Canon S200 vs Sony HX50V
93 Imaging
35 Features
41 Overall
37


89 Imaging
44 Features
57 Overall
49
Canon S200 vs Sony HX50V Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.0-5.9) lens
- 181g - 100 x 59 x 26mm
- Announced February 2014
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Boost to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5 - 6.3) lens
- 272g - 108 x 64 x 38mm
- Introduced April 2013
- Older Model is Sony HX30V

Canon PowerShot S200 vs Sony Cyber-shot HX50V: Which Compact Camera Fits Your Photography Needs?
When choosing a compact camera that punches above its weight, enthusiasts face a common crossroads - a model focused on sharp, stylish everyday capture, or a versatile superzoom built for going the distance. The Canon PowerShot S200 and Sony Cyber-shot DSC-HX50V embody these distinct philosophies in the compact segment, each promising to deliver a compelling photographic experience within modest footprints and competitive price points.
Having pushed both cameras through extensive hands-on testing - over hours of field shooting across multiple genres - I’m excited to present an in-depth, nuanced comparison that goes beyond specs and marketing buzz. We'll explore how these two cameras perform in real-world shooting scenarios - including portraits, landscapes, wildlife, street, and more - while inspecting their technical makeup and value propositions. By the end, you should know precisely which one suits your style, budget, and workflow.
Let’s kick off this journey with a look at their physicality.
The Feel and Form: Size, Ergonomics, and Controls
First impressions matter - especially when a camera is destined to be your everyday companion. The Canon S200 and Sony HX50V differ notably in size, shape, and handling ergonomics.
The Canon S200 is exceptionally pocketable, weighing a mere 181 grams and measuring just 100 x 59 x 26 mm. Its ultra-compact dimensions make it almost invisible in a jacket pocket or small bag. For photographers who prioritize discreetness and ultimate portability, this is gold.
The Sony HX50V, by contrast, is visibly bulkier and heavier - weighing 272 grams with dimensions of 108 x 64 x 38 mm. This extra heft is largely due to its superzoom lens (more on that shortly) and more robust grip design. While this makes it less pocket-friendly, it offers a more confident hold and fewer accidental button presses.
Speaking of controls, let’s see how their top panels stack up.
The Canon’s top plate features a modest but thoughtfully arranged mode dial, shutter button, and zoom rocker - all within easy thumb reach for rapid changes. Its no-nonsense interface suits those who want straightforward access to manual exposure modes, including aperture and shutter speed prioritization.
The Sony, meanwhile, incorporates additional dedicated buttons and a mode dial with a broader range of automatic and scene modes - a nod to its broader appeal to casual shooters wanting a “point and shoot with superpowers.” The grip size enables thumbs to rest naturally on the back controls, which is a minor but appreciable benefit during extended shooting.
Ergonomics Verdict: If size and stealth are priorities, Canon S200 wins hands down. But if you want more physical control and comfort in hand, plus the reassurance of a firmer grip for longer sessions, the Sony HX50V justifies its larger footprint.
Sensor and Image Quality: A Critical Foundation
Next, let’s dig into what’s arguably the most defining element: the sensor. Sensor specifications provide the first clue to each camera’s potential in sharpness, dynamic range, and low-light ability.
The Canon S200 sports a 1/1.7-inch CCD sensor with 10 megapixels. While CCD sensors historically deliver pleasing color rendition and good detail, their smaller pixel counts limit resolution and dynamic range compared to the more modern CMOS.
Sony’s HX50V steps into the ring with a 1/2.3-inch BSI-CMOS sensor sporting 20 megapixels - double Canon’s nominal resolution. Its back-illuminated design boosts light-gathering efficiency, which should translate into superior low-light performance and a cleaner signal-to-noise ratio.
At first glance, 20MP versus 10MP suggests a straightforward resolution win for the Sony. But pixel count isn’t everything. It’s about sensor quality, processing, and noise control. Having shot identical scenes with both, I noticed Sony’s images allow more latitude in cropping without losing clarity - a definite advantage for travel and wildlife shooters who rely on framing flexibility.
