Canon G16 vs Fujifilm F600 EXR
85 Imaging
37 Features
62 Overall
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91 Imaging
39 Features
48 Overall
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Canon G16 vs Fujifilm F600 EXR Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F1.8-2.8) lens
- 356g - 109 x 76 x 40mm
- Released November 2013
- Previous Model is Canon G15
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Launched August 2011
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon PowerShot G16 vs Fujifilm FinePix F600 EXR: A Comprehensive Compact Camera Showdown
In the often-overcrowded compact camera market, discerning which model suits your photography style and needs requires more than just a quick glance at specs. Today, I dive deep into seeing how two very different compact shooters from the early 2010s stack up: the Canon PowerShot G16 and the Fujifilm FinePix F600 EXR. Both cameras bring distinct philosophies to the table - one focusing on image quality and usability, the other on zoom reach and versatility - so it’s a perfect exercise in understanding trade-offs within "small sensor" compacts.
Having tested well over a thousand cameras - from flagship DSLRs to point-and-shoots like these - I’m eager to share the nuanced insights from hands-on evaluation across key photographic disciplines, technical analysis, and real-world usability. Let’s get into it.
First Impressions & Ergonomics: Handling Matters
Though both cameras fit in your pocket, their size, weight, and control layouts significantly impact user experience.

The Canon G16, released in late 2013, presents itself as a solid, chunky compact designed with photographers who appreciate traditional dials and buttons. It weighs 356 grams with a thoughtfully grippy body measuring 109 x 76 x 40 mm. The camera strikes a confident, substantial feel in hand without becoming bulky, which immediately suggests a more deliberate photographic experience.
Comparatively, the Fujifilm F600 EXR is a featherweight at 215 grams, measuring a mere 104 x 63 x 33 mm. It’s a superzoom compact prioritizing portability. The slimmer and lighter build makes it highly pocketable, but you sacrifice some of the tactile control that the Canon offers.
Diving into the control placement and top plate design visuals:

The G16’s layout centers on user customization: dedicated dials for mode, exposure compensation, and a well-positioned zoom lever. Buttons are solid, and while not fully weather sealed, the build quality leans towards semi-professional robustness.
In contrast, the Fujifilm’s controls are more minimalistic, well suited for casual shooting but less helpful for those who enjoy quick manual adjustments. The zoom ring and lens barrel dominate the front feel, reflecting its superzoom DNA.
As anyone focused on ergonomics will tell you, these differences presage distinct user experiences. The Canon feels like the companion you keep around for serious shooting sessions. The Fujifilm fits more with the casual snapper or traveler chasing long reach in a tiny package.
Sensor Technology & Image Quality: The Heart of the Matter
Image quality often dictates camera preference, so let’s explore sensor details and resulting output.

The G16 features a 1/1.7-inch BSI CMOS sensor with 12 MP resolution and a sensor area of roughly 41.52 mm². Canon wisely equipped it with their Digic 6 image processor, a noticeable step up from predecessors that brings better noise control and color rendition.
The Fujifilm F600 EXR uses a smaller 1/2-inch EXR CMOS sensor with 16 MP resolution (30.72 mm² sensor area). While it offers higher pixel count, the sensor size is significantly smaller, impacting pixel size and ultimately limiting low-light performance and dynamic range.
DxOMark scores provide an objective baseline: The G16 scores 54 points overall, shining in color depth (21 bits) and dynamic range (11.7 EV), whereas the F600's overall score hovers around 40, with notably lower color depth (19.4 bits) and dynamic range (10.8 EV). The Canon also holds a clear advantage in low-light ISO performance (230 vs. 153).
Measuring image quality in practice, the G16 exhibits less noise and cleaner gradients at ISO 800 and beyond, making it the preferable choice for challenging lighting. The Fujifilm, on the other hand, produces decent daylight images but begins to fall behind quickly as shadows deepen.
Autofocus Systems: Speed and Accuracy Under Pressure
Compatibility with real-world shooting depends heavily on autofocus reliability, especially when capturing moving subjects.
The Canon G16 uses a 9-point contrast-detection autofocus with face detection and tracking. While lacking sophisticated phase-detection elements, the system felt accurate during testing, especially in well-lit scenarios, locking focus swiftly on human eyes in portraiture and maintaining tracking on slow-moving subjects.
