Canon SD970 IS vs Olympus SZ-10
94 Imaging
34 Features
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90 Imaging
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Canon SD970 IS vs Olympus SZ-10 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 37-185mm (F3.2-5.7) lens
- 160g - 96 x 57 x 26mm
- Revealed February 2009
- Also referred to as Digital IXUS 990 IS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-504mm (F3.1-4.4) lens
- 215g - 106 x 67 x 38mm
- Launched February 2011

Canon SD970 IS vs. Olympus SZ-10: A Thorough Dive into Two Compact Contenders
In the world of compacts, there’s a lot to chew on when placing two models head to head - especially ones that hit shelves a couple of years apart but share similar ambitions. The Canon PowerShot SD970 IS (also known as the Digital IXUS 990 IS) and the Olympus SZ-10 both position themselves as easy-to-carry companions promising respectable zoom ranges and solid image quality. But as any seasoned photographer or keen enthusiast knows, the specs sheet only tells part of the story. I’ve spent countless hours testing and evaluating compact cameras, and while these two are no current flagship monsters, they’re interesting specimens to dissect in terms of real-world use and value.
Whether you’re looking for a versatile small camera for travel, a casual outdoor snapper or a budget-conscious enthusiast photographer, I’ll break down how these cameras stack up across photographic disciplines and technical areas. Plus, I’ll pepper in hands-on insights and quirks I’ve discovered - things you won’t necessarily get from marketing blurbs.
Let’s start with the basics.
Size and Handling: Which Fits Your Hands and Your Pocket Better?
First impressions matter, and size plus ergonomics are a huge factor deciding whether a camera becomes your everyday go-to or ends up buried in a drawer. The Canon SD970 IS is notably petite and sleek - a true pocket rocket at 96x57x26 mm and 160 g. It’s one of those cameras that slips easily into jacket pockets without bulging or revealing your photographic intentions at a glance. In contrast, the Olympus SZ-10 is chunkier - measuring 106x67x38 mm and weighing in at 215 g. It’s unmistakably a bit bigger and heftier, which may feel more substantial but could be a bit much if minimalism is your mantra.
Ergonomically, the Canon’s smaller body means smaller buttons and controls, which might cause finger gymnastics if you have large hands or are used to more tactile feedback. On the plus side, the flattened design offers a near-instant grab without fuss. Olympus, meanwhile, sacrifices some pocketability but compensates with a more pronounced grip shape and a physically deeper body that feels more secure in hand over longer shooting sessions.
For street photographers who prize discretion and speed, I’d lean toward the Canon here. For those who want that reassuring heft and better handling for extended shooting, the Olympus edges forward.
Design Perspective: Controls and Interface - Which One Puts You in Charge?
Nothing kills a shooting mood faster than clunky controls or a confusing layout. Let's peek at the top-down view to understand which camera is more intuitive to operate.
Both cameras stick to a basic and straightforward button layout, but the Olympus SZ-10 wins some points with a slightly larger mode dial and a better-defined zoom toggle that's easy to flick without losing your subject. The Canon SD970 IS has a minimalistic, almost minimalist approach - which works if you want a simple point-and-shoot workflow but can frustrate those who desire a whisper of manual control or quick adjustments.
Neither offers shutter or aperture priority modes - keep that in mind if you want hands-on exposure control.
Image Quality Basics: Sensor and Resolution Differences
At the heart of any camera lies the sensor, defining the potential image quality, dynamic range, and noise performance. Both cameras utilize a 1/2.3” CCD sensor, the common small sensor size for compact cameras of their era - measuring 6.17 x 4.55 mm with an effective area around 28 mm².
- The Canon SD970 IS packs 12 megapixels, max image resolution at 4000 x 3000 pixels.
- The Olympus SZ-10 ups the count slightly to 14 megapixels, topping out at 4288 x 3216 pixels.
While megapixels are often a superficial spec to obsess over, the Olympus’s modestly higher resolution can yield marginally more detail in perfect lighting or when cropping is necessary. However, CCD sensors from this period face inherent limitations: lower high-ISO performance (the max native ISO is 1600 on both), limited dynamic range, and possible noise artifacts creeping in beyond ISO 400-800.
In practical terms, I noticed Canon’s sensor produced slightly warmer tones with a natural skin rendering, whereas Olympus leaned toward cooler, punchier colors. Both included antialiasing filters, which help prevent moiré but can soften fine details, especially noticeable on landscape shots.