That said, the Canon’s sensor, coupled with the DIGIC 5 processor, still renders beautifully natural colors and is surprisingly competent under moderate low-light conditions (up to ISO 800-1600). The downside: you cannot shoot in RAW on the S200, which limits post-processing potential.
Sony’s HX50V offers marginally higher native ISO ceilings (3200 vs 6400 max for Canon, but Canon’s higher ISO images are often noisy), and although it also lacks RAW support, its JPEG images retain more detail and handle shadow recovery better.
Image Quality Key Takeaway: Sony HX50V’s newer BSI-CMOS sensor and higher resolution deliver more versatility with detail and noise performance, but Canon S200 still holds its own for vibrantly accurate color and is no slouch for compact CCD sensors.
Lens and Zoom Power: The Reach vs Speed Debate
One of the starkest contrasts between these two cameras lies in their zoom capabilities.
- Canon S200: 24-120mm equivalent focal length (5x optical zoom) with F2.0-5.9 aperture
- Sony HX50V: 24-720mm equivalent focal length (30x optical zoom) with F3.5-6.3 aperture
The Canon’s lens opens as wide as F2.0 at the widest (24mm equivalent), excellent for low-light and shallow depth-of-field portraits. Its zoom range, however, stops at a moderate 120mm, making it less flexible for distant subjects.
Conversely, Sony offers a colossal 30x zoom range, reaching 720mm equivalent - a serious telephoto advantage that’s rare in ultraportable compacts. This is ideal for wildlife, sports, or surveillance-style photography. The trade-off is a narrower maximum aperture (F3.5 at wide, closing to F6.3 at telephoto), reducing low-light usefulness and limiting shallow depth-of-field effects.
Macro photographers will note the Canon’s closer minimum focus distance of 3cm compared to Sony’s 5cm, offering tighter close-ups with more pronounced subject-background separation.
In optical stabilization, both cameras feature effective optical image stabilization, critical at long focal lengths or in low light. Sony’s longer lens necessitates steadying, and its system performs admirably during telephoto zoomed shots.
Lens and Zoom Summary: For users prioritizing reach and versatility, the Sony HX50V’s 30x superzoom is unmatched. But if you lean toward wide apertures, faster glass for portraits, or macro close-ups, Canon’s S200 lens offers greater shooting style flexibility.
Display, Viewfinder, and Interface: Seeing is Believing
An often-underappreciated aspect of camera usability lies in how the user interacts with its live view and menus.
Both cameras feature fixed 3-inch LCD screens, but the Sony HX50V’s screen doubles the resolution (921k dots) compared to the Canon’s 461k dot display. This higher resolution panel offers a crisper live view, facilitating better manual focus accuracy and composition evaluation.
Sony’s screen also boasts “XtraFine” technology for improved contrast and outdoor visibility - a real plus on bright days.
Neither camera features touchscreen capability, a nod to their era and market positioning but an inconvenience today.
Optically, Canon lacks any viewfinder, requiring composition solely via the rear screen. Sony provides an optional electronic viewfinder (EVF) accessory, not bundled but available, which can dramatically improve framing in bright light.
Menu systems on both cameras are straightforward and responsive. Canon’s interface excels with fewer nested options, ideal for beginners or quick adjustments. Sony’s menus, while comprehensive, may initially overwhelm some users but reward patience with more creative controls - such as white balance bracketing.
Autofocus, Burst, and Performance Under Pressure
Fast, reliable autofocus defines the shooting experience, especially for dynamic subjects.
The Canon S200 uses contrast-detection AF with 9 points, including face detection and tracking. Continuous AF works but is relatively slow, peaking at 2 frames per second for burst shooting. This modest speed fits casual shooting but struggles to capture fast action reliably.
The Sony HX50V also relies on contrast-detection AF but without phase detection, yet benefits from improved processor timing allowing single-shot AF and tracking at up to 10 fps burst shooting - a substantial advantage for action or wildlife photographers.
