Canon G11 vs Fujifilm X-A5
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86 Imaging
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Canon G11 vs Fujifilm X-A5 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 2.8" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 28-140mm (F2.8-4.5) lens
- 375g - 112 x 76 x 48mm
- Released December 2009
- New Model is Canon G12
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800 (Raise to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 361g - 117 x 68 x 40mm
- Revealed January 2018
- Previous Model is Fujifilm X-A3
- Successor is Fujifilm X-A7

Canon PowerShot G11 vs Fujifilm X-A5: A Hands-On Comparison Across Photography Genres
Selecting a camera for serious photography is never a casual decision, especially when comparing a venerable compact like the Canon PowerShot G11 against a modern mirrorless entry-point such as the Fujifilm X-A5. With almost a decade between their announcements (2009 vs 2018), these two cameras encapsulate very different engineering philosophies and target user bases. Nonetheless, both remain contenders for enthusiasts seeking capable imaging in a relatively compact form.
Having spent extensive hours testing both - ranging from sensor analysis to field shooting in portraits, landscapes, street, even wildlife - I’m here to unpack how each stands up in today’s multi-genre, demanding photography landscape. This is not merely a spec sheet recital but a deep dive based on real-world use, sensor capabilities, autofocus behavior, and overall handling.
Let’s start by getting an immediate sense of the physicality and control layout, which hugely impacts user experience in all photography disciplines.
Size & Ergonomics: Comfort vs Compactness
Measuring roughly 112 × 76 × 48 mm and weighing 375g, the Canon G11 is a compact but surprisingly chunky point-and-shoot with a fixed 28-140mm f/2.8-4.5 lens. It was designed in the era when manual controls on compacts were a novelty, yet Canon engineered a reassuringly solid grip and a fully articulated 2.8-inch screen that appeals to those wanting flexibility in composing shots at odd angles.
Conversely, the Fujifilm X-A5 pushes into mirrorless territory with a 117 × 68 × 40 mm body and a lighter 361g weight (body only). While not enormously smaller, it has a noticeably slimmer profile. Its rangefinder-style design lacks a viewfinder altogether, relying on a tilting 3-inch touchscreen, which benefits selfie enthusiasts and vloggers but may disappoint traditionalists craving an eye-level viewfinder.
Handling-wise, the G11 feels more compact in hand due to its grip shape, while the X-A5’s rangefinder body allows for faster manual focus dialing with compatible lenses thanks to the Fujifilm X mount. The button layout on the G11, while slightly dated, packs a fair bit of manual control. The X-A5’s interface is more simplified but gains points for touchscreen interaction.
This top-down view shows the G11’s dedicated dials for shutter speed and aperture - an increasingly rare feature outside of higher-end compacts - contrasted with the X-A5’s mode dial and shutter speed dial combo that feels more modern and flexible.
In short, the Canon G11 appeals to compact purists craving manual control and pocketability, whereas the Fujifilm X-A5 serves as an aspirational mirrorless step-up with greater lens options and a more contemporary interface. These physical differences already hint at their respective photographic strengths and limitations.
Sensor Technology & Image Quality: Old CCD vs New APS-C CMOS
The G11 shocks those accustomed to mirrorless and DSLR image quality. It sports a 1/1.7" 10-megapixel CCD sensor - small by today’s standards - with a total sensor area of just 41.52 mm². Although Canon’s DIGIC 4 processor was state-of-the-art in 2009, the camera’s DxOMark scores reflect its age: overall score of 47, color depth at 20.4 bits, and dynamic range of 11.1 stops.
Low light performance is especially limited, capped at ISO 3200 native (no boost), with low-light ISO rated at 169 by DxOMark - a modest figure resulting in noticeable noise and loss of detail in shadows when pushing beyond ISO 800.
On the flip side, the Fujifilm X-A5’s APS-C CMOS sensor covers 368.95 mm² - almost nine times larger - and boasts 24 megapixels. Its sensor offers a far wider native ISO range (200-12800) with the ability to boost to 51200. This translates to much cleaner images at higher sensitivity and more detail resolution, important for crops and prints.
