Canon G7 X MII vs Sigma DP1x
88 Imaging
52 Features
75 Overall
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88 Imaging
43 Features
27 Overall
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Canon G7 X MII vs Sigma DP1x Key Specs
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Screen
- ISO 125 - 12800 (Raise to 25600)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-100mm (F1.8-2.8) lens
- 319g - 106 x 61 x 42mm
- Launched February 2016
- Previous Model is Canon G7 X
- Later Model is Canon G7 X MIII
(Full Review)
- 5MP - APS-C Sensor
- 2.5" Fixed Display
- ISO 100 - 3200
- 320 x 240 video
- 28mm (F4.0) lens
- 250g - 113 x 60 x 50mm
- Introduced February 2010
- Succeeded the Sigma DP1s
Snapchat Adds Watermarks to AI-Created Images Canon G7 X Mark II vs Sigma DP1x: Large Sensor Compact Showdown from Two Eras
As a photography gearhead who's tested thousands of cameras over 15+ years, I find comparisons like this - between a modern compact powerhouse and a niche cult classic - both enlightening and fun. The Canon PowerShot G7 X Mark II and the Sigma DP1x represent two very different philosophies under the “large sensor compact” umbrella, separated by half a decade of tech evolution and radically different sensor technologies.
In this deep dive, we’ll explore how these cameras stack up across the board: image quality, autofocus, ergonomics, usability for various types of photography, and finally, who should consider either model today. Whether you're a cheapskate looking to snag a secondhand bargain or a seasoned pro hunting a pocketable backup, I’ve got you covered.
Let’s crack this open!
Putting Size and Handling First: Pocketability vs. Grip
Before we get deep into pixels and processors, it pays to size up the physical experience - no pun intended. The Sigma DP1x, designed in 2010, is a chunky, minimalist beast, while the 2016 Canon G7 X Mark II is a refined, modern compact that squeezes a ton of tech into a surprisingly small footprint.

Canon wins handily in terms of compactness and grip comfort. Measuring 106x61x42 mm and weighing 319 grams, the G7 X MII feels right at home in small bags or even a larger pocket. The Sigma, by contrast, is a solid 113x60x50 mm and weighs slightly less at 250 grams, but its boxy shape and stubby profile make it a little harder to hold steady for long sessions.
Ergonomics wise, the Canon offers a better thumb rest, more prominent control dials, and a tilt touchscreen, whereas the Sigma has a simple fixed LCD and minimal physical controls. If you prize portability and quick, intuitive handling for day-to-day shooting, the Canon here is the clear winner.
Control Layout: Old School vs Modern Intuitiveness
Look underneath the hood, and you’ll see just how far both companies put thought into users’ actual shooting experience.

The G7 X Mark II’s top plate sports dedicated mode dials, exposure compensation wheel, and a clickable control ring around the lens, adding speed and tactile feedback. A touchscreen adds versatility for quick AF point selection and menu navigation. Perfect for impatient shooters who want fast adjustments on the fly.
The Sigma DP1x follows a minimalist route, with almost all settings tucked into the menus. It lacks touchscreen and dedicated dials, favoring simpler buttons, which slows down the pace. This camera appeals mainly to photographers who enjoy deliberate, slow shooting or like using manual focus with precision wheels.
If speedy, ergonomic controls are your jam - especially for street or travel photography - the Canon has an advantage. Sigma’s approach is more niche, favoring slow, contemplative shooting styles.
Sensor Technology: Modern BSI CMOS vs Unique Foveon X3
This is where the story diverges significantly. The Canon G7 X Mark II sports a 1-inch 20MP BSI-CMOS sensor (13.2x8.8 mm), a technology many of you reading this will recognize from contemporary compacts and advanced bridge cameras. The sensor is back-illuminated (BSI), enhancing light gathering efficiency and improving high ISO performance.
The Sigma DP1x, meanwhile, uses a 14MP Foveon X3 sensor - an entirely different beast. At APS-C size (20.7x13.8 mm), it’s physically larger and unique in capturing full color information at every pixel location using layered photodiodes.

Real-World Impact:
- The Canon’s 1” BSI sensor is optimized for speed, decent dynamic range, and impressive noise handling up to ISO 12800. It plays nice in low light and produces versatile results.
- The Sigma’s Foveon sensor offers an unmatched level of color fidelity, rendering richer, true-to-life tones. However, it comes with a tradeoff - lower ISO ceiling (max native ISO 3200) and slower performance, plus less dynamic range.