Face detection works well on both, but Sony’s multi-area AF provides more flexible focus point selection, although no eye or animal eye detection is present on either model.
In real shooting trials: Canon felt sluggish during rapid focus shifts, missing sharpness on moving subjects more often. Sony’s faster burst and AF system granted higher keeper rates in sports and bird-in-flight scenarios, albeit at the expense of potentially more noise at telephoto zoom ranges.
Build Quality and Weather Resistance
Neither camera offers environmental sealing - which is not surprising given their compact consumer-oriented design.
Build materials are predominantly polycarbonate plastics, with metal lens barrels on both for durability. Sony’s body feels slightly more robust and less prone to flexing, partially due to its larger size.
For photographers seeking ruggedness or all-weather reliability, neither model is ideal - but the Sony’s bulk allows better shock absorption in practice.
Battery Life, Storage, and Connectivity
Battery endurance is a crucial factor for travel, events, and extended shooting days.
Canon’s NB-6LH battery delivers roughly 200 shots per charge under CIPA standards - on the low side for casual users expecting a full day out. The USB 2.0 port supports charging but not fast transfers.
Sony’s NP-BX1 battery nearly doubles the endurance at about 400 shots per charge, a significant advantage for those shooting outdoors or away from mains power.
Both cameras utilize a single memory card slot compatible with SD / SDHC / SDXC cards, but Sony adds compatibility with Memory Stick formats, catering to long-time Sony users.
Wireless connectivity is available on both, but limited to built-in Wi-Fi (Bluetooth notably absent). Sony integrates built-in GPS for geotagging - a feature absent or optional on Canon. This makes Sony a choice pick for travel photographers keen on location data without external gadgets.
Video Capabilities: Beyond Still Imagery
While primary focus is still photography, many users expect solid video performance from modern compacts.
Canon S200 shoots at up to 720p HD at 24 fps with H.264 compression - serviceable for casual clips but lacking Full HD or higher frame rates.
Sony HX50V impresses with Full HD 1080p at 60 fps, recorded in both MPEG-4 and AVCHD formats, delivering smoother motion and nicer playback quality.
Neither camera offers external microphone or headphone jacks, limiting audio control for enthusiasts.
Image stabilization assists in handheld video capture on both, but Sony’s superior sensor and processor give cleaner footage in low-light scenarios.
Comprehensive Image Samples and Output
The best way to judge image potential is through side-by-side real-world samples.
- Portraits: Canon’s faster F2 lens delivers more pleasing bokeh and depth, with smoother skin tones. Sony’s images are sharper but exhibit flatter background defocus due to narrower apertures.
- Landscapes: Sony’s higher resolution captures raw texture and detail better, though Canon handles dynamic range nicely in high-contrast scenes.
- Telephoto zoom: Sony dominates with reach; you can photograph distant wildlife unseen with Canon’s modest 120mm limit.
- Low-light: Sony reduces noise more effectively but requires slower shutter speeds or higher ISOs at longer zoom lengths.
- Macro: Canon’s tighter minimum focus distance yields more intimate close-ups with stronger subject separation.
Scoring the Overall Performance
Our expert reviewers weigh factors including image quality, handling, AF, speed, and feature set for a holistic rating.
- Canon PowerShot S200: Balanced performer in compact portability and ease of use; strong for portrait and street photography but limited in zoom and burst.
- Sony Cyber-shot HX50V: More powerful zoom and higher resolution sensor reward advanced shooters needing reach and variety.
Performance by Photography Genre
Breaking down suitability by genre highlights where each camera shines.
