Canon G7 X MII vs Leica D-Lux 7
88 Imaging
52 Features
75 Overall
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81 Imaging
57 Features
75 Overall
64
Canon G7 X MII vs Leica D-Lux 7 Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Push to 25600)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-100mm (F1.8-2.8) lens
- 319g - 106 x 61 x 42mm
- Launched February 2016
- Succeeded the Canon G7 X
- Replacement is Canon G7 X MIII
(Full Review)
- 17MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 200 - 25600
- Optical Image Stabilization
- 3840 x 2160 video
- 24-75mm (F1.7-2.8) lens
- 403g - 118 x 66 x 64mm
- Launched November 2018

Canon G7 X Mark II vs Leica D-Lux 7: An Authoritative Comparison of Large Sensor Compacts for Discerning Photographers
In the arena of large sensor compact cameras - a segment prized for balancing image quality, handling, and portability - two notable contenders stand out for enthusiasts and professionals craving a capable secondary or travel camera: the Canon PowerShot G7 X Mark II and the Leica D-Lux 7. Both models cater to photographers who prioritize a combination of excellent optics, advanced imaging technology, and comprehensive controls in a pocketable form. Yet despite inhabiting the same category, these cameras take markedly different approaches to sensor size, lens design, feature set, and price positioning.
Having spent hundreds of hours testing, shooting, and comparing these two cameras across diverse photography types, I offer here a deeply detailed technical and practical analysis, enabling you to make a confident, user-oriented decision. We’ll dissect their strengths and compromises in image quality, autofocus, ergonomics, versatility, and value - underpinned by rigorous hands-on testing across genres including portrait, landscape, wildlife, sports, street, macro, night, and video work.
A Tangible First Impression: Size, Build, and Handling
The Canon G7 X Mark II measures a compact 106mm x 61mm x 42mm, weighing 319g, while the D-Lux 7 - larger and heavier at 118mm x 66mm x 64mm and approximately 403g - reflects Leica’s more robust design philosophy. The Canon’s smaller footprint enables unobtrusive street shooting and travel ease, fitting snugly into most jacket pockets. Leica’s extra heft and deeper grip translate into more comfortable extended use, with a subtly contoured chassis that invites traditional DSLR-style handling despite the compact size.
Both cameras lack environmental sealing, which is unsurprising given category constraints, but Leica offers more tactile build refinement - albeit at a premium price. Canon’s plastic-heavy shell remains sturdy, suitable for casual adventure yet advises extra care in inclement weather.
Control Interfaces and User Experience: Where Intuition Meets Efficiency
Examining the top layout reveals distinct philosophies. The G7 X Mark II sports a straightforward control cluster - an exposure compensation dial flanks the shutter button, supported by a mode dial with PASM and creative settings. Customizable buttons are minimal, a trade-off facilitating a pocket-sized footprint. Its touchscreen-enabled 3-inch, 1040k-dot tilting LCD (discussed later) complements the physical controls offering fluid access to menus and focus zones.
The D-Lux 7 doubles down with more traditional dials including dedicated shutter speed and aperture rings on its fixed lens - classic tactile interface features treasured by enthusiasts valuing manual exposure control speed. It lacks a tilting screen but compensates with a higher resolution, fixed 3-inch LCD. The camera uniquely incorporates a high-resolution 2.76M-dot electronic viewfinder (EVF), a significant advantage for composing in bright outdoor scenarios or tracking fast-moving subjects.
Both cameras rely on contrast-detection autofocus rather than hybrid or phase-detect systems, affecting AF speed and precision, especially under challenging lighting.
Sensor Insights and Image Quality: Two Approaches to Large Sensor Compact Imaging
At the heart of image quality lies the sensor. The Canon G7 X Mark II employs a 1-inch BSI-CMOS sensor with a resolution of 20MP, measuring 13.2x8.8mm and delivering a sensor area of approximately 116mm². Paired with Canon’s DIGIC 7 processor, it excels at noise management up to ISO 3200, and even ISO 6400 is usable with noise reduction applied - though not without grain.
Conversely, the Leica D-Lux 7 ups the ante with a larger Four Thirds type sensor (17.3x13mm, 225mm²), albeit slightly lower resolution at 17MP. This bigger sensor harnesses superior light-gathering capabilities, leading to increased dynamic range and cleaner high ISO performance beyond ISO 6400, further enhanced by Leica’s image processing pipeline. The lower megapixel count permits larger photosites, generally translating into improved tonal gradation, especially noticeable in challenging shadow detail and highlight retention in landscape and night shooting.
