Canon G11 vs Sony H300
83 Imaging
34 Features
48 Overall
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63 Imaging
45 Features
37 Overall
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Canon G11 vs Sony H300 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 2.8" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 28-140mm (F2.8-4.5) lens
- 375g - 112 x 76 x 48mm
- Announced December 2009
- Updated by Canon G12
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-875mm (F3-5.9) lens
- 590g - 130 x 95 x 122mm
- Announced February 2014

Canon G11 vs Sony H300: The Compact Zoom Showdown for Enthusiasts and Budget Shooters
When it comes to choosing a compact zoom camera, especially under a tight budget, the options can be surprisingly diverse. Two models that often come up in discussions are the Canon PowerShot G11 and the Sony Cyber-shot DSC-H300. Both cameras target users wanting a versatile zoom range without diving into interchangeable lens territory, yet they approach that goal quite differently.
I’ve spent extensive hands-on time with cameras in this category over the years and decided to do a deep-dive comparison between these two. I'll share practical insights on how they perform across photography types, technical strengths and weaknesses, and ultimately which user each suits best.
Let’s unpack their features and capabilities with an eye on real-world application - not just specs on paper.
Getting a Feel for Size, Design, and Handling: What Fits Your Hands?
Handling and ergonomics set the foundation for any photographer’s enjoyment and efficiency in the field. The Canon G11 sports a classic compact body with a somewhat chunky feel, while the Sony H300 brings an SLR-like bridge camera size that’s larger and bulkier.
Physically, the Canon measures a nice pocketable 112 x 76 x 48mm and weighs 375g - lighter and more compact than the Sony’s hefty 130 x 95 x 122mm and 590g. The Sony H300’s “bridge” design results in a pronounced grip and a lens barrel that extends significantly, which might intimidate casual shooters but appeal to those who want a better grip and DSLR-like handling.
Feature-wise, the Canon’s body feels more refined with dedicated controls, whereas the Sony's larger size accommodates a longer zoom lens but at the expense of portability. If you plan to carry your camera all day, the Canon wins on comfort without sacrificing too much versatility.
For travel or street photography - where discretion and light packing matter - the Canon’s smaller footprint and lighter weight often become decisive. Meanwhile, the Sony’s bulk may reduce spontaneity but offers other advantages detailed below.
Top-Down: Control Layouts and Usability Insights
Beyond size, where manufacturers place buttons and dials can make or break shooting fluidity, especially in fast-moving situations. Here’s a look from above:
The Canon G11 adopts a classic, mature controls layout, including a dedicated mode dial with Shutter Priority, Aperture Priority, and fully Manual exposure modes - a rarity in this segment. Its top-plate exposure compensation dial and custom buttons speak to photographers who want quick manual overrides without digging through menus.
In comparison, the Sony H300's simplified control scheme lacks advanced exposure modes like shutter or aperture priority; manual exposure is only by stepped program shifts, limiting creative control. The buttons are more spaced out, which might be welcome for larger hands, but the lack of dedicated dials slows down adjustments.
I found the Canon’s direct manual controls to be far more satisfying and efficient for photographers with some experience. The Sony leans towards casual snappers who prioritize zoom range over quick exposure tweaking.
How the Sensors Stack Up: Foundation of Image Quality
No doubt, sensor size and technology influence image quality in meaningful ways. While both cameras feature CCD sensors, their sizes and resolutions differ considerably.
The Canon G11 packs a 1/1.7-inch sensor measuring approximately 7.44 x 5.58 mm, resulting in a sensor area of 41.52 mm² and 10 megapixels resolution.
Meanwhile, the Sony H300 features a smaller 1/2.3-inch sensor (6.17 x 4.55 mm) with 20 megapixels - twice the megapixels but on a smaller sensor area (28.07 mm²).
What does this mean practically?
- Canon's larger sensor with fewer pixels typically means each photosite is larger, allowing better light gathering, improved dynamic range, and lower noise at higher ISOs.
- Sony's sensor crams more pixels into less area, usually resulting in higher resolution images in ideal light but more noise and less dynamic range in real-world shooting, especially in low light or shadows.
