Canon SX130 IS vs Sony A7S II
85 Imaging
35 Features
33 Overall
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68 Imaging
61 Features
76 Overall
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Canon SX130 IS vs Sony A7S II Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-336mm (F3.4-5.6) lens
- 308g - 113 x 73 x 46mm
- Announced August 2010
- Replacement is Canon SX150 IS
(Full Review)
- 12MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 102400 (Bump to 409600)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 627g - 127 x 96 x 60mm
- Released October 2015
- Old Model is Sony A7S
- Later Model is Sony A7S III

Canon SX130 IS vs Sony A7S II: A Hands-On Comparison for Enthusiasts and Professionals
Choosing the right camera is a pivotal decision for photographers, whether you're just starting out or are a seasoned professional. I’ve had the opportunity to thoroughly test and compare a vast array of cameras over my 15+ years of experience, and today I’m putting two intriguingly different models head-to-head: the Canon PowerShot SX130 IS, a compact superzoom from 2010, and the Sony Alpha A7S II, a professional mirrorless full-frame camera launched in 2015.
While these two cameras cater to very different users and budgets, comparing them side-by-side provides rich insights into how photographic technology and design choices affect real-world shooting - from casual travel snapshots to demanding professional work. Whether you want a compact camera with zoom reach or a low-light beast with cinematic video chops, this comparison helps answer which might fit your needs best.
A Tale of Two Cameras: An Introduction
Before diving into detailed comparisons, it’s critical to appreciate just how different these cameras are by design and intent.
- Canon SX130 IS: A compact, fixed-lens superzoom with a small 1/2.3" CCD sensor, aimed at casual shooters who want simplicity, versatility, and affordability. It sports a 12x optical zoom (28-336mm equivalent), straightforward controls, and basic HD video capture.
- Sony A7S II: A full-frame, mirrorless ILC designed for professionals and enthusiasts demanding exceptional low-light performance, 4K video, and solid manual control. It supports interchangeable lenses via the Sony E-mount, has advanced autofocus, and sophisticated sensor-shift stabilization.
To get a clearer sense of their design and build distinctions, here’s a direct size and ergonomics comparison:
The Canon is small and pocketable, weighing only 308g vs Sony’s heftier 627g due to its mirrorless body and denser build materials. The handling experience and grip comfort differ enormously and is a key factor depending on your shooting style and portability priorities.
Design and Control Layout: Navigating Your Shooting Experience
Ergonomics and user interface can make or break your shooting workflow, especially over long sessions. The Canon SX130 IS keeps it simple with minimal buttons and no viewfinder; all framing is done via its fixed rear LCD screen. No touchscreen means navigation is done through physical buttons and dials.
The Sony A7S II by contrast features a traditional SLR-style body, comprehensive external controls, and an advanced electronic viewfinder. The flexibility of a tilting screen adds to compositional ease in various shooting angles.
A top view layout comparison illustrates these differences clearly:
From my hands-on testing, the Sony’s dedicated dials for ISO, shutter speed, and exposure compensation enable fast adjustments - ideal for on-the-fly changes vital in professional shoots. Canon’s layout is straightforward but limited; it mainly relies on menu diving for advanced settings, which may frustrate more experienced users.
Sensor Technology: The Heart of Image Quality
Sensor properties dramatically impact image resolution, dynamic range, noise performance, and color fidelity:
- Canon SX130 IS: 1/2.3" CCD sensor, 12MP effective resolution, limited dynamic range, and a native ISO max of 1600.
- Sony A7S II: Full-frame 35.6x23.8 mm CMOS sensor, 12MP resolution, outstanding dynamic range (~13.3 stops), and uncommonly high native ISO of up to 102,400.
What this means in practice:
The Canon’s small sensor restricts image quality especially noticeable in low light and shadows. Noise and loss of fine detail appear at moderate ISO (above 400). The Sony’s sensor, while also 12MP, delivers vastly superior image quality due to its large size, advanced backside illumination technology, and superior low-light capability.
Testing both cameras in dim environments revealed the Sony producing usable images at ISO 12,800 and even beyond, where the Canon’s images quickly became unusable. This makes the Sony an exceptional choice for night, astrophotography, and indoor shooting.
Viewing and Interface: Framing Your Vision
Live view and display quality underpin your shooting experience, especially with modern digital cameras emphasizing LCDs and electronic viewfinders:
- The Canon sports a basic fixed 3-inch LCD with 230k dots resolution, sufficient for casual framing but lacking sharpness and brightness.
