Canon G16 vs Panasonic LX5
85 Imaging
37 Features
62 Overall
47


88 Imaging
35 Features
44 Overall
38
Canon G16 vs Panasonic LX5 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F1.8-2.8) lens
- 356g - 109 x 76 x 40mm
- Released November 2013
- Old Model is Canon G15
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Screen
- ISO 80 - 12800
- Optical Image Stabilization
- 1280 x 720 video
- 24-90mm (F2.0-3.3) lens
- 271g - 110 x 65 x 43mm
- Introduced December 2011
- Superseded the Panasonic LX3
- Successor is Panasonic LX7

Exploring the Canon G16 and Panasonic LX5: A Hands-On Compact Camera Comparison
When it comes to compact enthusiast cameras from the early 2010s, two stalwarts stand out for their impressive features packed into portable bodies: Canon’s PowerShot G16 and Panasonic’s Lumix DMC-LX5. As cameras that predate the mirrorless revolution yet still appeal to photography buffs seeking manual control with pocketable convenience, they warrant a deep dive. Having spent hours shooting in various conditions and comparing side-by-side performance, I want to share detailed insights into how these two compacts stack up - for the photographer who values image quality, handling, and versatility without lugging around bulky gear.
In this comprehensive comparison, I’ll walk you through everything from sensor technologies and ergonomics to real-world autofocus performance, shooting disciplines, and video capabilities. My aim is simple: to provide a grounded, experienced perspective that helps you decide which compact suits your photographic ambitions best.
Let’s start by sizing up the cameras physically.
Seeing and Feeling the Cameras: Size and Ergonomics
The first impression when picking up the Canon G16 versus the Panasonic LX5 is their build and handling. Both are solidly made, with an all-metal body feel that inspires confidence over cheap plasticky compacts. The G16 is slightly larger and noticeably heavier at 356 grams, while the LX5 is more compact and lighter, tipping the scales at 271 grams.
If you prioritize pocketability and travel ease, the LX5’s narrower width and reduced heft make it more discreet - quite handy for street or candid photography. Its design also incorporates a subtle grip, which helps steady handheld shots.
By comparison, the Canon G16’s heft and broader contours contribute to a more traditional DSLR-like grip. Its weight - not excessive but noticeably present - balances well with the slightly longer lens, and it feels reassuring during longer shooting sessions. For photographers who spend lots of time holding their gear and demanding precision, this ergonomic design pays dividends.
On top, you’ll find distinct control layouts that reflect differing design philosophies.
Control Surfaces and Interface: Convenience Versus Simplicity
Looking at the top panels side-by-side shows the Canon G16’s richer button real estate, complete with dedicated dials for exposure compensation, mode selection, and a top-plate LCD readout for quick info glance.
In contrast, the LX5 opts for simplicity, with fewer physical controls and a more minimalist approach. While this means quicker learning and less chance of accidental changes, it hampers rapid access to certain functions like ISO adjustments or shooting modes. Canon’s G16 shines here - its more extensive controls suit shooters who crave speedy manual adjustments and creative flexibility in the field.
From the user interface perspective, both use fixed 3-inch LCD screens for composing and reviewing shots, but the resolution and screen technologies differ.
Visual Feedback: Screens and Viewfinders
When it comes to the rear display, the G16 is a clear winner: a bright, sharp 922k-dot TFT PureColor II G LCD that renders images and menus crisply and vividly. This clarity makes a real difference when framing tricky compositions or checking fine focus and exposure details.
The LX5’s 460k-dot screen pales a bit in comparison - adequate for basic framing but sometimes lacking detail when inspecting images or navigating menus in strong light.
Both cameras eschew touchscreens, and neither sports a built-in electronic viewfinder (the LX5 offered an optional EVF that’s rarely seen now). The Canon compensates with an optical tunnel viewfinder, but it only covers 80% of the scene and lacks magnification, meaning it’s more of a rough framing aid than a primary tool - still valuable in bright, sunny conditions where screen-glare is problematic.
Behind the screens lie their sensor technologies, a key factor shaping image quality.
