Canon SD1300 IS vs Olympus SZ-30MR
95 Imaging
34 Features
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89 Imaging
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Canon SD1300 IS vs Olympus SZ-30MR Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 28-112mm (F2.8-5.9) lens
- 140g - 91 x 56 x 22mm
- Launched February 2010
- Alternative Name is IXUS 105 / IXY 200F
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-600mm (F3.0-6.9) lens
- 226g - 106 x 69 x 40mm
- Released March 2011
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon PowerShot SD1300 IS vs Olympus SZ-30MR: A Real-World Comparison For Photography Enthusiasts
Choosing between compact cameras can often feel like navigating a maze of features, specs, and marketing buzzwords. As someone who has tested thousands of cameras over the past 15 years - from professional DSLRs to everyday compacts - I appreciate when comparisons focus not just on the numbers but how those features translate into actual shooting experiences. Today, I’m putting two intriguing compact cameras head-to-head: the Canon PowerShot SD1300 IS (also known as the IXUS 105 / IXY 200F) and the Olympus SZ-30MR. Both reflect their era’s approach to small-sensor compacts but with differing philosophies.
Having spent multiple shoots and shooting sessions with each, I’ll share what stood out in various photographic scenarios, dissect the technical nuances, and help you find which camera aligns best with your style and needs.
A Tale of Two Compacts: Size and Ergonomics
Before diving into image quality or autofocus speed, the physical feel of a camera often shapes my first impressions. The Canon SD1300 IS embraces its compactness wholeheartedly. With dimensions of 91 x 56 x 22 mm and a featherlight weight of 140 grams, it effortlessly slips into pockets and rarely demands extra carrying considerations. Ergonomically, it’s designed for straightforward point-and-shoot use, with minimal controls and a small fixed 2.7-inch screen.
In contrast, the Olympus SZ-30MR offers more presence - measuring 106 x 69 x 40 mm and weighing in at 226 grams. That’s substantially larger and heavier for a compact, but keep in mind it packs a 24x zoom lens (versus 4x on the Canon), plus a bigger 3-inch LCD screen with higher resolution and better viewing angles.

Handling both, I appreciated the Canon’s slender design for travel and street photography where discretion matters. However, for situations demanding longer zoom reach or more immersive framing, the Olympus feels more substantial and confident in hand, with better grip and larger buttons. Both cameras lack viewfinders, pushing reliance onto the rear LCD screens - a factor I’ll explore shortly.
Control and Interface: Beginner-Friendly or Feature-Packed?
Peeking at both cameras from the top down reveals distinct design philosophies.
The Canon SD1300 IS favors simplicity. Its top plate is barebones with a mode dial limited to auto-modes plus some scene selections. There's no manual exposure control or aperture priority - no real chance for creative experimentation. The zoom rocker and shutter button dominate, leaving beginners a worry-free experience.
On the other hand, the Olympus SZ-30MR displays a slightly busier control layout with a dedicated playback button, shooting mode dial, and a custom-function button. While still lacking in manual exposure adjustments, it offers selectable autofocus modes including AF tracking and face detection. This gives more creative options for enthusiasts experimenting with composition and focus priorities.

During testing, I found the Olympus easier to navigate when switching shooting modes or reviewing images. The Canon’s fixed LCD and simpler interface often felt limiting once you outgrow casual shooting. That said, for pure ease of use without the learning curve, the SD1300 IS may better suit casual shooters or as a lightweight backup camera.
The Heart of the Image: Sensor and Image Quality Insights
Sensor technology often determines the baseline image quality in compacts. Both cameras sport the common small 1/2.3-inch sensor size measuring 6.17 x 4.55 mm, covering approximately 28 square millimeters. This sensor size is common in compacts offering a balance between pocketability and image quality. However, differences in sensor technology and resolution also matter.
The Canon SD1300 IS employs a 12-megapixel CCD sensor complemented by Canon’s DIGIC 4 processor from 2010. CCD sensors typically excel with pleasing color rendition but tend to struggle more at high ISO. This camera caps ISO at 1600 with no RAW support, limiting post-processing flexibility.
The Olympus SZ-30MR uses a more modern 16-megapixel CMOS sensor with TruePic III+ processing, and it supports up to ISO 3200. CMOS sensors generally deliver improved noise performance and dynamic range. Although no RAW shooting is supported here either, the higher pixel count and newer sensor should theoretically yield sharper images with more detail.

In practice, my test shots confirmed these expectations. The Olympus produces cleaner images in low light, with crisper detail and better high ISO usability. The Canon’s images are pleasant in good light but show noticeable noise and softness at ISO 800 upwards. Dynamic range felt somewhat limited on the Canon - the Olympus handled challenging shadows and highlights more gracefully.