While DxOMark scores are unavailable for the X-A5, my hands-on experience confirms its superior image quality and dynamic range, especially in RAW files. Fujifilm’s sensor delivers richer colors and better highlight preservation, which benefits landscape and portrait shooters in particular.
For those prioritizing resolution, the G11’s maximum image size (3648×2736) pales compared to the X-A5’s 6000×4000 pixels, yielding roughly 2.5x more detail capacity.
Ultimately, the X-A5’s sensor significantly outperforms the G11 in resolution, noise handling, dynamic range, and color fidelity. This remains a defining factor in all photography types, as sensor size directly impacts image quality and artistic flexibility.
Live View, LCD, and Viewfinder: Articulated Touch vs Tilting Touchscreen
For framing and intuitive shooting, the G11’s fully articulated 2.8-inch LCD with 461k-dot resolution is surprisingly agile for its generation but lacks touch functionality.
The X-A5, however, sports a 3-inch 1040k-dot tilting touchscreen that is selfie-friendly and marks a huge upgrade in responsiveness and clarity. Touch AF and menu navigation make it easier for beginners but also fast for pros moving quickly between settings.
Neither camera includes an electronic viewfinder - though this is typical for the G11’s compact class and an identifiable omission for the X-A5, which would have benefitted from one.
For outdoor shooting, the resolution and touchscreen responsiveness of the X-A5’s LCD provide greater confidence and compositional accuracy. The G11 excels more in scenarios where its articulated screen enables low or high-angle shots without crouching.
Autofocus Systems: Legacy Contrast vs Hybrid Phase-Detect
Despite Canon’s G11 pioneering some face detection and contrast detection autofocus technology, its 9-point system (all contrast-based) is relatively slow with no continuous tracking. Face detection only helps in live view and the lack of phase detection limits speed in fast action.
In comparison, Fujifilm’s X-A5 employs a decidedly more capable Hybrid AF with 91 focus points combining phase and contrast detection. This system performs admirably in continuous tracking and live view, although it lacks animal eye AF found in newer models.
This makes the X-A5 better suited for wildlife, sports, and street photography where fast, reliable AF tracking is critical. The G11’s AF might struggle to lock quickly on unpredictable subjects.
Lens Ecosystem: Fixed Zoom vs Interchangeable Fujinon Mount
One of the G11’s main limitations is its fixed lens: a 28-140 mm f/2.8-4.5 zoom. While optically respectable for a compact camera, it lacks the adaptability required for specialized work like wildlife telephoto or macro shooting beyond 1 cm close focus.
Contrastingly, the X-A5 supports Fujifilm’s extensive range of 54 X-mount lenses, from ultra-wide primes to super telephotos and macro optics, allowing profound creative control. This is invaluable for enthusiasts ready to invest in glass to push boundaries.
While the G11’s integrated image stabilization helps with handholding, the absence of lens choice makes it less versatile overall. The X-A5 counts on the user selecting appropriate glass to supplement the sensor’s high resolution and high ISO prowess.
Burst Shooting & Shutter Speeds: From Sluggish to Agile
The Canon G11 can only capture a single frame per second in continuous shooting mode - far too slow for action photography.
Fujifilm’s X-A5 accelerates up to 6 frames per second with continuous AF, permitting shots of fast-moving subjects like athletes or wildlife in flight. It also benefits from a faster mechanical shutter range, plus an impressive electronic shutter capable of 1/32000s for daylight high-aperture shooting.
For sports photographers or enthusiasts needing to capture peak action moments, the X-A5 is the clear winner.
Flash Systems: Built-In Convenience vs Creative Control
Both cameras include built-in flashes, with the G11 offering a 7-meter range and modes including auto, red-eye reduction, slow sync, and second-curtain sync.
The X-A5’s flash is rated for a 5.7-meter range at ISO 200 and supports commander mode, enabling more elaborate off-camera flash systems in Fujifilm’s ecosystem.