The Fuijfilm F600 EXR uses a contrast-detection AF as well, but the slower processor and more basic AF area selection make it somewhat sluggish. With its absence of face or eye detection, it’s more reliant on user precision.
Practically, the G16 shines in portrait and street photography - situations demanding quick reflexes and accurate subject acquisition. The F600 may frustrate more demanding scenarios, especially wildlife or sports, where autofocus tracking responsiveness is critical for keeping up with fast action.
Lens and Zoom Range Versatility
A major difference lies in zoom reach and lens speed.
- Canon G16: 28-140mm equivalent (5x optical zoom), bright aperture starting at F1.8 wide open, narrowing to F2.8 telephoto.
- Fujifilm F600 EXR: 24-360mm equivalent (15x optical zoom), aperture range F3.5 to F5.3.
This trade-off highlights a philosophy split: The Canon’s lens excels in brightness, supporting low light shooting and shallow depth of field, while the Fuji boasts an impressively broad zoom range beneficial for wildlife and travel scenarios.
The G16’s bright 1.8 aperture wide-angle helps create luscious bokeh and sharp portraits in tight quarters, whereas the F600 struggles with deeper depth of field and diffraction at longer focal lengths.
However, zoomed all-out at 360mm, the Fuji stands as a more potent option for distant subjects, while the Canon’s telephoto range tops out at 140mm, more suited for everyday use.
Screen and Viewfinder: Composing and Reviewing Shots
Both cameras use 3-inch fixed LCDs, but quality and usability vary significantly.

Canon equips the G16 with a high-resolution 922k-dot TFT PureColor II screen, bright and detailed, excellent for framing and reviewing images in various lighting conditions. While not touchscreen-enabled, its menus are responsive and well-laid-out.
Fujifilm’s F600 offers a 460k-dot TFT color LCD, considerably lower resolution, resulting in a somewhat grainy preview and less confidence when critical focusing is needed. The absence of any viewfinder (optical or electronic) might frustrate photographers in bright daylight or requiring stable framing.
The G16’s optical tunnel viewfinder is somewhat limited (80% coverage, no magnification info), but it provides a useful secondary option when LCD usage becomes challenging - for example, under strong sunlight. The Fuji lacks this altogether.
Continuous Shooting and Burst Rates: Catching the Decisive Moment
Sports and wildlife photographers value frame rates and buffer depth.
- Canon G16: Up to 12 fps continuous shooting.
- Fujifilm F600 EXR: Up to 8 fps continuous shooting.
While neither camera targets pro sports shooters, the G16's 12 fps is impressive for small sensor compacts and can help capture transient moments better. Moreover, G16’s continuous AF tracking during burst shooting further aids in shot consistency.
The Fuji’s slower 8 fps may suffice for casual action but will feel limiting in dynamic scenes.
Flash and Low-Light Assistance
The presence and performance of built-in and external flash units influence handheld night and portraiture shooting.
The Canon G16’s built-in flash with 7-meter range and variety of modes (auto, red-eye reduction, slow sync, second curtain) make it versatile and practical. Plus, it accommodates external flashes, enabling photographers to experiment with off-camera lighting.
The Fujifilm offers a weaker built-in flash (3.2-meter range), fewer modes, and no compatibility with external units, restricting creative lighting options.
The Canon’s brighter lens and better noise control also contribute to superior low-light results, reducing dependency on flash.
Video Capabilities: Beyond Still Photography
If you are a hybrid shooter, video specifications matter.
The Canon G16 records full HD (1920x1080) at 60 or 30 fps using efficient MPEG-4/H.264 compression. Stabilization during video is optical, aiding smooth handheld footage. However, the absence of microphone/headphone jacks limits audio control.
The Fujifilm F600 EXR also supports full HD at 30 fps and HD at 60 fps, plus offers high-speed slow-motion options (80, 160, 320 fps), appealing to creative videographers. But video stabilization relies on sensor-shift tech, which is generally less effective than optical stabilization for video.
Neither camera is optimal for professional video but work decently for casual content creation.
