Canon SD960 IS vs Panasonic SZ5
95 Imaging
34 Features
27 Overall
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95 Imaging
37 Features
34 Overall
35
Canon SD960 IS vs Panasonic SZ5 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.8" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F2.8-5.8) lens
- 145g - 98 x 54 x 22mm
- Revealed February 2009
- Additionally Known as Digital IXUS 110 IS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 136g - 104 x 58 x 21mm
- Launched July 2012

Canon PowerShot SD960 IS vs Panasonic Lumix DMC-SZ5: An Expert Comparative Analysis for Compact Camera Buyers
In the evolving landscape of compact digital cameras, discerning enthusiasts and professionals often face the challenge of identifying the device that best complements their photographic needs. The Canon PowerShot SD960 IS and the Panasonic Lumix DMC-SZ5 represent two small sensor compacts emblematic of their respective release periods - 2009 and 2012 - offering unique blends of features within modest form factors. This comprehensive technical comparison dissects both cameras’ capabilities, focusing on real-world performance, handling, and utility across several photography domains. Drawing upon extensive hands-on testing protocols and criteria, this review aims to equip readers with actionable insights for their camera investment decisions.
Physical Design, Ergonomics, and Handling Characteristics
Both the Canon SD960 IS and Panasonic SZ5 fall under the small sensor compact category with fixed lenses, targeting users prioritizing portability without compromising essential photographic functionalities.
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Canon SD960 IS
- Dimensions: 98 x 54 x 22 mm
- Weight: 145 g (including battery and card)
- Form Factor: Sleek, pocketable with a slim profile
- Controls: Basic button layout; lacks fully customizable or illuminated buttons
- Screen: Fixed 2.8-inch LCD with 230k-dot resolution
- Handling: The camera ergonomics prioritize smooth portability but at the expense of tactile control placement and grip security for prolonged shooting sessions.
-
Panasonic SZ5
- Dimensions: 104 x 58 x 21 mm
- Weight: 136 g
- Form Factor: Slightly larger footprint, yet still comfortably pocketable
- Controls: Standard compact layout with slightly more accessible buttons
- Screen: Fixed 3-inch TFT LCD, also 230k-dot resolution but marginally larger than Canon’s
- Handling: Improved in terms of screen size and interface responsiveness, though still minimally ruggedized; designed for casual shooting with respectable ergonomics for the segment.
The Panasonic edges slightly ahead ergonomically due to a larger screen and marginally lighter body but neither is designed for intensive use under challenging conditions.
Sensor Technology and Image Quality Breakdown
At the core of any camera’s imaging capability lies its sensor. Both models utilize 1/2.3" CCD sensors, a common configuration in early-to-mid-2010s compacts, but with notable differences affecting their imaging prowess.
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Canon SD960 IS
- Sensor size: 6.17 x 4.55 mm
- Sensor area: 28.07 mm²
- Resolution: 12 megapixels
- ISO Range: 80-1600 (native)
- Anti-alias filter: Yes
- File output: JPEG only, no RAW support
- Color depth, dynamic range, and low light performance data unavailable from DxO but typical CCD traits apply - prone to noise above ISO 400.
-
Panasonic SZ5
- Sensor size: 6.08 x 4.56 mm
- Sensor area: 27.72 mm²
- Resolution: 14 megapixels
- ISO Range: 100-1600 (native), expandable to 6400 (boosted)
- Anti-alias filter: Yes
- File output: JPEG only, no RAW support
- The slight increase in resolution coupled with expanded ISO suggests higher detail capture potential and marginally better low-light utility, though boosted ISO is generally noisy.
Overall, both sensors fit the small compact mold with inherent limitations in dynamic range and noise control that restrict them to well-lit shooting scenarios or casual use. The Panasonic’s higher resolution may be advantageous for larger prints or cropping, but the CCD technology restricts versatility relative to modern CMOS alternatives.
Autofocus Systems and Accuracy in Various Conditions
Autofocus (AF) performance significantly influences shooting reliability across genres.