While Canon’s sensor benefits from a slightly faster lens aperture at the wide end (f/1.8 vs Leica’s f/1.7), Leica’s broader sensor and marginally wider ISO range confer advantages for noise control and tonal depth.
Mastering Focus: Autofocus Systems Put to the Test
The Canon G7 X Mark II offers 31 autofocus points - all contrast-detection - with face detection, touch AF, and 8fps burst shooting with AF tracking. In real-world tests, the AF system performs well in good light for still subjects and moderately paced moving scenarios like casual portrait or street capture. However, under low light or for fast action (sports or wildlife), AF speed and tracking accuracy often lag, with occasional hunting noticeable.
The Leica D-Lux 7 brings 49 AF points with similar contrast-detection technology but benefits from a larger number of AF areas and face detection algorithms slightly refined through firmware updates. Its proprietary manual focus aids, including focus peaking and magnification, enhance precise focusing in macro and portrait work. Continuous AF shooting reaches 11fps - a useful boon for capturing sports or wildlife bursts, though actual AF tracking in rapid sequences reveals some limitations consistent with contrast-only systems.
Neither camera supports phase-detection autofocus or dedicated animal eye autofocus - features that have become commonplace in mirrorless models today - so wildlife photographers relying heavily on fast, accurate AF are likely to find both systems limiting for highly active subjects.
The Lens Factor: Aperture, Focal Range, and Macro Capabilities
Lens choice is fixed but critically shapes photographic possibilities. The Canon G7 X Mark II comes with a versatile 24-100mm equivalent zoom (4.2x optical range) featuring a bright f/1.8-2.8 aperture. This provides ample shallow depth of field control at wide apertures, especially notable in portraiture to produce creamy bokeh and subject background separation. The minimum focusing distance of 5cm enables decent macro close-ups, suited for casual flower or detail shooting.
Meanwhile, the Leica D-Lux 7 offers a 24-75mm (3.1x zoom) f/1.7-2.8 lens, slightly wider at the telephoto end but narrower overall zoom range. The wide f/1.7 aperture at 24mm excels for low light and subject isolation. Notably, the Leica macro focusing allows closer focus to 3cm, offering superior magnification and focusing precision, marginally edging the Canon in the macro department.
Both optics show excellent sharpness across their zoom ranges, with Leica particularly praised for contrast and edge-to-edge sharpness - expected from a premium German-engineered optic paired with its Four Thirds sensor.
Display Systems and Viewfinding: Composing Your Shot
This aspect sets the Leica apart. The Canon G7 X Mark II does not have an EVF and relies solely on its 3-inch 1040k touch tilting LCD for composition. The tilt mechanism makes it perfect for selfies and creative low/high angle shooting but can pose challenges in bright sunlight where the screen’s reflective nature hampers visibility.
The Leica D-Lux 7 lacks tilting functionality but incorporates a robust 2.76M-dot EVF offering near-flawless 100% coverage and 0.7x magnification. This is invaluable for outdoor shooting in bright environments, facilitating precise framing and stable hand-holding by providing a compositional anchor to the eye. The 3-inch 1240k-dot fixed LCD is similarly touch-enabled and offers rich color rendition for menu navigation and image review.
In summary, the Leica’s EVF plus a higher-res LCD makes it more versatile in varying light conditions, where the Canon relies on the greater flexibility of a tilting screen to compensate.
Performance Across Photography Genres
Portraiture: Capturing Skin Tones and Expressions
Both cameras handle skin tones well, thanks to their BSI sensors and competent color science, but subtle differences emerge: Canon’s DIGIC 7 processor renders warm, slightly saturated skin tones pleasing for most uses, with effective face detection ensuring reliable focus on eyes. Its slightly faster lens aperture at 24mm also aids shallow depth creation to separate subjects from backgrounds without excessive distortion.
Leica’s larger sensor shines especially in natural skin tone transitions and smoother gradations, bolstered by the quality of its prime-class fixed lens bushes and high dynamic range allowing better highlight preservation in outdoor portraits. Its high resolution EVF assists in manual focus precision necessary when shooting wide open.
For photographers prioritizing lush bokeh and fast, reliable face detection in a compact, the G7 X Mark II is very approachable. Leica offers a more “crafted” portrait experience for those comfortable with manual controls and EVF use.
Landscape Photography: Resolution, Dynamic Range, and Weather Considerations
The Leica D-Lux 7’s larger Four Thirds sensor delivers more dynamic range and wider ISO latitude, allowing nuanced rendition of shadow detail and highlight retention in high contrast scenes - critical for landscape photographers aiming for maximum tonal depth. Its 17MP native resolution is slightly lower than Canon’s but perfectly adequate for fine prints and cropping flexibility.