Sensor Technologies: Size, Resolution, and Performance
Both cameras employ relatively large compact camera sensors for their era - around 1/1.7" for the Canon and slightly smaller at 1/1.63" for the Panasonic. However, their sensor designs differ significantly: Canon uses a BSI-CMOS sensor with advanced Digic 6 processor support, whereas Panasonic relies on a CCD sensor coupled with the Venus Engine FHD.
In general, the BSI-CMOS sensor found in the Canon G16 offers better light-gathering efficiency and improved noise performance, especially at higher ISO levels. The Panasonic’s CCD sensor delivers excellent color rendition typical of its kind but doesn’t fare as well in low light or at higher ISO settings due to inherent sensor noise characteristics.
In terms of raw resolution, the Canon’s 12MP sensor edges out the Panasonic LX5’s 10MP sensor, providing slightly higher detail capture at base ISOs. Both support shooting in RAW format - a boon for photographers who want to push image quality in post-processing.
Dynamic range on the Canon G16 is also superior, translating to better highlight and shadow detail capture - a consideration that landscape photographers will definitely appreciate.
Now, let’s shift focus to lenses - a non-removable but integral component dictating creative flexibility.
The Lenses: Reach, Speed, and Macro Considering
Both cameras feature fixed lenses: the Canon G16 sports a versatile 28-140mm equivalent zoom with a bright f/1.8–2.8 aperture range, whereas the LX5 offers a more modest 24-90mm f/2.0–3.3 lens.
While Panasonic’s wider starting focal length is tempting for ultra-wide scenery and interiors, the more extended 140mm reach on Canon is advantageous for portraits, street, wildlife, and sports snapshots, offering more framing versatility without carrying extra gear.
The faster apertures on the Canon (notably f/1.8 wide-open) enable better handling of low-light scenes and allow for more pleasing shallow depth-of-field effects - a critical factor for compelling portraits. Both lenses excel at macro with minimum focusing distances down to 1cm, but the G16’s superior image stabilization helps maintain sharpness at close quarters.
Performance under various photographic disciplines differs considerably due to these hardware variations.
Portrait Photography: Skin Tone Rendering and Bokeh Quality
For portrait shooters, the Canon G16 has the upper hand thanks to its extended zoom, brighter lens, and face detection autofocus system. Over multiple sessions shooting models and casual subjects, I found the G16’s autofocus to be responsive and accurate in locking onto faces and maintaining sharp eyes - a crucial feature for portrait perfection.
Plus, its faster f/1.8 aperture allows for more creative background separation and smoother bokeh, imparting that sought-after professional look even in challenging ambient light.
The Panasonic LX5 can produce pleasing portraits but tends to require louder flashes or steady lighting given its slower maximum aperture at similar focal lengths. Additionally, it lacks face detection autofocus, which means manual focus finesse or patience are necessary for accurate eye sharpness.
Landscape Photography: Dynamic Range and Weather Resistance
Landscape photographers often measure cameras on sensor image quality, dynamic range, resolution, and durability outdoors.
The Canon G16’s improved dynamic range (approximately 11.7 EV at base ISO) outperforms the LX5’s 10.8 EV, retaining richer tonal gradations in skies and shadows. Coupled with its higher resolution and sharp optics, the G16 captures landscapes with crisp detail and color fidelity.
Neither camera boasts weather sealing, so extra care is needed in wet or dusty environments, but the solid construction feels reassuring.
The LX5’s slightly wider zoom range at the wide end (24mm vs. 28mm) is good for ultra-wide vistas but limited by its lower sensor performance in bright or contrasty conditions.
Wildlife and Sports Photography: Autofocus and Shooting Speed
When testing wildlife and action sequences, speed and accuracy of autofocus (AF), continuous shooting rates, and buffer capacity make or break the experience.
Here, the Canon G16 shines impressively. Its continuous shooting at 12 frames per second (fps) with continuous AF tracking is remarkable for a compact camera from its release era - allowing you to capture fleeting moments with confidence.
Though the Panasonic LX5 offers continuous shooting, it is limited to a comparatively slow 3 fps and lacks continuous AF, resulting in more missed shots.
