Canon N Facebook ready vs Fujifilm A170
93 Imaging
36 Features
33 Overall
34
94 Imaging
32 Features
10 Overall
23
Canon N Facebook ready vs Fujifilm A170 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Tilting Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-224mm (F3.0-5.9) lens
- 195g - 79 x 60 x 29mm
- Announced August 2013
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 640 x 480 video
- 32-96mm (F3.1-5.6) lens
- 140g - 93 x 60 x 27mm
- Announced July 2009
Photography Glossary Compact Camera Face-Off: Canon PowerShot N Facebook ready vs Fujifilm FinePix A170 – A Hands-On Comparison
In my 15+ years as a photography equipment reviewer, I've tested a wide spectrum of cameras - from the most advanced full-frame beasts to pocketable compacts designed for casual snapshots. The Canon PowerShot N Facebook ready and the Fujifilm FinePix A170 represent two small sensor compact cameras, each catering to entry-level users eager to capture everyday moments with ease. Both models have their roots in the compact camera wave that swelled in the late 2000s and early 2010s, focusing on portability and simplicity rather than pro-level specs.
Today, I’ll share my detailed, practical insights from testing both cameras extensively in a range of photographic scenarios. My goal is to help you understand how these two small sensor compacts perform in real-world use across multiple photography disciplines, so you can make an informed choice that fits your style, budget, and aspirations.
Let’s start by understanding the cameras side-by-side in their physical design and ergonomics.
What Do They Feel Like in Your Hands? Handling, Size & Views
Handling is where every shooter’s journey begins, and first impressions matter. The Canon PowerShot N Facebook ready stands out with its unique, almost square shape, resembling a small block, designed for discreet shooting and social media sharing. Meanwhile, the Fujifilm A170 slips into a traditional slim rectangle compact form.

At 79 x 60 x 29 mm and weighing 195 grams, the Canon feels heavier and a touch chunkier than the 93 x 60 x 27 mm, 140 grams Fujifilm. Surprisingly, though the Fuji is taller, it feels less substantial, which could affect stability in hand. The Canon’s oddly square design makes it a niche ergonomic experience: it fits nicely in my palm when shooting vertically, handy for snapshots or street photography. However, I did notice some awkwardness with the thumb placement during extended shooting, hinting at a trade-off for unique form.
Moving upward, the Canon features a tilting 2.8-inch capacitive touchscreen with 461k dots - bright, vibrant and responsive - catering to the touchscreen-loving social media crowd. The Fuji’s screen is fixed 2.7-inch LCD with a much lower 230k dots resolution. It feels more traditional but less versatile, especially outdoors or in tricky angles.
Moving to the top controls, the Canon streamlined most functions into the touch interface, foregoing physical dials or dedicated mode selections. The Fujifilm compensates with more conventional button controls, but they feel somewhat basic and cramped.

In my tests, the Canon’s controls take a slight learning curve due to minimal buttons and heavy UI reliance. The Fuji is straightforward but less engaging. If you prize portability and a novel interface, Canon wins here; for plain old button-confidence, Fuji is serviceable.
A Closer Look at the Sensor and Image Quality
Image quality remains king, even at the entry level.
Both cameras use 1/2.3" sensors, measuring roughly 6.17 x 4.55 mm, although Canon’s has a 12-megapixel CMOS sensor, while the Fujifilm sports a 10-megapixel CCD sensor. Fuji sticks to a traditional CCD, which historically delivers punchier colors, but Canon’s CMOS brings better power efficiency and faster processing thanks to the Digic 5 engine.

Technically, the Canon N Facebook ready offers a wider ISO range going up to 6400 ISO natively, whereas the Fujifilm caps out at 1600 ISO. My controlled tests showed Canon producing cleaner images at ISO 800 and above, with less noise. However, Fuji’s CCD delivered pleasing color gradations in moderate lighting, albeit with a softer overall look.
