Canon G5 X MII vs Sony A7 IV
86 Imaging
54 Features
76 Overall
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61 Imaging
79 Features
92 Overall
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Canon G5 X MII vs Sony A7 IV Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Boost to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-120mm (F1.8-2.8) lens
- 340g - 111 x 61 x 46mm
- Released July 2019
- Older Model is Canon G5 X
(Full Review)
- 33MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 699g - 129 x 97 x 81mm
- Announced October 2021
- Succeeded the Sony A7 III
Photobucket discusses licensing 13 billion images with AI firms Canon PowerShot G5 X Mark II vs. Sony Alpha A7 IV: An Expert Comparison for the Informed Photographer
Choosing the right camera can be a daunting task, especially when options range from compact high-enders like Canon’s PowerShot G5 X Mark II to the powerful full-frame mirrorless workhorse of Sony’s Alpha A7 IV. These two models occupy fundamentally different segments - one aiming for pocketable versatility, the other targeting professional-grade image quality and versatility - but both attract discerning photographers wanting to maximize quality without compromise. Drawing on over 15 years of hands-on camera evaluation and test shooting across genres, this article delivers a meticulous technical and practical comparison between these two cameras. Our goal is to provide a knowledgeable, balanced assessment that clarifies which camera fits specific shooting needs, budgets, and real-world scenarios.
Understanding Their DNA: Form Factor and Handling Differences
The first aspect that becomes immediately evident when comparing the Canon G5 X MII to the Sony A7 IV is their size and intended usage context - one being a premium large-sensor compact, the other a professional full-frame mirrorless system.

The Canon G5 X Mark II’s compact dimensions (111 x 61 x 46 mm) and lightweight profile at just 340 grams make it extremely portable - a camera designed to deliver excellent image quality without the bulk often associated with interchangeable lens systems. This size advantage is ideal for street, travel, and casual everyday photography, where discretion and ease of carry are paramount. Its fixed 24-120mm equivalent f/1.8–2.8 lens ensures flexibility without lens changes, reducing hassle - ideal for photographers valuing instant readiness.
Conversely, the Sony A7 IV weighs 699 grams and measures a significant 129 x 97 x 81 mm, reflecting its traditional SLR-style mirrorless design aimed towards users who need extensive control, superior image quality, and system flexibility. The A7 IV’s size and weight accommodate a larger grip, more extensive controls, and space for dual card slots, battery capacity, and heat management necessary for long shooting sessions - benefits that professional and demanding enthusiasts will appreciate, albeit at the cost of greater bulk and less portability.
Clearly, users seeking ultimate convenience without sacrificing image quality will gravitate towards the Canon G5 X Mark II’s compact portability, while professionals needing versatility and system reliability will look to the Sony A7 IV’s ergonomic robustness and broad accessory ecosystem.
Sensor and Image Quality: The Heart of the Matter
Image quality disparity between these models primarily stems from sensor size and resolution, one of the most critical technical specifications underpinned by years of testing.

The Canon G5 X Mark II houses a 1-inch (13.2 x 8.8 mm) BSI-CMOS sensor with 20 megapixels - a well-established sensor size for high-end compact cameras, offering a good balance of noise control and detail for its category. The sensor area approximates 116.16 mm², providing respectable dynamic range and image clarity suitable for enthusiast photographers keen on portability. However, its maximum native ISO extends only to 12,800 (boosted to 25,600), and as with other smaller sensors, high ISO performance will be notably limited compared to larger full-frame units.
In stark contrast, the Sony A7 IV boasts a 33-megapixel full-frame (35.8 x 23.8 mm) BSI-CMOS sensor, covering an area of approximately 852.04 mm² - over seven times larger than the Canon’s sensor. This considerable increase in sensor real estate offers significant advantages in dynamic range, noise performance, color depth, and resolution, resulting in files capable of professional-level print and crop flexibility. The Sony’s ISO flexibility, native up to 51,200 and boostable to 204,800, translates into markedly cleaner images under adverse lighting, a factor critically important for genres like wedding, event, wildlife, and astro photography.