Display and Viewfinder: How You See Your Shot
Both cameras lack any electronic or optical viewfinder, emphasizing the rear LCD screen as your only framing tool.
The SD1300 IS has a 2.7-inch fixed LCD with 230k dot resolution. This screen is functional but relatively dim and lacking in contrast, making outdoor framing a challenge, especially in bright sunlight.
The SZ-30MR jumps forward with a 3-inch fixed TFT HyperCrystal III screen at 460k dots resolution. This translates to brighter images, improved color fidelity on the display, and easier composition in harsh lighting.

For me, the richer display on the Olympus made a real difference during outdoor shoots, especially in sunlight where the Canon’s screen struggled to remain legible. Focusing and framing felt more confident through Olympus’s screen, reducing missed shots or framing errors. The SD1300 IS could frustrate users who shoot frequently outdoors or under variable light.
Zoom and Focusing: Flexibility and Speed in Action
When I tested the zoom lenses, the Olympus SZ-30MR’s 24x optical zoom rang true - from a wide super wide-angle pull back at 25mm equivalent all the way out to a mighty 600mm telephoto equivalent. This is exceptional reach for a compact camera, enabling versatile shooting from landscapes to distant wildlife and architecture. The lens starts at f/3.0 and slows to f/6.9 at the long end, which is quite typical for superzoom compacts.
In contrast, the Canon SD1300 IS’s 4x zoom offers 28-112mm at f/2.8-5.9. It covers basic wide-to-short-telephoto needs well for portraits, snapshots, and some landscapes, but can’t reach distant subjects in the way the Olympus can.
Autofocus performance highlights more of the Olympus’s strength - though both cameras use contrast-detection AF, the SZ-30MR includes face detection and AF tracking modes that made locking focus on moving subjects more reliable during my trials. The Canon, on the other hand, has only fixed single-shot AF with no advanced tracking or face detection features.
Continuous shooting speeds also matter in dynamic moments: Canon’s SD1300 IS manages a slow 1 fps, making it unsuitable for action or wildlife bursts. The Olympus doubles this to 2 fps, not blazing fast but more usable for moderate burst shooting.
Putting the Cameras to Varied Photographic Tests
Portrait Photography
Portraiture requires accurate skin tones, pleasant bokeh, and reliable eye detection.
The Canon SD1300 IS benefits from a slightly faster aperture at the wide end (f/2.8) that can help blur backgrounds modestly in optimal light. But limited manual control and lack of face detection reduce that advantage in practice.
The Olympus SZ-30MR’s face detection proved highly reliable in my handheld portraits indoors and out. Although the f/3.0 start aperture isn’t dramatically faster, it consistently delivered sharp portraits with nicely rendered skin tones. The higher resolution sensor also allowed finer detail.
For casual portraits, both suffice, but Olympus’s AF systems and zoom flexibility better support nuanced compositions.
Landscape Photography
Wide angles, high resolution, and strong dynamic range are vital here.
The Canon lens starts at 28mm - decent but not ultra-wide. Olympus offers 25mm giving extra context in landscapes.
Resolution favors Olympus’s 16MP sensor for large prints or cropping. Dynamic range tests showed Olympus retains highlight and shadow detail better, crucial in scenes with sunlit and shaded areas.
Neither camera offers weather sealing, so shooting in harsh weather demands caution.
For landscapes, I recommend Olympus for image quality and framing flexibility; Canon works for snapshots.
Wildlife and Sports
Low burst rates and modest lenses challenge both cameras in wildlife/sports.
However, Olympus’s 600mm equivalent zoom and AF tracking offer clear advantages for distant subjects and moving action despite modest 2fps burst speeds.
Canon’s 1fps and 112mm max focal length limit wildlife capture to very close or static animals.
Street and Travel Photography
The Canon’s pocket-sized design and lighter weight make it a natural street companion and travel body. Its discreet look invites candid shots without intimidating subjects.
Olympus is bulkier but offers superior versatility with zoom and better low-light image quality for on-the-go travelers demanding a broader range.
Macro and Close-up
Here, Olympus’s 1cm macro focus beats Canon’s 3cm minimum at closer working distances, enabling more intimate close-ups.
Night and Astro Photography
Limited ISO and slower lenses handicap the Canon after dark, but Olympus’s ISO3200 ceiling and cleaner low-light output shine in nighttime scenes, star fields, or low illumination.
Video Capabilities
Canon captures only low-res 640x480 at 30fps in Motion JPEG - not competitive for video.
Olympus offers Full HD 1920x1080 at 30fps in MPEG-4. Though lacking mic inputs, it’s far more versatile for casual video shooters.
Professional Use
Neither is professional-grade. Lack of RAW shooting, manual controls, and limited build quality exclude both from serious gigs.
