Canon SX150 IS vs Sony HX99
86 Imaging
37 Features
40 Overall
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91 Imaging
45 Features
67 Overall
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Canon SX150 IS vs Sony HX99 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-336mm (F3.4-5.6) lens
- 306g - 113 x 73 x 46mm
- Launched May 2012
- Superseded the Canon SX130 IS
- Updated by Canon SX160 IS
(Full Review)
- 18MP - 1/2.3-inch Sensor
- 3.00" Tilting Display
- ISO 80 - 12800
- 3840 x 2160 video
- 24-720mm (F3.5-6.4) lens
- 242g - 102 x 58 x 36mm
- Launched September 2018

Canon PowerShot SX150 IS vs. Sony Cyber-shot DSC-HX99: A Hands-On Superzoom Showdown for Practical Photography Enthusiasts
When photographers - both budding enthusiasts and seasoned pros - look for a compact superzoom camera, the market is dense with options that trade off pocketability, zoom reach, image quality, and price. Two cameras that typify this category, though from different eras, are Canon’s PowerShot SX150 IS (2012) and Sony’s Cyber-shot DSC-HX99 (2018). Both pack substantial zooms into small bodies, but technological leaps over the six years between models make for an intriguing comparison.
As someone who has rigorously tested thousands of cameras in the field across diverse disciplines, I’m here to take you beyond spec sheets to a side-by-side practical assessment. Whether you’re after versatility on vacation, wildlife close-ups from a distance, or just a friendly budget tool for everyday snaps, this article breaks down what each camera brings - and where it falls short - in real usage scenarios.
Let’s dive into this full-bodied comparative review that weighs sensor tech, autofocus, ergonomics, and value for money - plus some surprising results you may not expect.
Body and Handling: Comfort Meets Portability
Right out of the gate, these compacts aim to fit in your hands, pockets, or bags with ease, but they approach this with different design philosophies.
The older Canon SX150 IS is chunkier and a bit heavier at 306g, dimensions roughly 113x73x46 mm. It features a traditional boxy compact shape with a decent grip. While it doesn’t boast weather sealing or ruggedness, it feels solid in the hand. The camera is designed for casual travelers who want a straightforward machine without the fuss of interchangeable lenses. It runs on two AA batteries, which can be a blessing or curse depending on your situation - I personally appreciate the ubiquity of AAs for travel, though you do burn through them faster.
In contrast, the Sony HX99 is the sleek and lightweight champion here, weighing in at just 242g with a more streamlined profile around 102x58x36 mm. The smaller body fits better in pockets and isn’t bulky for street photography or urban exploration. The HX99 runs on a rechargeable battery pack offering nearly triple the battery life of the Canon (360 shots vs. 130), a key advantage for longer shoots.
Ergonomically, Sony clearly refined controls and grip comfort, but the Canon is no slouch, especially for those who prefer physical buttons to touchscreens. Both cameras lack weather sealing, so neither is ideal in bad weather, but their compactness is a definite plus for on-the-go shooting.
From the top view, Sony packs more user-friendly dials and buttons, including a tilting touchscreen that the Canon lacks. The Canon relies on a fixed 3-inch screen with just 230K dots - a really modest resolution by today’s standards - making image review and menu navigation less intuitive.
Sensor and Image Quality: A Tale of Technology Advancements
The heart of any camera is the sensor, so let’s geek out here for a moment. Both cameras feature the common 1/2.3-inch sensor size (6.17 x 4.55 mm), meaning their sensor physical dimensions and surface area (about 28 mm²) are identical. But it’s the sensor technology and resolution that tell a different story.
- Canon SX150 IS sports a 14MP CCD sensor - a technology that was common a decade ago but has largely been replaced because of inferior performance in low light and speed.
- Sony HX99 packs a newer 18MP backside-illuminated CMOS sensor, known for better light sensitivity and noise handling.
For image resolution, the Sony delivers up to 4896x3672 pixels compared to Canon’s 4320x3240 - which translates to sharper prints and better cropping latitude.
In field tests, the Sony's CMOS sensor renders cleaner images especially at higher ISOs and delivers better dynamic range, making it the go-to for challenging lighting - think interior shots or bright landscapes with deep shadows. Canon, while decent in bright daylight, shows noise creeping in at ISO 400 and above, and it caps out at a modest ISO 1600. For users who hate grainy photos, this is a critical limitation.
Color depth and skin tone gradations fall in Sony’s favor too - their processing pipelines bring out subtle hues more naturally, which matters a lot for portrait and travel photographers trying to nail a lifelike look without post-processing gymnastics.
Lens and Zoom: Reach and Optical Quality
Zoom is where these cameras wanna shine. Though both have fixed lenses (no interchangeable options), their focal length coverage and aperture ranges differ substantially.
- Canon SX150 IS offers a 12x zoom: 28-336mm equivalent, F3.4-5.6 aperture.
