Canon S95 vs FujiFilm JV200
93 Imaging
34 Features
42 Overall
37
96 Imaging
36 Features
18 Overall
28
Canon S95 vs FujiFilm JV200 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-105mm (F2.0-4.9) lens
- 195g - 100 x 58 x 30mm
- Announced November 2010
- Replaced the Canon S90
- Renewed by Canon S100
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Increase to 3200)
- 1280 x 720 video
- 36-108mm (F3.1-5.6) lens
- 125g - 94 x 56 x 21mm
- Launched January 2011
- Other Name is FinePix JV205
Meta to Introduce 'AI-Generated' Labels for Media starting next month Canon S95 vs. FujiFilm JV200: A Detailed Small Sensor Compact Camera Comparison
Choosing the right compact camera can feel like navigating a dense forest of models, specs, and exaggerated marketing claims. As someone who has tested thousands of cameras in my career, I know firsthand how essential it is to look past the glossy brochures and get into the nitty-gritty of real-world performance, handling, and image quality. Today, we’re diving deep into two rather distinct small sensor compacts from roughly the same era - the Canon PowerShot S95 and the FujiFilm FinePix JV200 (also known as the JV205 in some regions).
While these cameras share the category “small sensor compact,” their capabilities, ergonomics, and target users differ quite a bit. My approach is to dissect both on technical merits, practical use cases, and value, peeling back the layers with insights born from extensive hands-on testing. Whether you’re a photography enthusiast aiming to upgrade your carry-along or a professional wanting a no-fuss pocket camera for backup, this comparison aims to guide you with clarity and authority.
Snapshot Overview: Breaking Down the Basics
Before diving deep, here’s a side-by-side headstart on key specs that immediately impact daily shooting:
| Feature | Canon S95 | FujiFilm JV200 |
|---|---|---|
| Sensor Type | 1/1.7" CCD | 1/2.3" CCD |
| Megapixels | 10 MP | 14 MP |
| Lens Focal Range (35mm eq) | 28-105mm (3.8x zoom) | 36-108mm (3x zoom) |
| Maximum Aperture | f/2.0 - f/4.9 | f/3.1 - f/5.6 |
| Image Stabilization | Optical | None |
| Manual Controls | Full manual exposure modes | Minimal, no manual focus |
| Viewfinder | None | None |
| LCD Screen Size | 3.0" 461k dots | 2.7" 230k dots |
| Video Resolution | 720p HD @ 24fps | 720p HD @ 30fps |
| Battery Type | Canon NB-6L rechargeable | AA batteries |
| Weight | 195g | 125g |
| Price at Launch | $495 | $49 |
Right away, the Canon S95 stands out as a more thoughtfully engineered, semi-professional compact, while the Fuji JV200 screams budget-friendly convenience. But specs can be deceiving - let’s unpack their nuances with a hands-on lens.

Designing for the Hand: Ergonomics and Build Quality
Handling a camera is the first tactile experience that shapes your shooting enjoyment - no matter how great its sensor is. The Canon S95, with dimensions of 100 x 58 x 30 mm and 195 grams, feels substantial but svelte in hand. The well-damped controls are laid out logically, and the textured grip delivers confident hold even with one-handed shooting. The camera’s solid built quality and metal chassis communicate durability I can trust for frequent use. Features like dedicated dials for exposure compensation and easy access to ISO settings enable rapid manual adjustments, a boon for enthusiasts.
By contrast, the Fuji JV200 is smaller and lighter (94 x 56 x 21 mm, 125 g), making it ultra-portable but somewhat toy-like in feel. The plastic construction doesn’t inspire the same confidence, and the limited controls, as well as lack of manual focus, reflect its position as a casual snapshot tool rather than a creative instrument. While the JV200’s compactness suits pocket carry, the trade-off on handling and tactile responsiveness is apparent during extended use.
Looking at the control layout further clarifies these philosophies.

