Canon ELPH 530 HS vs Olympus SP-610UZ
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Canon ELPH 530 HS vs Olympus SP-610UZ Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3.2" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-336mm (F3.4-5.6) lens
- 163g - 86 x 54 x 20mm
- Introduced February 2012
- Alternate Name is IXUS 510 HS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-616mm (F3.3-5.7) lens
- 405g - 107 x 73 x 73mm
- Introduced January 2011
- Previous Model is Olympus SP-600 UZ
- Successor is Olympus SP-620 UZ
Snapchat Adds Watermarks to AI-Created Images Canon ELPH 530 HS vs Olympus SP-610UZ: Deep-Dive into Two Small Sensor Superzooms
When browsing cameras under the $300 mark, especially in the compact superzoom niche, it’s easy to get dazzled by flashy zoom specs and snappy features on paper. But as someone who’s wrangled dozens of these little optic workhorses over the last decade and a half - testing under varied lighting, frantic action, and pixel-pushing landscapes - I can attest that real-world performance tells a far richer story than spec sheets alone. Today, let’s peel back the layers and pit two contenders from the early 2010s against each other: Canon’s PowerShot ELPH 530 HS and Olympus’s SP-610UZ. Both are small sensor superzooms, but their designs, sensor tech, and feature sets make for an interesting contrast. We’ll explore every corner – physically, optically, and usability-wise – so you can decide which fits your style and needs.

Hands On: Size, Build, and Ergonomics
Right out of the gate, these two feel worlds apart in the hand. The Canon ELPH 530 HS is the quintessential sleek, pocket-friendly compact - its diminutive 86x54x20mm body and featherlike 163-gram weight make it a natural companion for minimalist travelers or casual shooters who loathe lugging gear. Ergonomically, it’s simple, with its minimalist control scheme relying heavily on touchscreen input and straightforward button placement.
Conversely, the Olympus SP-610UZ is obliterating that portability ideal - a chunky, bristling slab at 107x73x73mm and tipping the scales at a hefty 405 grams. It’s not just big for its class; it’s catching serious bulk - partly an unavoidable consequence of its gargantuan 22x zoom range (28-616mm equivalent). Grip comfort takes a hit for small hands despite the deeper handhold, and the plastic-heavy build lacks any weather sealing, so rough conditions may be its nemesis.
Ergonomically, the Canon leans modern and touchscreen-oriented, while Olympus sticks closer to episodic point-and-shoot controls - no touchscreen here, meaning more reliance on physical buttons which some shooters find more tactile and reliable, especially outside bright sunlight or gloves.

Inspecting the Control Layouts
Flipping to the top view reveals further practical nuances. The Canon features a modest mode dial with straightforward toggles for shooting modes and exposure adjustments handled via the touchscreen interface. It’s a clean, tidy top deck that keeps distractions to a minimum. The dedicated video button lets you jump into 1080p recording without menu diving - a small, thoughtful touch.
Olympus, true to its bulkier body, sports more pronounced physical buttons and a zoom rocker wrapped nicely around the shutter release - dedicated controls are handy but also contribute to a steeper learning curve for casual users. Notably absent is touchscreen control, so expect more button mashing if you crave quick settings changes.
Sensor Size and Image Quality: The Heart of the Matter
Both cameras share the same sensor format - a 1/2.3-inch sensor measuring 6.17x4.55mm with a sensor surface area of roughly 28 square millimeters. But herein lies a crucial difference: Canon’s uses a more modern 10MP backside-illuminated (BSI) CMOS sensor paired with DIGIC 5 image processor, whereas Olympus sticks with an older 14MP CCD sensor utilizing the TruePic III processor.
This contrast spells divergent performance in image quality and noise handling. The BSI-CMOS sensor on the Canon is more sensitive in low-light and delivers better dynamic range, thanks in part to its newer design favoring higher ISO usability. In contrast, the Olympus sensor, while higher resolution on paper, tends toward noisier images at anything past ISO 400 and can struggle to retain highlight detail.
Image quality assessment in outdoor shoots confirms this: Canon’s images exhibit cleaner shadows and more balanced exposure transitions, while Olympus images sometimes reveal overexposed highlights, fading midtones, and grain emerging earlier. Of course, the loss in megapixels on the Canon is not a big deal at these compact sensor sizes - you’re trading resolution for better tonal gradation and less noise, which often matters more to daily shooters.

LCD and Viewfinder Usability
Both cameras dispense with optical or electronic viewfinders, so the rear LCD screen is the window to your shot. The Canon ELPH sports a 3.2-inch PureColor II Touch TFT LCD at a modest 461k-dot resolution. The touchscreen is responsive and pleasant to use, offering quick focusing adjustments and intuitive menu navigation - something I found very helpful during walk-around shooting sessions.
The Olympus’s 3-inch TFT LCD is non-touch with only 230k-dot resolution, somewhat dimmer and prone to reflections in bright daylight. The lack of modern touchscreen input slows setting changes and can feel cumbersome if you’re accustomed to smartphones or more recent compacts.

