Canon G12 vs Nikon S6200
83 Imaging
34 Features
50 Overall
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94 Imaging
39 Features
37 Overall
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Canon G12 vs Nikon S6200 Key Specs
(Full Review)
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.2-5.6) lens
- 160g - 93 x 58 x 26mm
- Announced August 2011

Exploring the Compact Contenders: Canon PowerShot G12 vs Nikon Coolpix S6200
When looking for a compact camera that balances image quality, usability, and price, enthusiasts often find themselves pondering between well-established models that offer different strengths. Today, I’m diving deep into a hands-on comparison of two small sensor compacts from 2011: the Canon PowerShot G12 and the Nikon Coolpix S6200. Both cameras aim to give you capable imaging in pocket-friendly bodies, but their design philosophies, specs, and real-world performances diverge in ways that significantly impact your photographic experience.
Having tested thousands of cameras, I understand how subtle distinctions translate into actual shooting scenarios. So, buckle up for a thorough romp across sensor technology, autofocus systems, ergonomics, and shooting results - from portraits to landscapes, wildlife to street photography. Whether you’re a hobbyist seeking versatility or a prosumer needing a capable backup, this review will arm you with the nuanced details to pick your perfect match.
Size, Ergonomics, and Handling: Getting Comfortable Behind the Camera
The first tactile impression often shapes whether a camera feels natural or frustrating during long shoots. At 112x76x48 mm and weighing 401 grams, the Canon G12 carries more heft and presence compared to the smaller, featherweight Nikon S6200, which measures just 93x58x26 mm and weighs a mere 160 grams. For some, this difference is a dealbreaker.
I find the Canon’s larger body lends a firmer grip and more robust control layout. Its deeper handgrip and dedicated dials for shutter speed, aperture, and exposure compensation make manual adjustments intuitive - particularly relevant when shooting in aperture-priority or manual modes (which the Nikon unfortunately lacks). The Nikon S6200’s slim profile, while extremely pocketable, sacrifices some tactile control for minimalism. It’s mostly a point-and-shoot with limited customizable controls.
Ergonomically, the G12’s buttons, although a bit cluttered, are well positioned and responsive; illuminated buttons would have been a nice touch, but you can live without them. The S6200 keeps things simple and clean but at the cost of flexibility.
For travel or street shooters valuing discreteness and portability, the Nikon’s svelte frame will definitely be alluring. But if you seek a more hands-on feel with deeper engagement in manual settings, the Canon nabs the win hands down here.
Sensor Size and Image Quality: The Heart of the Matter
At the core, both cameras use CCD sensors - still favored for their color rendition but showing their age in low light compared to CMOS sensors prevalent today. The Canon G12 sports a larger 1/1.7-inch sensor measuring 7.44x5.58 mm (41.52 mm² sensor area), while the Nikon’s sensor is smaller at 1/2.3 inches (6.17x4.55 mm; 28.07 mm²). This size difference means the G12 gathers more light and generally produces cleaner images.
Resolution-wise, the Nikon packs 16 megapixels at 4608x3456 max resolution, outpacing the G12’s modest 10 MP (3648x2736). Higher resolution can be tempting, but pixel density on the Nikon tightens the pixel pitch, often resulting in more noise at higher ISOs.
Examining dynamic range and noise performance - critical for landscapes and night photography - the Canon’s sensor and image processor (DIGIC 4) achieve approximately 11.2 EV of dynamic range and low light ISO rating around 161 (DxOMark scores). Although Nikon’s sensor isn’t officially benchmarked here, generally smaller sensors and higher pixel counts tend toward noisier results with narrower dynamic range. Users shooting RAW on the G12 also enjoy greater editing latitude, as the Nikon does not support RAW shooting (a significant downside if you want full post-processing freedom).
This raw capability alone can sway serious enthusiasts towards Canon. The G12’s lack of an anti-aliasing filter helps maximize detail resolution, especially valuable in landscape and macro scenarios.
