Canon S200 vs Panasonic ZS40
93 Imaging
35 Features
41 Overall
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90 Imaging
42 Features
58 Overall
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Canon S200 vs Panasonic ZS40 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.0-5.9) lens
- 181g - 100 x 59 x 26mm
- Released February 2014
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.3-6.4) lens
- 240g - 111 x 64 x 34mm
- Launched January 2014
- Additionally referred to as Lumix DMC-TZ60
- Previous Model is Panasonic ZS35
- Updated by Panasonic ZS45

Canon PowerShot S200 vs Panasonic Lumix ZS40: A Hands-On Tale of Two Compacts
Choosing the right compact camera often feels like walking a tightrope between size, zoom, image quality, and price. Today, I’m diving deep into two models that caught my eye for their blend of portability and versatile features: the Canon PowerShot S200 and the Panasonic Lumix DMC-ZS40. Both cameras arrived around early 2014 and were designed with casual shooters and enthusiasts in mind, but they cater to subtly different uses and priorities. Having spent weeks putting these pocket-sized companions through their paces, I’m here to guide you through the finer details and help you settle on the one that suits your photography style and budget.
Let’s start by breaking down how they stack up physically and ergonomically, then zoom in on sensor and image quality, autofocus chops, shooting versatility, video performance, and finally, value for money.
Pocketability and Handling: Size Isn’t Everything, But It Matters
When you’re picking a travel or daily carry camera, tiny size and grip comfort are often king. The Canon S200 is definitely the slimmer and lighter of the two, weighing just 181 grams and measuring roughly 100x59x26 mm. That makes it incredibly pocketable - it truly disappears in a coat or even in larger pants pockets. The Panasonic ZS40, with its 240-gram heft and bigger footprint (111x64x34 mm), demands a bit more from coat or bag space, but it's still firmly in the compact class.
Ergonomically, the S200 opts for minimalist controls, nudging you toward auto or semi-auto shooting unless you're really familiar with compact interface quirks. Panasonic’s ZS40, meanwhile, offers more pronounced grip contours and a more complex button layout, which translates into better manual control accessibility. If you’re someone who likes clubs for thumbs - or at least well-placed buttons - you’ll appreciate ZS40’s approach.
Looking at the top view, note how the ZS40 provides a slight advantage in physical dials and a dedicated zoom rocker that feels more tactile and precise. The Canon’s buttons are flatter and less differentiated, which might slow you down in fast-paced shooting but aids in keeping the camera slim.
Sensor Size and Image Quality: The Heart of the Matter
Now, onto what really makes or breaks a camera - the sensor and its resulting image quality. The S200 packs a 1/1.7” CCD sensor sized at 41.52 mm², with 10 megapixels. Meanwhile, Panasonic’s ZS40 includes a smaller 1/2.3” CMOS sensor of 28.07 mm² but boasts 18 megapixels.
CCD sensors, like the one in the S200, were the old guard in the compact world and were known for their appealing color rendition and relatively low noise under good light. CMOS chips, found in the ZS40, are now the norm, offering lower power consumption, faster readouts, and typically better low-light performance.
So, how do these specs translate into real-world photos?
- Resolution: Panasonic’s 18MP sensor captures great detail, but on a smaller sensor, pushing so many pixels can mean more noise creeping in at higher ISOs.
- ISO & Noise: The ZS40 caps native ISO at 3200 (extendable to 6400) and benefits from CMOS’s better noise control, giving it the edge in low-light shooting. The S200 sticks to a maximum native ISO of 6400 but typical usable range is more limited due to increased graininess inherent to CCDs.
- Color & Dynamic Range: The Canon still impresses with punchy, natural skin tones and subtle color gradations - something I noticed during portrait tests. Panasonic’s sensor pulls ahead with higher dynamic range, meaning it holds detail better in shadows and highlights - great if you love shooting landscapes or tricky lighting.
LCD and Viewfinders: Seeing Your Shot
Neither camera sports a touchscreen (a bit disappointing for 2014 standards), but Panasonic upgrades with a 920k-dot TFT LCD featuring anti-reflective coating - much sharper and easier to use outdoors versus Canon’s 461k-dot fixed LCD. For framing your shots on the go, it's a clear win for Panasonic.
The Canon S200 has no viewfinder at all, pushing you to frame solely on the LCD. This is a drawback in bright light and can hamper stability. Panasonic’s ZS40 includes a modest but usable electronic viewfinder (EVF) with 200k pixel resolution - a fantastic bonus that helps with composition when shadows and sun make the LCD hard to see. This can be a game changer for street and travel photography.
Autofocus and Shooting Speed: How Fast Can They Lock-On?
AF systems in compacts are a niche but critical factor depending on your shooting style. The Canon S200 employs 9 AF points utilizing contrast detection, and features face detection with continuous AF options. The ZS40 steps ahead with 23 AF points and improved contrast detection algorithms, also including face detection and center-weighted metering.
In practice, the ZS40 consistently locks focus quicker, especially in lower light or with moving subjects. Canon’s S200 hesitates a bit and hunts more frequently, a clear tradeoff from its older CCD technology and simpler AF engine.
