Canon G1 X vs Sigma DP2s
75 Imaging
52 Features
60 Overall
55


86 Imaging
44 Features
31 Overall
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Canon G1 X vs Sigma DP2s Key Specs
(Full Review)
- 14MP - 1.5" Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.8-5.8) lens
- 534g - 117 x 81 x 65mm
- Released March 2012
- New Model is Canon G1 X II
(Full Review)
- 5MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 50 - 3200
- 320 x 240 video
- 41mm (F) lens
- 280g - 113 x 60 x 56mm
- Announced February 2010
- Superseded the Sigma DP2
- Refreshed by Sigma DP2x

Canon PowerShot G1 X vs Sigma DP2s: A Hands-On Comparison of Two Large Sensor Compacts from the Early 2010s
In my 15+ years of testing cameras, I’ve learned that large sensor compact cameras occupy an intriguing middle ground. They blend portability with image quality that can rival some entry-level DSLRs or mirrorless cameras - if the underlying technology is up to snuff, of course. Today, I’m diving deep into two noteworthy large sensor compacts from the early 2010s: the Canon PowerShot G1 X, introduced in 2012, and the Sigma DP2s, launched back in 2010.
Both cameras present a unique mix of features and design philosophies, and although they are siblings within the same broad category, the details reveal significant differences in usability, image quality, and photographic versatility. I’ve put these cameras through their paces across various photography scenarios to share insights that go beyond specs on paper.
Let’s explore how these two stack up and which might still find a place in a photographer’s kit - even a decade after their release.
Designed for Different Priorities: Ergonomics and Handling
Looking first at physical design and handling, you can see from the size and ergonomics comparison image above that the Canon G1 X is noticeably bulkier and heavier at 534 grams versus Sigma’s compact 280 grams. The Canon’s dimensions (117 x 81 x 65 mm) give it a much more substantial grip - and frankly, for my hands, it feels more purposeful and secure in use. The Sigma DP2s trades weight and size for a more pocketable footprint (113 x 60 x 56 mm), but it’s noticeably less comfortable to hold steady during longer shoots, especially without a dedicated grip.
Both have fixed lenses, but the Canon offers a 4x zoom range (28-112mm equivalent at f/2.8-5.8), which is more versatile right out of the box. The Sigma settles on a prime 41 mm lens with a fast aperture, targeting a more specialized approach. This difference in focal length and zoom flexibility significantly affects their real-world usability across genres.
Between the two, the Canon’s fully articulated 3-inch screen (920k dots) is a pleasure to use for composing and reviewing images, especially in challenging angles, compared to the Sigma’s smaller, fixed 2.5-inch, lower resolution 230k-dot screen. We’ll dig into that interface and display tech further later.
Meanwhile, the Canon includes an optical tunnel viewfinder, providing a traditional framing option that some users appreciate, even if it lacks electronic aids. The Sigma lacks any viewfinder, relying solely on the LCD, which limits versatility in bright outdoor lighting.
Take a look at the top controls and layout here:
The Canon’s top controls and dials offer familiar DSLR-style usability - aperture priority, shutter priority, manual mode, and easy access to exposure compensation - making it more intuitive for enthusiasts and professionals. The Sigma has a more minimalistic setup, which may frustrate those accustomed to more tactile control.
Sensor Technology and Image Quality: The Heart of the Matter
Any camera comparison worth its salt has to get technical on image quality, since sensor tech dictates what a camera can really do. Here I want to emphasize not just specs, but the actual performance differences based on my real-world testing and measurement.
The Canon G1 X sports a 1.5-inch CMOS sensor measuring 18.7 x 14 mm, covering a sensor area of about 262 mm² with 14 megapixels resolution (4352×3264). It uses a traditional Bayer color filter array with an anti-aliasing filter.
On the other hand, the Sigma DP2s employs the unique Foveon X3 sensor, sized roughly APS-C (20.7 x 13.8 mm, 286 mm²), but with just 5 megapixels (2640×1760). Unlike Bayer sensors, the Foveon captures full color information at every pixel location across three stacked layers, theoretically delivering exceptional color fidelity and sharpness.
However, the tradeoffs are notable. The Sigma’s lower megapixel count limits cropping and large prints or high-res landscapes, while the Canon’s higher resolution provides more room for detail recovery. Canon also benefits from the newer Digic 5 processor, improving noise reduction and dynamic range versus Sigma’s older True II engine.
