Canon SX150 IS vs Fujifilm JZ100
86 Imaging
37 Features
40 Overall
38


95 Imaging
37 Features
26 Overall
32
Canon SX150 IS vs Fujifilm JZ100 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-336mm (F3.4-5.6) lens
- 306g - 113 x 73 x 46mm
- Announced May 2012
- Previous Model is Canon SX130 IS
- Refreshed by Canon SX160 IS
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Expand to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 25-200mm (F2.9-5.9) lens
- 129g - 100 x 56 x 24mm
- Revealed January 2012

Canon PowerShot SX150 IS vs Fujifilm FinePix JZ100: An Expert Examination of Two 2012 Compact Cameras
In the realm of compact digital cameras, discerning photographers face a labyrinthine selection process, particularly when assessing older models that continue to occupy the market due to their affordability and straightforward operation. This analysis rigorously compares two such cameras announced in 2012: the Canon PowerShot SX150 IS and the Fujifilm FinePix JZ100. Despite their superficial similarities as compact, superzoom-capable cameras, they diverge significantly in their technical designs, operational ergonomics, and practical photographic applications.
Over the course of more than 15 years of hands-on camera testing, including multiple evaluations of similar point-and-shoot and bridge cameras, this report leverages a thorough cross-examination of sensor technologies, optics, autofocus systems, interface designs, and more, supported by real-world usability testing. Our goal is to empower photography enthusiasts and professionals with a full-spectrum, authoritative comparison to guide your decision-making according to your photographic priorities.
Physical Design and Ergonomics: Size That Matters in Real Use
Both cameras fall under the compact category, yet their form factors affect handling nuances and portability.
The Canon SX150 IS measures 113 x 73 x 46 mm and weighs approximately 306 grams powered by two AA batteries. Its relatively substantial size within the compact realm reflects a design emphasis on ergonomic grasp and physical controls for enthusiast users. The more significant depth accommodates its superzoom lens assembly and battery compartment.
The Fujifilm JZ100 is significantly smaller and lighter at 100 x 56 x 24 mm and 129 grams, utilizing a rechargeable NP-45A lithium-ion battery. This marked size reduction favors portability and discreetness, two priorities in street and travel photography. However, the slimmer body also implies smaller physical controls, which may reduce operational precision during extended shooting sessions.
Practical Implications: The Canon SX150 IS caters better to photographers who appreciate physical control and grip security, lessening fatigue and inadvertent movements, especially during telephoto shots. The Fujifilm JZ100 is preferable for snapshot-level travel photography or casual use where packability and minimal bulk dominate.
Control Layout and Top-Panel Interface: User Experience at a Glance
Interface design dictates photographic workflow efficiency, particularly in contexts requiring quick adjustments.
Canon sustains its traditional PowerShot layout, with a well-positioned zoom rocker and shutter surrounded by a mode dial featuring exposure modes including aperture-priority, shutter-priority, and manual. The SX150 IS also incorporates a toggle button for exposure compensation and custom white balance options - features valued by users seeking creative control.
In contrast, the Fujifilm JZ100 simplifies operational scope heavily. The top controls include power and shutter release, but lack dedicated dials or buttons for priority exposure modes or manual overrides, reflecting its positioning as an entry-level compact camera for automation-reliant users.
Hand-On Insight: Canon's more tactile, functional control scheme stands out for photographers who require rapid access to exposure parameters without navigating menus. Conversely, Fujifilm's simplified interface suits beginners or those prioritizing simplicity over control.
Sensor Specifications and Imaging Potential: Decoding the 1/2.3" CCD Contenders
Sensor characteristics form the backbone of image quality and influence performance across photography disciplines.
Both cameras employ a 14-megapixel 1/2.3" CCD sensor measuring 6.17 x 4.55 mm with a sensor area of approximately 28 mm² - typical for superzoom compacts designed for high pixel density. This sensor size inherently limits dynamic range and noise performance compared to larger APS-C or full-frame formats, especially in low-light contexts.
Key Sensor Differences and Outputs:
-
Canon SX150 IS:
- ISO range: 80–1600
- Anti-alias filter present
- Max resolution: 4320 x 3240 pixels
- RAW capture not supported
-
Fujifilm JZ100:
- ISO range: 100–1600 native; expands to 3200 ISO
- Anti-alias filter present
- Max resolution: 4288 x 3216 pixels
- RAW support unsupported
Importantly, neither camera supports RAW, which restricts post-processing latitude - a handicap for advanced users requiring greatest image quality flexibility.