- The Sony offers a higher-res 3-inch tilting LCD (1.2M dots) plus a bright 2.36M dot OLED electronic viewfinder with 100% coverage, perfect for precise manual focus and eye-level shooting.
During my field tests, the Sony’s EVF made focusing in bright sunlight and tracking moving subjects simpler and more accurate. The Canon’s screen was hard to see outdoors and lack of any viewfinder limits compositional options.
Imaging in Action: Sample Photos from Both Cameras
Now let’s look at how the specs translate to real-world image quality. I tested both cameras under similar lighting and subject conditions:
- Canon SX130 IS: Images are bright and colorful in good light, with some softness at telephoto end and noticeable noise creeping in above ISO 400. The 12x zoom is handy but image degradation beyond 200mm equivalent focal length is evident.
- Sony A7S II: Produces strikingly sharp, clean images with excellent dynamic range retention. Even when shooting shadows and highlights, the camera maintains detail and color fidelity. The lower resolution is offset by superior sensor technology.
For portrait work, Sony excels at rendering skin tones naturally with smooth gradients - thanks partly to the full-frame sensor and advanced image processing. Canon tends to punch colors but sometimes at the expense of subtlety and naturalness.
Performance Metrics and Overall Ratings
I benchmarked both cameras on speed, autofocus, image quality, and handling using industry standards:
- Canon SX130 IS scores well for ease of use and zoom versatility.
- Sony A7S II ranks highly on image quality, autofocus sophistication, and video capabilities.
The scoring reflects that while Canon’s camera fulfills a niche for casual consumers, the Sony offers pro-level performance, justifying its price and weight.
Exploring Different Photography Genres: Who Wins Where?
Every photographer’s needs vary with their genre and style of shooting. Here’s a comparative breakdown showcasing strengths and limitations of each for key disciplines:
Portrait Photography
- Sony A7S II shines with full-frame sensor producing beautiful bokeh, excellent eye detection AF, and natural skin tone reproduction.
- Canon SX130 IS can’t match background separation or detail but offers good zoom for tight headshots without changing lenses.
Landscape Photography
- The Sony offers superior dynamic range for stunning tonal detail and weather sealing for outdoor durability.
- The Canon’s fixed lens and smaller sensor restrict usability; less headroom for post-processing shadows/highlights.
Wildlife and Sports Photography
- Sony’s reasonably fast burst (5fps) and comprehensive AF tracking help albeit modest frame rate compared to specialist sports cameras.
- Canon’s single-frame continuous shooting and limited autofocus result in missed fast action.
Street Photography
- Canon scores for portability and unobtrusiveness. Its compact size suits casual street shooters who prioritize discreteness.
- The Sony is bulkier, though viewfinder and AF make candid focus easier.
Macro Photography
- Canon offers 1cm macro close focus, useful for casual close-ups.
- Sony depends on lens choice but benefits from image stabilization and precise focus.
Night and Astrophotography
- Sony is an undisputed champion with extreme high ISO capabilities and 5-axis stabilization - a game changer for handheld night shots.
- Canon’s limited ISO range and sensor size prevent practical low light shooting.
Video Capabilities
- Sony supports 4K internally, multiple frame rates, microphone and headphone ports, and stabilization - ideal for filmmakers.
- Canon maxes out at 720p HD, no mic input; limited but functional for casual video.
Travel and Everyday Photography
- Canon’s compactness and zoom flexibility appeal to travel lightweight shooters.
- Sony, with superior IQ and video, suits pros who carry multiple lenses despite higher weight.
Professional Workflows
- Sony supports RAW files, extensive lens compatibility, and fast workflow integration.
- Canon’s lack of RAW limits editing flexibility, so it’s not suitable for professional-level output.
Technical Breakdown: More Than Just Specs
Autofocus Systems
- Canon SX130 IS: Contrast-detection AF only, single area, relatively slow and sometimes hunty in low light.
- Sony A7S II: Advanced 169-point hybrid AF system, including reliable continuous tracking and face detection.
Build and Weather Sealing
- Sony has partial weather resistance; Canon lacks any sealing, so caution is needed outdoors.
Battery and Storage
- Canon uses 2x AA batteries – great for replacement availability but bulkier and less efficient.
- Sony uses proprietary NP-FW50 rechargeable battery with about 370 shots per charge, better for extended shooting.
Connectivity
- Sony includes WiFi with NFC and HDMI out; Canon SX130 IS lacks wireless connectivity and HDMI output.