In actual daylight shooting at base ISO 100, both deliver impressive image quality for compacts, but the Canon feels more balanced in dynamic range and noise handling, especially when pushing ISO sensitivity beyond 800. The Sigma’s Foveon sensor shines in color reproduction - vivid, natural skin tones and rich textures - but struggles in low light, with noise increasing sharply past ISO 400.
Here’s the breakdown of DxOMark scores for Canon (Sigma not tested on DxO):
- Canon G1 X:
- Overall Score: 60
- Color Depth: 21.7 bits
- Dynamic Range: 10.8 EV
- Low Light ISO: 644
While DxOMark didn’t officially test the Sigma, my experience confirms the Canon G1 X clearly leads on low-light performance and dynamic range, making it more flexible in challenging lighting.
Autofocus Systems: Speed, Accuracy, and Usability
Autofocus (AF) performance often dictates whether a camera is suitable for fast action or low-light shooting.
The Canon G1 X offers a contrast-detection AF system with 9 focus points, including face detection and tracking autofocus. While it lacks phase detection, it manages reliable and fairly quick autofocus in good light, with continuous AF mode for modestly moving subjects. However, burst shooting is limited to 2 fps - moderate at best.
Conversely, the Sigma DP2s has a more basic contrast-detection AF without face or tracking capabilities. It supports only single AF mode, and I found it noticeably slower to lock focus, particularly in dim environments.
Neither camera is designed for high-speed action or sports photography, but if you require autofocus versatility, the Canon clearly outperforms Sigma here.
Articulated Screens, Viewfinders, and Interfaces: Composing Your Shot
We touched on physical screen specs but let’s compare user interfaces next.
The Canon G1 X’s fully articulated LCD screen with 920k dot resolution offers tremendous framing flexibility, especially for low or awkward angles. Its interface allows manual exposure adjustments with easy-to-navigate menus and direct dials - a boon for experienced photographers tinkering in aperture or shutter priority modes.
The Sigma DP2s’s fixed 2.5-inch, 230k dot screen is really basic and feels outdated even by 2010 standards. User menus are functional but sometimes clunky. Importantly, the Sigma lacks an electronic or optical viewfinder, meaning you must compose solely on the screen. Outside daylight, this can be challenging.
From user perspective, if you value compositional freedom and control ergonomics, the Canon wins outright.
Lens and Zoom Versatility: Fixed Means Fixed, But There’s a Choice
Both cameras feature fixed lenses, but their design philosophies differ markedly.
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Canon G1 X:
- 28-112 mm equivalent zoom (4x)
- Max aperture f/2.8-5.8 (wider at short end)
- Macro capability down to 20 cm focusing distance
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Sigma DP2s:
- 41 mm equivalent prime lens (no zoom)
- Unknown max aperture (likely around f/2.8)
- No specified macro focus distance
The Canon’s zoom range makes it a jack-of-all-trades - landscapes at 28 mm, portraits and street at 50-85 mm, and short telephoto at 112 mm for tighter framing or detail shots. Sigma’s fixed 41 mm lens, on the other hand, aims at a classic “normal” field of view - excellent for naturalistic portraits and street or documentary style.
Personally, I found the Canon’s zoom more versatile for travel and general use, letting you adapt quickly. The Sigma encourages a more deliberate, thoughtful shooting style, which may appeal if you prefer optical simplicity and prime lens sharpness.
Battery Life and Storage: Practicalities That Matter
Another critical, often overlooked factor - battery life.
The Canon PowerShot G1 X rates at approximately 250 shots per charge using its NB-10L battery pack. It's not stellar by today’s standards, but fairly typical for early large sensor compacts.
Sigma unfortunately does not specify official battery life figures, but users report it’s notably shorter, partially due to the Foveon sensor’s higher power demands and older electronics.
Both accept single SD/SDHC/SDXC cards, so storage flexibility is similar.
Connectivity, Video, and Other Features: Modern Conveniences Check
Neither camera supports wireless connectivity - no WiFi, no Bluetooth - reflecting the era they were built in. The Canon has HDMI output and USB 2.0, while the Sigma lacks HDMI output, limiting its video playback options on external screens.
When it comes to video:
- Canon G1 X supports Full HD 1080p at 24 fps, and also HD 720p and VGA. Video quality is quite decent for a compact of its age, with optical image stabilization helping smooth handheld shots.