The Canon S95 offers manual exposure modes, a shutter speed dial, aperture control, and customizable buttons - indispensable for photographers who want creative input without fumbling menus. The Fuji JV200’s limited buttons and lack of external dials keep it simple but constrain users wanting more control.
Sensor Size and Image Quality: The Heart of the Matter
A camera’s sensor size and processing pipeline fundamentally dictate image quality - not only resolution but dynamic range, noise control, and color fidelity. The Canon S95 features a 1/1.7" CCD sensor measuring 7.44 x 5.58 mm with an area of 41.52 mm², while Fuji’s JV200 uses a smaller 1/2.3" CCD sensor measuring 6.17 x 4.55 mm (28.07 mm²).

This difference means the Canon’s sensor gathers roughly 48% more light under the same conditions - a crucial advantage for image quality, especially in low light and high dynamic range scenes.
Despite the Fuji JV200 having a higher pixel count at 14 MP versus Canon’s 10 MP, pixel density increases often introduce more noise and lower per-pixel sensitivity on these small sensors - something I noticed in my detailed image tests. The S95’s larger pixels translate to better color depth (20.4-bit vs. Fuji’s untested but presumed lower depth), higher dynamic range (11.3 EV vs. untested JV200), and superior low-light ISO performance (Canonical DXO low-light ISO score at 153 vs. untested).
In practical use, this manifests as the Canon S95 producing cleaner images at ISO 800 and above, maintaining details in shadows without crushing blacks - strong assets for landscape and street shooters alike. The JV200’s image is more prone to noise and color shifts beyond ISO 400, limiting usability in dim environments.
Viewing and Framing: LCD & Viewfinder Experience
Neither camera offers any sort of electronic viewfinder, relying instead solely on their LCDs. The Canon S95 sports a bright 3.0" fixed screen with 461k dots, while the Fuji JV200’s 2.7" screen churns out a much lower resolution at 230k dots.

From prolonged use, the Canon’s LCD is noticeably sharper, lending better feedback for composition, focus confirmation, and menu navigation. Its anti-reflective coating and higher brightness levels also ease outdoor use, crucial for landscape and travel photographers. The Fuji JV200’s screen, although adequate for basic framing, can become washed out in sunlight and feels more pixelated, a limitation for critical focusing or reviewing shots on the go.
Focusing Systems and Shooting Responsiveness
Autofocus performance is paramount in street, wildlife, and sports photography where split-second captures decide shot success. Canon equips the S95 with a 9-point contrast-detection AF system, including multi-area autofocus, allowing intentional selection of focus points. However, its AF lacks face or eye detection capabilities and continuous AF is unavailable, limiting action photography utility.
The Fuji JV200, by comparison, offers continuous AF and center-weighted AF, but without AF point selection or face detection. While continuous AF helps in tracking moving subjects, the system’s overall speed and accuracy felt hesitant in my field tests, especially with telephoto framing.
Furthermore, the Canon’s lens starts wider (28mm equivalent at f/2.0), letting in more light for faster AF acquisition and better subject isolation, while the Fuji’s lens is narrower and slower (f/3.1 max aperture, 36mm start). Both cameras only shoot 1 fps continuous burst rates - underwhelming for sports but par for budget compacts.
Versatility in Lenses and Macro Capability
Being fixed-lens cameras, neither model allows lens swaps. The focal ranges differ - Canon’s 28-105mm (3.8x zoom) outperforms Fuji’s 36-108mm (3x zoom) in versatility. The wider 28mm angle on the Canon is a boon for landscapes, street street photography, and group portraits.
Macro focus is respectable on the Canon S95, enabling focus down to 5 cm with sharp detail and pleasing bokeh thanks to its f/2 lens option at wide end. Fuji doesn’t specify macro range, and its slower, narrower aperture limits background separation.
User Experience in Different Photography Genres
Portrait Photography
For portraits, skin tone rendition and eye clarity matter. The Canon S95’s optical image stabilization paired with fast f/2.0 aperture facilitates shallow depth of field and reduces motion blur, producing defocused backgrounds that smooth out skin irregularities effectively. Its RAW support enables advanced post-processing tweaks for color balance and exposure.
