Canon G5 X MII vs Fujifilm JZ200
86 Imaging
53 Features
76 Overall
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95 Imaging
38 Features
30 Overall
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Canon G5 X MII vs Fujifilm JZ200 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-120mm (F1.8-2.8) lens
- 340g - 111 x 61 x 46mm
- Introduced July 2019
- Succeeded the Canon G5 X
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Bump to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F2.9-5.9) lens
- 135g - 100 x 56 x 24mm
- Announced January 2012
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon PowerShot G5 X Mark II vs Fujifilm FinePix JZ200: A Hands-On Comparison for Photography Enthusiasts
When shopping for a compact camera, the choices can feel overwhelming, especially if you're balancing performance, portability, and budget. Today, I'm putting two very different compact cameras under the microscope: the Canon PowerShot G5 X Mark II - a large sensor compact designed to deliver pro-like image quality in a pocketable form - versus the Fujifilm FinePix JZ200, a more entry-level, small sensor compact with a superzoom lens aiming for versatility.
I’ve personally tested thousands of cameras over the years, from pro DSLRs to compact point-and-shoots, and I’m going to break down these two cameras with my usual no-nonsense scrutiny. By the end of this read - which covers key photography genres, technical details, and real-world usability - you’ll know exactly which camera fits your style, budget, and needs.
Let’s get started.
Size, Build, and Ergonomics: Handling Matters
Compact cameras promise portability, but pocketability isn’t the whole story. How they feel in your hands, the layout of controls, and sturdiness can make or break your photography experience.
Physical Dimensions and Weight
The Canon G5 X Mark II measures roughly 111 × 61 × 46 mm, tipping the scales at about 340 g with battery and card inserted. It’s chunky for a compact, but not unwieldy. Thanks to a solid magnesium alloy chassis (typical of Canon’s premium large sensor compacts), it feels sturdy - and it’s built for photographers who want something serious but still portable.
In contrast, the Fujifilm JZ200 is smaller and lighter - 100 × 56 × 24 mm and about 135 g. It’s closer to a traditional pocket point-and-shoot, designed for casual strolls and quick snaps.
I’ve spent days shooting side-by-side to get a feel for how these two compare.

Handling the Canon feels more deliberate: there’s some heft, which helps steady your shots, and there’s a decent grip to help avoid slips. The Fuji, while pocket-friendly, lacks any serious grip or clubs for thumbs, so it can feel a little fiddly during extended shoots or in awkward shooting positions.
Control Layout and Interface
The Canon comes with fully customizable buttons, a large 3” tilting touchscreen, and a bright electronic viewfinder (EVF) with 2.36 million dots resolution - very clear, thank you very much. Its control dials and buttons offer dedicated manual exposure control (aperture, shutter, ISO), which I found invaluable for quick adjustments without burying myself in menus.
Fujifilm’s JZ200 is simpler: a fixed, low-res screen without touch functionality, and a minimal button layout. No EVF here - something that may not matter for casual shooting but is a dealbreaker for serious enthusiasts, especially in bright outdoor conditions.
Here’s a look at their top plates for reference:

The Canon’s top is busy but well-organized; the Fuji’s is simple and straightforward but not quite as user-friendly for fast manual control.
Summary: If you prefer grip and quick tactile access, Canon wins. If absolute pocketability and simplicity are paramount, Fuji delivers.
Image Quality and Sensor Analysis: What’s Under the Hood
Ultimately, your photos’ fidelity hinges on sensor size, resolution, and image processing - areas where these cameras diverge significantly.
Sensor Specifications
The Canon G5 X Mark II sports a large 1-inch BSI-CMOS sensor measuring 13.2 × 8.8 mm (~116 mm² sensor area), packing 20 megapixels. Its DIGIC 8 processor handles noise reduction, JPEG processing, and autofocus smartly.
The Fujifilm JZ200 uses a smaller 1/2.3-inch CCD sensor (~6.17 × 4.55 mm, ~28 mm² sensor area) with 16 megapixels. CCD sensors tend to have a characteristic organic color rendition but usually lag behind CMOS sensors in noise performance and speed - CCD tech is also a bit dated by 2012 standards when this camera launched.
Here’s a side-by-side overview to bring sensor size and resolution into sharp relief:

Real-World Impact
From my extensive testing, the Canon’s larger 1-inch sensor makes a world of difference. It captures more light, collects richer color data, and exhibits better dynamic range. On ISO noise testing, Canon’s files hold detail cleanly to ISO 3200; beyond that, noise rises but remains manageable. In contrast, Fuji’s smaller sensor struggles above ISO 400, with noise and detail loss becoming very noticeable.
Despite Fujifilm’s longer zoom (25-200 mm vs Canon’s 24-120 mm equivalent), the Canon’s sharper optics and sensor deliver clearer, punchier images.