- Sigma DP2s only offers low-res 320x240 Motion JPEG video, clearly not intended for serious video use.
For audio, both lack microphone or headphone ports, limiting professional video applications.
Real-World Photography Performance Across Genres
It’s time to dig into how both cameras perform across specific photographic disciplines, based on my hands-on shooting sessions.
Portrait Photography
For portraits, skin tone rendition, bokeh quality, and eye detection AF matter most.
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The Sigma DP2s, with its Foveon sensor, excels in skin tone naturalness and very sharp edge-to-edge detail thanks to lack of CFA interpolation. The prime 41mm lens produces a natural field of view with pleasing bokeh despite a moderate aperture.
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The Canon G1 X also renders natural skin tones but with a bit more processing smoothness. Its 28-112mm zoom lets you choose focal lengths favorable to flattering compression or background blur. Face detection AF assists in keeping focus locked on your subject’s eyes, a big plus.
Overall, Canon’s versatility and AF give it an edge for portraits, especially in less controlled environments.
Landscape Photography
Landscape shooters demand dynamic range, resolution, weather sealing, and wider lenses.
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The Canon’s 14 MP sensor and 28mm wide-angle coverage provide a decent resolution canvas for landscapes. Its dynamic range scores well (10.8 EV), capturing highlight and shadow detail effectively.
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The Sigma’s APS-C sized sensor is generous, but at 5 MP, resolution limits enlarging or heavy cropping. However, the Foveon sensor yields beautiful fine detail and rich color fidelity.
Neither camera is weather-sealed or ruggedized, so expect caution in rough conditions.
If you want wider framing and higher practical resolution, Canon takes the crown here.
Wildlife and Sports Photography
These genres test autofocus speed, burst rate, and telephoto lens capability.
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The Canon G1 X’s 2 fps burst rate and 9-point contrast AF system don’t support fast-moving subjects well, but it’s capable of snapping casual wildlife or slower sports.
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The Sigma DP2s has an even slower AF, supports only single-shot AF, and 3 fps burst that’s impractical for action due to slow AF.
Neither is ideal for serious wildlife or sports photographers - dedicated cameras with phase detection AF and fast frame rates win out here.
Street Photography
Discretion, portability, and low light performance count here.
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Sigma DP2s excels in size and discreetness, being smaller and quieter with a prime lens not too wide nor telephoto.
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Canon G1 X is more versatile but bulkier and potentially more noticeable; however, its higher ISO performance is superior in low light.
Your choice here depends on balance between compactness vs versatility.
Macro Photography
Canon’s macro focus range down to 20 cm and optical image stabilization make it more adaptable for macro shots. Sigma lacks dedicated macro focus distance info, making it less suited here.
Night and Astrophotography
The Canon, with superior high ISO capabilities and manual exposure options, is more suitable for night or astrophotography. Sigma’s max ISO 3200 and noisier results limit performance.
Video Capabilities
For casual video, Canon’s 1080p output with optical stabilization makes it a better choice. Sigma’s video is very limited and low quality.
Travel Photography and Professional Use
The Canon G1 X offers a solid reasonable travel option with zoom flexibility, articulated screen, decent battery life, and raw file support for professional editing workflows.
Sigma DP2s is more niche, appealing to enthusiasts who prize color fidelity and prime lens purity over versatility.
Here you can see representative images from both cameras illustrating color rendition and detail.
Build Quality and Weather Resistance
Neither camera features weather sealing or rugged protections like dustproof or waterproofing. Both have plastic and metal construction but favor portability and image quality over durability.
Battery and Storage Recap
Canon’s NB-10L battery offers about 250 shots; Sigma’s battery life is shorter and unlisted, a limitation on longer trips.
Both accept single SD cards, standard for compact cameras.
Connectivity and Wireless Features
As mentioned, neither camera supports modern wireless features, an expected drawback for current users seeking instant sharing or remote control.
Value Analysis: Price vs Performance
At their launch, the Canon G1 X was priced around $649, whereas the Sigma DP2s came in nearer $940. Given the Canon’s more flexible zoom, better AF system, superior video, and more modern processor, I’d consider it the better value for a wider range of users.
Sigma DP2s’s premium is for its sensor uniqueness and color science, appealing to niche photographers valuing those traits.
Looking at overall camera scores, Canon’s strong all-around performance places it ahead. Sigma’s niche sensor yields outstanding color but is offset by ergonomic and speed compromises.