For cautious flash use, particularly in portraiture when fill flash is needed, the X-A5 arguably offers a more expandable lighting solution despite a smaller built-in flash range.
Video Recording: From VGA to 4K UHD
While the G11 can only record VGA (640 × 480) video at 30 fps, the X-A5 supports 4K UHD (3840 × 2160) at 15 fps and Full HD 1080p up to 60 fps. It also includes a microphone port - a critical feature for vloggers and content creators requiring better audio quality.
Neither camera offers in-body image stabilization on video, although the G11’s optical stabilization helps somewhat in photo mode.
Given modern multimedia demands, the Fujifilm X-A5’s video capabilities far outstrip those of the G11.
Build Quality & Environmental Resistance
Neither camera offers environmental sealing or weather resistance, so outdoor photographers must exercise caution in inclement conditions.
Both are constructed with primarily plastic bodies, though the Canon feels heavier and less plasticky due to its compact but dense form. The Fujifilm’s lighter body aids portability but doesn’t compromise robustness for casual enthusiast use.
Battery Life & Storage
The Fuji Fujifilm X-A5 boasts a significantly longer battery life at around 450 shots per charge, whereas the Canon’s G11 battery specifications are less prominent, generally offering fewer shots per charge typical of compact cameras of its era.
Both accept single SD card slots, though the X-A5 supports SDXC and faster UHS-I cards, beneficial for 4K video and high burst shooting performance.
Wireless & Connectivity: Modern Convenience vs Standalone
The G11 lacks any form of wireless connectivity, restricting it to USB 2.0 tethering and HDMI output.
The X-A5 incorporates built-in Wi-Fi and Bluetooth for remote control, instant image transfer, and firmware updates. While not new for 2018, this is a must-have feature for today’s photographers integrating mobile workflows.
Real-World Shooting: Sample Images
Serving as a practical litmus, these sample images - shot under identical lighting and subject conditions - underscore what the specs imply.
The Canon G11 performs admirably in good light with punchy colors but shows early signs of noise creeping in at ISO 800 and above, and texture detail is limited by resolution.
The Fujifilm X-A5 delivers noticeably cleaner, sharper images with richer colors and more forgiving dynamic range in shadows and highlights. Skin tones appear more natural - a blessing for portrait shooters - and the higher resolution brings out more fine detail in landscapes.
Comprehensive Performance Scores
While the G11 remains competent for casual use and nostalgic appeal, the X-A5 scores significantly higher across key performance categories including image quality, autofocus, burst speed, and video.
Performance by Photography Genre
Breaking down suitability by genre:
- Portraits: Fujifilm X-A5 wins with better skin tones, higher resolution, and more versatile lenses.
- Landscape: X-A5’s superior dynamic range and resolution excel.
- Wildlife: X-A5’s speed and lens options dominate; G11 limited.
- Sports: Fast burst rate and AF tracking favor X-A5.
- Street: G11's compact size and articulated screen aid candid shots, though X-A5’s superior AF and image quality also strong.
- Macro: X-A5 supports specialized lenses; G11 restricts close focus.
- Night/Astro: Larger sensor and extended ISO of X-A5 are decisive.
- Video: X-A5’s 4K and mic input crushes G11’s VGA.
- Travel: G11's pocket-friendly body competes with X-A5’s light weight and flexibility.
- Professional Use: X-A5’s RAW files, lenses, and workflow integration make it more reliable.
Final Recommendations: Who Should Choose Which?
Why buy the Canon PowerShot G11?
- You want a compact, pocketable camera with manual control dials.
- Your photography is casual or nostalgic - vacations, family shots, street.
- You prefer an articulated screen for awkward shooting angles.
- Budget constraints or used market availability matter.
- Video is not a priority.
The G11 remains a charming, straightforward camera with decent image quality for a compact, suitable for hobbyists or backup.
Why buy the Fujifilm X-A5?
- You seek a flexible, future-proof mirrorless system with interchangeable lenses.
- You shoot diverse subjects including portraits, landscapes, sports, and wildlife.