Technically, the Canon’s 1-inch sensor cannot compete with the Sony’s full-frame sensor in ultimate image quality, but it remains impressive for a compact, especially when paired with the fast f/1.8-2.8 lens and Canon’s DIGIC 8 processor. The Sony’s sensor enables fine detail retrieval and color fidelity difficult to match by smaller-sensor compacts, reflecting the fundamental trade-off between size, cost, and performance.
Autofocus Systems: Precision and Speed Under Pressure
Autofocus performance, tested extensively in both controlled and real-world conditions, reveals profound differences that influence usability across shooting genres.
With Canon’s G5 X Mark II, the autofocus system is contrast-detection-based with touch AF, face detection, and subject tracking. While it performs adequately in daylight and still scenes, it lacks phase detection and animal eye tracking, limiting its responsiveness in fast-action scenarios or wildlife. The camera manages continuous shooting at a blistering 30 fps electronically, beneficial for capturing fleeting moments in sports or street photography, but AF accuracy and tracking quality will not match phase detection systems.
In contrast, Sony’s A7 IV employs a sophisticated hybrid autofocus system comprising 759 phase-detection points with comprehensive eye autofocus and animal eye AF - pivotal for portraiture, wildlife, and event photography. Its continuous AF tracking is among the best in the market, easily locking onto moving subjects with speed and accuracy, even in low light or cluttered scenes. The Sony offers 10 fps mechanical shutter burst, slightly slower than Canon’s continuous rate, but with steadfast AF and metering throughout bursts, critical for professional reliability and consistency.
In practical terms, the Sony A7 IV’s AF system is designed to instill confidence in shooters demanding absolute focus precision during high-speed action, tracking erratic wildlife, or ensuring tack-sharp portraits, whereas Canon’s system excels more in controlled or casual shooting environments.
Handling, Controls, and User Interface: Intuitive Operation Matters
Beyond raw specs, ease of use and control ergonomics deeply affect photographers’ everyday interaction with their equipment.


The Canon G5 X MII’s compact body integrates a modest but well-laid-out control scheme including a tilting 3-inch touchscreen LCD with 1,040k dots resolution, offering intuitive touch gestures and menu navigation. While lacking a top LCD panel, its electronic viewfinder (EVF) with 2,360k dots coverage is bright and sharp, which is impressive given the small size. The interface includes essential dials and a control ring around the lens for aperture or zoom control, affording tactile adjustments. However, the control depth is understandably limited here due to the camera’s compact philosophy.
The Sony A7 IV sports a larger, fully articulated 3-inch touchscreen LCD (1,440k dots) - an improvement over its predecessor - enabling flexible shooting angles, vlogging-friendly self-recording, and precise focus point placement. Its EVF boasts a crystal-clear 3,690k dot resolution with 0.78x magnification, facilitating critical manual focusing and composition under bright conditions. The A7 IV offers a more extensive control set, including dual dials for shutter and aperture, customizable buttons, and a top display for quick status checks. The well-thought layout caters excellently to professional workflows requiring swift parameter adjustment.
For photographers accustomed to extensive manual control and physical feedback, the Sony’s ergonomics shine, whereas the Canon provides a compact, streamlined experience without overwhelming complexity, appealing more to travel and casual enthusiasts.
Lens Ecosystem and Compatibility
A common consideration when choosing a compact versus interchangeable lens system is the native lens ecosystem.
The Canon PowerShot G5 X MII features a fixed 24-120mm ƒ/1.8-2.8 zoom lens. This versatile range covers wide-angle to medium telephoto comfortably, suited for landscapes, portraits, and street photography without needing to swap lenses. The fast maximum aperture aids low-light shooting and subject isolation with shallow depth of field. However, users seeking specialized focal lengths beyond this range or ultra-wide or super-telephoto capabilities must look elsewhere.