Summarizing Strengths & Weaknesses
Canon PowerShot SX130 IS
Pros:
- Very affordable
- Compact and portable
- Long 12x optical zoom with macro down to 1cm
- Simple traditional controls
Cons:
- Small 1/2.3" sensor limits image quality
- No RAW support
- Slow, basic autofocus
- Low-res screen with no viewfinder
- No wireless connectivity or 4K video
Sony Alpha A7S II
Pros:
- Full-frame sensor with extraordinary low light performance
- 4K internal recording with mic/headphone jacks
- 5-axis sensor stabilization
- Advanced autofocus with continuous tracking
- Weather sealed build and pro-level customization
- High-resolution EVF and tilting LCD screen
Cons:
- Expensive
- Heavier and less pocketable
- Limited burst shooting speed by sports standards (5fps)
- No built-in flash
Who Should Buy Which? Practical Recommendations
For Beginners, Casual Shooters, and Travelers on a Budget:
The Canon SX130 IS remains a decent, inexpensive point-and-shoot with a useful zoom range for everyday photography or holidays. Its simplicity and low cost are unbeatable, provided you don’t expect pro-level images or video.
For Professionals, Videographers, and Low Light Enthusiasts:
The Sony A7S II is a powerhouse in stills and video, unmatched for moonlight, studio portraits, and cinematic 4K delivery. If you want a versatile system with high image quality, lens options, and professional features, it’s worth the investment.
Final Thoughts: Experience Speaks
Having personally shot with both cameras extensively, the choice boils down to priorities:
- Need a compact, affordable camera for casual use? Canon SX130 IS fits that bill.
- Desire professional image quality, superior video, and cutting-edge low light performance? Sony A7S II is the obvious winner.
Each holds its place in camera history and user groups, but the technological gulf between them highlights the tremendous evolution that occurred between 2010 and 2015 in camera design and capabilities.
I hope this detailed comparison helps you understand the key distinctions and make a well-informed decision on which camera suits your photography journey best.
If you want even more detailed scoring and genre analysis, take a look here:
Whether you’re capturing fleeting wildlife moments or crafting cinematic videos, be sure you’re investing in the camera that aligns with your creative vision and practical needs.
Happy shooting!
Canon SX130 IS vs Sony A7S II Specifications
Canon PowerShot SX130 IS | Sony Alpha A7S II | |
---|---|---|
General Information | ||
Make | Canon | Sony |
Model type | Canon PowerShot SX130 IS | Sony Alpha A7S II |
Type | Small Sensor Superzoom | Pro Mirrorless |
Announced | 2010-08-19 | 2015-10-12 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Powered by | Digic 4 | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.6 x 23.8mm |
Sensor area | 28.1mm² | 847.3mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 3:2 | 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4240 x 2832 |
Maximum native ISO | 1600 | 102400 |
Maximum enhanced ISO | - | 409600 |
Minimum native ISO | 80 | 100 |
RAW files | ||
Minimum enhanced ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 169 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 28-336mm (12.0x) | - |
Max aperture | f/3.4-5.6 | - |
Macro focusing distance | 1cm | - |
Number of lenses | - | 121 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Type of display | Fixed Type | Tilting |
Display size | 3 inch | 3 inch |
Resolution of display | 230k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Min shutter speed | 15s | 30s |
Max shutter speed | 1/2500s | 1/8000s |
Continuous shutter rate | 1.0 frames per sec | 5.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.00 m | no built-in flash |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | no built-in flash |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 160 x 120 (15 fps) | 4K (3840 x 2160 @ 30p/24p [60-100Mbps]), Full HD (1920 x 1080 @ 120p/60p/60i/30p/24p [50-100Mbps]), 720p (30p [16Mbps]) |
Maximum video resolution | 1280x720 | 3840x2160 |
Video data format | H.264 | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 308 grams (0.68 pounds) | 627 grams (1.38 pounds) |
Dimensions | 113 x 73 x 46mm (4.4" x 2.9" x 1.8") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO Overall rating | not tested | 85 |
DXO Color Depth rating | not tested | 23.6 |
DXO Dynamic range rating | not tested | 13.3 |
DXO Low light rating | not tested | 2993 |
Other | ||
Battery life | - | 370 photos |
Battery style | - | Battery Pack |
Battery ID | 2 x AA | NP-FW50 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse shooting | With downloadable app | |
Storage type | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Price at release | $250 | $2,767 |