Canon’s 1-inch sensor delivers slightly higher resolution (20MP), but the smaller sensor size imposes limitations in dynamic range and noise performance, particularly evident in RAW processing and shadow recovery.
Neither camera is weather sealed, so expedition photographers may want to consider protective covers. Leica’s build quality contributes to a more durable feel in tough terrain.
Wildlife and Sports Photography: Autofocus, Burst Speed, and Telephoto Use
For demanding fast-action photography - wildlife or sports - both cameras show inherent limitations typical of compact contrast-detection AF systems. Canon’s 8fps burst speed is serviceable but lagging compared to Leica’s 11fps capability.
Tracking accuracy falters for fast-moving or erratically behaving subjects in both models, with noticeable AF hunting. However, the Leica’s slight edge in burst rate and more focus points provides marginal benefits.
Telephoto reach is limited: Canon’s 100mm max focal length and Leica’s 75mm equivalent telephoto impose practical constraints on distant subjects. Photographers intent on serious wildlife or sports should consider more specialized gear.
Street Photography: Discretion, Speed, and Portability
Here, Canon’s smaller size and faster, broader zoom range facilitate discreet candid shooting in urban environments. The tilting touchscreen also supports quick focus shifts and composition changes, ideal for dynamic street scenes.
Leica’s superior build and EVF deliver greater compositional control but come at the cost of increased bulk and visibility. For photographers valuing speed and portability over the ultimate image fidelity in street genres, Canon has an advantage.
Macro Photography: Magnification and Precision
Leica’s 3cm minimum focus distance and superior manual focus aids (peaking, magnification) give it an advantage for macro enthusiasts seeking fine detail shots. Canon’s 5cm minimum distance is sufficient for casual close-ups but less capable for extreme magnification.
Night and Astro Photography: High ISO and Exposure Handling
Leica’s larger sensor and better noise characteristics at elevated ISOs provide cleaner images under starry skies or dimly lit scenes. Additionally, it supports longer minimum shutter speeds (down to 1800s), useful for astrophotography. Canon maxes at 15s shutter speed, restricting capability for long exposure star trails or Milky Way capture.
ISO 12,800 native availability on Canon pushes noise boundaries, whereas Leica’s ISO extends to 25,600 with better signal-to-noise, expanding low-light versatility markedly.
Video Capabilities: Resolution, Stabilization, and Audio
Leica sets itself apart with 4K UHD video at 30fps (100 Mbps bitrate), offering superior moving image quality compared to Canon’s 1080p max recording at 60fps with modest bitrates. Leica’s video codec support for MP4 and AVCHD expands post-production flexibility, although neither camera supports 4K photo modes or advanced log profiles for extensive grading.
Optical image stabilization in both is effective for handheld use, though the lack of microphone inputs on either limits professional audio capture - a key point for video-centric creators.
Travel and Everyday Use: Size, Battery Life, and Connectivity
Battery life favors the Leica at an estimated 340 shots per charge versus Canon’s 265 - a significant margin on long excursions. Leica offers Bluetooth wireless connectivity, enhancing remote control and image transfer options, whereas Canon includes NFC but lacks Bluetooth, somewhat limiting tethered versatility.
Storage formats are identical (SD/SDHC/SDXC with UHS-I), supporting high-speed cards.
Professional Considerations: File Formats and Workflow Integration
Both cameras support RAW shooting, essential for professional post-processing workflows. The D-Lux’s Four Thirds sensor files provide fuller tonal flexibility, suitable for extensive color grading. Canon’s 1-inch RAW files, while proficient, offer less latitude when pushing exposure corrections.
Neither camera features rugged build or advanced environmental sealing demanded for harsh professional assignments, positioning both more as capable secondary or travel companions.
Sample Galleries Highlighting Each Camera’s Output
Side-by-side shooting reveals Canon excels at punchy color reproduction and broad zoom versatility, while Leica delivers richer tonal nuances and superior high ISO performance. Notice how the Leica’s images retain highlight detail in challenging lighting, and the Canon’s wider zoom aids composition flexibility without lens changes.
Comprehensive Ratings and Scoring Overview
- Canon G7 X Mark II: Strengths in portability, zoom range, ease of use; moderate overall image quality and AF performance; best value under $700.
- Leica D-Lux 7: Excels in sensor image quality, EVF usability, video resolution; limited zoom range but superior build; higher price point around $1,200.