Viewing Experience: Screens and Viewfinders in Real Life
The G12 features a 2.8-inch fully articulated LCD with a resolution of 461k dots, considerably sharper and more flexible than the Nikon’s fixed 2.7-inch TFT LCD offering just 230k dots and no articulation. Articulated screens shine for macro shooting, awkward angles, and video framing.
Additionally, the Canon sports an optical tunnel viewfinder, while the Nikon lacks any viewfinder entirely. I personally find optical viewfinders on compact cameras to be a mixed bag, often dim or poorly matched to final framing. But in bright sunlight, having one can sometimes help conserve battery and stabilize shots.
Neither camera offers touchscreen functionality, which, though not a dealbreaker given their age, would be a comfort feature these days. The Nikon does support autofocus touch focus on the screen, which is a plus for intuitive AF point selection.
When it comes to interface responsiveness, I noticed the Canon’s menu system and on-screen overlays are slightly more polished and professional, supporting advanced features like manual exposure and exposure compensation clearly.
For users who cherish the ability to tilt and twist their display for creative framing or shooting selfies (and yes, the G12 is selfie-friendly), the articulated screen is a definite bonus.
Lens and Zoom: Versatility vs. Speed
The Canon’s fixed lens offers a focal range equivalent to 28-140 mm with a 5x optical zoom, and a fast aperture range of f/2.8-4.5. Its macro focusing distance reaches impressively close to 1 cm, making it suitable for tight, detailed close-ups.
In contrast, the Nikon pushes a vastly longer 10x zoom range from 25-250 mm but with a slower aperture starting at f/3.2 and narrowing to f/5.6 at telephoto. Its macro ability stops at a less ambitious 10 cm.
If you prefer wide-angle landscapes or environmental portraits, the G12’s slightly wider starting focal length and brighter aperture will deliver better background separation and low light performance. The Nikon’s long reach zoom excels for distant subjects like wildlife or casual telephoto work but beware the narrowing aperture limiting low light sharpness at the zoomed end.
Optical image stabilization in both cameras aids handheld shooting, though Canon’s is generally more refined based on my practical assessments in varied conditions.
Autofocus and Shooting Speed: Tracking and Precision
Autofocus systems differentiate narrative style and decisive moments in photography. The Canon G12 deploys a 9-point contrast detection AF system with face detection but no continuous AF or tracking. Its focus speed is respectable but can lag behind modern compacts, especially in low light.
The Nikon S6200, while lacking manual exposure controls, includes face detection plus contrast-based AF with the addition of AF tracking - a feature that can help maintain focus in tricky scenarios like moving subjects. However, its overall AF accuracy and speed are mixed, and the continuous shooting rate of just 1 fps on both models limits sports or wildlife action bursts.
Note that neither camera offers phase-detection AF or advanced hybrid systems common in newer models. If your priorities include fast-moving scenes, both cameras require patience and forethought to nail focus.
Picture Quality in Various Photography Genres: Hands-On Impressions
Portrait Photography
Skin tones rendered by the Canon G12 feel natural and gently warm, aided by its CCD sensor and DIGIC 4 processor. The lens’s f/2.8 maximum aperture at wide angle allows a nice bokeh effect, isolating subjects effectively - especially in close quarters or macro portraits.
The Nikon’s smaller sensor and smaller maximum apertures translate into flatter images with less background separation, though the higher megapixel count helps crop tighter if needed. Face detection on both cameras assists focusing accuracy, but the Canon offers more control over depth of field through aperture priority mode.
If subtle skin tone rendition and background blur appeal to you, the G12 wins hands down here.
Landscape Photography
Wide ISO range, good dynamic range, and high resolution matter for landscapes. The Canon, although with fewer megapixels, provides better noise control and wider DR, capturing detail across shadow and highlight regions beautifully. Its 28mm equivalent wide angle captures expansive vistas without distortion.
Nikon’s 16 MP sensor provides greater resolution but often at the expense of noisy shadows requiring noise reduction in post. The 25mm starting point is not dramatically different but offers slightly tighter framing.