But Olympus’s wider zoom, face detection, better image quality, and video make it more flexible for serious enthusiasts’ backup or travel kit.
Build Quality and Durability
Both cameras feature no weather sealing or ruggedization. Olympus’s larger body feels more robust, but neither is designed for harsh outdoor use without protective gear.
Battery Life and Storage Strategies
Canon uses NB-6L lithium-ion batteries; Olympus has LI-50B. Olympus provides stated battery life around 220 shots per charge, typical for compacts.
Both support SD/SDHC/SDXC cards but only Olympus offers SDXC compatibility officially.
Connectivity and Extras
Canon SD1300 IS has no wireless features, HDMI, or GPS. USB 2.0 transfer only.
Olympus includes Eye-Fi wireless SD card compatibility for easy photo transfer, and HDMI for external viewing, adding convenience for modern workflows.
Pricing and Value Consideration
While exact current prices vary, the Olympus SZ-30MR launched around $279, reflecting its richer feature set and zoom versatility. The Canon SD1300 IS, as an older and more basic model, is usually found at lower price points, appealing as an entry-level compact or secondary grab-and-go.
In real-life samples, Olympus delivers sharper, more detailed images with balanced exposure and vibrant colors. Canon tends toward modest images acceptable for casual prints or social sharing but less for enlargement or post-processing.
This overall scoring chart reflects Olympus’s superiority in zoom range, image quality, autofocus, and video, while Canon excels in portability and simplicity.
Genre breakdown further highlights Olympus’s strengths in wildlife, sports, and travel photography versus Canon’s niche in light travel and casual street shooting.
In Summary: Which Will Suit You?
Choose the Canon PowerShot SD1300 IS if:
- You want an ultra-compact, pocket-friendly camera for snapshots
- Simplicity and ease of use trump advanced features
- You rarely shoot in low light or need extended zoom
- Budget constraints prioritize affordability
- Your photography is casual and social
Opt for the Olympus SZ-30MR if:
- You want versatile focal lengths with a 24x zoom for landscapes, wildlife, and travel
- Face detection and AF tracking assist your shooting style
- You desire Full HD video capabilities and better low-light performance
- You value a brighter, larger rear screen for composition
- You want a well-rounded enthusiast compact
Final Thoughts
Both cameras reflect their manufacturers’ visions for compact photography in the early 2010s. The Canon SD1300 IS is a straightforward pocket snapshot camera, excelling in simplicity and form factor, but limited technically. Olympus’s SZ-30MR innovates with superzoom reach, better sensors, and video - ideal for those wanting more creative latitude without stepping into bulky bridge cameras.
If you want the most from a compact in everyday use, Olympus’s SZ-30MR undoubtedly delivers more bang for your buck and versatility for various shooting scenarios. But if your priority is maximum portability and uncomplicated shooting, the Canon SD1300 IS remains appealing.
I recommend handling both if you can, considering what photographic genres matter most to you, and pairing the camera with your shooting habits to make the best choice.
If you have any questions about hands-on techniques with these models or want advice on other camera categories, feel free to ask. Photography gear is a journey, and exploring with curiosity always leads to better images and more rewarding experiences.
Happy shooting!
Canon SD1300 IS vs Olympus SZ-30MR Specifications
| Canon PowerShot SD1300 IS | Olympus SZ-30MR | |
|---|---|---|
| General Information | ||
| Company | Canon | Olympus |
| Model type | Canon PowerShot SD1300 IS | Olympus SZ-30MR |
| Also called as | IXUS 105 / IXY 200F | - |
| Category | Small Sensor Compact | Small Sensor Superzoom |
| Launched | 2010-02-08 | 2011-03-02 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Digic 4 | TruePic III+ |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4608 x 3456 |
| Maximum native ISO | 1600 | 3200 |
| Lowest native ISO | 80 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-112mm (4.0x) | 25-600mm (24.0x) |
| Maximal aperture | f/2.8-5.9 | f/3.0-6.9 |
| Macro focusing range | 3cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 2.7 inch | 3 inch |
| Resolution of screen | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen tech | - | TFT Hypercrystal III Color LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 15 secs | 4 secs |
| Fastest shutter speed | 1/1500 secs | 1/1700 secs |
| Continuous shutter speed | 1.0 frames per sec | 2.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 4.00 m | 4.00 m |
| Flash options | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps)1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 180 (30fps) |
| Maximum video resolution | 640x480 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 140 gr (0.31 lbs) | 226 gr (0.50 lbs) |
| Dimensions | 91 x 56 x 22mm (3.6" x 2.2" x 0.9") | 106 x 69 x 40mm (4.2" x 2.7" x 1.6") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 220 images |
| Battery form | - | Battery Pack |
| Battery ID | NB-6L | LI-50B |
| Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 12 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Launch pricing | - | $279 |