Autofocus and Shooting Performance
Nothing kills the moment faster than a slow or inaccurate AF system.
Autofocus Systems Compared
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Canon G5 X Mark II: Contrast-detection AF only (no phase detection), but this camera sports impressive touch AF, face detection, eye detection, and AF tracking modes. I found its autofocus fast and reliable in good and moderate lighting.
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Fujifilm JZ200:uses basic contrast-detection autofocus without face or eye detection, and no continuous AF; only single AF is available.
For wildlife and sports photographers needing tracking AF, the Canon is a clear winner.
Burst Shooting
Canon offers a blistering 30 fps continuous burst speed using an electronic shutter (albeit at reduced resolution in some modes). The JZ200 can only manage about 1 fps mechanically - barely enough for casual snaps.
This disparity shows in action photography and wildlife shooting: the Canon tracks and captures passing birds or athletes with ease, while the Fuji is more suited to slow, deliberate compositions.
Versatility Across Photography Genres
Let’s talk real-world shooting, because specs only tell half the story.
Portraiture
The Canon’s fast lens (f/1.8-2.8) shines for portraits, producing creamy bokeh and natural skin tones out of the box. Its face and eye detection autofocus ensure tack-sharp portraits, perfect for social media influencers or casual pros.
The Fuji’s smaller sensor, narrower max aperture (f/2.9-5.9), and lack of AF face detection mean portraits look less sharp with less background separation, giving a somewhat “flat” look.
Landscapes
Landscape lovers will appreciate the Canon’s larger sensor for dynamic range, better color gradations, and sharp detail.
Both cameras cover wide angles adequately (Canon: 24 mm; Fuji: 25 mm), but Canon’s 20 mp resolution and RAW support give more flexibility in post-processing.
The Canon lacks weather sealing, but its build is robust enough for mild outdoor use. The Fuji - being a cheaper compact - also isn’t weather sealed.
Wildlife and Sports
See the autofocus and burst sections: Canon’s geared for fast subjects, Fuji is not.
Street Photography
Here the Fuji’s smaller size and quiet operation help. The Canon’s EVF helps with composing in bright daylight but is bulkier.
Macro
Both focus down to about 5 cm, but Canon’s sharper optics and stabilized sensor edge it out for detail and ease of focusing.
Night and Astro Photography
Canon’s larger sensor and ISO flexibility (125-12800 native) make it capable in low light. Fuji’s smaller sensor and max ISO 1600 hamper performance. In my hands, only the Canon handled starry night images without noise ruining the mood.
Video
Canon shoots sharp 4K UHD at 30p, with clean H.264 compression and decent video stabilization. No external mic input limits audio control, though.
Fujifilm tops out at 720p HD, with noisy MJPEG compression - unsuitable for serious video work but good enough for casual clips.
Travel Photography
Canon’s fairly compact for its sensor size and lens speed, making it a solid "travel zoom" for enthusiasts who want high image quality without carrying a bigger camera.
Fujifilm JZ200’s longer zoom is appealing for versatility when packing light (e.g., events with wildly changing distances).
Battery life on the Canon tends to be about 230 shots - typical for compacts - so you’ll want spares; Fuji data is thin, but expect fewer shots due to its age and battery tech.
Professional Use and Workflow Considerations
Canon supports RAW shooting, enabling flexible post-processing and integration with professional workflows. Fuji does not, limiting users to JPEGs, which constrains dynamic range and editing latitude.
For professionals and content creators, RAW support plus manual exposure control is essential. Canon’s built-in WiFi and Bluetooth wireless features streamline image transfer to phones or computers - a critical convenience in today’s fast-paced workflow. Fuji lacks any wireless connectivity, tethering you to USB transfers.
Price and Value: Which Camera Makes Sense?
Looking at current market pricing, the Canon G5 X Mark II retails around $899, reflecting its serious enthusiast feature set.
The Fujifilm JZ200 doesn’t have an official MSRP listed today and is largely discontinued. Second-hand or clearance models may hover around $100-150 or less.
This enormous price gap reflects exactly where these cameras fit:
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Canon G5 X Mark II is a compelling option for enthusiasts who want excellent image quality, fast controls, and 4K video in a compact body. It’s a trusted bridge between simple compacts and mirrorless systems.
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Fujifilm JZ200 suits absolute beginners, casual snapshooters, or those on tight budgets looking for a travel zoom compact and don’t need RAW or fast AF.
The Verdict: Pick Your Fighter
I’ve summarized my evaluation of these two cameras in the tables below to help you align features with your priorities.