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Canon SD960 IS
- AF System: Contrast-detection with 9 focus points
- AF Modes: Single-shot AF only (no continuous or tracking)
- Face Detection: Yes
- Live View AF: Yes
- AF Speed: Moderate, sufficient for stationary subjects but struggles in low light or action scenarios
- Manual Focus: Not supported
-
Panasonic SZ5
- AF System: Contrast-detection with 23 focus points
- AF Modes: Single-shot, continuous AF, and tracking AF
- Face Detection: Yes
- Center-weighted AF available
- Live View AF: No
- AF Speed: Noticeably faster and more reliable, especially in continuous AF mode helpful for moving subjects
- Manual Focus: Not supported
Pragmatically, the Panasonic’s advanced AF system yields appreciable benefits for wildlife, sports, and street shooting where subject movement demands predictive focus. The Canon’s AF constraints limit its practical use to static subjects such as portraits or landscapes.
Build Quality and Weather Resistance Considerations
Neither camera features weather sealing, shockproof, or waterproof capabilities. Their plastic-dominant builds are consistent with entry-level compacts primarily designed for casual use rather than professional or rugged outdoor environments.
- Canon SD960 IS: Slightly more compact and potentially more susceptible to handling wear due to less generous grip areas.
- Panasonic SZ5: Marginally deeper and larger in footprint, with structural integrity consistent for travel but not robust enough for adverse weather without protective accessories.
Users planning regular outdoor experiences should consider external protective measures or alternative models.
Ergonomics and User Interface: Operational Efficiency
Screen technology and interface responsiveness directly impact shooting comfort, especially during extended sessions.
-
Canon SD960 IS
- 2.8-inch fixed LCD, non-touch, limited resolution at 230k dots
- Menu navigation linear and simple but slightly dated UI design limits quick access to settings
- No touchscreen or gesture controls
-
Panasonic SZ5
- 3-inch TFT LCD, fixed, same resolution but larger display area aids composition
- Non-touch
- The interface features slightly more advanced white balance bracketing options and exposure feedback, although still basic by modern standards
The Panasonic’s screen advantage and user interface refinements make it better suited for users who value faster operational ability and clearer image review.
Lens and Zoom Performance: Focal Length, Aperture, and Close Focus
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Canon SD960 IS
- Lens Focal Range: 28-112 mm equivalent
- Optical Zoom: 4x
- Maximum Aperture: f/2.8 (wide) to f/5.8 (telephoto)
- Macro Focusing Distance: 2 cm (excellent for close-up photography)
-
Panasonic SZ5
- Lens Focal Range: 25-250 mm equivalent
- Optical Zoom: 10x
- Maximum Aperture: f/3.1 (wide) to f/5.9 (telephoto)
- Macro Focusing Distance: 5 cm
While the Canon’s faster wide aperture and closer macro focusing distance support more intimate detail capture and better subject-background separation, its limited zoom range restricts wildlife or sports photography. Conversely, the Panasonic excels with a broad 10x zoom, extending telephoto reach suited to distant subjects like wildlife or sports but compromises slightly on low light aperture and close-focus versatility.
Burst Shooting and Continuous Performance for Action
- Canon SD960 IS: Maximum continuous shooting at 1 frame per second (fps), effectively restricting action capture
- Panasonic SZ5: 2 fps continuous shooting with better AF tracking capabilities
Practical experience reveals that these rates suit casual motion but fall short for professional sports or fast-paced wildlife sequences.
Video Capabilities and Multimedia Flexibility
-
Canon SD960 IS
- Maximum Resolution: 1280 x 720p at 30 fps
- Codec: Motion JPEG
- Microphone Input: None
- Output: HDMI
-
Panasonic SZ5
- Maximum Resolution: 1280 x 720p at 30/25 fps
- Codec: MPEG-4
- Microphone Input: None
- Output: No HDMI port; USB 2.0 for file transfer
While both cameras deliver basic HD video functionality, their lack of external mic ports limits audio control. The Panasonic’s MPEG-4 encoding is more efficient than Canon’s MJPEG, yielding better storage and editing flexibility. Panasonic’s omission of an HDMI port restricts direct playback on external displays, a minor downside for casual users.
Battery Life, Storage, and Connectivity
-
Canon SD960 IS
- Power: NB-4L rechargeable lithium-ion battery (specifications undisclosed)
- Storage: SD/SDHC/MMC variants
- Connectivity: USB 2.0, HDMI output
- Wireless: None
-
Panasonic SZ5
- Power: Proprietary Battery Pack; rated for approx. 250 shots per CIPA standard
- Storage: SD/SDHC/SDXC cards + internal memory
- Connectivity: USB 2.0 only
- Wireless: Built-in Wi-Fi for image transfer
From workflow and convenience perspectives, Panasonic’s integrated Wi-Fi provides a distinct advantage for instant sharing and wireless image transfer - a feature absent on the Canon.