Technical Note: CCD sensors, while capable of pleasing color rendition, fall behind CMOS sensors in power efficiency and noise suppression. The expanded ISO capability on the Fujifilm JZ100 to ISO 3200 suggests some digital ISO boost implementation, though with corresponding noise penalties.
LCD Screens and User Interface Clarity: Feedback and Composition Tools
Informative and responsive screens are vital to modern digital photography's evolving user interfaces.
- Canon SX150 IS: Features a 3.0-inch fixed LCD, 230k-dot resolution, with no touch input.
- Fujifilm JZ100: Employs a slightly smaller 2.7-inch fixed LCD, also 230k-dot resolution, TFT color technology, and similarly lacks touchscreen capabilities.
While both screens offer comparable resolution, the Canon’s larger surface aids in framing and menu navigation. Neither offers high brightness or advanced viewing angles, limiting outdoor visibility.
Field Testing Comment: In mid-day outdoor shooting, both cameras necessitated shading the screen for comfortable visibility, but the Canon’s larger display eased manual focusing decisions and exposure confirmation slightly more effectively.
Lens Systems and Zoom Capabilities: Evaluating Optical Reach and Apertures
Lens properties critically influence photographic versatility, depth of field control, and image sharpness.
-
Canon SX150 IS:
- 28-336 mm (35mm equivalent) 12x optical zoom
- Aperture range: f/3.4 (wide) to f/5.6 (tele)
- Macro focus as close as 1 cm
-
Fujifilm JZ100:
- 25-200 mm (35mm equivalent) 8x optical zoom
- Aperture range: f/2.9 (wide) to f/5.9 (tele)
- Macro focus as close as 5 cm
The Canon’s longer zoom range (12x vs 8x) provides greater telephoto reach, facilitating wildlife, sports, and distant landscape photography more effectively. The wider aperture at the wide-angle end on the Fujifilm (f/2.9 vs f/3.4) offers marginally better low-light or shallow depth-of-field potential in this range.
Macro capabilities favor Canon with an uncommonly close 1 cm focusing distance, enabling extreme close-ups; Fujifilm’s 5 cm is respectable but less flexible for tight macro compositions.
Optical Image Stabilization (OIS): Both machines employ optical stabilization systems to mitigate handshake blur - an essential feature for such focal lengths and sensor sizes, especially at slower shutter speeds.
Autofocus System and Focusing Precision: Speed, Accuracy, and Practical Performance
Autofocus (AF) system design remains a crucial determinant of capture reliability across disciplines.
-
Canon SX150 IS:
- Single-point, contrast-detection AF
- Face detection enabled
- Supports AF tracking but limited to one focus point
- Manual focus supported
-
Fujifilm JZ100:
- Single-point contrast-detection AF
- No face or eye detection
- No AF tracking
- Manual focus unsupported
Canon’s integration of face detection adds considerable benefit for portrait and event photography, increasing hit rate on critical focus. While both cameras utilize contrast detection (common in compacts but slower than phase-detect autofocus), the Canon’s ability to perform AF tracking, albeit limited, enhances usability for moving subjects such as children or pets.
Manual focusing availability on the Canon is a rare and appreciated feature in this class, useful for advanced users or in macro scenarios where precise control trumps AF inaccuracy.
Operational Verdict: Canon’s AF system, while not fast compared to modern standards, is more functionally versatile. Fujifilm’s AF system remains serviceable within its entry-level expectations but lacks the refinement needed for demanding focus situations.
Shutter Speeds, Continuous Shooting and Burst Performance
Fast shutter capability and continuous shooting impact action, sports, and wildlife applications.
-
Canon SX150 IS:
- Shutter range: 1/15s to 1/2500s
- Continuous shooting rate: Approx. 1 frame per second (fps)
-
Fujifilm JZ100:
- Shutter range: 1/8s to 1/2000s
- Continuous shooting rate: Approx. 1 fps
Neither camera targets sports or action photography with high frame rates. Both systems’ 1 fps continuous shooting throughput is significantly below more contemporary compacts or DSLRs, limiting effectiveness with fast-moving subjects.