Image Capture and Autofocus Performance
When it comes to focus systems, both cameras are limited by their compact design and sensor size, yet with some key differences:
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Canon ELPH 530 HS: Utilizes a 9-point contrast-detection AF system with face detection and continuous autofocus. It offers touch AF via the screen, which helps in locking onto faces efficiently, a handy feature for casual portraits or family snapshots. Autofocus speed is modest but fairly consistent in good light, though it can slow in low light or tricky contrast conditions.
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Olympus SP-610UZ: Sports 11 contrast-detection AF points but lacks face detection and continuous tracking AF. The autofocus feels less responsive, especially in low light or with moving subjects, and you must rely on a single AF point selection. No touchscreen AF means less flexibility unless the subject sits squarely in the middle.
Neither camera is a speed demon - burst shooting on the Canon maxes out at 3 fps, while Olympus trails at a sluggish 1 fps. For wildlife or sports, neither will win awards, but for casual snapshots or static scenes, they suffice.
Zoom Lenses: Versatility vs Practicality
This is the axis where the Olympus SP-610UZ boasts undeniable supremacy: a dramatic 22x optical zoom lens spanning 28mm to an impressive 616mm equivalent range (f/3.3-5.7). This kind of reach delivers extraordinary reach flexibility - think distant wildlife, subtle landscape details, or close-ups from across the room without lugging big glass.
However, this zoom breadth arrives with optical tradeoffs. The lens tends to suffer from more pronounced chromatic aberrations and softness in the extreme telephoto end, especially in lower light. The smaller aperture at the longer focal lengths (f/5.7) challenges image sharpness and ISO performance.
Canon’s more modest 12x 28-336mm equivalent lens (f/3.4-5.6) prioritizes a balance between compactness and practical zoom range. Optically, it's sharper in the 28-100mm range, ideal for portraits and general use, and delivers more consistent edge-to-edge clarity. However, if extreme telephoto reach is your jam, Canon’s reach might feel limiting.
Both lenses macro focus down to 1cm, but the Canon provides a slightly more comfortable working distance for close-ups and better image stabilization performance thanks to its optical stabilization system. Olympus relies on sensor-shift stabilization, which can be effective but sometimes less forgiving at maximum zoom or in aggressive panning sequences.
Burst, Shutter, and Low-Light Performance
Neither camera is geared for high-speed shooting. The Canon’s 3 fps continuous shooting is adequate for casual action, while Olympus’s 1 fps burst rate feels more like a paced diary than a sports camera.
Minimum/maximum shutter speeds also reflect modest capabilities: Canon tops out at 1/4000s and slows to 15s shutter speed; Olympus ranges from 4s to 1/2000s. For night photographers, Canon’s ability to hang around longer exposures without resorting to bulb mode offers some creative playing field.
In low-light conditions, Canon’s BSI CMOS sensor paired with DIGIC 5 processing means cleaner ISO 800 and somewhat usable ISO 1600 photos, though grain starts creeping in there. Olympus’s older CCD sensor really struggles after ISO 400; noise dominates shadows and color fidelity drops.
Video: A Tale of Two Specs
If video is in your daily repertoire, Canon’s ELPH 530 HS shines a bit brighter. Full HD 1080p recording at 24fps with H.264 compression delivers watchable footage with decent color balance and stabilized handheld shots thanks to optical image stabilization.
Olympus settles for 720p HD video at 30fps using Motion JPEG compression, a dated codec that results in larger files and less efficient encoding. The lack of optical stabilization in video mode hampers smoothness, and overall, the video quality reflects its entry-level design.
Neither offers external microphone or headphone jacks, so audio recording is limited to built-in microphones. Both lack sophisticated video features like 4K or high-frame-rate slow motion.
Battery Life and Storage: Practical Considerations
Canon’s rechargeable NB-9L battery rates for about 190 shots per charge under CIPA testing. This is somewhat on the lower side, but realistic if you utilize the touchscreen and optical stabilization heavily. Quick USB charging or external portable chargers help mitigate.
Olympus beats that with a more user-serviceable setup: 4 AA batteries powering around 340 shots per set. This is nice if you plan on carrying spares and shooting remotely where recharging isn’t an option. Though AA batteries add bulk and weight, the convenience of swapping batteries on the fly is a plus.
Both cameras use removable microSD or SD cards, respectively, in a single slot; no dual card functionality – not unexpected in this class.
Connectivity and Extras
Canon includes built-in wireless for easy image transfer (probably Wi-Fi or proprietary Canon solution), and HDMI output for external display or playback. Olympus supports Eye-Fi wireless SD cards but lacks native Wi-Fi or touchscreen control.
Neither camera supports GPS, so geotagging depends on smartphone or external devices.
Price-to-Performance and Who Should Buy What?
At launch, the Canon ELPH 530 HS listed slightly cheaper ($250 vs. $300 for Olympus). Prices fluctuate today on the used or clearance market, but this tier remains affordable entry-level superzoom territory.
