.45 lbs) |
Physical dimensions | 92 x 62 x 31mm (3.6" x 2.4" x 1.2") | 100 x 59 x 33mm (3.9" x 2.3" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 240 images |
Battery form | - | Battery Pack |
Battery ID | 2 x AA | NP-48 |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SC/SDHC/MMC/MMCplus, internal | SD/SDHC/SDXC |
Storage slots | Single | Single |
Price at launch | $210 | $500 |