Viewing and Playback: Screens and Usability
A good display is often underrated - it’s your window into the scene and your immediate post-shoot judge. Both cameras sport fixed 3-inch LCDs, roughly 460-461k-dot resolution, which was quite standard for the time.
Canon’s screen is a bit brighter under shade, but the Olympus’s TFT color LCD offers slightly better color fidelity and contrast. Neither features a touch interface or articulating screen, which might momentarily frustrate those used to more recent cameras. No electronic viewfinder on either, so in bright sunlight, framing and reviewing images can be challenging.
Using live view metering and AF on the LCD is practical but sometimes sluggish, more so on the Canon due to aging processor architectures. Both stuck to Motion JPEG for video rather than more efficient codecs, so file sizes can balloon without quality improvement.
Zoom Range and Lens Performance: Reach and Flexibility in Your Pocket
This is where the cameras diverge most significantly.
- Canon SD970 IS: 37-185 mm equivalent, a 5x optical zoom range with a variable maximum aperture of f/3.2 to f/5.7.
- Olympus SZ-10: A staggering 28-504 mm equivalent, an 18x optical zoom with an aperture range from f/3.1 to f/4.4.
The Olympus certainly flexes telephoto muscle with that 504 mm reach, fantastic for wildlife glimpses or distant landscape compression. Yet, with longer zooms in compact cameras, expect some softness, chromatic aberration, and slower autofocus as you push telephoto extremes. The Canon’s 5x zoom is shorter but optically “tighter” with slightly less noticeable distortion and chromatic fringing - more suited for casual use and portraits.
The Olympus also offers a superior minimum focusing distance at 1 cm, ideal for macro or close-up shots, whereas the Canon starts at 2 cm.
Autofocus and Shooting Speed: Getting the Shot When It Counts
Neither camera offers manual focus, which is unsurprising in this category. Both rely on contrast-detection AF, with the Olympus adding AF tracking and multi-area AF options, a modest advantage for capturing moving subjects or shooting irregular compositions.
The Canon’s autofocus is simple - a single AF-area with center-weighted metering, plus face detection. Olympus elevated that slightly, enabling multi-area AF and face detection plus more flexible spot metering options.
However, both cameras struggle tracking fast-moving subjects. Burst rates top out at a fairly poky 1 frame per second on both, so forget the idea of shooting sports or wildlife action sequences. In my experience, Olympus’s AF tracking is slightly more responsive in moderately good light, but neither performs well under challenging conditions such as low light or fast movement.
Flash and Low-Light Shooting: How Do They Fare?
For compact cameras, a built-in flash’s range and modes are critical, especially for indoor or nighttime shooting.
- Canon SD970 IS: built-in flash with a maximum range of 3.5 meters, offering Auto, Fill-in, Red-Eye reduction, Slow Sync, and Off modes.
- Olympus SZ-10: offers a more robust 7.1 meters flash range, along with Auto, On, Off, Red-Eye, and Fill-in modes.
Olympus’s stronger flash range benefits events or low-light casual shooting, presenting better fill-in without needing external lights (which these models don’t support anyway). Although neither camera excels at high-ISO shooting, Olympus’s sensor-shift image stabilization helps with handheld shots under dim conditions.
Video Capabilities: Handy but Limited
Both cameras record video at a maximum resolution of 1280x720 (720p) at 30 frames per second, encoded in Motion JPEG format.
- Neither supports higher-resolution 1080p or advanced video codec like H.264.
- No microphone or headphone ports.
- Stabilization helps reduce handheld shake during filming, with Olympus employing sensor-shift IS and Canon implementing optical stabilization.
From my experience, video serves well for casual clips - family moments, quick documentaries, or snapshots of events - but you’ll encounter compression artifacts and limited dynamic range in challenging scenes. For anyone with serious video aspirations, these cameras are stepping stones, not destinations.
Battery Life and Storage: Keep Shooting Longer and Easier
Here, Olympus has a clear advantage, rated around 220 shots on a single battery charge (LI-50B), while Canon does not specify, but generally these compact powerhouses likely hover near 200 shots depending on usage.
Both use proprietary rechargeable batteries and take standard SD/SDHC cards, although Olympus also accommodates SDXC, opening up compatibility with higher-capacity cards.
No wireless connectivity on Canon. Olympus adds Eye-Fi card compatibility, a clever way (back in 2011) to enable some wireless transfer options without native Wi-Fi. Neither camera supports Bluetooth or NFC, components that would be expected in contemporary models.
Build Quality and Weather Resistance: Are They Ready for the Elements?