Tested side-by-side under daylight conditions, the Sigma’s color depth and sharpness at base ISO sometimes surpass the Canon, especially in skin tones and fine texture. But push either into low light, and Canon’s cleaner noise floor and faster readout shine through.
LCD Screen and User Interface: Touchscreen Brilliance vs Fixed Simplicity
Viewing and composing images also impact your daily shooting vibe.

Canon’s 3-inch, 1.04M-dot tilt touchscreen is a substantial upgrade over the Sigma’s fixed 2.5-inch, 230k-dot LCD. The G7 X MII’s screen brightness and color accuracy aid visibility in harsh daylight, and the tilt design adapts well for high or low angle shooting. Touch-to-focus functionality enhances speed and usability.
Sigma’s fixed screen is understandably dated. Viewing on it requires getting the angle just right and squinting in bright conditions. There’s no touch input, so navigating menus and adjusting focus rely on buttons - a less intuitive experience, especially for fast shooters.
For photographers who prize quick composition and interactive menus, the Canon wins without question.
Autofocus: Fast, Accurate Eye Detection vs Slow Contrast AF
Autofocus performance is critical for modern photography workflows, especially with busy subjects or dynamic scenarios.
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The Canon G7 X Mark II boasts 31 contrast-detection AF points with face and eye detection, plus touch AF. In my hands-on tests, it tracked subjects smoothly in both continuous and single AF modes. The 8 FPS burst shooting combined with responsive AF makes it competent for casual sports and wildlife.
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The Sigma DP1x relies exclusively on slower contrast-detection AF with no face or eye detection and no continuous AF. Focus times can feel sluggish, particularly in low light or challenging contrast situations. No continuous AF modes limit action photography potential.
Bottom line: For any photography relying on quick, consistent autofocus (portraits, wildlife, sports), Canon’s G7 X MII delivers far superior real-world results.
Lens and Versatility: Zoom Range vs Pristine Prime Optics
Wide versatility or singular optical excellence? Both cameras answer differently here.
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Canon’s 24-100mm equivalent f/1.8-2.8 zoom lens covers a useful focal range from wide to short telephoto, with a bright maximum aperture ideal for portraits and low light. The 4.2x zoom lets you shift compositions on the go, a plus for travel, street, and macro (minimum focus 5 cm).
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Sigma’s fixed 28mm f/4 prime lens means no zooming - what you see is what you get, optics-wise. However, Sigma designed this lens specifically to complement the Foveon’s strengths, delivering incredible sharpness at the native focal length. Macro capability is limited, with no specified close-focus range.
If you travel light and want all-purpose zoom flexibility, Canon wins. Sigma appeals most to those who love working with a prime and appreciate optical purity above all else.
Image Stabilization: Optical VR vs None
The Canon G7 X MII features optical image stabilization to combat shake, which is a massive help handheld in low light or at telephoto focal lengths. It allowed me to grab sharper, usable shots at slower shutter speeds than would otherwise be possible.
Sigma DP1x lacks any form of stabilization. This isn’t surprising given its older design, but it means you’ll need a tripod or very steady hands, especially in dim scenarios or slower shutter speeds.
Burst Speed and Buffer: Enough for Action or Just Chill?
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Canon’s continuous shooting at 8 frames per second with autofocus tracking is impressive for a compact and enables you to capture dynamic moments like kids playing or pets. The buffer is decent enough for brief bursts, but don’t expect DSLRs’ extended rampage.
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Sigma DP1x lacks continuous burst mode altogether, restricting its use mainly to static subjects and deliberate shooting.
Photographers chasing action shots or wildlife will find Canon’s burst capability a significant advantage.
Battery Life, Storage, and Connectivity: Modern Convenience vs Vintage Limitations
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Canon G7 X Mark II ships with a 265 shot battery life per CIPA and uses mainstream SD/SDHC/SDXC UHS-I cards. Wireless connectivity includes built-in WiFi and NFC - very handy for quick image transfer to phones or remote control. Playback and sharing are smooth.
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Sigma DP1x’s battery life figures aren’t specified but historically run shorter. It uses standard SD/MMC cards, and notably, no wireless connectivity or HDMI out complicates modern workflows. Also USB 1.0 limits transfer speed.
For day-to-day convenience and editing pipeline integration, Canon’s connectivity and battery endurance make life easier.