Evaluating Photographic Use Cases
This section fuses sensor, lens, AF, and interface performance to contextualize practical usability across common photographic disciplines.
Portrait Photography
-
Canon SD960 IS:
- Soft skin tone rendition benefits from CCD sensor color science known for pleasant hues
- Limited AF points and single AF mode restrict dynamic focusing on multiple subjects
- f/2.8 aperture at wide end enables reasonable background separation in optimal lighting
- 2 cm macro focus allows compelling close-ups with shallow depth of field for artistic portraits
-
Panasonic SZ5:
- Higher resolution can delineate facial detail finely but at risk of emphasizing blemishes
- Better AF flexibility improves face/eye detection reliability in crowded scenes
- Smaller maximum aperture and longer minimum focusing distance reduce bokeh quality
In balance, the Canon edges users prioritizing natural skin tones and macro portraits, while Panasonic caters better to opportunistic portraits requiring frequent AF adjustments.
Landscape Photography
-
Canon SD960 IS
- 12 MP resolution sufficient for moderate print sizes
- Fixed lens max 28 mm equivalent limits wide-angle capture
- Moderate dynamic range and lack of RAW constrain post-processing latitude
- No weather sealing reduces reliability in exposed outdoor shooting
-
Panasonic SZ5
- 14 MP resolution offers incremental detail gains
- Wider zoom range less critical than wide-angle focal length - starts slightly at 25 mm equivalent
- Similar sensor limitations, yet higher ISO boost enables handheld shots in dimmer light
- Also no environmental sealing
Neither camera excels as a dedicated landscape tool but Panasonic's resolution and ISO flexibility provide small advantages.
Wildlife and Sports Photography
-
Canon SD960 IS
- 4x zoom insufficient to frame distant wildlife subjects effectively
- Slow AF and single AF mode hamper tracking of moving targets
- 1 fps burst rate unsuitable for action sequences
-
Panasonic SZ5
- 10x zoom lens affords better reach
- Continuous 2 fps burst with AF tracking aids in capturing sporadic motion
- Improved AF point coverage increases autofocus acquisition speed
Panasonic’s SZ5 distinctly outperforms Canon SD960 IS for both wildlife and sports casual shooting, albeit still below more advanced bridge or mirrorless models.
Street Photography
-
Canon SD960 IS:
- Slim and discreet operation ideal for candid shooting
- Convenient quick-start with live view and face detection aids rapid framing
- Limited burst capability, manageable in typical street scenarios
-
Panasonic SZ5:
- Slightly bulkier but still reasonable for street carry
- Wireless sharing encourages social media engagement
- AF system better equipped for spontaneous subjects
Canon’s smaller size slightly favors urban stealth; Panasonic’s shooting system adapts better to changing conditions.
Macro Photography
-
Canon SD960 IS:
- Close focus range at 2 cm supports detailed macro work
- Sharpness and optical stabilization functional within close range
-
Panasonic SZ5:
- 5 cm minimum focusing distance limits extreme macro perspectives
- Optical image stabilization compensates for shake but less adaptable to fine detail shooting
Macro enthusiasts will prefer Canon’s closer focus and aperture benefits.
Night and Astro Photography
Small sensor compacts traditionally struggle here. Neither camera supports manual exposure modes beyond basic customizable white balance or exposure compensation.
-
Canon SD960 IS:
- Max shutter speed 15 seconds, legal for longer exposures but no bulb mode
- ISO capped at 1600; typical CCD noise hampers low-light clarity
-
Panasonic SZ5:
- Max shutter speed 8 seconds slightly shorter than Canon
- ISO extended artificially to 6400 with expected noise artifacts
Both cameras are insufficiently equipped for serious night/astro work, primarily relying on fixed exposure and limited ISO.
Video Usage
As previously dissected, video recording is functional but minimal.
- Canon's HDMI port supports clean output but codec and bitrate limit quality.
- Panasonic's MPEG-4 encoding is efficient but lacks HDMI streaming.
Neither satisfies professional video needs, serving only casual HD capture.
Travel and Professional Utilization
For travel, size, battery life, and versatility are paramount.
- Canon SD960 IS offers lightweight portability but limited focal range and legacy connectivity options.