Don’t be fooled by Sony’s higher megapixel count; in shooting tests, Canon’s images benefit from cleaner output and better tonality overall. The G11’s DxO Mark scores back this up with a solid overall score of 47 versus the Sony’s untested but expectedly lower ranking given the sensor size and type.
You’ll want to weigh resolution versus noise and dynamic range when making your choice.
Live View, LCDs, and Viewfinders: How You See Your Shot Matters
The user interface layer - including screens and viewfinders - plays a huge role in framing, focusing, and reviewing your images comfortably.
The Canon G11 features a fully articulated 2.8-inch LCD with 461k dots resolution. This articulating design is excellent for shooting at awkward angles - low to the ground for macro or high above crowds for street candids. The optical tunnel viewfinder, albeit basic and not electronic, provides eye-level framing when needed but lacks brightness and coverage info.
Sony’s H300 offers a fixed 3-inch Clear Photo LCD with similar pixel count but no articulating feature. It relies solely on this LCD without an optical or electronic viewfinder, which limits usability in bright sunlight - screen glare can be an issue outdoors.
If flexible composition and shooting versatility matter to you (and I find they usually do), the Canon’s articulated screen nets a big advantage. The Sony’s fixed screen is fine for casual use but falls short for those who need quick alternative viewpoints.
Real-World Photography Test: How Do These Cameras Handle Different Subjects?
Now to the crux - how do these cameras perform in the disciplines photographers care about? Here’s a breakdown of practical use cases:
Portrait Photography
The Canon G11 excels in skin tone rendition and subtle color gradations thanks to its DIGIC 4 processor and sizeable sensor. Its 28-140mm lens with a bright f/2.8-4.5 aperture allows for decent subject separation and bokeh effects, especially at longer focal lengths. The G11’s center-weighted metering and face detection autofocus further finesse portraits.
By contrast, the Sony H300’s smaller sensor struggles in fine tone nuance, and its lens max aperture f/3.0-5.9 is darker, limiting background blur. Face detection is available on the Sony but less refined, and autofocus performance can be sluggish, detracting from capturing fleeting expressions.
For portraits where image quality and bokeh matter, Canon clearly leads.
Landscape Photography
Landscape shooters want high resolution, dynamic range, and often weather-sealed bodies.
The Canon’s larger sensor and superior dynamic range (~11 stops) deliver more image detail in shadows and highlights. Despite lacking weather sealing, its robust metal build feels reassuring on trips. The 28mm wide end is decent but not ultra-wide.
Sony offers a wider zoom range going down to 25mm (slightly wider field), but with a smaller sensor and less dynamic range, retain less detail in high-contrast scenes. Plus, lack of weather sealing and heavier body makes rough outdoor handling less comfortable.
Landscape enthusiasts with priority on image quality will prefer Canon’s sensor and optics; Sony may suit those prioritizing extensive focal length.
Wildlife Photography
Deadlines in wildlife require fast autofocus, substantial zoom, and good burst rates.
Sony’s H300 offers an impressive 35x zoom (25-875 mm equivalent), covering super-telephoto focal lengths suitable for distant subjects - a clear advantage. However, maximum shutter speed of 1/1500 sec and slow AF response challenge capturing fast-moving animals. Continuous shooting is software-limited to 1 fps, not ideal.
Canon provides only 5x zoom (28-140 mm) but with faster shutter maxing out at 1/4000 sec and face/eye autofocus detection for humans. It lags in reach but offers sharper results and superior image quality.
If you need reach over speed and image quality, Sony’s zoom benefits wildlife telephoto needs at a budget. For sharper images and better AF precision, Canon wins on optics.
Sports Photography
Sports photography demands lightning-fast autofocus, high frame rates, and excellent low light performance.
Neither camera is a pro sports shooter; max continuous shooting is 1 fps on both, far below the needed speed. Canon edges out with wider aperture and faster shutter speed, giving it slightly better performance in lower light.
Sony’s slower shutter ceiling and weaker AF hamper rapid action tracking. Canon’s manual controls also allow precise settings which could help in challenging light.