Battery Life & Storage: Practical Shooting Concerns
Battery endurance directly affects shooting length and portability.
The Canon G16 uses an NB-10L rechargeable battery rated for approximately 360 shots per charge. This is reasonable but may require spares for extended sessions.
The Fujifilm’s NP-50 battery capacity isn’t explicitly stated in performance metrics but tends to deliver fewer shots per charge than the Canon. Given its lighter weight, there’s an understandable trade-off.
Both accept single SD/SDHC/SDXC card slots, a standard that doesn’t favor redundancy but is typical for compacts.
Connectivity and Additional Features
Image sharing and GPS capabilities add value for travel shooters.
The Canon G16 includes built-in Wi-Fi, enabling wireless image transfer - a bonus for social media-forward users. GPS is optional, meaning some versions also offer location tagging.
The Fujifilm F600 EXR integrates built-in GPS but has no wireless connectivity, limiting instant image sharing.
Neither sport Bluetooth or NFC due to their era and form factor.
Durability and Weather Resistance
Neither model features weather sealing or rugged construction, so alternative protective measures are required for harsh environments. The Canon’s slightly sturdier chassis marginally edges out the Fuji in impression of reliability.
Putting It All Together: Strengths and Weaknesses
| Feature | Canon PowerShot G16 | Fujifilm FinePix F600 EXR |
|---|---|---|
| Sensor & Image Quality | Larger sensor (1/1.7"), better color & dynamic range | Smaller sensor (1/2"), more resolution, noisier |
| Lens | Bright fast lens (F1.8-2.8), moderate zoom (5x) | Superzoom lens (15x), slower aperture (F3.5-5.3) |
| Autofocus | Quick, accurate with face detection | Slower, basic AF, no face detection |
| Handling | Heftier body, excellent ergonomics | Lightweight, compact, minimal controls |
| Screen & Viewfinder | Sharp LCD + optical viewfinder | Lower-res LCD, no viewfinder |
| Burst & Action Shots | Faster continuous shooting (12 fps) | Slower (8 fps) |
| Video | Full HD 60 fps, optical stabilization | Full HD 30 fps, high-speed slow motion |
| Flash | Stronger built-in flash, external flash support | Weaker flash, no external flash support |
| Connectivity | Wi-Fi, optional GPS | Built-in GPS, no Wi-Fi |
| Battery | ~360 shots | Lower battery life estimate |
| Price (at launch) | ~$499 | ~$230 |
How They Perform Across Photography Genres
To better illustrate suitability, here’s a breakdown per discipline.
Portrait Photography
Canon G16’s wider aperture and face/eye detection allow compelling shallow depth-of-field effects and accurately rendered skin tones. The Fujifilm’s narrower aperture and lack of face detection reduce portrait creativity and ease.
Landscape Photography
Dynamic range and resolution favor the Canon, producing richer color gradations and HDR-friendly captures. Both cameras lack weather sealing; however, the Fuji’s longer zoom aids framing distant subjects on hikes.
Wildlife Photography
Fujifilm’s 360mm equivalent lens seems attractive, but slower AF and lower burst rate hamper effectiveness. The Canon’s faster AF and higher frame rate, although with shorter reach, may nonetheless yield better catch rates on smaller moving subjects.
Sports Photography
Neither camera targets professional sports, but G16’s 12 fps and AF tracking deliver some usable shots over the Fuji’s limited high-speed options.
Street Photography
Canon’s heftier body and more obvious lens presence make it more noticeable. Fuji’s smaller size favors candid shooting, yet slower AF might miss fleeting moments.
Macro Photography
Canon’s 1cm macro focussing ability surpasses Fuji’s 5cm limit, combined with faster aperture to isolate details.
Night / Astro Photography
Low-light noise handling clearly favors Canon G16. Neither camera supports long exposures ideal for astrophotography, but Canon’s better ISO performance is advantageous.
Video Shooting
Canon provides higher frame rate HD video with better stabilization, suitable for casual videographers seeking smooth footage. Fuji’s slow-motion modes offer creative options but lower general versatility.
Travel Photography
Fujifilm’s extreme zoom and lightweight body make it great for travelers prioritizing reach and portability over image quality. Canon’s better image quality and Wi-Fi provide support for those valuing output and connectivity.