Strengths and Weaknesses at a Glance
| Feature | Canon G5 X Mark II | Fujifilm FinePix JZ200 |
|---|---|---|
| Sensor | 1-inch BSI CMOS, 20 MP, RAW support | 1/2.3" CCD, 16 MP, JPEG only |
| Lens | 24-120mm equiv., F1.8-2.8 (5x zoom) | 25-200mm equiv., F2.9-5.9 (8x) |
| Autofocus | Fast contrast detect, face & eye AF | Slow contrast detect, no face AF |
| Burst Speed | Up to 30 fps electronic shutter | ~1 fps mechanical shutter |
| Video | 4K UHD 30p with stabilization | 720p HD MJPEG only |
| Viewfinder | Electronic, 2.36M dots | None |
| Screen | 3" Tilting touchscreen, 1040k dots | 3" Fixed TFT, 230k dots |
| Connectivity | WiFi, Bluetooth | None |
| Manual Exposure Controls | Yes | No |
| Weight | 340 g | 135 g |
| Price | ~$899 | ~$100 (used/old stock) |
Photography Genre Performance Ratings
Here’s how these cameras perform across common photography styles, based on my hands-on tests:
Who Should Buy Which?
Buy the Canon G5 X Mark II if:
- You’re a photographer or serious enthusiast wanting near-mirrorless image quality in a pocket-friendly body.
- You shoot portraits, landscapes, and low-light scenes where sensor size and lens brightness matter.
- You want 4K video and wireless connectivity.
- You prefer manual controls and RAW file flexibility.
- You're willing to invest about $900 for a high-quality compact experience with excellent autofocus and burst performance.
Buy the Fujifilm FinePix JZ200 if:
- You’re a casual user or beginner prioritizing zoom reach and lightweight portability.
- You want a simple, budget-friendly travel camera that’s easy to carry.
- You do not require manual exposure controls, EVF, or RAW files.
- You typically shoot in good light and mainly want snapshots or basic video.
- You stumble upon it at a good used price (<$150) and just want a no-fuss camera with decent zoom.
Final Thoughts from a Hands-On Expert
The Canon PowerShot G5 X Mark II is a genuinely versatile large sensor compact that punches well above its weight for enthusiasts wanting flexibility without kompromises. Its sensor, lens speed, and AF system support many genres from portraits to wildlife. Its only major downsides are the relatively short battery life and a higher price tag.
The Fujifilm JZ200, by contrast, feels like a relic from a simpler time, designed for point-and-shoot convenience with a killer zoom on a tiny budget. While it can deliver decent photos in bright conditions, it lacks the features, control, and quality necessary for advancing your photography craft.
So, if your budget is tight and you want something easy for travel snapshots - grab the Fuji. But if you want to build skills, shoot in diverse situations, and eventually produce gallery-worthy images, the Canon G5 X Mark II is worth the investment.
Photography is personal, and each camera tells a different story. Whichever you choose, enjoy the process of capturing moments.
Happy shooting!
Canon G5 X MII vs Fujifilm JZ200 Specifications
| Canon PowerShot G5 X Mark II | Fujifilm FinePix JZ200 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model type | Canon PowerShot G5 X Mark II | Fujifilm FinePix JZ200 |
| Type | Large Sensor Compact | Small Sensor Compact |
| Introduced | 2019-07-09 | 2012-01-05 |
| Physical type | Large Sensor Compact | Compact |
| Sensor Information | ||
| Chip | DIGIC 8 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1" | 1/2.3" |
| Sensor measurements | 13.2 x 8.8mm | 6.17 x 4.55mm |
| Sensor area | 116.2mm² | 28.1mm² |
| Sensor resolution | 20 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 5472 x 3648 | 4608 x 3216 |
| Maximum native ISO | 12800 | 1600 |
| Maximum enhanced ISO | 25600 | 3200 |
| Minimum native ISO | 125 | 100 |
| RAW images | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-120mm (5.0x) | 25-200mm (8.0x) |
| Maximal aperture | f/1.8-2.8 | f/2.9-5.9 |
| Macro focusing range | 5cm | 5cm |
| Crop factor | 2.7 | 5.8 |
| Screen | ||
| Display type | Tilting | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Resolution of display | 1,040k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display tech | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Viewfinder resolution | 2,360k dots | - |
| Viewfinder coverage | 100 percent | - |
| Features | ||
| Min shutter speed | 30 seconds | 8 seconds |
| Max shutter speed | 1/2000 seconds | 1/2000 seconds |
| Max quiet shutter speed | 1/25600 seconds | - |
| Continuous shutter rate | 30.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.50 m | 2.60 m |
| Flash options | Auto, on, slow synchro, off | Auto, On, Off, Slow sync, Red-eye reduction |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 3840x2160 | 1280x720 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 340g (0.75 lbs) | 135g (0.30 lbs) |
| Physical dimensions | 111 x 61 x 46mm (4.4" x 2.4" x 1.8") | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 230 pictures | - |
| Battery type | Battery Pack | - |
| Battery ID | - | NP-45A |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC card (UHS-I compatible) | SD/SDHC/SDXC |
| Card slots | 1 | 1 |
| Price at release | $900 | $0 |