To elucidate the practical tradeoffs, let’s glance at sample images from both. Canon’s photos are noticeably cleaner at ISO 800 with better color fidelity and sharper details, whereas Olympus images show higher resolution but more noise and less dynamic range. Olympus impresses with reach, pulling distant subjects closer, but sometimes at the expense of detail and signal quality.
Across key metrics - image quality, autofocus speed, video, and handling - Canon scores well in usability and image quality, while Olympus nails zoom flexibility and battery life but lags behind for low light and autofocus.
How Do These Cameras Stack Up Across Photography Types?
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Portraits: Canon’s face detection autofocus and BSI sensor produce skin tones more pleasingly and more consistent backgrounds bokeh for casual intimacy. Olympus struggles without face recognition, and its longer zoom isn’t a natural fit here.
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Landscapes: Olympus wins in focal reach and resolution potential, but Canon’s better dynamic range and cleaner images make it more reliable for nuanced, shadow-rich scenes.
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Wildlife and Sports: Olympus’s 22x zoom is a major advantage to get closer to skittish wildlife, but slow 1 fps burst and sluggish autofocus limit its effectiveness for fast action. Canon’s more nimble AF and 3 fps burst are better for casual sports but limited zoom caps reach.
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Street Photography: Canon’s compact size, lower weight, and quiet operation make it far more practical for discreet shooting; Olympus’s bulk and slower AF mean more awkwardness and missed moments.
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Macro: Both have 1cm minimum focus but Canon’s superior stabilization and image processing help deliver better close-ups.
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Night and Astro: Canon’s longer shutter speeds and cleaner high ISO deliver shots with less noise and better color, Olympus can struggle here.
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Video: Canon’s full HD with OIS takes this crown; Olympus’s 720p and older codecs limit quality.
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Travel: Canon’s size, Wi-Fi, and battery system favor light travel; Olympus’s zoom and AA convenience suit longer trips off the grid.
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Professional Work: Neither truly fits professional needs, but Canon’s cleaner images and workflow-friendly options (better video, wireless) offer marginal advantages.
Final Thoughts: Which Camera Deserves Your Attention?
Both the Canon PowerShot ELPH 530 HS and Olympus SP-610UZ carve out their niches in the small sensor superzoom market. But choosing the right camera depends chiefly on your priorities:
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If portability, ease of use, better image quality in various lighting, video capability, and touchscreen control appeal to you, the Canon ELPH 530 HS is the smarter pick. It’s excellent for casual portrait, travel, and everyday photography with respectable features cramming into a tiny, sleek shell.
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If you need extreme zoom reach, longer battery life with removable AA cells, and a robust all-in-one long-range lens knowing you’ll sacrifice autofocus speed, low-light image quality, and compactness, the Olympus SP-610UZ makes more sense. It’s your “reach first, finesse later” partner for distant wildlife or landscapes where zoom range is king.
Despite their age now, both are surprisingly competent cameras in their respective zones. That said, today’s mirrorless and advanced compacts with larger sensors - even in similar price brackets - have overtaken these models in most respects, so I recommend them mostly if you find them at deeply discounted rates or as backup cameras with niche uses.
In the end, the Canon strikes me as the better all-rounder while Olympus caters to someone who prioritizes zoom sheen over polish. For me, it’s the Canon every time - mostly because I loathe fiddling with AA batteries and appreciate touchscreen convenience on the go. Your mileage may vary, but I hope this detailed comparison gives you a strong foundation for your next camera adventure.
Happy shooting!
Canon ELPH 530 HS vs Olympus SP-610UZ Specifications
| Canon PowerShot ELPH 530 HS | Olympus SP-610UZ | |
|---|---|---|
| General Information | ||
| Company | Canon | Olympus |
| Model type | Canon PowerShot ELPH 530 HS | Olympus SP-610UZ |
| Also Known as | IXUS 510 HS | - |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2012-02-07 | 2011-01-06 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | DIGIC 5 | TruePic III |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Max resolution | 3648 x 2736 | 4288 x 3216 |
| Max native ISO | 3200 | 3200 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | 11 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-336mm (12.0x) | 28-616mm (22.0x) |
| Highest aperture | f/3.4-5.6 | f/3.3-5.7 |
| Macro focusing distance | 1cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3.2 inches | 3 inches |
| Screen resolution | 461k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | PureColor II Touch TFT LCD | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15 seconds | 4 seconds |
| Max shutter speed | 1/4000 seconds | 1/2000 seconds |
| Continuous shutter rate | 3.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 2.50 m | 6.30 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Fill-in |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video file format | H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 163 gr (0.36 pounds) | 405 gr (0.89 pounds) |
| Dimensions | 86 x 54 x 20mm (3.4" x 2.1" x 0.8") | 107 x 73 x 73mm (4.2" x 2.9" x 2.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 190 images | 340 images |
| Battery type | Battery Pack | AA |
| Battery ID | NB-9L | 4 x AA |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 12 sec) |
| Time lapse shooting | ||
| Storage type | microSD/microSDHC/microSDXC | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Pricing at release | $250 | $299 |