By contrast, the Sony Alpha A7 IV utilizes the Sony E-mount system with an extensive selection of over 170 native lenses, spanning compact primes, professional-grade telephotos, specialty macro, tilt-shift, and cine lenses, provided both by Sony and reputable third-party manufacturers. The adaptability to various shooting disciplines - from 14mm ultra-wide for landscapes to high-quality 400mm f/2.8 primes for wildlife - empowers creatives with unparalleled creative freedom. This benefit, however, comes with additional financial commitment and kit weight.
For versatility and investment in multi-genre photography, Sony’s lens ecosystem is practically unbeatable; Canon’s fixed lens is excellent for users prioritizing simplicity and portability.
Burst Rates, Shutter Speeds, and Stabilization
Action photographers and videographers will scrutinize the burst speed, shutter capabilities, and stabilization systems closely.
The Canon G5 X MII offers up to 30 fps continuous shooting with an electronic shutter and mechanical shutter speeds ranging from 30 seconds to 1/2000 sec, extendable electronically to 1/25,600 sec, enabling freeze-frame captures of very fast motion. It incorporates optical image stabilization suited to handheld stills and video, essential for minimizing blur especially at telephoto.
The Sony A7 IV’s maximum mechanical shutter speed maxes at 1/8000 sec with a quieter 10 fps burst rate featuring full AF tracking - slower burst but substantially more reliable for sustained action capture. It offers advanced 5-axis in-body image stabilization delivering up to 5.5 stops of shake correction, greatly enhancing sharpness across lenses and ideal for dynamic shooting situations including macro, handheld video, or telephoto sports.
Sony’s IBIS system markedly enhances flexibility and image sharpness in challenging conditions compared to Canon’s optical stabilization limited to the fixed lens, highlighting the advantage of mirrorless sensor-shift stabilization in mid to high-end cameras.
Real-World Performance Across Photography Genres
Portrait Photography: Skin Tones and Eye Detection
Portrait photographers demand accurate skin tone rendition and reliable eye autofocus to capture expressive, tack-sharp images.
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Canon G5 X MII produces pleasing skin tones with its DIGIC 8 processor, though the smaller sensor restricts bokeh quality and background separation generically achievable with larger apertures on full-frame cameras. Its face detection autofocus functions reliably in controlled lighting but lacks animal eye AF, which limits pet or wildlife portrait capabilities.
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Sony A7 IV excels here, combining a larger sensor’s creamy bokeh with real-time Eye AF for humans and animals, enabling photographers to effortlessly nail focus on eyes - an essential factor for weddings, portraits, and events.
Landscape Photography: Dynamic Range and Weather Sealing
Landscape shooters require wide dynamic range, high resolution, and weatherproof construction to withstand environmental rigors.
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Canon’s 1-inch sensor provides solid performance but falls short of the Sony’s sensor in capturing highlight and shadow details; the smaller sensor dynamic range is notably narrower.
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The Sony A7 IV’s full-frame sensor, combined with internal 5-axis stabilization and environmental sealing, provides confidence in adverse conditions and delivers ultra-fine details. Its 33 MP resolution also enables large prints and extensive cropping without quality loss.
Wildlife and Sports: Autofocus and Burst Rates in Action
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Canon’s G5 X MII is limited for wildlife and sports: burst mode is fast, but autofocus tracking is less sophisticated, and zoom range caps at 120mm equivalent, insufficient for distant wildlife.
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Sony’s A7 IV features a comprehensive autofocus system with advanced tracking and animal eye detection, 10 fps burst rate with AF/AE, and the ability to mount pro super-telephoto lenses, making it a clear preferred choice for these demanding disciplines.
Street Photography: Discreteness and Portability
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Canon’s compact size and quiet electronic shutter enable more candid, unobtrusive street shooting as it fits easily in a jacket pocket and doesn’t draw attention.
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Sony’s larger body may intimidate subjects, and heavier lenses reduce mobility, though superior image quality and low-light capabilities can be decisive in challenging street scenarios.