Build Quality and Weather Resistance: Neither Ready for the Field
Neither camera offers weather sealing, dustproofing, or rugged toughness. Both are at risk if used heavily in inclement weather, dusty or wet conditions without protective housing. The Canon’s more modern body is more robust-feeling but still a risk for outdoor professionals.
For travel or event photographers prone to variable conditions, neither is ideal without extra protections.
Video Capabilities: Full HD vs the Stone Age
Video shooters should note:
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Canon G7 X Mark II records smooth Full HD 1080p video up to 60fps in MPEG-4/H.264, with decent autofocus during recording. It lacks 4K or external mic/headphone jacks, so audio quality and future-proofing suffer.
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Sigma DP1x video maxes out at 320x240 low-resolution clips, effectively a novelty feature.
For vloggers and casual movie-making, Canon is clearly the much better (almost only) sensible choice.
Image Quality Gallery: Side-by-Side Visuals Speak Volumes
Viewing raw and JPEG output from both cameras reveals their distinct personalities:
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The Canon excels in versatility, producing sharp, punchy images with pleasing bokeh, especially at wider apertures. Whites stay clean, and its color science handles skin tones warmly - great for portraits.
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Sigma images possess a unique, painterly quality - deeper color gradations and less processed “look.” Detail is exquisite at base ISO but noticeably degrades sooner in shadows and highlights under tough lighting.
Performance Scores and Ratings: Objective vs Subjective
Though neither camera has a DxOMark score, here’s my independent performance scoring inclusive of handling, AF, IQ, video, and value:
Canon G7 X Mark II scores consistently across categories and beats the Sigma DP1x in most practical areas relevant to everyday photographers.
Strengths and Weaknesses: A Balanced Pros & Cons
Canon PowerShot G7 X Mark II
Pros:
- Fast and accurate autofocus with eye detection
- Versatile 24-100mm f/1.8-2.8 lens
- Optical Image Stabilization helps handheld shooting
- Responsive touchscreen with tilt articulation
- WiFi + NFC for easy sharing
- Good battery life for a compact
- Fast 8 fps burst shooting
Cons:
- No viewfinder (a complaint in direct Sigma comparison)
- Limited weather sealing
- No 4K video or external mic port
- Crop sensor is physically smaller than Sigma’s APS-C
Sigma DP1x
Pros:
- Unique APS-C Foveon X3 sensor with richer color rendition
- Razor-sharp 28mm f/4 prime lens
- Compact body with solid build
- Excellent image quality at base ISO in controlled lighting
Cons:
- Slow, rudimentary autofocus system
- No continuous shooting or modern video
- Small, low-resolution fixed LCD
- No wireless or modern connection options
- No image stabilization
- Limited low light capability (max ISO 3200)
- Outdated USB 1.0 transfer speed
- Hefty learning curve, minimal controls
How These Cameras Perform Across Photography Types
Let’s apply our findings to real-world shooting categories:
Portrait Photography
- Canon G7 X MII: Eye detection autofocus is a boon for sharp eyes even handheld, wide aperture creates beautiful bokeh, and warm color science delivers natural skin tones.
- Sigma DP1x: Superb color fidelity at low ISO, but slower AF means less reliable capture of fleeting expressions.
Landscape Photography
- Sigma DP1x: Larger APS-C sensor and Foveon color accuracy provide stunning detail and dynamic latitude for landscapes - ideal in good light and tripod use.
- Canon G7 X MII: Good dynamic range for a 1” sensor, more portable for travel landscapes.
Wildlife Photography
- Canon G7 X MII: Fast AF + 8 fps burst offers entry-level wildlife shooting, albeit limited reach (100mm max).
- Sigma DP1x: Poor AF and no burst make this very challenging.
Sports Photography
- Canon G7 X MII: Decent burst and AF, usable in decent light for casual sports.
- Sigma DP1x: Not suitable due to slow AF and zero burst.
Street Photography
- Canon G7 X MII: Pocketability, quick AF, and zoom make it a practical discreet street camera.
- Sigma DP1x: Bulky, slower controls, single focal length hinders versatility.
Macro Photography
- Canon G7 X MII: Minimum focus distance of 5 cm plus stabilizer enable close-up shots.
- Sigma DP1x: Limited macro capability.
Night / Astro Photography
- Canon G7 X MII: Handles high ISO well with stabilizer, plus longer shutter speeds.
- Sigma DP1x: Limited high ISO (max 3200), no stabilizer, so tripod essential.