The optical zooms differ significantly as well - Canon boasts an 8x zoom spanning 28-224mm (35mm equivalent) with a max aperture range of f/3.0-5.9. Fuji’s zoom is more modest at 3x (32-96mm) and f/3.1-5.6. This flexibility makes Canon more versatile for landscapes to casual telephoto, but Fuji’s 3x zoom suffices for everyday snapshots.
In real-world usage, my landscape shots at wide angle (28mm Canon, 32mm Fuji) showed Canon having sharper edge-to-edge clarity, aided by the higher resolution. Fuji tended to soften details at the corners, likely due to lens design and sensor limitations.
Screens, Views & User Experience in the Field
Screen quality significantly impacts usability in the field, especially without a viewfinder in either model.

Canon’s bright 2.8" tilting touchscreen allowed me to compose shots from strange angles – low to the ground for macro or above crowds for street snaps. The PureColor II G technology boosts clarity in daylight, which was a huge advantage compared to Fuji’s dimmer 2.7" fixed screen. Being LCD-only, both lack electronic viewfinders, which limits operation in bright sunlight, but Canon’s touchscreen compensated through responsiveness and intuitive UI.
Fuji’s screen suffices but felt limiting during live view focusing or framing complex scenes outdoors.
What About Autofocus and Burst? Capturing the Action
Neither camera target professional sports or wildlife photographers, so high-speed continuous shooting is not a priority here.
- Canon PowerShot N Facebook ready offers contrast-detection autofocus, but no face detection or tracking modes.
- Fujifilm FinePix A170 also relies on contrast detection with single-shot autofocus.
During my tests photographing moving subjects at the local soccer pitch and the neighborhood squirrels, both struggled to lock focus quickly and consistently. Canon’s contrast-detection AF lagged on moving targets - 2 frames per second max burst rate means you’ll likely miss critical moments. Fuji lacks continuous AF or burst shooting, making it more suited to static scenes.
For wildlife and sports fans, neither camera suits pursuit photography or fast action requiring precise tracking – an important disclaimer.
Exploring Different Photography Genres
Let’s break down real-world performance across all major photography styles to see what each can bring to your creative table.
Portraits: Skin Tones and Bokeh
The Canon’s wider zoom range and optical image stabilization (OIS) give it a distinct edge for portraits. I found Canon’s 28-224mm allowed closer framing or looser composition without cropping. The built-in lens delivered decent bokeh at longer focal lengths, softening backgrounds enough for flattering subject isolation in casual portraits.
Fujifilm's shorter 32-96mm zoom limited flexibility, and no stabilization meant slower shutter speeds required, increasing blur risk in low light. Skin tones on the Canon were generally warmer and more natural; Fuji tended toward a cooler rendering.
Neither camera offers face or eye detection autofocus, so manual framing patience is key when photographing people. Still, for fun portraits shared on social media, Canon gives meaningful advantages.
Landscapes: Dynamic Range and Weather Considerations
Landscape photographers value high dynamic range and resolution to capture detail in shadows and highlights.
Both cameras are compact small-sensor types, with limited dynamic range in direct comparison to larger sensors - but that is expected at this price point.
Canon’s 12MP resolution edges out Fuji’s 10MP, delivering slightly more detail in wide shots. The Canon scored better on dynamic range in my field trials, particularly preserving highlight detail on sunny days.
Neither camera offers weather sealing or significant environmental resistance, so if you adventure in rain or dust, you’ll want protective housing.
Wildlife: Zoom Reach and Autofocus Speed
With Canon’s 8x zoom reaching 224mm equivalent, I was able to capture distant birds with some cropping flexibility.
Fujifilm’s 3x zoom maxed at 96mm - insufficient for distant wildlife.
Neither autofocus system is up to rapid tracking; conversely, the slow focus acquisition and shutter lag on both cameras limit freeze action capabilities. Canon’s optical stabilization helped reduce blur from handheld shooting, but neither cam is tailored for serious wildlife photography.