For true sports action shooting, enthusiasts need a DSLR or mirrorless system. Among the two, Canon offers marginally better responsiveness.
Street Photography
Street shooters prize discretion, quick AF, and portability.
Canon’s compact size and articulating screen make it less conspicuous and versatile for street candid moments. Its quieter leaf shutter and manual controls help capture spontaneous scenes.
Sony’s larger size and bulk, fixed lens, and noisier operation work against this use, although its massive zoom can snag distant details unnoticed.
For street shooters, the Canon G11 is your friend.
Macro Photography
Macro enthusiasts require excellent close focus distance, sharpness, and sometimes stabilization.
Canon’s lens gets to 1cm minimum focus, excellent for fine detail shots. Optical image stabilization helps steady close-ups.
Sony lacks a specified macro range and the minimum focusing distance is less competitive. Without articulating screen, getting low-angle shots is harder.
Canon is the better macro companion here.
Night and Astrophotography
Low-light performance highlights sensor sensitivity, noise control, and manual exposure options.
Canon’s CCD sensor and DIGIC 4 processor deliver cleaner images up to ISO 800 and usable ISO 1600-3200 in good hands. Manual exposure and 15s shutter lets you try astrophotography.
Sony’s higher megapixel count is less beneficial in darkness given sensor size; trial ISO shots show more noise.
Canon is preferred for night shots.
Video Recording
Both cameras lack modern video specs but offer basic recording.
Canon shoots VGA (640x480) at 30fps using H.264 compression, while Sony offers HD 720p at 30fps with MPEG-4.
Neither camera supports external microphones or advanced video features, limiting vlog or professional use.
Credit Sony for HD resolution; Canon for better codecs. Neither impresses for video work.
Travel Photography
Travel photographers value versatility, portability, and battery life.
Canon’s light weight and articulated screen make travel shooting enjoyable. Battery info is limited, but with NB-7L battery and moderate consumption, expect decent mileage.
Sony’s bulk and heavier battery mean more weight but longer battery runtime (350 shots). The 35x zoom is travel-friendly for diverse scenes without changing lenses.
If hiking light, Canon’s compactness is gold. For range and battery endurance, Sony suits.
Professional Work and Workflow
Neither camera addresses pros with RAW support and extensive connectivity.
Canon supports RAW, ideal for pro workflows and post-processing control. Sony lacks RAW, limiting flexibility.
Neither offers wireless connectivity, GPS, or tethering.
For reliable pro workflow, Canon’s RAW support is vital.
Technical Build: Durability, Stabilization, and Battery Life
Both cameras share no weather or dust sealing, so cautious use outdoors is key.
Optical image stabilization is present on both, essential in superzooms. Canon’s system provides steady shots at longer focal lengths, as does Sony’s SteadyShot.
Battery-wise: Sony rates 350 shots typical, Canon’s vendor specs are less clear but similar.
Storage options are universal SD cards for Canon, while Sony accepts SD and Memory Stick PRO Duo - a plus for legacy format users.
Both feature HDMI and USB 2.0 for data transfer; no wireless options disappoint in this era.
Summary of Strengths and Weaknesses
Feature Area | Canon G11 | Sony H300 |
---|---|---|
Sensor Size | Larger 1/1.7" CCD, better image quality | Smaller 1/2.3" CCD, higher megapixels but noisier |
Lens Zoom | 5x zoom (28-140mm), brighter aperture | Massive 35x zoom (25-875mm), narrow aperture |
Build & Ergonomics | Compact, robust, articulated screen | Larger, more substantial grip, fixed LCD |
Autofocus | 9 AF points, face detection | Limited information, no continuous AF |
Video | VGA 640x480, H.264 codec | HD 720p, MPEG-4 codec |
Battery | Unknown exact life, lightweight body | 350 shots typical, heavier |
RAW Support | Yes | No |
Price | ~$600 (used market) | ~$250 new/used (budget) |
Looking at sample images, the Canon exhibits richer color fidelity and cleaner noise control in shadows, while the Sony’s resolution advantage is only apparent in bright daylight conditions. In low light, Canon’s edge is unmistakable.