Lack of weather sealing on both cameras means you’ll need caution if shooting in stormy or dusty conditions.
Wildlife Photography
Here, the Nikon’s 10x telephoto zoom is an obvious advantage for capturing distant subjects. But slower apertures reduce sharpness and require more light, and slow burst speed curtails catching action sequences.
The Canon’s shorter 5x zoom limits reach, but superior optics and aperture may yield sharper images at moderate telephoto lengths.
Neither camera excels in wildlife settings, where faster AF, higher burst rates, and better autofocus tracking become critical.
Sports Photography
Both struggle in this domain due to single frame-per-second continuous shooting and limited AF tracking capabilities. For casual use or slow action, the Nikon’s AF tracking may provide slight assistance, but the lack of manual control and slower lens apertures hinder performance.
Street Photography
Small size and discretion often matter most in street shooting. The Nikon’s slim frame and light weight make it easy to slide into pockets and remain unobtrusive, making it ideal for candid shots.
Conversely, the Canon G12’s larger size makes it more noticeable, but the articulated screen helps frame shots from unusual angles without attracting undue attention.
Low light shooting is better with the Canon due to its brighter lens and larger sensor, critical for night street scenes.
Macro Photography
Close focusing proximity and precise focusing set macro apart. The Canon’s 1 cm macro focusing is superb for detail-rich close-ups - from textures to flowers.
Nikon’s 10 cm minimum macro distance limits tight macro work, though stabilization helps handheld shots.
Night and Astrophotography
The Canon’s higher dynamic range and cleaner high ISO output position it as the preferable choice for dimly lit or astrophotography scenarios. The ability to shoot in RAW permits better noise reduction and highlight recovery in demanding lighting.
The Nikon’s noisier, smaller sensor and lack of manual exposure options make it less suited for these specialized fields.
Video Capabilities
Video-wise, both record 720p HD, though the Canon caps at 24fps while the Nikon shoots 30fps. Canon encodes in H.264 offering good compression; Nikon uses MPEG-4 and Motion JPEG, resulting in larger file sizes and somewhat inferior quality.
Neither offers microphone or headphone jacks, nor 4K or advanced video features expected today.
For casual video clips to complement stills, either suffices - but serious videographers will look elsewhere.
Battery Life, Connectivity, and Storage
The Canon G12 offers approximately 370 shots per charge using the NB-7L battery, edging out the Nikon’s more modest 250 shots on its EN-EL12. In my testing, the G12’s articulated screen and viewfinder usage do not drastically drain battery, whereas the Nikon’s simpler LCD also helps conserve power, albeit with fewer overall frames.
Storage options align with industry standards: both support SD/SDHC/SDXC cards with single card slots. Nikon excludes MMC compatibility found in Canon, reflecting the former’s simpler feature set.
Wireless connectivity also differentiates the two slightly. The Canon is “Eye-Fi Connected,” allowing wireless image transfers with compatible SD cards - a handy feature in 2011 but now somewhat outdated. The Nikon lacks wireless or Bluetooth options altogether.
Build Quality and Weather Resistance
Neither the Canon G12 nor the Nikon S6200 claims any form of environmental sealing or ruggedness. Their compact plastic and metal bodies are designed more for strolls in the park than tough fieldwork.
In handling, the G12 feels more solid and substantial, with quality materials reflecting its enthusiast positioning. Nikon’s S6200 favors lightweight portability over ruggedness, and so should be treated delicately.
Lens Ecosystem and Upgrade Paths
Both cameras are fixed-lens compacts, so lens swapping isn’t possible. This limits long-term versatility compared to mirrorless or DSLR systems but suits the casual user reading ease.
The Canon G-series, however, enjoys a strong heritage, offering users an upgrade path to advanced compacts (G15 and beyond) or entry-level DSLRs with EF lens mounts, should they outgrow the fixed lens.
Nikon’s Coolpix S-series targets easy-to-use, affordable point-and-shoot users, with fewer cross-category upgrade options.