Sports: Burst Rate and Low Light Autofocus
At just 2 frames per second continuous shooting, the Canon falls flat for sports photographers; Fuji offers no burst option.
Autofocus in low-light gymnasiums or evening games was slow for both – not surprising given fixed lens contrast detection systems.
A dedicated DSLR or mirrorless model is recommended for sharp action shots.
Street Photography: Discretion and Portability
The Canon’s square shape, touchscreen operation, and silent shutter modes create a pretty discreet camera perfect for street candids.
Fujifilm’s slimmer form fits easily in a pocket but lacks touchscreen controls, making it less stealthy.
Both cameras emit some shutter sound; however, Canon has quieter operation modes that suit urban photography where blending in matters.
Macro Photography: Close Focusing and Stabilization
Canon’s macro focus range reaches an impressive 1 cm, enabling very close detail shots of flowers or textures. Optical image stabilization further helps avoid blur.
Fujifilm’s closest focus was 5 cm, adequate but less intimate, and lack of stabilization limited handheld macro usability.
For botanists or detail enthusiasts on a budget, Canon is the better companion.
Night and Astrophotography: High ISO and Exposure
Night shooting revealed Canon’s wider ISO range and Digic 5 processing enabled clearer, less noisy shots at 1600+ ISO compared to Fuji’s 1600 max ISO.
Neither camera offers bulb mode or advanced long exposures typical for astrophotography, but Canon’s 15-second minimum shutter speed allowed some creative night scenes.
Fuji’s 8-second max shutter limited long exposure flexibility.
Video Usage: Recording and Stability
Canon offers Full HD 1080p video at 24 fps and HD at 720p, plus slow-motion VGA clips. Video uses H.264 compression, providing efficient file sizes.
Fujifilm lags with only 640x480 VGA video.
Neither supports external microphones or headphone jacks, limiting audio control.
Canon’s image stabilization helps handheld video significantly; Fuji lacks stabilization entirely.
For casual videography or social sharing, Canon offers a far richer experience.
Travel: Battery Life and Versatility on the Go
Canon uses an NB-9L rechargeable battery, rated for roughly 200 shots per charge, reasonable but not exceptional. Fujifilm battery specs are unknown but likely similar or less due to no image stabilization.
Canon supports microSD cards, including SDXC, offering flexible storage expansion; Fuji is limited to standard SD/SDHC.
Physically, Canon is slightly bulkier but offers more features; Fuji is lighter and slimmer.
Connectivity-wise, Canon includes built-in wireless for instant sharing - a modern convenience missing on the Fuji.
Professional Use: File Options and Reliability
Neither camera shoots RAW or offers manual exposure modes, limiting professional workflow compatibility.
Both are best suited as backup or casual cameras.
Build quality is modest, without environmental sealing or ruggedness, so neither replaces professional-grade gear for demanding assignments.
Deep Dive Technical Analysis and Testing Insights
Having run both cameras through industry-standard protocols alongside practical field use, a few technical highlights and caveats stand out:
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Sensor and Processor: Canon’s CMOS sensor + Digic 5 processor consistently yielded faster startup, quicker shot-to-shot speed, and superior ISO performance over Fuji’s older CCD design.
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Autofocus: Both employ basic contrast detection AF; Canon’s is faster but neither is reliable for tracking moving subjects.
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Stabilization: Canon’s optical IS was a decisive benefit, reducing blur in low light and video.
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Interface: Canon’s touchscreen is more modern but less tactile; Fuji’s button-heavy layout is traditional but less responsive.
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Build & Weather: Neither camera is weather-sealed, dustproof, or ruggedized.
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Lens Quality: Canon’s 8x zoom lens is versatile; Fuji’s 3x zoom provides less reach.
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Connectivity: Canon’s built-in wireless translates to faster workflow for casual sharing. Fuji is passive.
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Battery Life: Moderate in both; Canon slightly better documented.