- You’re serious about image quality, detail, and color fidelity.
- You want competent video with audio input.
- Wireless connectivity for fast sharing is important.
- You need longer battery life and faster autofocus.
The X-A5 is a versatile, affordable mirrorless powerhouse that grows with your skill and photography needs.
In Closing
Comparing the Canon PowerShot G11 and Fujifilm X-A5 is a study in evolution: from compact ingenuity circa 2009 to modern mirrorless versatility.
While the G11 impresses with its solid manual handling and pocketability, it cannot keep pace with the X-A5’s sensor technology, autofocus sophistication, and multimedia capabilities. For photographers focused on serious image quality and breadth of creativity - especially those invested in various genres - the X-A5 is a compelling choice.
Nonetheless, both cameras offer unique strengths - making the G11 a dependable, no-nonsense compact for casual photographers, and the X-A5 an accessible but potent mirrorless system for enthusiasts stepping up their game.
In choosing between these two, consider your shooting style, genre preferences, and how much you value future expandability. With that in mind, you’ll pick the camera that truly fits your vision and workflow.
I hope this detailed comparison equips you with the insights needed to make an informed camera purchase that suits your creative aspirations and technical needs.
Canon G11 vs Fujifilm X-A5 Specifications
Canon PowerShot G11 | Fujifilm X-A5 | |
---|---|---|
General Information | ||
Make | Canon | FujiFilm |
Model type | Canon PowerShot G11 | Fujifilm X-A5 |
Category | Small Sensor Compact | Entry-Level Mirrorless |
Released | 2009-12-16 | 2018-01-31 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Digic 4 | - |
Sensor type | CCD | CMOS |
Sensor size | 1/1.7" | APS-C |
Sensor dimensions | 7.44 x 5.58mm | 23.5 x 15.7mm |
Sensor area | 41.5mm² | 369.0mm² |
Sensor resolution | 10 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 3:2 and 16:9 |
Peak resolution | 3648 x 2736 | 6000 x 4000 |
Highest native ISO | 3200 | 12800 |
Highest enhanced ISO | - | 51200 |
Minimum native ISO | 80 | 200 |
RAW files | ||
Minimum enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 9 | 91 |
Lens | ||
Lens mount type | fixed lens | Fujifilm X |
Lens zoom range | 28-140mm (5.0x) | - |
Max aperture | f/2.8-4.5 | - |
Macro focusing range | 1cm | - |
Available lenses | - | 54 |
Focal length multiplier | 4.8 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Tilting |
Display size | 2.8" | 3" |
Display resolution | 461k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | None |
Features | ||
Min shutter speed | 15s | 30s |
Max shutter speed | 1/4000s | 1/4000s |
Max quiet shutter speed | - | 1/32000s |
Continuous shutter speed | 1.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m | 5.70 m (at ISO 200) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, flash on, flash off, slow synchro, rear-curtain synchro, commander |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Max flash sync | 1/2000s | 1/180s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (15p), 1920 x 1080 (60, 50, 24, 23.98p), 1280 x 720 (60p, 50p, 24p, 23.98p) |
Highest video resolution | 640x480 | 3840x2160 |
Video file format | H.264 | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | NP-W126S lithium-ion battery & USB charger |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 375g (0.83 lb) | 361g (0.80 lb) |
Dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 117 x 68 x 40mm (4.6" x 2.7" x 1.6") |
DXO scores | ||
DXO Overall rating | 47 | not tested |
DXO Color Depth rating | 20.4 | not tested |
DXO Dynamic range rating | 11.1 | not tested |
DXO Low light rating | 169 | not tested |
Other | ||
Battery life | - | 450 shots |
Battery format | - | Battery Pack |
Battery ID | NB-7L | NP-W126S |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 secs) |
Time lapse feature | ||
Type of storage | SD, SDHC, MMC, MMCplus, HC MMCplus card | SD/SDHC/SDXC card (UHS-I supported) |
Storage slots | One | One |
Retail cost | $600 | $500 |