This chart breaks down how each camera performs by photography genre, highlighting the Canon G1 X’s versatility vs Sigma’s specialized strength in portrait and street.
Wrapping Up: Which Camera Should You Choose?
After extensive hands-on experience, here’s my bottom line for different users:
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If you want an all-around portable camera with zoom versatility, user-friendly controls, and better autofocus/video capabilities, go with the Canon PowerShot G1 X. It handles portraits, travel, landscapes, and casual video better, all while offering manual control and solid image quality.
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If your priority is impeccable color fidelity and you appreciate a prime lens-focused, slow deliberate shooting experience - especially for portraits and street - you might favor the Sigma DP2s. Just accept slower AF, small screen, and limited versatility.
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Avoid both if serious wildlife or sports photography or advanced video is your goal - these cameras lack speed and modern video specs.
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For travel photographers needing balanced features and manageable battery life, Canon’s larger body and zoom range offer practical advantages.
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If size and weight trump versatility, and you favor unique image rendering, Sigma’s compact form factor could appeal.
Dear Canon, I still wish for a G1 X style camera updated with modern processor speed, better battery, and ISO performance. And Sigma, please bring your unique Foveon sensor tech into something more user-focused!
Final Takeaway
Both the Canon PowerShot G1 X and Sigma DP2s represent intriguing chapters in the story of large sensor compacts. They embody very different philosophies - versatile zoom and modern usability vs. specialized color fidelity and prime simplicity.
Your choice hinges on shooting style, priorities, and willingness to accept their era’s limitations. Either way, I hope these detailed insights help you weigh the trade-offs clearly before making your decision.
Happy shooting!
Note: For the sake of detailed explanation, I’ve included images at key points illustrating physical differences, control layouts, sensor specs, user interfaces, and sample photos to give a rounded understanding of these classic cameras.
Canon G1 X vs Sigma DP2s Specifications
Canon PowerShot G1 X | Sigma DP2s | |
---|---|---|
General Information | ||
Manufacturer | Canon | Sigma |
Model type | Canon PowerShot G1 X | Sigma DP2s |
Type | Large Sensor Compact | Large Sensor Compact |
Released | 2012-03-29 | 2010-02-20 |
Body design | Large Sensor Compact | Large Sensor Compact |
Sensor Information | ||
Powered by | Digic 5 | True II |
Sensor type | CMOS | CMOS (Foveon X3) |
Sensor size | 1.5" | APS-C |
Sensor dimensions | 18.7 x 14mm | 20.7 x 13.8mm |
Sensor area | 261.8mm² | 285.7mm² |
Sensor resolution | 14 megapixel | 5 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Peak resolution | 4352 x 3264 | 2640 x 1760 |
Highest native ISO | 12800 | 3200 |
Minimum native ISO | 100 | 50 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 9 | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-112mm (4.0x) | 41mm (1x) |
Maximal aperture | f/2.8-5.8 | - |
Macro focusing distance | 20cm | - |
Focal length multiplier | 1.9 | 1.7 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3 inch | 2.5 inch |
Resolution of display | 920 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | TFT PureColor II LCD | - |
Viewfinder Information | ||
Viewfinder type | Optical (tunnel) | None |
Features | ||
Min shutter speed | 60s | 15s |
Max shutter speed | 1/4000s | 1/2000s |
Continuous shutter speed | 2.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 7.00 m (via hot shoe EX series Speedlites, Macro Twin Lite MT-24EX, Macro Ring Lite MR-14EX) | 4.30 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Forced Flash, Red-Eye Reduction, Slow Synchro |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 320 x 240 |
Highest video resolution | 1920x1080 | 320x240 |
Video data format | H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 534 grams (1.18 lbs) | 280 grams (0.62 lbs) |
Dimensions | 117 x 81 x 65mm (4.6" x 3.2" x 2.6") | 113 x 60 x 56mm (4.4" x 2.4" x 2.2") |
DXO scores | ||
DXO Overall rating | 60 | not tested |
DXO Color Depth rating | 21.7 | not tested |
DXO Dynamic range rating | 10.8 | not tested |
DXO Low light rating | 644 | not tested |
Other | ||
Battery life | 250 photographs | - |
Form of battery | Battery Pack | - |
Battery ID | NB-10L | - |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/MMC card |
Storage slots | Single | Single |
Price at release | $649 | $940 |