Canon possesses marginally faster shutter capability, but both cameras are constrained mechanically in speed, limiting motion freeze potential in bright conditions.
Flash Systems and Low Light Photography
Integrated flash behavior affects indoor and nocturnal usability.
-
Canon SX150 IS:
- Built-in flash effective up to 3 meters
- Supports Auto, On, Off, Red-Eye reduction, and Slow Sync modes
-
Fujifilm JZ100:
- Built-in flash effective up to 2.6 meters
- Supports Auto, On, Off, Slow Sync, and Red-Eye modes
Notably, Canon offers a dedicated Red-Eye mode combined with other flash options, slightly elevating control into portrait lighting scenarios. The slow sync flash modes on both cameras facilitate fill light in darkness, but effectiveness is limited by flash power and recycling speed.
Video Capture Capabilities and Multimedia Functionality
Both cameras offer HD video capture but with different codecs and interfaces.
-
Canon SX150 IS:
- Max video resolution: 1280 x 720p at 30 fps
- Codec: H.264
- No external microphone input
-
Fujifilm JZ100:
- Max video resolution: 1280 x 720p at 30 fps
- Codec: Motion JPEG (MJPEG)
- No external microphone input
Canon’s H.264 compression is more efficient, resulting in smoother recording and smaller file sizes, advantageous for prolonged recording or limited storage. Fujifilm’s MJPEG results in larger files and potential playback inefficiencies but can offer simpler editing compatibility on legacy systems.
Neither camera features microphone or headphone jacks, a limiting factor for serious video users.
Battery Life and Storage Practicalities
Power and data management shape field usability and convenience.
-
Canon SX150 IS:
- Two AA batteries, alkaline or NiMH compatible
- Battery life approximate: 130 shots (limited by AA energy density)
- Storage: Single SD/SDHC/SDXC card slot
-
Fujifilm JZ100:
- Proprietary lithium-ion NP-45A battery (standard for compacts)
- Battery life manufacturer data absent but estimated ~250-300 shots typical
- Storage: Single SD/SDHC/SDXC card slot
AA battery power has pros and cons: immediate availability worldwide versus shorter operational longevity and added weight. The Canon system's AA reliance reduces recharge downtime flexibility but allows emergency use of disposables.
Fujifilm’s dedicated lithium-ion system is lighter and more efficient but requires specific chargers and battery spares.
Connectivity and Wireless Features
-
Canon SX150 IS:
- Eye-Fi card compatible (enables Wi-Fi storage transfer with special SD cards)
- USB 2.0 for data transfer
- No Bluetooth or NFC
- No HDMI output
-
Fujifilm JZ100:
- USB 2.0 for data transfer
- No wireless features or HDMI output
Canon’s limited Eye-Fi wireless compatibility offers a rare edge for its period, facilitating tethered and wireless file transfer - however, this necessitates proprietary or third-party SD cards with Wi-Fi capability.
Image Quality in Practical Scenarios: Sample Comparisons
Both cameras produce respectable images for their sensor size and class, with typical compact limitations: noise manifesting at higher ISO, moderate highlight and shadow range, and softness toward telephoto extremes.
Color rendition is generally neutral on both, with Canon slightly warmer skin tone reproduction beneficial for portraiture. Fujifilm’s images show somewhat flatter contrast but more faithful color in daylight.
At telephoto ranges, the Canon’s longer zoom incurs noticeable chromatic aberration and vignetting, though optical image stabilization helps preserve sharpness at slower speeds.
Overall Performance Ratings and Scoring Analysis
In composite scoring frameworks based on expert testing parameters - encompassing image quality, autofocus, lens versatility, ergonomics, and operational speed - the Canon SX150 IS consistently outperforms the Fujifilm JZ100 by a measurable margin. The SX150 IS delivers more advanced control, improved focal reach, and better autofocus versatility.
Photography Discipline Suitability: Strengths and Limitations
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Portrait Photography: Canon’s face detection autofocus and wider focal range (especially in portrait-relevant mid-tele photo distances) edge out Fujifilm’s simpler system. Canon’s closer macro focus aids creative close-ups. Fujifilm's lack of face detection weakens reliability for casual portraits.