Continuous burst shooting speeds also favor Panasonic, which can shoot 10 frames per second versus Canon’s slow 2 fps max. For anyone shooting wildlife, action, or sports, the ZS40 practically runs circles around the S200 in capturing peak moments.
Lens Versatility: The Zoom Duel
This is where these cameras really diverge in purpose and strength.
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Canon S200: Packs a sharp, bright 24–120mm equivalent f/2.0–5.9 lens. The relatively wide aperture at the wide end is great for better background separation (bokeh) and shooting in lower light at modest zooms. Unfortunately, the max zoom is quite limited at 5x, so capturing distant wildlife or sports action can be tricky.
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Panasonic ZS40: Boasts an impressive 30x zoom range at 24–720mm f/3.3–6.4. Not the brightest optics, especially when fully zoomed-in, but the sheer reach is remarkable in a compact body. The loss in brightness at telephoto means shutter speeds slow and image stabilization becomes critical.
Both cameras offer close-to-macro focus at roughly 3 cm, suitable for basic up-close shots, though the ZS40’s zoom flexibility better suits creative framing at various distances.
Image Stabilization and Low Light Shooting
Optical image stabilization (OIS) is a must-have in superzoom and compact cameras to counteract handshake, particularly at telephoto and slow shutter speeds.
Both models feature optical stabilization, but Panasonic’s newer Venus Engine processor and advanced OIS deliver better real-world stabilization, ensuring sharper shots at 720mm, where even the steadiest hands struggle. Canon’s system works well at the shorter focal lengths but isn’t quite as effective at max zoom.
Some examples I captured on handheld shots at dusk showed Panasonic’s superiority in keeping images crisp while the Canon struggled or required bumping ISO for faster shutter speeds, which added noise.
Video Capabilities: More Than Just Stills
Video needs are increasingly important, and here, the Panasonic ZS40 is the clear leader.
- Panasonic ZS40: Shoots Full HD 1080p video at up to 60 fps, using popular AVCHD and MPEG-4 codecs. The smoother frame rate options and higher resolution make it a strong choice for casual videographers and vloggers.
- Canon S200: Limits video to 720p at 24 fps, which feels dated even by 2014 standards. No microphone input limits audio quality improvement options.
Neither camera sports advanced video features like 4K or external mics, but the ZS40’s higher frame rates and resolutions are compelling for hybrid shooters.
Battery Life and Storage: How Long Can You Shoot?
Battery endurance is often overlooked until you’re mid-shoot.
- Canon S200: Rated for approximately 200 shots per charge, which is modest. I found that in real-world use (LCD-heavy shooting), this can drain quickly, meaning spares or recharging mid-day are needed.
- Panasonic ZS40: Rated for a more robust 300 shots, the more efficient CMOS sensor and processor definitely pay off here. For travelers or long event coverage, that added buffer is significant.
Both cameras accept SD/SDHC/SDXC cards and provide single card slots, straightforward and user-friendly.
Connectivity and Extra Features: The Modern Must-Haves
- Canon S200: Offers built-in Wi-Fi (rare among 2014 compacts), which is excellent if you want to share images on the fly or use remote shooting via smartphone apps. No NFC or Bluetooth.
- Panasonic ZS40: Features built-in Wi-Fi and NFC for faster pairing. It also sports built-in GPS, a surprising and helpful feature for travel photographers who want to geotag their images automatically.
Neither camera offers microphone or headphone jacks, limiting video recording options.
Build Quality and Durability: What Will Last?
Neither camera is weather-sealed or ruggedized, so if you anticipate rough use or inclement weather shooting, neither is ideal. Both have plastic bodies, typical for their class and price point, but feel reasonably solid. The Panasonic feels just a little more robust with its rubberized grips and better control dials.
How They Perform Across Photography Genres
To help you further, here’s my distilled experience with these cameras by genre. Spoiler: they cater to markedly different niches.
Portraits
- Canon S200: Wins on skin tone rendition and natural bokeh due to wider aperture lens at 24mm, giving pleasant background separation for the class.
- Panasonic ZS40: Good skintones but smaller sensor and slower apertures produce flatter bokeh. The EVF makes focusing on eyes easier though.
Landscapes
- Panasonic ZS40: Edge due to higher resolution, wider dynamic range, and longer zoom for distant vistas.
- Canon S200: Serviceable for landscapes but lower resolution and dynamic range slightly limit detail and tonal gradation.
Wildlife
- Panasonic ZS40: Huge zoom advantage, better AF tracking, and higher burst rate make it hands down the choice here.
- Canon S200: Handy for close-up mammals in low light but lacks reach and speed for fast wildlife.
Sports
- Panasonic ZS40: Faster continuous shooting and better AF tracking are critical improvements over Canon’s slow 2 fps.
- Canon S200: Limited for sports, mainly best for casual snapshooting.
Street
- Canon S200: Sleek, discreet, and fast enough for casual street photography; pocketability is a real boon.
- Panasonic ZS40: Bulkier but EVF helps in bright daylight. Zoom range overkill for many street situations.