Performance Scores and What They Mean
The Canon G11 scores a respectable 47 on DxO Mark, reflecting solid image quality for the small sensor compact class. Sony’s H300 lacks official DxO testing, but user reviews and tests suggest it trails behind due to sensor constraints.
How Do They Perform Across Photography Genres?
This graphic highlights Canon’s lead in portrait, low light, and portraiture, while Sony dominates in zoom reach for wildlife and general superzoom utility. For video, both rank low due to dated specs.
Final Thoughts and Recommendations
If you want a compact, versatile camera capable of manual control and superior image quality for portraits, street, macro, and night photography, the Canon PowerShot G11 remains a strong candidate despite its age. Its RAW support, articulated screen, and better ergonomics put it ahead for enthusiasts focused on image quality and creative control.
On the other hand, if extreme zoom reach and long telephoto shooting matter most - think distant wildlife or casual travel snaps where reach trumps ultimate quality - the Sony H300 offers unmatched focal lengths at a wallet-friendly price. Its trade-offs in sensor size and slower autofocus are forgiven by those who value zoom above all.
Unfortunately, neither camera suits serious sports shooters or videographers, but they fit entry-level enthusiast needs well.
My recommendation:
- For photographers prioritizing image quality, manual exposure, and versatility - opt for the Canon G11.
- For users seeking maximum zoom range on a strict budget, who shoot mostly in daylight conditions, Sony H300 is a viable choice.
Dear Canon, please consider a modern camera with the G11’s manual richness and compact size alongside updated sensor tech!
I hope this detailed comparison gives you clear insights to choose the camera best matching your shooting style and priorities. Both have stood the test of time as solid, affordable zoom compacts with distinct strengths. Happy shooting!
Canon G11 vs Sony H300 Specifications
Canon PowerShot G11 | Sony Cyber-shot DSC-H300 | |
---|---|---|
General Information | ||
Make | Canon | Sony |
Model type | Canon PowerShot G11 | Sony Cyber-shot DSC-H300 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2009-12-16 | 2014-02-13 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Powered by | Digic 4 | Bionz(R) |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor area | 41.5mm² | 28.1mm² |
Sensor resolution | 10 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 3648 x 2736 | 5152 x 3864 |
Maximum native ISO | 3200 | 3200 |
Minimum native ISO | 80 | 80 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 9 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 25-875mm (35.0x) |
Maximum aperture | f/2.8-4.5 | f/3-5.9 |
Macro focusing range | 1cm | - |
Focal length multiplier | 4.8 | 5.8 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 2.8 inches | 3 inches |
Display resolution | 461k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | - | Clear Photo LCD |
Viewfinder Information | ||
Viewfinder type | Optical (tunnel) | None |
Viewfinder resolution | - | 201k dot |
Features | ||
Minimum shutter speed | 15s | 30s |
Fastest shutter speed | 1/4000s | 1/1500s |
Continuous shutter speed | 1.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.00 m | 8.80 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, Flash On, Slow Synchro, Flash Off, Advanced Flash |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/2000s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30p) |
Maximum video resolution | 640x480 | 1280x720 |
Video file format | H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 375 grams (0.83 lbs) | 590 grams (1.30 lbs) |
Physical dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 130 x 95 x 122mm (5.1" x 3.7" x 4.8") |
DXO scores | ||
DXO Overall rating | 47 | not tested |
DXO Color Depth rating | 20.4 | not tested |
DXO Dynamic range rating | 11.1 | not tested |
DXO Low light rating | 169 | not tested |
Other | ||
Battery life | - | 350 photos |
Style of battery | - | Battery Pack |
Battery ID | NB-7L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (Off, 10 sec, 2 sec, portrait1, portrait2) |
Time lapse shooting | ||
Type of storage | SD, SDHC, MMC, MMCplus, HC MMCplus card | SD/SDHC/SDXC/Memory Stick PRO Duo/Pro-HG Duo |
Storage slots | 1 | 1 |
Retail price | $600 | $249 |