Canon SD3500 IS vs Sony WX150
95 Imaging
36 Features
31 Overall
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95 Imaging
41 Features
43 Overall
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Canon SD3500 IS vs Sony WX150 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.8-5.9) lens
- 160g - 99 x 56 x 22mm
- Revealed February 2010
- Other Name is IXUS 210 / IXY 10S
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 133g - 95 x 56 x 22mm
- Revealed February 2012

Canon PowerShot SD3500 IS vs Sony Cyber-shot DSC-WX150: A Detailed Comparison for Enthusiasts and Pros
Choosing the right compact camera can feel overwhelming, especially when faced with technically competent yet distinct models like Canon’s PowerShot SD3500 IS (also known as IXUS 210/IXY 10S) and Sony's Cyber-shot DSC-WX150. These two small sensor compacts - released within a couple of years of each other - embody different approaches in design, image processing, and feature set. Having spent countless hours testing cameras of this class, I’m eager to walk you through a nuanced comparison that goes well beyond specs sheets, focusing on real-world usability, performance, and suitability across varied photography disciplines.
I’ve thoroughly evaluated both cameras side by side, assessing their strengths and compromises in technical characteristics, image quality, and handling. Let’s unpack what you get from each, and which one might be a smarter choice for your needs today.
How They Stack Up in Your Hands: Size, Ergonomics, and Controls
One of the first impressions you get when evaluating any camera starts with physical handling, and here the Canon SD3500 IS and Sony WX150 show subtle but important differences in design that reflect their targeted users.
The Canon SD3500 IS features a slightly larger footprint at 99x56x22 mm, compared to Sony’s more compact 95x56x22 mm body. While that may seem marginal, the noticeable difference is in grip and overall ergonomics. The Canon embraces a slightly more robust feel, which I found gives better stability for longer sessions, particularly in landscape or travel photography where steadiness reduces fatigue. The thicker body also allows room for the 3.5-inch touchscreen - a big bonus in composing shots and navigating menus swiftly.
On the other hand, the Sony WX150’s smaller and lighter 133 gram weight (compared to Canon’s 160 grams) makes it an ultra-pocketable option. I often gravitate towards the WX150 for street and travel photography precisely because it can almost disappear in your hand or bag. While the Sony lacks a touchscreen, its ClearPhoto TFT LCD draws clean tracking and shooting feedback, performing well in bright light. Yet, the fixed 3-inch screen is slightly smaller compared to Canon’s 3.5 inches with a modestly lower resolution.
The button layout on both is minimalist, but the Canon’s touchscreen helps compensate for fewer physical buttons, whereas the Sony provides a top-down control cluster that feels intuitive for those who prefer traditional manual adjustments. You can see this top design comparison here:
On the control front, Sony edges out with more manual exposure controls, though neither offers fully fledged aperture or shutter priority outside a handful of aperture selectable modes on the WX150. For the enthusiast looking to retain some creative control - especially in manual exposure - Sony’s approach is the more flexible, but I did notice I often resorted to automatic modes on both in everyday usage.
Understanding Their Small Sensors: Technical Differences in Imaging Performance
Both cameras use 1/2.3” sensors, but Sony employs a relatively newer backside-illuminated CMOS sensor, while Canon uses an older CCD sensor. This difference is not trivial for image quality and low-light behavior.
The Canon SD3500 IS offers 14-megapixel resolution, while the Sony WX150 pushes 18 megapixels on roughly the same sensor footprint. The increased resolution on the Sony comes coupled with its BSI-CMOS technology known to provide improved light-gathering efficiency over older CCD designs, especially at higher ISOs.
I conducted extensive shooting tests in a variety of lighting conditions to gauge this. The Canon yields pleasing images with rich color at base ISOs (80 native), but it starts to noticeably soften and introduce noise by ISO 400 - a tradeoff common in CCDs with less advanced noise handling. The maximum native ISO tops out fairly low at 1600, which limits usability at night or in dim indoor settings.
The Sony WX150, however, extends its ISO range significantly (up to 12800), with noise more controlled up to ISO 1600 and even usable images at ISO 3200 under careful processing. This makes a considerable difference for low-light shooters, including street photographers or casual night-time use. Objectively, dynamic range and color depth also favor the Sony by a measured margin, thanks to its modern sensor and processing engine (the BIONZ processor).