Macro Photography: Magnification and Focusing Precision
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The Canon G5 X MII’s lens macro range starts at 5cm, ideal for casual close-up work but limited in extreme magnification.
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Sony’s interchangeable lens system supports dedicated macro lenses providing life-size or greater magnifications and fine manual focusing aids in the EVF, crucial for precision macro work.
Night and Astro Photography: High ISO and Exposure Options
Sony’s superior high ISO performance and longer native shutter speeds (up to 30 s) combined with full manual modes and bulb exposure give it a significant edge for astrophotography and nightscape shooters compared to the Canon.
Video Capabilities: Resolution, Stabilization, and Sound
Both cameras shoot 4K UHD, but the Sony A7 IV supports 60p, higher bitrates up to 600 Mbps, advanced codecs such as XAVC HS, plus microphone and headphone jacks, appealing to serious videographers.
The Canon is limited to 30p 4K video without external audio ports, best suited for casual video capture.
Travel Photography: Versatility and Battery Life
The Canon’s compact size and light weight alongside a versatile 24-120mm lens make it an excellent travel companion, albeit with limited battery life (~230 shots).
Sony’s larger size is a drawback for travelers prioritizing pack light, but the extended battery life (~600 shots), dual card slots, and adaptability make the A7 IV a powerful travel tool for those prioritizing quality above all else.
Professional Usage: File Quality and Workflow Integration
Sony outputs 14-bit RAW files with extensive metadata, compatibility with professional tethering software, and high-quality compressed and uncompressed video formats. Dual card slots with CFexpress and SD UHS-II ensure reliability in professional settings. Canon provides RAW but no dual slots or professional video features, positioning it out of the pro-workflow league.
Technical Summary: Battery, Connectivity, and Storage
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Battery Life: Sony’s NP-FZ100 battery yields approximately 600 shots per charge, reflecting efficient power management in a larger body. Canon’s smaller battery offers around 230 shots, which may necessitate spares for extended outings.
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Connectivity: Both have built-in Wi-Fi and Bluetooth; however, Sony adds NFC for faster pairing, USB Power Delivery, and HDMI outputs supporting external monitor connections. Canon’s port selection omits microphone/headphone jacks, limiting external audio options.
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Storage: Sony’s dual card slots (SD and CFexpress Type A) provide redundancy and high-speed burst shooting buffering, essential for pros. Canon’s single slot for UHS-I SD cards restricts buffer size and backup options.
Value Assessment: Price to Performance
Pricing at launch shows a stark difference reflecting their target markets.
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Canon G5 X Mark II: Approximately $900 - excellent value for enthusiasts seeking high-quality compact performance with minimal complexity.
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Sony A7 IV: Around $2,500 - a professional-grade investment providing full-frame image quality, comprehensive video specs, and a vast ecosystem.
The Canon appeals to those valuing portability and convenience without the need for professional system extensibility. Sony suits photographers demanding uncompromising image quality, autofocus, and creative flexibility.
Final Recommendations: Who Should Buy Which?
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Choose Canon PowerShot G5 X Mark II if:
- You need a pocketable, all-in-one solution with good image quality.
- Portability and ease of use are paramount (travel, street, casual portraits).
- Your photography involves mostly daylight or moderate low-light without specialized focal length needs.
- Video is a secondary interest with basic 4K recording.
- Budget is under $1,000, and you prioritize convenience over professional-grade features.
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Choose Sony Alpha A7 IV if:
- You require the highest possible image quality with exceptional dynamic range and low-light performance.
- Your work involves demanding genres like wildlife, sports, portraits, landscapes, or professional video.
- You want access to a broad lens ecosystem and advanced autofocus, including animal eye AF.
- You need professional workflow features: dual card slots, extensive video codecs, and robust build quality.
- Budget and willingness to invest in a system reflect professional or serious enthusiast ambitions.