While neither camera matches dedicated DSLRs or mirrorless bodies for tracking fast-moving subjects, the G16’s better AF system and burst speed make it the stronger candidate for casual sports and wildlife photography.
Street Photography: Discretion and Low-Light Performance
For street shooting, size and responsiveness are paramount.
The LX5’s smaller footprint and lighter weight lend themselves well to discreet shooting in urban environments. Its quieter operation and simpler control interface support quick bursts of candid photography without drawing attention.
However, the Canon G16’s superior high ISO performance and faster lens aperture provide significant benefits in low-light street scenarios typically encountered at dusk or indoor venues. Its slightly larger size is a tradeoff I find worthwhile for the image quality gains.
Macro Photography: Sharpness, Focusing, and Stabilization
Both compacts excel at macro work, focusing as close as 1 cm with decent sharpness across the frame. In practical tests photographing flowers and small objects, the Canon’s optical image stabilization came into its own, helping reduce blur during slower shutter speeds.
Panasonic’s lack of stabilization support and more limited burst mode made handheld shooting more challenging. However, the LX5 handled manual focus adjustments smoothly via a dedicated focus ring, beneficial when precise control is needed.
Night and Astrophotography: ISO and Exposure Capabilities
Low-light and night shooting reveal real differences in sensor and processing technologies.
The Canon’s BSI CMOS sensor and Digic 6 processor deliver cleaner images at ISO 3200 and 6400, with manageable noise and preserved detail after noise reduction. Its minimum shutter speed of 15 seconds supports long exposures necessary for star trails and nightscapes.
Conversely, the Panasonic’s CCD sensor produces more pronounced noise at higher ISO levels and restricts the minimum shutter speed to 60 seconds, somewhat limiting creative night photography potential. The LX5’s 12800 ISO ceiling is more theoretical than practical due to image degradation.
Video Capabilities: Resolution, Frame Rates, and Stabilization
If video is part of your creative mix, these two compacts deliver very different experiences.
The Canon G16 records full HD video at 1080p with frame rates up to 60 fps, encoded in MPEG-4 and H.264 formats, providing smooth options for both cinematic and casual footage.
The Panasonic LX5 is capped at 720p HD video at 60 fps with AVCHD Lite format - still respectable for its time but now dated compared to more modern solutions.
Neither camera offers external microphone or headphone jacks, meaning audio quality is dependent on their built-in mics. Both provide optical image stabilization to reduce camera shake during handheld shooting - a significant benefit for video clarity.
Travel Photography: Versatility, Battery Life, and Portability
Travel photographers prize versatility, reliability, and stamina.
While the LX5’s compact size and lighter weight aid travel packing, the Canon G16’s extended zoom range and superior image quality justify the modest size and weight increase for me. Additionally, the Canon’s battery life rated at approximately 360 shots per charge supports longer shooting days without frequent recharging, whereas Panasonic doesn’t specify battery endurance clearly - a limitation for extensive fieldwork.
Both cameras accept standard SD/SDHC/SDXC cards with a single slot, suiting common workflows and offering ample storage flexibility.
Professional Use and Workflow Integration
Neither camera, being compact fixed-lens shooters, is designed to replace professional DSLRs or mirrorless bodies in demanding commercial environments. However, they can serve as reliable secondary cameras for professionals valuing portability without total compromise on output quality.
The Canon G16’s RAW support, greater manual control, and richer image output make it the preferable choice for integrating into workflows involving Lightroom, Capture One, or Photoshop.
Panasonic’s LX5 also supports RAW but its contrast-detection AF-only system and older sensor restrict image quality ceilings.
Connectivity and Extras
Regarding connectivity, the Canon G16 includes built-in Wi-Fi for photo transfer and remote control, a useful feature for contemporary sharing workflows.
The Panasonic LX5 offers no wireless features, relying solely on standard USB 2.0 and HDMI outputs for image transfer and display.
Neither camera has GPS built-in, though Canon provides optional GPS accessories.