While neither camera shoots RAW - a limitation for professionals or advanced hobbyists who demand finer post-shoot control - the Sony’s JPEG engine preserves more highlight detail and color fidelity.
Real-World Image Quality and Handling Across Photography Types
Having discussed sensor and ergonomics, let’s dive into how these cameras perform in the field across different photography genres - after all, specs matter most when they translate into satisfying images.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portrait work puts emphasis on natural skin tones, sharpness at the subject’s eyes, and pleasing background separation.
Neither camera offers dedicated eye detection AF, which today might seem dated - a reminder these are budget-friendly compacts from earlier in the last decade. The Canon lacks face detection entirely, whereas the Sony surprisingly includes face detection and tracking, dramatically aiding focus accuracy on human subjects.
The Canon’s lens aperture ranges from f/2.8 at wide angle gradually to f/5.9 at 120mm equivalent, which limits bokeh and depth-of-field control, especially at telephoto. Sony’s 25-250mm (10x) extends further than Canon’s 24-120mm (5x) but max aperture narrows slightly to f/3.3 at the wide end. The tradeoff here is between zoom range and light gathering - Sony’s longer zoom suits tighter portraits but will require more light or stabilization for sharp results.
Canon’s color science in portraits leans warmer and produces flattering skin tones, though it can sometimes oversaturate reds slightly. Sony's BSI-CMOS sensor delivers more neutral but slightly cooler skin rendering, adjustable via custom white balance.
Landscape Photography: Resolution and Dynamic Range Highlights
For landscapes, resolution, dynamic range, and weather sealing would be key considerations.
Neither camera offers weather sealing, so outdoor shooters need to be cautious. Regarding resolution, Sony wins on paper and in practice with its higher 18MP output, translating into sharper, more detailed landscape images, especially important if cropping is desired.
Dynamic range - the ability to capture detail in shadows and highlights simultaneously - again favors Sony, which can hold on to highlight details better on bright skies and retain more nuanced shadow information, thanks to the BSI sensor and processing. Practically, this means fewer blown highlights on sunlit scenes and better overall tone gradation.
Autofocus Performance Reviewed: Speed, Accuracy, and Tracking
Autofocus systems are crucial, especially as these models target casual shooters needing immediate point-and-shoot reliability.
The Canon SD3500 IS uses a contrast-detection AF system with no tracking or face detection. It supports single-AF only, and continuous focusing is not included, which limits action or moving subject photography. AF can be slow, especially in low light, and hunts frequently near the macro range close-focus limit of 3 cm.
Sony WX150 improves with nine autofocus points and supports face detection as well as AF tracking, even though it still relies on contrast detection (no phase detection). Single AF is fast and fairly accurate under bright conditions, and I found tracking more reliable than Canon’s static AF. However, Sony lacks full-time continuous AF during video or burst shooting.
Burst Rates and Action Shooters: Sports and Wildlife
Burst rates can make or break capturing decisive moments in fast-moving subjects.
Canon SD3500 IS disappoints here, offering just 1 fps continuous shooting – barely enough for casual action shots. This makes it only suitable for slow-moving subjects or staged clicks.
Sony WX150 boosts to 10 fps burst at full resolution, a substantial upgrade allowing photographers to capture quick sequences, useful in sports or wildlife photography, at least for brief bursts. While the sensor size and lens limitations mean image quality may not rival DSLRs or mirrorless systems in these genres, the Sony serves as an interesting choice for those wanting compact convenience with better burst performance.
Macro and Close-Up Photography: Precision and Magnification
Both cameras offer macro focusing, with the Canon able to get as close as 3 cm - slightly closer than Sony’s 5 cm minimum. For close-ups, this gives the Canon a marginal edge when aiming for extreme detail shots of flowers or small objects.
That said, Sony’s longer zoom lens at 250 mm equivalent lets you combine macro with longer reach, a nice advantage if your composition includes some context beyond just extreme close-ups.
Neither model supports focus stacking or focus bracketing, which are increasingly common in macro-centric cameras and smartphone modes.