Price-to-Performance and Final Ratings
At launch, the Canon G12 retailed around $600, reflecting its enthusiast features and manual controls. The Nikon S6200 was a budget model at $229, carving a niche for easy portability and extended zoom.
This price delta directly reflects their intended users: the Canon for photographers valuing image quality, control, and flexibility; the Nikon for those prioritizing convenience and zoom reach on a budget.
Summary Ratings Overview
Genre-Specific Performance Breakdown
In Conclusion: Which One Should You Choose?
If you appreciate engagement with your camera - manual controls, RAW shooting, superior image quality, brighter lens, and an articulated screen - the Canon PowerShot G12 provides a noticeably richer photographic experience. Its advantages manifest clearly in portraits, landscapes, macro, and low light shooting. It’s a compact that feels like a competent creative tool, not just a point-and-shoot.
On the other hand, if you value ultimate portability, a long 10x zoom range, and straightforward simplicity at a friendly price, the Nikon Coolpix S6200 delivers basic image-making with less fuss. It’s a camera for casual users, travelers desiring a featherweight backup, or those frequently shooting distant subjects without manual intervention.
Personally, for my photography workflow, the Canon G12’s image quality and controls outweigh its bulk. But I recognize that if size and zoom beat all else for you, the Nikon is a practical choice.
Sample Images: See the Cameras in Action
To truly judge for yourself, here are side-by-side sample images taken under varied conditions with both cameras. Notice skin tones, background blur, zoom reach, and noise patterns:
Final Thoughts
Meeting your photographic needs means balancing technical capability with shooting comfort and budget. The 2011-era Canon G12 and Nikon S6200 offer two distinct philosophies of compact camera design. One invites creative control and image quality, the other embraces portability and zoom flexibility. With this detailed comparison, I hope you feel empowered to pick the camera that helps you tell your photographic stories best.
Dear Canon and Nikon, your compact cameras have come far since these models. Still, classics like the G12 remind us that great image quality and user control remain timeless priorities.
Happy shooting!
Note: All technical data and scores referenced come from direct testing and reputable sources, including DxOMark benchmarks and practical field evaluations conducted over multiple shoots across lighting conditions.
Canon G12 vs Nikon S6200 Specifications
Canon PowerShot G12 | Nikon Coolpix S6200 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Nikon |
Model | Canon PowerShot G12 | Nikon Coolpix S6200 |
Category | Small Sensor Compact | Small Sensor Compact |
Announced | 2011-01-19 | 2011-08-24 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | Digic 4 | Expeed C2 |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor area | 41.5mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 16 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Highest resolution | 3648 x 2736 | 4608 x 3456 |
Highest native ISO | 3200 | 3200 |
Lowest native ISO | 80 | 80 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 9 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 25-250mm (10.0x) |
Highest aperture | f/2.8-4.5 | f/3.2-5.6 |
Macro focus distance | 1cm | 10cm |
Crop factor | 4.8 | 5.8 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display size | 2.8 inches | 2.7 inches |
Resolution of display | 461k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT LCD with Anti-reflection coating |
Viewfinder Information | ||
Viewfinder type | Optical (tunnel) | None |
Features | ||
Lowest shutter speed | 15 secs | 4 secs |
Highest shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shooting speed | 1.0 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.00 m | - |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-Eye |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/2000 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps) 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720p (30fps), 640 x 480 (30fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video format | H.264 | MPEG-4, Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 401g (0.88 pounds) | 160g (0.35 pounds) |
Physical dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 93 x 58 x 26mm (3.7" x 2.3" x 1.0") |
DXO scores | ||
DXO All around score | 47 | not tested |
DXO Color Depth score | 20.4 | not tested |
DXO Dynamic range score | 11.2 | not tested |
DXO Low light score | 161 | not tested |
Other | ||
Battery life | 370 shots | 250 shots |
Style of battery | Battery Pack | Battery Pack |
Battery model | NB-7L | EN-EL12 |
Self timer | Yes (2 or 10 sec, Custom) | Yes |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC |
Storage slots | One | One |
Retail price | $600 | $229 |