Fuji JV200’s slower lens and lack of IS means it struggles indoors or in low light without ISO bumping noise. Without RAW, JPEG algorithm artifacts sometimes result in less natural skin tones.
Landscape Photography
The Canon S95’s larger sensor and wider lens offering edge it for expansive landscapes, capturing more dynamic range and detail. Weather sealing is absent on both cameras, so I’d advise caution shooting outdoors in adverse conditions.
Fuji JV200’s 14 MP resolution helps produce large prints, yet the smaller sensor size caps dynamic range, making recovery of shadows or highlights more difficult.
Wildlife and Sports Photography
Neither camera is designed for fast action. The Canon S95’s slower 1 fps and contrast-detection AF cannot reliably track moving subjects, making it more suited for casual snapshots.
The Fuji JV200’s continuous AF is an attempt at compensating here but suffers from lag and imprecision. Both cameras’ maximum shutter speeds (1/1600 for Canon, 1/1400 for Fuji) suffice for freezing motion in daylight but limited. For sports or wildlife, I’d recommend something more specialized.
Street and Travel Photography
For street photographers, discreteness and speed matter. The Canon S95’s quiet shutter, sleek body, and silent operation make it less obtrusive.
The Fuji JV200 is lighter and smaller, theoretically easier to pocket, but its slower lens and less refined handling reduce responsiveness.
Battery life favors the Fuji JV200 using AA batteries capable of quick replacements on the go. The Canon S95 uses proprietary NB-6L batteries requiring charging - more limiting for extended travel without spares.
Video Shooting Capabilities
Video in both cameras tops out at 1280x720 HD resolution. The Canon S95 records at 24 fps with H.264 compression, a modern standard yielding decent quality. The Fuji JV200 records in Motion JPEG, a legacy codec producing larger files with lower efficiency.
Neither camera features advanced video-centric functions - no microphone or headphone jacks, no 4K support, and absence of image stabilization in video on the Fuji cuts into quality. For occasional casual clips, the Canon S95 provides a somewhat better platform, but videographers should look elsewhere for serious work.
Connectivity and Storage Considerations
The Canon S95 includes Eye-Fi card compatibility, meaning wireless image transfer is possible with enabled cards - convenient for quick sharing. It also has an HDMI output for viewing shots on HDTVs.
Fuji JV200 has no wireless connectivity or HDMI, limiting integration with other devices. Both cameras accept SD/SDHC cards, but the Fuji’s storage slot supports only a single card, and its lower priced nature means slower card speed options.
Real-World Image Samples and Performance Rating
In my extended tests across indoor, outdoor, low-light, and action scenarios, the Canon S95 consistently produced balanced images with natural colors and good detail rendition. The Fuji JV200’s images appeared noisier and less vibrant at base ISO but delivered decent results for basic daylight snaps.
Objective performance scores compiled by DXOMark rank the S95 with an overall score of 47, indicative of good image quality for a compact of its vintage. The JV200 remains untested by DXO but judging by sensor size and processing, it falls behind.
When evaluating camera aptitude by photography genre - something I assembled based on shoot tests - the Canon S95 leads in portrait, landscape, and low-light categories, while the Fuji JV200 slots primarily as an easy carry-around daily shooter.
Price vs. Performance: Where Does Value Lie?
The Canon PowerShot S95 entered the market at roughly $495, targeting enthusiasts and prosumers wanting a pocketable toolbox with manual control and superior optics.
The Fuji JV200 launched around $49 - a massive price difference reflecting their design intentions. It’s a basic, beginner-friendly compact for capturing memories with little fuss or learning curve.
If budget is your primary constraint, the JV200 presents a low-risk option to step into digital photography. But if you crave image quality, flexibility, and manual control, the Canon S95’s additional cost promises meaningful returns.
Who Should Buy Which Camera?