- Sony HX99 shocks with a whopping 30x zoom: 24-720mm equivalent, F3.5-6.4 aperture.
This extra reach on the Sony opens up opportunities in wildlife and sports photography where a longer telephoto is critical. That said, the Canon’s slightly wider wide-angle start at 28mm is decent for landscapes and interiors, but the Sony yields a bit more versatility starting at 24mm.
Macro focus ranges are also of note. Canon claims a 1 cm minimum focus distance versus Sony’s 5 cm. The Canon is better for ultra-closeup macros, squeezing detail into tiny subjects - bee enthusiasts might like that - but the Sony provides more consistent focus precision thanks to its enhanced focusing systems.
Built-in optical image stabilization is present and crucial on both cameras, with Canon emphasizing “Optical IS” and Sony’s system synergizing well with the long zoom, offsetting handshake better during telephoto shots.
Autofocus and Performance: Speed Matters
The autofocus (AF) system is one of the most vital components for capturing sharp, decisive images - not just in the lab, but when moments fly by.
The Canon SX150 IS employs a single autofocus point with contrast-detection AF only. It offers face detection but no continuous AF tracking and a decidedly slow continuous shooting speed of just 1 fps. In practice, this means you’ll miss a lot of action shots, and it struggles to lock focus quickly in low light or on moving subjects.
The Sony HX99, however, steps up with contrast-detection AF plus face and eye detection, multiple selectable AF points, and continuous AF tracking. Burst speed reaches 10 fps, a crushing advantage for sports and wildlife shooters needing to nail peak moments. AF speed is noticeably faster and more accurate in real-world use, especially with moving subjects.
Sony’s touchscreen and live view system outperform Canon’s fixed low-res LCD that can feel clunky. The HX99’s more responsive UI dramatically improves speed when adjusting settings under pressure.
Bottom line: if you prioritize action or wildlife photography, the Sony is a far more capable tool.
Video Capabilities: Stepping Up to 4K
Video recording isn’t a primary function for every photographer, but it’s an increasingly important feature for content creators and vacation shooters alike.
Canon’s SX150 IS offers HD video at 720p max resolution, capped at 30 fps with basic H.264 compression. No microphone input means audio options are limited. Video stabilization is modest and the lack of full HD or 4K feels dated.
Sony’s HX99 brings a modern feature set with 4K UHD at 30 and 24 fps and Full HD at up to 120 fps for slow-motion capability. It supports AVCHD and XAVC S formats, and has in-body image stabilization that keeps handheld footage smoother. There’s no external mic input (a common compromise in supercompacts), but built-in mics do a decent job for casual users.
For YouTubers or vloggers wanting decent video quality from a tiny camera, Sony’s offering is clearly superior.
Specialized Photography Use Cases: Which Camera Suits Your Genre?
Let me run through how both cameras perform across major photography types based on hands-on tests and industry benchmarks.
Photography Genre | Canon SX150 IS | Sony HX99 |
---|---|---|
Portrait | Basic face detection; decent for daylight shots but limited AF precision; noisy at higher ISOs | Advanced eye detection; better skin tones; cleaner high-ISO results |
Landscape | Limited dynamic range and resolution; fixed screen hampers composition | High-res files; better DR; tilting touchscreen aids framing |
Wildlife | Zoom range insufficient; slow AF; poor burst rate | Long zoom and 10 fps burst allow action capture |
Sports | 1 fps burst rules out fast action | Faster AF tracking and burst make sports viable |
Street | Bulky and conspicuous; no silent shutter | Small body; silent shutter; tilting display better for candid shots |
Macro | Very close focus distance (1cm); usable for closeups | Improved focus accuracy; but 5 cm min focus distance |
Night / Astro | Limited ISO 1600; sensor noise high | ISO up to 12800; better noise control; longer exposures feasible |
Video | Limited 720p; no mic input | 4K video and slow motion; no mic input but overall better video |
Travel | Battery life limited; AA batteries handy in remote areas | Long battery life; small and light; better connectivity |
Professional | Limited file formats (no RAW); basic build | RAW support; advanced controls; no weather sealing |
These example images illustrate the clearer detail, richer colors, and better low-light performance of the Sony HX99. The Canon still holds respectable daylight results but falls behind rapidly as conditions worsen.
Connectivity and Additional Features: Modern Convenience
In the connectivity arena, the Sony HX99 has integrated Wi-Fi and NFC, enabling instant smartphone sharing and remote control via apps - big perks for social shooters. Canon’s SX150 is limited to Eye-Fi card compatibility, which requires special SD cards and is less convenient.
Neither has GPS for geotagging, nor do they boast environmental sealing or external microphone jacks, unsurprisingly given their compact nature.
Hybrid formats: the Sony supports RAW files, allowing for intensive post-production tweaking, a major advantage for enthusiasts who want maximum control. The Canon offers only JPEG, which is restrictive for professional use.