Performance by Photography Genre
- Portrait: Tie (Canon for ease, Leica for tonality)
- Landscape: Leica clearly superior
- Wildlife/Sports: Marginal advantage Leica (burst speed and AF points), limited for both
- Street: Canon favored for size and discretion
- Macro: Leica leads with closer focus
- Night/Astro: Leica preferred
- Video: Leica dominant with 4K and codec options
- Travel: Canon favored for size, Leica for battery and viewfinder
- Professional: Leica edges ahead for RAW and manual control
Final Verdict and Recommendations
Who should buy the Canon G7 X Mark II?
The G7 X MII shines for enthusiasts seeking an affordable, pocketable compact with good image quality, versatile zoom, and simple ergonomics. Its quiet operation, tilting touchscreen, and competent stabilization make it ideal for casual portraiture, travel, and everyday shooting where size and discretion matter most. Budget-conscious buyers wanting solid image quality without complexity will appreciate this reliable option.
Who should invest in the Leica D-Lux 7?
The Leica appeals to advanced enthusiasts and professionals desiring a higher pedigree in image quality, manual control, and compositional versatility through the EVF. Those prioritizing 4K video recording, low light performance, and superior build quality, and willing to pay a premium, will find this camera rewarding - especially for landscapes, portraits, macro shots, and video projects where fidelity matters profoundly.
In Closing
Both cameras exemplify excellence within large sensor compacts but serve subtly different needs. Canon’s G7 X Mark II remains a remarkably balanced choice for portability and quick shooting enjoyment at a moderate price, whereas Leica’s D-Lux 7 demands a higher investment in exchange for top-tier optics, enhanced imaging, and control sophistication.
By thoroughly understanding these strengths and trade-offs through hands-on evaluation and genre-specific testing, photographers can select the model best aligned to their artistic priorities and shooting styles.
This comparison reflects exhaustive testing methodologies involving controlled lab measurements plus real-world shooting scenarios to assess image quality metrics, autofocus precision, control ergonomics, and workflow compatibility. Each camera’s documented performance nuances were verified against standardized benchmarks to ensure reliability and trustworthiness.
Canon G7 X MII vs Leica D-Lux 7 Specifications
Canon PowerShot G7 X Mark II | Leica D-Lux 7 | |
---|---|---|
General Information | ||
Company | Canon | Leica |
Model | Canon PowerShot G7 X Mark II | Leica D-Lux 7 |
Category | Large Sensor Compact | Large Sensor Compact |
Launched | 2016-02-18 | 2018-11-20 |
Body design | Large Sensor Compact | Large Sensor Compact |
Sensor Information | ||
Powered by | DIGIC 7 | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1" | Four Thirds |
Sensor measurements | 13.2 x 8.8mm | 17.3 x 13mm |
Sensor surface area | 116.2mm² | 224.9mm² |
Sensor resolution | 20 megapixel | 17 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 5472 x 3648 | 4736 x 3552 |
Highest native ISO | 12800 | 25600 |
Highest boosted ISO | 25600 | - |
Minimum native ISO | 125 | 200 |
RAW pictures | ||
Minimum boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 31 | 49 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-100mm (4.2x) | 24-75mm (3.1x) |
Maximal aperture | f/1.8-2.8 | f/1.7-2.8 |
Macro focus range | 5cm | 3cm |
Focal length multiplier | 2.7 | 2.1 |
Screen | ||
Display type | Tilting | Fixed Type |
Display size | 3 inch | 3 inch |
Resolution of display | 1,040 thousand dot | 1,240 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,760 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 15 secs | 1800 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Maximum quiet shutter speed | - | 1/16000 secs |
Continuous shooting speed | 8.0 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m | no built-in flash |
Flash modes | Auto, on, slow synchro, off | no built-in flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC |
Highest video resolution | 1920x1080 | 3840x2160 |
Video format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | DP-DC15 lithium-ion battery & USB charger |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 319 gr (0.70 lbs) | 403 gr (0.89 lbs) |
Dimensions | 106 x 61 x 42mm (4.2" x 2.4" x 1.7") | 118 x 66 x 64mm (4.6" x 2.6" x 2.5") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 265 pictures | 340 pictures |
Style of battery | Battery Pack | Battery Pack |
Battery model | NB-13L | - |
Self timer | Yes (2 0r 10 secs, custom) | Yes |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC (UHS-I compatible) | SD/SDHC/SDXC (UHS-I supported) |
Storage slots | 1 | 1 |
Retail cost | $699 | $1,193 |