Closing Thoughts
While neither camera is a direct competitor - due to their fundamentally different design goals - the decision ultimately boils down to user priorities. The Canon PowerShot G5 X Mark II embodies the pinnacle of what a large sensor compact can achieve, excelling in portability and ease with respectable image quality. The Sony Alpha A7 IV stands as a giant in the full-frame mirrorless realm, merging versatility, performance, and pro-level feature sets that justify its higher price and larger footprint.
Your specific creative requirements, shooting styles, and budgetary constraints will guide your choice between these formidable options, but understanding the intricate technical and practical distinctions outlined here will empower you to make a decision that truly serves your photographic journey.
This detailed assessment draws on extensive side-by-side testing - shooting under controlled studio lighting and dynamic real-world conditions - to ensure our insights accurately reflect the cameras’ operational reality. By combining technical benchmarking with hands-on experience across multiple photography disciplines, we hope this guide helps you confidently select your next imaging tool.
Canon G5 X MII vs Sony A7 IV Specifications
| Canon PowerShot G5 X Mark II | Sony Alpha A7 IV | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Sony |
| Model type | Canon PowerShot G5 X Mark II | Sony Alpha A7 IV |
| Category | Large Sensor Compact | Pro Mirrorless |
| Released | 2019-07-09 | 2021-10-21 |
| Body design | Large Sensor Compact | SLR-style mirrorless |
| Sensor Information | ||
| Processor Chip | DIGIC 8 | - |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1" | Full frame |
| Sensor dimensions | 13.2 x 8.8mm | 35.8 x 23.8mm |
| Sensor surface area | 116.2mm² | 852.0mm² |
| Sensor resolution | 20 megapixel | 33 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 5472 x 3648 | 7008 x 4672 |
| Max native ISO | 12800 | 51200 |
| Max boosted ISO | 25600 | 204800 |
| Lowest native ISO | 125 | 100 |
| RAW files | ||
| Lowest boosted ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | - | 759 |
| Lens | ||
| Lens support | fixed lens | Sony E |
| Lens zoom range | 24-120mm (5.0x) | - |
| Highest aperture | f/1.8-2.8 | - |
| Macro focusing range | 5cm | - |
| Total lenses | - | 172 |
| Focal length multiplier | 2.7 | 1 |
| Screen | ||
| Display type | Tilting | Fully articulated |
| Display sizing | 3 inch | 3 inch |
| Display resolution | 1,040 thousand dot | 1,440 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | 2,360 thousand dot | 3,690 thousand dot |
| Viewfinder coverage | 100% | 100% |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Lowest shutter speed | 30 seconds | 30 seconds |
| Highest shutter speed | 1/2000 seconds | 1/8000 seconds |
| Highest quiet shutter speed | 1/25600 seconds | - |
| Continuous shooting speed | 30.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 7.50 m | no built-in flash |
| Flash options | Auto, on, slow synchro, off | no built-in flash |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Highest flash sync | - | 1/200 seconds |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC | 3843840 x 2160 @ 60p / 200 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 30p / 140 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 25p / 140 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, XAVC HS, MP4, H.265, Linear PCM3840 x 2160 @ 60p / 600 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 50p / 500 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 30p / 300 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 25p / 250 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 24p / 240 Mbps, XAVC S-I, MP4, H.264, Linear PCM3840 x 2160 @ 120p / 280 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 100p / 280 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 2160 @ 30p / |
| Max video resolution | 3840x2160 | 3840x2160 |
| Video format | MPEG-4, H.264 | MPEG-4, XAVC S, XAVC HS, XAVC S-I, H.264, H.265 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | Yes | Yes (USB PD supported) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 340 grams (0.75 lbs) | 699 grams (1.54 lbs) |
| Physical dimensions | 111 x 61 x 46mm (4.4" x 2.4" x 1.8") | 129 x 97 x 81mm (5.1" x 3.8" x 3.2") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 230 shots | 600 shots |
| Type of battery | Battery Pack | Battery Pack |
| Battery ID | - | NP-FZ100 |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC card (UHS-I compatible) | Dual SD/CFexpress Type A slots |
| Storage slots | Single | 2 |
| Retail pricing | $900 | $2,500 |