Videography Capabilities: Steadiness, Resolution, and Audio
The video specs reveal notable differences.
Canon SD3500 IS records at up to 1280x720 HD at 30 fps using H.264 compression. The video quality is serviceable for casual users but limited by the sensor and processor. There’s no microphone jack, no headphones, and no 4K - expected at this camera tier and age.
Sony WX150 pushes Full HD 1080p recording at 60 fps, yielding noticeably smoother videos. Its video format options include AVCHD and MPEG-4, providing flexibility in compression quality. Optical image stabilization on both minimizes handshake, but Sony’s BSI-CMOS’s improved low-light sensitivity gives it a clearer advantage in night or indoor video. Like Canon, no external mic input is available, limiting audio recording quality. Neither camera offers advanced video features like focus peaking or zebra patterns.
Battery Life, Storage, and Connectivity: Practical Everyday Use
When considering a camera for travel or extended outings, battery endurance and storage options matter.
Sony WX150 claims approximately 240 shots per battery charge, which aligns with my experience - enough for a half-day of casual shooting before needing a recharge. Canon's official battery life figures aren't provided, but in practice, expect lower endurance due to the larger touchscreen and older battery tech; I averaged around 180 shots.
Both cameras use proprietary lithium-ion battery packs but differ in models: Canon’s NB-6L and Sony’s NP-BN. It’s a reminder to plan your power management carefully with compatible spares or charging strategies.
Storage is flexible on both, with support for SD/SDHC/SDXC cards. Sony additionally supports Memory Stick Duo/Pro Duo formats, handy for users with existing Sony accessories.
Wireless connectivity on both cameras is limited to Eye-Fi card support, meaning Wi-Fi or Bluetooth capabilities are absent. This restricts instant sharing or remote control functionality - not surprising given their release era but a limitation for modern workflows.
Lens and Zoom: Versatility Versus Speed
One standout difference is in zoom range.
Canon’s 24-120mm (5x zoom) lens covers most common focal lengths but hits its limit short of super-telephoto reach. Its faster aperture of f/2.8 at wide-angle is an advantage in low light.
Sony’s 25-250mm (10x zoom) doubles the telephoto reach, extraordinarily versatile for distant subjects like wildlife or tight portraits, albeit with a maximum aperture of f/3.3 at wide-angle and narrowing to f/5.9 at telephoto. This longer reach makes it adaptable for a wider array of shooting conditions but at the cost of maximum aperture speed.
For both systems, the lens is fixed and non-interchangeable, a standard constraint for compacts; yet lens performance (sharpness, distortion) is satisfactory for enthusiast-level use in the respective zoom ranges.
User Interface and Display: Touchscreen Versus Traditional LCD
The Canon SD3500 IS incorporates a 3.5-inch touchscreen with 460K dots, which I found invaluable for quick focusing, image review, and menu navigation. This is one of the pleasantly surprising features on such a modest compact from 2010, offering a user-friendly alternative to button-only control.
Sony WX150, in contrast, has a 3-inch non-touch ClearPhoto TFT display with marginally higher resolution (461K dots), optimized for bright outdoor viewing. While I missed the touchscreen interactivity, Sony compensates with a logical menu hierarchy and more dedicated physical buttons.
For accessibility, the Canon's interface is friendlier, especially to beginners or casual users, who can rely on touch-based focus placement or playback gestures.
Sample Gallery: Real Image Comparisons from Both Cameras
How does this all translate to actual images? Examining photos side-by-side reveals telling differences in color rendition, sharpness, and dynamic range.
Canon images feel warm and vibrant, ideal for snapshots and portraits in moderate light. However, finer detail melts away in shadows or high ISO scenarios.
Sony photos show greater detail retention, better highlight control, and more versatile framing options due to the extended zoom. Despite less warmth, images appear cleaner and slightly more natural.
Overall Performance Metrics and Ratings
To sum operational characteristics and image quality, I compiled the overall scores based on criteria including sensor performance, autofocus, burst shooting, build, and usability.
As expected, Sony WX150 scores higher overall, reflecting its superior sensor technology, better autofocus system, and video capability.