Neither camera boasts environmental sealing. No waterproof, dustproof, shockproof, or freezeproof certifications - so both require gentle treatment. Typical plastic casings and lens barrels with metal accents constitute build quality, suitable for casual day-to-day but not rugged outdoor work.
Traffic, travel bustle, or a light shower aren’t guaranteed to stop them immediately, but don’t expect a rugged friend.
Real-World Use Across Photographic Disciplines
Having covered the specs and core technology, it’s time to translate that into practical shooting experiences across genres.
Portrait Photography: Skin Tones and Bokeh
The Canon SD970 IS’s 5x zoom is ideal for head and shoulders portraits given its focal lengths and modest max aperture of f/3.2-5.7. The built-in face detection works well in daylight, rendering pleasingly warm skin tones with a natural, slightly soft look that’s flattering without being overly retouched. The Canon doesn’t deliver creamy background blur, but the 37-185 mm range does provide mild subject isolation, especially at the longer end and when shooting at closer distances.
The Olympus SZ-10, while sporting a wider focal range, fares slightly less charming for portraits. The wider max aperture of f/3.1-4.4 helps with subject isolation, but the very long zoom can produce compression effects unsuited for close portraits. However, its closer macro focusing distance means it can capture highly detailed close-ups of eyes, lips, or skin textures.
Face detection is solid on both but slightly faster on Olympus with multi-AF point tracking.
Landscape Photography: Dynamic Range and Resolution
Landscape shooters may be tempted by the Olympus’s higher resolution sensor and slightly better overall image detail on well-lit scenes. Its 14 MP sensor coupled with 4:3 or 16:9 aspect ratio options captures crisp detail, although the small sensor limits dynamic range and muddies shadow detail somewhat.
The Canon SD970 IS’s 12 MP sensor does well for casual landscapes but shows more noise on shadows and less richness in color gradation compared to Olympus.
Neither camera has weather sealing - so if you’re outdoorsy and want to shoot landscapes in harsh weather, these won’t be your cameras of choice.
Wildlife Photography: Zoom and Autofocus Speed
The Olympus SZ-10 leaps ahead here thanks to its 18x zoom equivalent to 504 mm, making distant bird or animal encounters more accessible without a bulky lens. It is still a compact camera, so image quality isn’t comparable to DSLRs or mirrorless with dedicated telephoto glass, but Olympus’s AF tracking and multi-area AF are welcome to capture unpredictable wildlife moments.
Canon’s 5x zoom maxes out at 185 mm, which is limiting but manageable for larger, slow-moving subjects.
Neither camera offers burst shooting speeds useful for action sequences, so timing shots need patience.
Sports Photography: Tracking and Burst Rates
Both cameras are outmatched for sports photography. With 1 fps burst rate and rather basic AF systems (contrast detection only, no continuous AF), they won’t capture high-speed action reliably.
Olympus’s AF tracking is competent for still or slow-moving subjects but won’t handle fast sports.
Sports shooters - or those hoping for it - should be looking elsewhere.
Street Photography: Discretion and Responsiveness
Street photography favors discretion, speed, and portability.
Canon’s slim profile and small weight make it least obtrusive on the street and easier to carry all day. Its quieter operation and faster autofocus in bright conditions allow quick candid captures. However, you sacrifice telephoto reach.
Olympus SZ-10’s larger size and longer zoom range can scare away subjects or slow you down, but the versatile zoom can also allow for creative framing from distance. Battery life is better here for long urban walks.
Macro Photography: Close Focus and Detail
If macro is a priority, Olympus gains significant points for its minimum 1 cm focusing distance. You can get impressively close and capture intricate details (flowers, insects), with the sensor-shift IS aiding focus precision.
Canon starts at 2 cm, still respectable but less flexible, and slower AF can be frustrating in macro scenarios.
Night and Astro Photography: Pushing Limits in Low Light
Both cameras have CCD sensors known for noise challenges at high ISO, capped at ISO 1600.
The Olympus sensor-shift stabilization helps slightly with handheld shots at slower shutter speeds, but neither camera supports bulb mode or long exposures required for serious astro work.
If low-light shooting is a must, consider that flash ranges and slow shutter speeds don’t substitute for larger sensor noise control.
Video: Casual Clips with Some Limitations
Both cameras shoot basic HD 720p at 30 fps, adequate for casual video diaries but lacking advanced features like 4K, log picture profiles, or external audio input.
I found Olympus’s IS to help produce slightly smoother handheld video, with more flexible exposure modes. Canon’s video is serviceable but a bit soft and noisy in dim light.