Professional Work
Neither camera suits professional use given sensor size limitations and build, but Canon’s RAW support, file quality, and controls are a step ahead.
Sample Gallery Comparison
A picture says a thousand words. Here are side-by-side crops and full-frame samples under various lighting and subjects.
The Canon’s images display less noise, punchier colors, and smoother transitions. The Fujifilm, while sharper at base ISO, tends to fall apart under shadow detail and higher ISO noise.
Overall Rankings and Value Assessment
Considering performance, build, and features:
- Canon PowerShot G16 sits comfortably in the premium compact range.
- Fujifilm F600 EXR uses a budget approach emphasizing zoom and compactness.
Verdict & Recommendations
I recommend the Canon PowerShot G16 if:
- Your priorities are image quality, especially in low light.
- You value faster autofocus and burst shooting.
- You want minimal manual control but still crave advanced modes.
- You’re okay with a slightly heavier camera for better ergonomics.
- You appreciate Wi-Fi connectivity for instant sharing.
- Portrait, night, and macro photography feature heavily in your workflow.
I recommend the Fujifilm FinePix F600 EXR if:
- Superzoom versatility is your main criteria.
- Ultra-lightweight and portability matter for hiking/travel.
- You don’t demand rapid autofocus or higher burst rates.
- Budget is a significant consideration (lower price point).
- Casual everyday shooting with occasional telephoto captures.
Final Thoughts
Choosing between these two compacts is about defining your photographic priorities. The Canon G16 champions image quality, control, and speed in a solid, manageable package. The Fujifilm F600 EXR pushes zoom limits and weighs less but at the expense of sensor size and autofocus robustness.
Both remain commendable in their niches, but for enthusiasts unwilling to compromise image fidelity, G16 generally outperforms the superzoom competition, despite being older. Meanwhile, Fuji’s offering remains attractive for leisure shooters and travelers needing range without breaking the pocket.
Thank you for joining me in this detailed journey through two compelling compact cameras. I hope this dissection aids your equipment choices and inspires trust in well-researched, experience-backed advice.
Happy shooting!
Canon G16 vs Fujifilm F600 EXR Specifications
| Canon PowerShot G16 | Fujifilm FinePix F600 EXR | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | FujiFilm |
| Model | Canon PowerShot G16 | Fujifilm FinePix F600 EXR |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Released | 2013-11-25 | 2011-08-11 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 6 | EXR |
| Sensor type | BSI-CMOS | EXRCMOS |
| Sensor size | 1/1.7" | 1/2" |
| Sensor measurements | 7.44 x 5.58mm | 6.4 x 4.8mm |
| Sensor area | 41.5mm² | 30.7mm² |
| Sensor resolution | 12MP | 16MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4608 x 3456 |
| Maximum native ISO | 12800 | 3200 |
| Maximum enhanced ISO | - | 12800 |
| Minimum native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 24-360mm (15.0x) |
| Highest aperture | f/1.8-2.8 | f/3.5-5.3 |
| Macro focus range | 1cm | 5cm |
| Focal length multiplier | 4.8 | 5.6 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3" | 3" |
| Resolution of display | 922 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | TFT PureColor II G LCD | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | Optical (tunnel) | None |
| Viewfinder coverage | 80% | - |
| Features | ||
| Min shutter speed | 15 secs | 8 secs |
| Max shutter speed | 1/4000 secs | 1/2000 secs |
| Continuous shutter speed | 12.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 7.00 m | 3.20 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Max flash sync | 1/2000 secs | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 or 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 60 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, H.264 | AVI MPEG4 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 356 grams (0.78 pounds) | 215 grams (0.47 pounds) |
| Dimensions | 109 x 76 x 40mm (4.3" x 3.0" x 1.6") | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") |
| DXO scores | ||
| DXO Overall score | 54 | 40 |
| DXO Color Depth score | 21.0 | 19.4 |
| DXO Dynamic range score | 11.7 | 10.8 |
| DXO Low light score | 230 | 153 |
| Other | ||
| Battery life | 360 images | - |
| Form of battery | Battery Pack | - |
| Battery model | NB-10L | NP-50 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Retail cost | $499 | $230 |