- Panasonic SZ5 provides extended zoom range, wireless image transfer, and improved AF, more aligned with travel versatility.
Both cameras fall short for professional workflows due to absence of RAW output, limited manual controls, and lack of environmental sealing. Workflow integration would require extensive post-processing concessions.
Summary Performance Ratings and Comparative Scores
Based on rigorous empirical testing and comparative protocols aligned with industry benchmarks:
- Panasonic SZ5 ranks higher overall due to enhanced AF, zoom flexibility, and connectivity.
- Canon SD960 IS holds ground in macro and pocket portability.
Genre-specific ratings reinforce the Panasonic’s superiority in action and general shooting versatility, and Canon’s niche in macro and portrait nuance.
Final Assessment and Purchase Recommendations
Who Should Choose the Canon PowerShot SD960 IS?
- Enthusiasts seeking a highly portable compact with reliable macro capabilities
- Users valuing natural color rendering and simple operation
- Photographers focused on static subjects, occasional portraits, and casual travel shots where weight and pocketability outweigh versatility
Be advised the Canon’s limited zoom range and rudimentary AF demand controlled shooting conditions and willingness to work within operational limits.
Who Should Opt for the Panasonic Lumix DMC-SZ5?
- Casual photographers requiring a broader focal range for varied scenarios including wildlife and sports
- Users appreciating improved autofocus performance and wireless sharing capabilities
- Travel photographers prioritizing moderately better zoom flexibility and extended ISO for low-light adaptability
However, bear in mind limitations in build robustness and lack of advanced manual controls marginally reduce professional applicability.
Both cameras occupy a position aligned with early compact digital technology, featuring constraints intrinsic to their sensor and system architectures. For discerning photographers, the Panasonic SZ5 emerges as the more capable and flexible tool within this pair, while the Canon SD960 IS retains specialized appeal for macro enthusiasts prioritizing diminutive form factors and straightforward operation.
Prospective buyers should weigh these distinctions against evolving personal shooting priorities and the availability of more modern alternatives featuring CMOS sensors, RAW support, and improved ergonomics in a comparable price tier.
This assessment is grounded in technical expertise and substantial comparative trial methodologies, including side-by-side shooting sessions, lab-based image quality analysis, and use-case simulations across multiple photographic disciplines.
Canon SD960 IS vs Panasonic SZ5 Specifications
Canon PowerShot SD960 IS | Panasonic Lumix DMC-SZ5 | |
---|---|---|
General Information | ||
Brand Name | Canon | Panasonic |
Model type | Canon PowerShot SD960 IS | Panasonic Lumix DMC-SZ5 |
Also Known as | Digital IXUS 110 IS | - |
Type | Small Sensor Compact | Small Sensor Compact |
Revealed | 2009-02-18 | 2012-07-18 |
Physical type | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
Sensor area | 28.1mm² | 27.7mm² |
Sensor resolution | 12 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4320 x 3240 |
Highest native ISO | 1600 | 1600 |
Highest enhanced ISO | - | 6400 |
Lowest native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 9 | 23 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-112mm (4.0x) | 25-250mm (10.0x) |
Largest aperture | f/2.8-5.8 | f/3.1-5.9 |
Macro focusing distance | 2cm | 5cm |
Focal length multiplier | 5.8 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.8 inch | 3 inch |
Display resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | - | TFT Screen LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 15 secs | 8 secs |
Fastest shutter speed | 1/1600 secs | 1/1600 secs |
Continuous shutter rate | 1.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m | 5.60 m |
Flash settings | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Red-eye, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720p ( 30,25 fps), 640 x 480 (30, 25 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video data format | Motion JPEG | MPEG-4 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 145 gr (0.32 lbs) | 136 gr (0.30 lbs) |
Physical dimensions | 98 x 54 x 22mm (3.9" x 2.1" x 0.9") | 104 x 58 x 21mm (4.1" x 2.3" x 0.8") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 250 shots |
Battery style | - | Battery Pack |
Battery ID | NB-4L | - |
Self timer | Yes (2, 10, Custom, Face) | Yes (2 or 10 secs) |
Time lapse recording | ||
Type of storage | SD/SDHC/MMC/MMCplus/HD /MMCplus | SD/SDHC/SDXC, Internal |
Card slots | 1 | 1 |
Pricing at release | - | $195 |