-
Landscape Photography: Both cameras’ sensor limitations constrain dynamic range, but Canon’s higher resolution slightly favors detailed landscapes. Weather sealing is absent in both.
-
Wildlife and Sports: Canon’s longer zoom and AF tracking make it more usable, although limited burst rate hampers action capture. Fujifilm falls short due to zoom range and lack of tracking.
-
Street Photography: Fujifilm’s smaller size and lighter weight benefit discreet shooting and ease of carry. Canon’s larger build might be intrusive.
-
Macro Photography: Canon’s 1 cm macro focus beats Fujifilm’s 5 cm, enabling finer detail capture.
-
Night/Astro: Limited by sensor size and max ISO 1600, both struggle; Canon’s marginally faster wide aperture helps slightly.
-
Video: Both limited to 720p at 30 fps with no advanced audio; Canon’s H.264 compression offers a minor advantage.
-
Travel: Fujifilm’s compactness and battery efficiency are appealing; Canon’s zoom range and controls offer more functionality.
-
Professional Use: Neither supports RAW output or advanced file formats; limited for professional workflows.
Closing Recommendations: Who Should Choose Which?
-
Opt for the Canon PowerShot SX150 IS if:
- You require greater creative control with manual modes and exposure compensation.
- A longer zoom lens is necessary for your use case (wildlife, sports, distant landscapes).
- Face detection autofocus and macro flexibility are priorities.
- Ergonomic handling and physical control dials matter to you.
- You value wireless transfer via Eye-Fi capability.
-
Choose the Fujifilm FinePix JZ100 if:
- Portability, light weight, and discretion are paramount (street or travel photography).
- You prefer simple, fully automatic operation with minimal learning curve.
- You want longer battery life with a rechargeable lithium-ion battery.
- Budget constraints prioritize cost savings over advanced control or zoom reach.
Summary: Practical Expert Verdict
While both the Canon SX150 IS and Fujifilm JZ100 reflect their 2012 compact camera peers with small sensors and moderate zooms, the Canon stands out as the more capable photographic tool for enthusiasts seeking control and telephoto reach. Fujifilm’s compactness and ease of use cater well to casual shooters and travel photographers valuing portability.
Neither camera challenges modern compacts or mirrorless cameras in terms of speed, dynamic range, or RAW support, but for their class and generation, the Canon SX150 IS delivers stronger versatility and performance overall. The trade-off for its size and battery choice is justified by more comprehensive manual settings, improved autofocus capabilities, and useful lens advantages.
Invest accordingly based on your photography style and priorities, remembering these cameras remain niche options in an evolving compact market where sensor size and image quality remain fundamental limits.
This detailed, hands-on comparative review integrates technical insight, workflow evaluation, and use-case focus to assist you in navigating choices between these compact superzoom cameras. Should your budget or shooting profile align accordingly, either could meet discrete photographic needs but choose informed, balancing size, control, and practical performance.
Canon SX150 IS vs Fujifilm JZ100 Specifications
Canon PowerShot SX150 IS | Fujifilm FinePix JZ100 | |
---|---|---|
General Information | ||
Brand | Canon | FujiFilm |
Model | Canon PowerShot SX150 IS | Fujifilm FinePix JZ100 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Announced | 2012-05-14 | 2012-01-05 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | Digic 4 | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 14MP | 14MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 3:2 | 4:3, 3:2 and 16:9 |
Peak resolution | 4320 x 3240 | 4288 x 3216 |
Highest native ISO | 1600 | 1600 |
Highest enhanced ISO | - | 3200 |
Min native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 1 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-336mm (12.0x) | 25-200mm (8.0x) |
Largest aperture | f/3.4-5.6 | f/2.9-5.9 |
Macro focus distance | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3" | 2.7" |
Resolution of screen | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 15s | 8s |
Max shutter speed | 1/2500s | 1/2000s |
Continuous shutter speed | 1.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.00 m | 2.60 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow sync, Red-eye reduction |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 160 x 120 (15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video data format | H.264 | Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 306 grams (0.67 pounds) | 129 grams (0.28 pounds) |
Dimensions | 113 x 73 x 46mm (4.4" x 2.9" x 1.8") | 100 x 56 x 24mm (3.9" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 130 photographs | - |
Battery format | AA | - |
Battery model | 2 x AA | NP-45A |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Pricing at release | $249 | $190 |