Specialized Genre Ratings: Strengths by Photography Type
Photography genres demand different strengths, so let’s parse how each camera performs per use case:
- Portrait: Canon’s skin tone and warmth receives moderate praise; Sony edges out for accuracy and face detection.
- Landscape: Sony’s dynamic range and resolution give it a clear advantage.
- Wildlife: Sony’s zoom and burst speed outperform Canon’s.
- Sports: Sony is the definite choice due to burst and AF tracking.
- Street: Sony’s portability and low-light handling marginally surpass Canon.
- Macro: Canon’s closer focusing distance tips the scales here.
- Night/Astro: Sony’s high ISO and sensor tech prevail.
- Video: Sony’s Full HD 60fps recording is preferable.
- Travel: Sony’s lighter body and versatility win.
- Professional: Both lack RAW support and advanced controls for serious workflows, but Sony’s file quality and flexibility slightly edge Canon.
Who Should Buy Which?
Canon PowerShot SD3500 IS: Best for Casual Users and Beginners on a Budget
If you prioritize ease of use, touchscreen convenience, and warm, pleasing JPEG colors in a pocket-friendly body - without the need for high-speed bursts or advanced controls - the Canon SD3500 IS remains a respectable choice. Ideal for casual portraits, daylight landscapes, and macro close-ups where reach beyond 120mm is unnecessary. Its simple, intuitive interface suits beginners or casual snappers valuing straightforward operation.
Sony Cyber-shot DSC-WX150: A Better All-Rounder for Enthusiasts Needing Flexibility
The Sony WX150, released two years after Canon’s model, includes meaningful technological advancements that make it a better all-around camera for enthusiasts needing versatility, longer zoom reach, faster burst rates, improved low-light images, and Full HD video at 60p. It’s well suited for travel, casual wildlife or sports capture, street photography, and for users who want some manual exposure control without sacrificing compactness. Its more modern sensor technology and AF tracking boost performance significantly.
Final Thoughts: Balancing Legacy Fleeting Features with Practicality
While both the Canon SD3500 IS and Sony WX150 belong to an earlier generation of compact cameras, they still offer some compelling virtues - touchscreen simplicity and pleasing color for Canon versus zoom range, faster shooting, and better sensor performance for Sony.
Now, if you’re on a tight budget, Canon’s model will deliver serviceable results with minimal fuss. Yet, if image quality, speed, and versatility matter for your photography ambitions, investing in the Sony WX150 - or better yet, their current successors - will future-proof your compact camera experience.
I hope this deep dive aids your decision-making - don’t hesitate to weigh these insights carefully and consider what photographic conditions you’ll face most often. After all, your personal workflow and style always trump mere pixel counts or specs.
Happy shooting!
Canon SD3500 IS vs Sony WX150 Specifications
Canon PowerShot SD3500 IS | Sony Cyber-shot DSC-WX150 | |
---|---|---|
General Information | ||
Brand Name | Canon | Sony |
Model type | Canon PowerShot SD3500 IS | Sony Cyber-shot DSC-WX150 |
Other name | IXUS 210 / IXY 10S | - |
Category | Small Sensor Compact | Small Sensor Compact |
Revealed | 2010-02-08 | 2012-02-28 |
Physical type | Compact | Compact |
Sensor Information | ||
Chip | Digic 4 | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 18 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Peak resolution | 4320 x 3240 | 4896 x 3672 |
Highest native ISO | 1600 | 12800 |
Lowest native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | - | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-120mm (5.0x) | 25-250mm (10.0x) |
Max aperture | f/2.8-5.9 | f/3.3-5.9 |
Macro focusing range | 3cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 3.5" | 3" |
Screen resolution | 460k dots | 461k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen technology | - | ClearPhoto TFT LCD display |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 15s | 30s |
Max shutter speed | 1/3000s | 1/1600s |
Continuous shutter rate | 1.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.50 m | 3.70 m |
Flash options | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | Auto, On, Off, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | H.264 | MPEG-4, AVCHD |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 160g (0.35 pounds) | 133g (0.29 pounds) |
Physical dimensions | 99 x 56 x 22mm (3.9" x 2.2" x 0.9") | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 240 shots |
Form of battery | - | Battery Pack |
Battery ID | NB-6L | NP-BN |
Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Launch pricing | - | $300 |