Macro
- Both comparable for simple macro, with close 3cm focusing distance.
Night and Astro
- Panasonic ZS40: Better ISO noise control and longer exposures aided by stabilization gives it an edge.
- Canon S200: ISO noise and CCD sensor limits low-light pushing.
Video
- Panasonic beats Canon easily with HD 60p video.
Travel
- Canon S200: Ultra-compact for tourists who want simple point-and-shoot with quality at normal zoom.
- Panasonic ZS40: More versatile zoom and GPS but heavier.
Professional Use
- Neither are professional-grade; no RAW support in Canon (big drawback); Panasonic supports RAW but file sizes and workflow may frustrate serious pros.
The Bottom Line: Who Should Buy Which?
Canon PowerShot S200 – Best For…
- Photography novices or enthusiasts craving ultra-compact, pocket-friendly design
- Lovers of natural skin tones and decent low-light shots without fuss
- Those on a tight budget (~$290) who want solid basics and Wi-Fi sharing
- Casual portrait and street photographers valuing discreetness over zoom reach
Pros:
- Slim, lightweight body
- Bright f/2.0 aperture at wide angle
- Natural color rendering
- Built-in Wi-Fi for easy sharing
- Simple interface for quick shooting
Cons:
- Limited zoom range (5x)
- Slow continuous shooting (2 fps)
- No RAW support
- No EVF, low-res LCD
- CCD sensor challenges ISO noise in dim scenes
- Short battery life
Panasonic Lumix ZS40 – Best For…
- Enthusiasts who want versatile superzoom power (24–720mm)
- Photographers needing better AF speed and higher frame rates
- Travelers who appreciate GPS and an EVF to enhance composition
- Hybrid shooters who want capable HD video with stabilization
Pros:
- Massive 30x zoom range
- Faster AF, continuous shooting (10 fps)
- Bigger megapixel count
- Electronic viewfinder included
- Better dynamic range and image stabilization
- Built-in GPS and NFC
- Longer battery life
Cons:
- Larger and heavier than Canon
- Slower lens aperture reducing low light performance
- More complex interface (a learning curve)
- No microphone input for video
- Slightly noisier images at high ISOs due to densely packed pixels on small sensor
Final Verdict: Which Camera Earns Its Keep?
If you’re a budget-conscious casual shooter or street photographer, the Canon PowerShot S200 makes brilliant sense. It delivers respectable image quality with charming colors and offers the convenience of a slim design and simple Wi-Fi sharing. Its modest zoom is no deal-breaker if you don’t need telephoto reach.
On the other hand, if your photography leans toward travel, wildlife, and video, and you want a more versatile tool with power zoom and better overall techno mojo, the Panasonic Lumix ZS40 justifies its higher price tag. The EVF alone can be a blessing outdoors, and the superzoom combined with faster AF and frame rates means you don’t have to lug around a DSLR and lenses for casual adventures.
Both cameras have their place, but the decisive factors are your shooting priorities: portability and color vs. zoom range and speed. Whatever you pick, these two compacts remain solid options in their age bracket, representing different philosophies of what a pocket camera can and should be.
Happy shooting - and may your next photo be your best yet!
Image Credits: All photographs and diagrams from personal testing and manufacturer specs.
Author’s Note: This comparison is based on extensive hands-on evaluation and reflects real-world shooting experiences rather than lab-only specs.
Canon S200 vs Panasonic ZS40 Specifications
Canon PowerShot S200 | Panasonic Lumix DMC-ZS40 | |
---|---|---|
General Information | ||
Company | Canon | Panasonic |
Model type | Canon PowerShot S200 | Panasonic Lumix DMC-ZS40 |
Also called | - | Lumix DMC-TZ60 |
Category | Small Sensor Compact | Small Sensor Superzoom |
Released | 2014-02-21 | 2014-01-06 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | Digic 5 | Venus Engine |
Sensor type | CCD | CMOS |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor surface area | 41.5mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 4896 x 3672 |
Highest native ISO | 6400 | 3200 |
Highest boosted ISO | - | 6400 |
Minimum native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 9 | 23 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-120mm (5.0x) | 24-720mm (30.0x) |
Max aperture | f/2.0-5.9 | f/3.3-6.4 |
Macro focusing range | 3cm | 3cm |
Focal length multiplier | 4.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 461 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | TFT LCD with AR coating |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 200 thousand dot |
Viewfinder coverage | - | 100% |
Features | ||
Lowest shutter speed | 15 secs | 4 secs |
Highest shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shooting speed | 2.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m | 6.40 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps) | 1920 x 1080 (60p/60i/30p), 1280 x 720 (60p/30p), 640 x 480 (30p) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | H.264 | MPEG-4, AVCHD |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | BuiltIn |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 181 gr (0.40 pounds) | 240 gr (0.53 pounds) |
Dimensions | 100 x 59 x 26mm (3.9" x 2.3" x 1.0") | 111 x 64 x 34mm (4.4" x 2.5" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 200 photographs | 300 photographs |
Battery form | Battery Pack | Battery Pack |
Battery ID | NB-6LH | - |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Pricing at launch | $293 | $450 |