Summary Ratings and Genre Performance
Collating all performance aspects into comprehensive scores reveals the Canon G16’s clear superiority in overall image quality, autofocus, continuous shooting speed, and video capabilities.
Genre-specific scoring further highlights the Canon’s strength across portraits, landscapes, wildlife, and night photography disciplines.
Sample images from both cameras reinforce these findings: the Canon’s shot exhibits better dynamic range, color depth, and noise control, while the Panasonic LX5 shows respectful sharpness with slightly muted tones and earlier noise onset in high-ISO images.
Who Should Choose Each Camera?
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Photographers seeking a pocketable camera for travel, street photography, and casual snapshots who prioritize compactness and simplicity may find the Panasonic LX5 appealing - especially on a tighter budget.
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Enthusiasts craving greater image quality, faster autofocus, longer zoom reach, and better all-around performance, including video, will favor the Canon G16 - worth the price premium.
Concluding Thoughts
Having rigorously tested both cameras on real shoots spanning multiple genres, I can confidently say that the Canon PowerShot G16 represents a significant step forward in compact camera design and image quality compared to the Panasonic Lumix LX5. Its advanced BSI CMOS sensor, brighter lens, swift continuous shooting, and richer controls provide a toolkit that punches well above its weight class.
That said, the LX5 retains charm as a lightweight, capable compact for photographers who prize discretion and straightforward operation over flagship performance.
Whichever you choose, both models capture the essence of early-21st-century enthusiast compacts and provide impressive capabilities to satisfy many photographic demands. My testing underscores that in this niche, nuanced differences in sensor technology, lens speed, and autofocus systems translate directly to how well the camera delivers in your real-world shooting.
In summary, the Canon G16 is my recommended pick for photographic enthusiasts ready to invest in a compact powerhouse, whereas the Panasonic LX5 caters well to those beginning their compact camera journey or needing an easy-to-carry second shooter.
As photography technology continues evolving rapidly, I encourage readers to consider these cameras’ strengths and weaknesses in line with your specific photographic priorities, budget, and style. Hands-on testing remains invaluable, but this comprehensive comparison aims to make your decision clearer and grounded in professional experience.
Happy shooting!
Canon G16 vs Panasonic LX5 Specifications
Canon PowerShot G16 | Panasonic Lumix DMC-LX5 | |
---|---|---|
General Information | ||
Make | Canon | Panasonic |
Model | Canon PowerShot G16 | Panasonic Lumix DMC-LX5 |
Category | Small Sensor Compact | Small Sensor Compact |
Released | 2013-11-25 | 2011-12-15 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | Digic 6 | Venus Engine FHD |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/1.7" | 1/1.63" |
Sensor dimensions | 7.44 x 5.58mm | 8.07 x 5.56mm |
Sensor area | 41.5mm² | 44.9mm² |
Sensor resolution | 12 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 3648 x 2736 |
Maximum native ISO | 12800 | 12800 |
Lowest native ISO | 80 | 80 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 9 | 23 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 24-90mm (3.8x) |
Highest aperture | f/1.8-2.8 | f/2.0-3.3 |
Macro focus range | 1cm | 1cm |
Crop factor | 4.8 | 4.5 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 922k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | TFT PureColor II G LCD | - |
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | Electronic (optional) |
Viewfinder coverage | 80 percent | - |
Features | ||
Min shutter speed | 15 secs | 60 secs |
Max shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shutter rate | 12.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.00 m | 7.20 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | 1/2000 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 or 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video file format | MPEG-4, H.264 | AVCHD Lite |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 356 grams (0.78 pounds) | 271 grams (0.60 pounds) |
Dimensions | 109 x 76 x 40mm (4.3" x 3.0" x 1.6") | 110 x 65 x 43mm (4.3" x 2.6" x 1.7") |
DXO scores | ||
DXO Overall score | 54 | 41 |
DXO Color Depth score | 21.0 | 19.6 |
DXO Dynamic range score | 11.7 | 10.8 |
DXO Low light score | 230 | 132 |
Other | ||
Battery life | 360 images | - |
Style of battery | Battery Pack | - |
Battery model | NB-10L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Launch price | $499 | $294 |