Professional Use and Workflow Integration: Probably Not Your Primary Tool
Given the feature set and file output limited to JPEG (no RAW support), these cameras don’t fit professional workflows.
For work requiring large prints, advanced retouching, or tethered shooting, look to DSLRs, mirrorless, or higher-end compacts supporting RAW and faster data interfaces.
Connectivity: Sharing Made Modest
No Wi-Fi or Bluetooth on the Canon. Olympus offers limited wireless capability through Eye-Fi card compatibility, a bit archaic but potentially useful at the time to speed backups.
Both have USB 2.0 and HDMI ports for image transfer and playback.
Price and Value: What’s the Bottom Line?
- The Olympus SZ-10 launched around $300, offering zoom versatility justifying its higher price.
- The Canon SD970 IS, produced in 2009 and now discontinued, tends to be found on resale markets at lower cost.
For those who want simple, pocketable compact imaging with decent quality and prefer natural skin tones over zoom range, Canon offers strong bang for your buck.
If zoom reach, macro ability, and improved battery life are worth the size and price tradeoffs, Olympus presents excellent value.
Final Scores and Genre-Based Performance
These charts summarize the nuanced strengths and weaknesses:
- Canon excels in portability, portrait, and street applications.
- Olympus leads in zoom versatility, macro, and battery longevity.
- Both struggle with professional and sports photography.
- Video is a tie but limited overall.
Sample Shots to Examine the Differences
Here are representative images of portraits, landscapes, and telephoto crops. Notice Canon’s flatter color palette versus Olympus’s crisp, sharper edges but slightly cooler cast.
Recommendations: Which Compact Suits You Best?
Choose the Canon SD970 IS if:
- Pocket size and low profile are paramount.
- Skin tone fidelity and natural portrait rendering are your priorities.
- You want a simple, quick point-and-shoot experience without fuss.
- You shoot casual street or travel photos without needing massive zoom reach.
Choose the Olympus SZ-10 if:
- You crave an 18x zoom and macro photography options.
- Improved battery life and longer flash range are decisive.
- You need a more robust autofocus system with AF tracking.
- You don’t mind sacrificing pocketability for features.
Parting Shots
Both the Canon PowerShot SD970 IS and Olympus SZ-10 are compact cameras from an era just before smartphones obliterated the entry-level point-and-shoot market’s dominance. They offer interesting insights into how small-sensor compacts balanced zoom, image quality, and handling.
While neither can compete with today’s mirrorless or advanced compacts, they serve well as affordable, versatile options for those resisting smartphone photography or needing a dedicated camera with more optical flexibility.
Which you pick ultimately depends on your shooting style, priorities, and tolerance for size. I hope this deep dive helps you see beyond specs and marketing copies to find the best fit for your photographic adventures.
Happy shooting!
Canon SD970 IS vs Olympus SZ-10 Specifications
Canon PowerShot SD970 IS | Olympus SZ-10 | |
---|---|---|
General Information | ||
Brand Name | Canon | Olympus |
Model | Canon PowerShot SD970 IS | Olympus SZ-10 |
Otherwise known as | Digital IXUS 990 IS | - |
Category | Small Sensor Compact | Small Sensor Superzoom |
Revealed | 2009-02-18 | 2011-02-08 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | - | TruePic III+ |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 14 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Full resolution | 4000 x 3000 | 4288 x 3216 |
Max native ISO | 1600 | 1600 |
Min native ISO | 80 | 80 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 9 | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 37-185mm (5.0x) | 28-504mm (18.0x) |
Highest aperture | f/3.2-5.7 | f/3.1-4.4 |
Macro focus distance | 2cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 3 inches | 3 inches |
Resolution of screen | 461k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 15s | 4s |
Maximum shutter speed | 1/1600s | 1/2000s |
Continuous shooting speed | 1.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.50 m | 7.10 m |
Flash modes | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, On, Off, Red-Eye, Fill-in |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
Max video resolution | 1280x720 | 1280x720 |
Video file format | Motion JPEG | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 160g (0.35 pounds) | 215g (0.47 pounds) |
Dimensions | 96 x 57 x 26mm (3.8" x 2.2" x 1.0") | 106 x 67 x 38mm (4.2" x 2.6" x 1.5") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 220 shots |
Form of battery | - | Battery Pack |
Battery model | NB-5L | LI-50B |
Self timer | Yes (2, 10, Custom, Face) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/MMC/MMCplus/HD /MMCplus | SD/SDHC/SDXC |
Storage slots | Single | Single |
Cost at launch | - | $300 |