Above: Sample images demonstrate Canon’s sharper detail and better color depth versus Fujifilm’s softer rendering in standard daylight test scenes.
Here, Canon scores higher across the board except in sheer portability where Fuji nudges ahead.
Breaking down genre-specific scores highlights Canon’s superiority in portrait, landscape, and video, while Fuji performs decently in very casual snapshots and street portability.
Who Should Buy Which? Practical Recommendations
Choose the Canon PowerShot N Facebook ready if:
- You want a modern, touchscreen compact that accommodates social media sharing and versatile photography.
- You value image stabilization, 8x zoom flexibility, and Full HD video recording.
- You shoot outdoors, portraits, or casual macro subjects, benefiting from better image quality and ergonomics.
- You need wireless sharing features built-in for fast uploads.
Opt for the Fujifilm FinePix A170 if:
- Your budget is extremely tight (under $100 new or used).
- You want a simple, no-frills compact primarily for daylight snapshots or travel as a secondary camera.
- You prefer a slim, pocketable shape and don’t mind slower AF or lower resolution.
- You don’t plan to shoot video or fast action.
Final Thoughts – Balancing Real World Use and Value
Having put both through rigorous practical and lab-style testing, it’s clear these cameras occupy distinct niches within the compact segment.
Canon’s PowerShot N Facebook ready is a definite upgrade in usability, image quality, and feature set for casual enthusiasts wanting a fun, versatile pocket camera with modern sharing capabilities. Its touchscreen, zoom range, and stabilization combine well for portraits, walk-around travel, and casual video.
Fujifilm’s FinePix A170 is a bare-bones budget option suitable for beginners or those wanting an ultra-simple compact with reasonable daylight performance but limited versatility otherwise.
Neither camera can replace advanced mirrorless or DSLR systems for serious photography, but within their classes, Canon impresses in real-world usability and creative flexibility.
I always advise photographers to weigh features alongside hands-on comfort and workflow integration. Testing these compact cameras became a nostalgic exploration of affordability meeting functionality, and while neither is perfect, each can enrich your photography in complementary ways.
If you'd like help choosing lenses, accessories, or even exploring newer cameras that blend the best of both worlds, feel free to reach out or dive into my other in-depth reviews covering evolving tech in the compact segment.
Happy shooting!
Canon N Facebook ready vs Fujifilm A170 Specifications
| Canon PowerShot N Facebook ready | Fujifilm FinePix A170 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model | Canon PowerShot N Facebook ready | Fujifilm FinePix A170 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Announced | 2013-08-22 | 2009-07-22 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 5 | - |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
| Max resolution | 4000 x 2248 | 3664 x 2748 |
| Max native ISO | 6400 | 1600 |
| Minimum native ISO | 80 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-224mm (8.0x) | 32-96mm (3.0x) |
| Max aperture | f/3.0-5.9 | f/3.1-5.6 |
| Macro focus distance | 1cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Tilting | Fixed Type |
| Display diagonal | 2.8 inches | 2.7 inches |
| Display resolution | 461 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display technology | PureColor II G touch | - |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Minimum shutter speed | 15 secs | 8 secs |
| Fastest shutter speed | 1/2000 secs | 1/1400 secs |
| Continuous shutter speed | 2.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | - | 3.50 m |
| Flash settings | - | Auto, On, Off, Slow sync, Red-eye reduction, Forced Flash, Suppressed Flash |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 240 ( 240 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video data format | H.264 | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 195 grams (0.43 lbs) | 140 grams (0.31 lbs) |
| Dimensions | 79 x 60 x 29mm (3.1" x 2.4" x 1.1") | 93 x 60 x 27mm (3.7" x 2.4" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 200 pictures | - |
| Style of battery | Battery Pack | - |
| Battery model | NB-9L | - |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | microSD/microSDHC/microSDXC | SD/SDHC card, Internal |
| Storage slots | 1 | 1 |
| Pricing at release | $299 | $80 |