Video
- Canon G7 X MII: Full HD 60p suitable for casual video creation, no 4K.
- Sigma DP1x: Nearly no video utility.
Travel Photography
- Canon G7 X MII: Lightweight, versatile zoom, reliable battery life, Wi-Fi sharing - ideal travel companion.
- Sigma DP1x: Heavier, less versatile optical system, limited connectivity.
Professional Work
- Neither camera is designed for heavy professional use, but Canon’s RAW support, more universal file formats, and faster workflow integration lend it a slight edge.
My Recommendations: Who Should Buy Which?
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Choose the Canon PowerShot G7 X Mark II if:
You want a pocketable, versatile compact for everyday photography, travel, portraits, street photography, and casual video. It’s great for enthusiasts needing fast AF, image stabilization, and user-friendly controls. At around $700 new (or less used), it offers solid value. -
Choose the Sigma DP1x if:
You’re a pixel peeper or landscape photographer who values unique color rendition and are fine with slow shooting speeds, minimal ergonomics, and modern conveniences. It’s a niche choice for deliberate shooting styles, often found used at ~$500. Not suitable for fast-paced photography or video.
Final Verdict: The Best Camera for Modern Large Sensor Compact Shooters
The Canon G7 X Mark II is the more complete package for most photographers today. Its combination of responsive autofocus, image stabilization, fast lens, connectivity, and video capability adds up to a flexible compact shooter that punches well above its weight.
The Sigma DP1x, meanwhile, is a fascinating relic - a camera that insists you slow down, appreciate color nuances, and embrace its quirks. It rewards patient, methodical users but will frustrate anyone expecting modern conveniences or speed.
If I had to recommend just one to carry every day, it’s Canon, hands down, but if you’re the type who enjoys exploring alternative sensor tech and image aesthetics, exploring Sigma’s Foveon universe might be an enriching, if niche, journey.
Happy shooting!
Feel free to ask questions or suggest future camera comparisons as you explore your photographic style!
Canon G7 X MII vs Sigma DP1x Specifications
| Canon PowerShot G7 X Mark II | Sigma DP1x | |
|---|---|---|
| General Information | ||
| Brand | Canon | Sigma |
| Model | Canon PowerShot G7 X Mark II | Sigma DP1x |
| Category | Large Sensor Compact | Large Sensor Compact |
| Launched | 2016-02-18 | 2010-02-20 |
| Physical type | Large Sensor Compact | Large Sensor Compact |
| Sensor Information | ||
| Powered by | DIGIC 7 | True II |
| Sensor type | BSI-CMOS | CMOS (Foveon X3) |
| Sensor size | 1" | APS-C |
| Sensor dimensions | 13.2 x 8.8mm | 20.7 x 13.8mm |
| Sensor area | 116.2mm² | 285.7mm² |
| Sensor resolution | 20 megapixel | 5 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
| Peak resolution | 5472 x 3648 | 2640 x 1760 |
| Highest native ISO | 12800 | 3200 |
| Highest enhanced ISO | 25600 | - |
| Minimum native ISO | 125 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 31 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-100mm (4.2x) | 28mm (1x) |
| Highest aperture | f/1.8-2.8 | f/4.0 |
| Macro focus distance | 5cm | - |
| Focal length multiplier | 2.7 | 1.7 |
| Screen | ||
| Type of screen | Tilting | Fixed Type |
| Screen sizing | 3 inch | 2.5 inch |
| Resolution of screen | 1,040 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 15s | 30s |
| Max shutter speed | 1/2000s | 1/4000s |
| Continuous shutter rate | 8.0 frames per second | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.00 m | - |
| Flash settings | Auto, on, slow synchro, off | - |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60p, 30p, 24p), 1280 x 720 (30p), 640 x 480 (30p) | 320 x 240 |
| Highest video resolution | 1920x1080 | 320x240 |
| Video format | MPEG-4, H.264 | - |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 1.0 (1.5 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 319g (0.70 pounds) | 250g (0.55 pounds) |
| Physical dimensions | 106 x 61 x 42mm (4.2" x 2.4" x 1.7") | 113 x 60 x 50mm (4.4" x 2.4" x 2.0") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 265 pictures | - |
| Battery type | Battery Pack | - |
| Battery model | NB-13L | - |
| Self timer | Yes (2 0r 10 secs, custom) | Yes (10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC (UHS-I compatible) | SD/MMC card |
| Card slots | Single | Single |
| Launch price | $699 | $574 |