Genre | Canon S200 | Sony HX50V |
---|---|---|
Portrait | Excellent (wide aperture) | Good (limited aperture) |
Landscape | Good (color, DR) | Very Good (resolution, detail) |
Wildlife | Poor (limited zoom) | Excellent (30x zoom, burst) |
Sports | Fair (slow AF & 2 fps) | Very Good (fast AF, 10 fps) |
Street | Excellent (compact, quiet) | Good (bulkier but versatile) |
Macro | Very Good (3cm focus) | Good (5cm focus) |
Night/Astro | Fair (ISO 6400, noisy) | Good (BSI sensor, better ISO) |
Video | Basic HD 720p | Full HD 1080p at 60fps |
Travel | Excellent (compact, light) | Very Good (all-in-one zoom) |
Professional | Basic features | Better connectivity & speed |
Who Should Buy the Canon PowerShot S200?
I recommend the Canon S200 primarily to:
- Street photographers who value stealth and discretion.
- Portrait shooters prioritizing shallow depth of field and natural colors.
- Travelers who want a slim, lightweight carry-anywhere camera.
- Casual users focused on straightforward handling and image quality over expansive zoom and video specs.
Its limitations - most notably zoom reach, video resolution, and battery life - are offset by its compact design and image charm.
Who Should Choose Sony Cyber-shot HX50V?
The Sony HX50V is aimed at:
- Wildlife and sports photographers needing long reach and faster shooting.
- Landscape lovers who appreciate sharpness and high resolution.
- Video enthusiasts requiring smooth Full HD.
- Travelers who prefer an all-in-one solution with GPS tagging and longer battery life.
While its larger size may deter purists of pocket cameras, the multiplicity of features, zoom range, and technological polish give it an edge for serious hobbyists.
Conclusion: Canon S200 or Sony HX50V - The Verdict
Both the Canon PowerShot S200 and Sony Cyber-shot HX50V have distinct personalities, strengths, and weaknesses borne from their design philosophies.
The S200 excels at delivering a compact, easy-to-control package with beautiful optics and excellent portrait potential at an affordable price. It’s a tiny powerhouse tailored for photographers who prioritize wide aperture and portability over sheer reach.
The HX50V is a multi-faceted superzoom marvel that effortlessly covers everything from close-ups to distant wildlife, with modern video capabilities and astute connectivity features. This versatility justifies its larger size and higher price for those who demand range and richness in a pocketable camera.
I encourage buyers to weigh which photography styles dominate their needs - and test handling if possible - since despite the specs, the real deciding factor is the feel and focus of your creative endeavor.
Happy shooting!
I invite you to leave any questions below or share your experiences with either of these cameras. As always, my reviews come from hours of testing and photographic practice to help you make a confident, informed choice.
Canon S200 vs Sony HX50V Specifications
Canon PowerShot S200 | Sony Cyber-shot DSC-HX50V | |
---|---|---|
General Information | ||
Brand | Canon | Sony |
Model type | Canon PowerShot S200 | Sony Cyber-shot DSC-HX50V |
Category | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2014-02-21 | 2013-04-24 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | Digic 5 | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor surface area | 41.5mm² | 28.1mm² |
Sensor resolution | 10 megapixel | 20 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Max resolution | 3648 x 2736 | 5184 x 2920 |
Max native ISO | 6400 | 3200 |
Max enhanced ISO | - | 12800 |
Lowest native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 9 | - |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-120mm (5.0x) | 24-720mm (30.0x) |
Highest aperture | f/2.0-5.9 | f/3.5 - 6.3 |
Macro focusing distance | 3cm | 5cm |
Crop factor | 4.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen size | 3" | 3" |
Resolution of screen | 461k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | - | XtraFine LCD display |
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Minimum shutter speed | 15s | 30s |
Fastest shutter speed | 1/2000s | 1/4000s |
Continuous shutter rate | 2.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m | 5.60 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Slow Sync, Rear Sync, Advanced Flash |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | H.264 | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | BuiltIn |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 181g (0.40 lb) | 272g (0.60 lb) |
Physical dimensions | 100 x 59 x 26mm (3.9" x 2.3" x 1.0") | 108 x 64 x 38mm (4.3" x 2.5" x 1.5") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 200 photographs | 400 photographs |
Battery style | Battery Pack | Battery Pack |
Battery ID | NB-6LH | NP-BX1 |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Card slots | One | One |
Price at release | $293 | $439 |