Buy the Canon PowerShot S95 if:
- You want a compact camera with strong manual control and RAW support.
- Image quality and low-light performance matter to you.
- You shoot portraits, street, travel, or landscape photography seriously.
- You value ergonomics and faster autofocus.
- You prefer an investment in a more capable tool for creative exploration.
Consider the Fuji FinePix JV200 if:
- Your budget is extremely tight or you want an inexpensive backup camera.
- You need a light, compact camera for casual snapshots.
- Manual focus and exposure control are not critical.
- Battery flexibility (using AA batteries) is a priority.
- You want a straightforward point-and-shoot with minimal settings.
Wrapping Up: The Verdict from Experience
After clocking hours comparing these cameras across multiple shooting scenarios, I’m convinced the Canon PowerShot S95 has aged well as a highly competent compact. Its blend of sensor size, sharp, bright lens, precise controls, and solid build makes it a versatile tool that meets many photography enthusiasts’ needs without the bulk of DSLRs or mirrorless models.
The Fuji FinePix JV200, while appealing due to its ultra-low price and portability, falls short on crucial fronts like image quality, manual control, and responsiveness. It fits the niche of an ultra-budget point-and-shooter but won’t satisfy those serious about photography as a craft.
Having tested both extensively, I recommend aligning your choice with your shooting style and budget. If image quality and control are priorities - invest in the Canon S95. If you just need a no-frills compact to grab quick pics, the Fuji JV200 does the job.
In this ever-evolving technology landscape, both cameras are now legacy models, but the lessons learned from their design and performance continue to inform how we value alternatives between budget convenience and creative possibility.
Thanks for reading this detailed comparison - as always, feel free to reach out with questions or to share your own hands-on experiences with these or similar compacts.
Happy shooting!
Article Images Summary
- Comfort and grip differences set the tone.
- Manual control advantage of the Canon.
- Critical sensor size and quality impact.
- Viewing clarity for framing and reviewing.- - Real-world output comparison.
- - Objective quality rankings.
- - Which camera shines in which discipline.
Author’s note: This review is grounded in hands-on experience with both cameras and detailed image quality measurements, reflecting over 15 years of photo equipment testing.
Canon S95 vs FujiFilm JV200 Specifications
| Canon PowerShot S95 | FujiFilm FinePix JV200 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model | Canon PowerShot S95 | FujiFilm FinePix JV200 |
| Also Known as | - | FinePix JV205 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Announced | 2010-11-23 | 2011-01-05 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 4 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor dimensions | 7.44 x 5.58mm | 6.17 x 4.55mm |
| Sensor surface area | 41.5mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 3648 x 2736 | 4288 x 3216 |
| Max native ISO | 3200 | 1600 |
| Max boosted ISO | - | 3200 |
| Min native ISO | 80 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-105mm (3.8x) | 36-108mm (3.0x) |
| Highest aperture | f/2.0-4.9 | f/3.1-5.6 |
| Macro focus distance | 5cm | - |
| Focal length multiplier | 4.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 2.7 inch |
| Display resolution | 461k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 15 seconds | 8 seconds |
| Maximum shutter speed | 1/1600 seconds | 1/1400 seconds |
| Continuous shooting rate | 1.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 6.50 m | 3.50 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/500 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps) 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video file format | H.264 | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 195 grams (0.43 lb) | 125 grams (0.28 lb) |
| Dimensions | 100 x 58 x 30mm (3.9" x 2.3" x 1.2") | 94 x 56 x 21mm (3.7" x 2.2" x 0.8") |
| DXO scores | ||
| DXO All around score | 47 | not tested |
| DXO Color Depth score | 20.4 | not tested |
| DXO Dynamic range score | 11.3 | not tested |
| DXO Low light score | 153 | not tested |
| Other | ||
| Battery life | - | 180 shots |
| Battery type | - | AA |
| Battery model | NB-6L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus card | SD / SDHC |
| Card slots | - | 1 |
| Retail cost | $495 | $49 |