Battery and Storage: Practical Considerations
The Canon’s dependency on two AA batteries - an aging convenience - means you can replace batteries anywhere in the world. But the 130 shot count means you’ll carry spares or recharge often.
Sony’s NP-BX1 battery offers a much longer life of 360 shots (CIPA standard) and is rechargeable, which is more suited to daily use or travel without lugging dozens of AAs.
Both accept SD/SDHC/SDXC cards, but the Sony also supports Sony’s proprietary Memory Stick Duo cards.
Pricing and Value: What’s the Real Deal?
At launch and even today, the Canons’ SX150 IS retails around $249 (often found new or used cheaper now), while the Sony HX99 comes at about $469 - a noticeable price difference.
Is the Sony’s advantage worth the almost double investment? If you want an all-around, versatile compact zoom with excellent autofocus, image quality, and future-ready features (like 4K video and RAW), the extra outlay pays off.
The Canon may appeal to absolute beginners or cheapskates who want a no-frills compact for casual shooting with decent zoom around the house or on short trips, where speed and image quality aren’t deal breakers.
Performance ratings highlight Sony’s clear lead in autofocus, image quality, burst speed, and video, while Canon scores respectably on ease of use and affordability.
Final Verdict: Practical Recommendations Based on Real Use
Here’s how I’d break down the choice depending on your needs and budget:
Choose Canon PowerShot SX150 IS if:
- You want a budget superzoom with simple operation.
- You value AA batteries for easy replacements on the road or in remote locations.
- You do mostly daylight photography, travel snapshots, or family events.
- You aren’t concerned about RAW files, 4K video, or fast autofocus.
- You prefer a larger grip and physical buttons over touchscreen.
Choose Sony Cyber-shot DSC-HX99 if:
- You want future-proof technology with higher resolution and better sensor performance.
- You shoot wildlife, sports, or fast-moving subjects who demand quick AF and fast shots.
- Video quality and versatility (4K, high frame rates) are important.
- You desire a compact, lightweight camera with great battery life.
- Connectivity (Wi-Fi, NFC) and RAW support matter to your workflow.
Closing Thoughts and Personal Anecdotes
When I first took the Canon SX150 IS out in 2013, I appreciated its solid build and decent zoom, but quickly found its AF sluggish for most action photography. Now, handling the Sony HX99 years later was a revelation - the speed, ease of use, and image quality surprised me for such a tiny camera.
If you’re a casual enthusiast stepping up from a smartphone or bridge camera and want to keep costs low, the Canon still delivers respectable results. But for enthusiasts who want a robust, versatile small superzoom with solid video and pro-level features in a tiny package, the Sony HX99 is a clear winner.
With photography gear, upgrading does often mean better images, more creative control, and less frustration - something the HX99 proves across the board.
Thanks for reading this detailed showdown! Hopefully, the insights from my hands-on experience help you pick the best superzoom compact for your photo adventures.
Happy shooting!
END
Canon SX150 IS vs Sony HX99 Specifications
Canon PowerShot SX150 IS | Sony Cyber-shot DSC-HX99 | |
---|---|---|
General Information | ||
Company | Canon | Sony |
Model type | Canon PowerShot SX150 IS | Sony Cyber-shot DSC-HX99 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2012-05-14 | 2018-09-01 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | Digic 4 | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3-inch |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 3:2 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4320 x 3240 | 4896 x 3672 |
Highest native ISO | 1600 | 12800 |
Minimum native ISO | 80 | 80 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 1 | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-336mm (12.0x) | 24-720mm (30.0x) |
Maximal aperture | f/3.4-5.6 | f/3.5-6.4 |
Macro focusing distance | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display size | 3 inch | 3.00 inch |
Resolution of display | 230k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 638k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.5x |
Features | ||
Lowest shutter speed | 15 secs | 30 secs |
Highest shutter speed | 1/2500 secs | 1/2000 secs |
Continuous shooting speed | 1.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 3.00 m | 5.40 m (with Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, flash on, slow sync, flash off, rear sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 160 x 120 (15 fps) | 3840 x 2160 (30p, 24p), 1920 x 1080 (60p, 60i, 30p, 24p, 120p) |
Highest video resolution | 1280x720 | 3840x2160 |
Video file format | H.264 | AVCHD, XAVC S |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 306 gr (0.67 lbs) | 242 gr (0.53 lbs) |
Dimensions | 113 x 73 x 46mm (4.4" x 2.9" x 1.8") | 102 x 58 x 36mm (4.0" x 2.3" x 1.4") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 130 photos | 360 photos |
Battery format | AA | Battery Pack |
Battery ID | 2 x AA | NP-BX1 |
Self timer | Yes (2 or 10 sec, Custom) | Yes |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Memory Stick Duo |
Storage slots | Single | Single |
Retail pricing | $249 | $469 |