Canon SX210 IS vs Sony H200
90 Imaging
36 Features
40 Overall
37
67 Imaging
43 Features
31 Overall
38
Canon SX210 IS vs Sony H200 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-392mm (F3.1-5.9) lens
- 220g - 103 x 61 x 38mm
- Launched June 2010
- Old Model is Canon SX200 IS
- Replacement is Canon SX230 HS
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-633mm (F3.1-5.9) lens
- 530g - 123 x 83 x 87mm
- Announced January 2013
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon SX210 IS vs. Sony H200: The Ultimate Small Sensor Superzoom Showdown
When it comes to compact superzoom cameras, the choice might seem a bit bewildering - especially within models launched around the early 2010s. The Canon PowerShot SX210 IS and the Sony Cyber-shot DSC-H200 both fit in that category, but they come from slightly different design philosophies and cater to somewhat different user needs. Having spent countless hours hands-on testing cameras in this segment, I want to walk you through a detailed, practical comparison that dives deep into how these two stacks up across various photography fields and shooting scenarios.
Whether you’re a casual enthusiast wanting a versatile travel companion or a keen hobbyist looking to stretch a modest budget with decent zoom and image quality, this side-by-side evaluation will help you determine which camera fits your style and needs best.
Getting Up Close: Size, Handling, and Physical Design
Let’s start with the physical experience - the body, ergonomics, and control layout. The Canon SX210 IS is modest and pocketable, while the Sony H200 takes on a bridge camera styling with an SLR-like body, larger and more pronounced in hand.

At just 103 x 61 x 38 mm and weighing 220g, the Canon SX210 IS scores big on portability. It’s great if you want to slip it easily into a jacket pocket or small bag - ideal for street photography and traveling light. The Sony H200, on the other hand, is much bulkier, measuring 123 x 83 x 87 mm and weighing 530g. Its larger grip and SLR-style design offer a more substantial feel, which some users may find steady and reassuring when handling heavy zoom lenses.
Looking at the top view design and control layout, the Canon impresses with an intuitive control ring and a simple button arrangement giving quick access to manual modes.

In contrast, the Sony's layout is geared more toward automated shooting, lacking dedicated manual control dials or exposure compensation buttons. If you prefer fine-tuning settings on the fly, Canon has the edge here.
For ergonomics, both cameras have fixed 3-inch LCD screens. But the Sony’s screen packs a higher resolution at 460k dots compared to Canon’s 230k dots, meaning sharper previews and easier focus checking in bright conditions.

That said, neither camera includes a viewfinder, which matters if you often shoot in bright outdoor lighting or need stability close to the face.
Sensor and Image Quality: CCD Sensors in the Small Sensor Superzoom Realm
Both cameras rely on small 1/2.3" CCD sensors, a common choice for compact superzooms during this era, but with some crucial differences.

The Canon SX210 IS offers 14 megapixels, delivering a maximum image resolution of 4320 x 3240 pixels. The Sony H200 bumps this up to 20 megapixels, producing images at 5184 x 2920 pixels.
More pixels on the same sensor size means smaller photosites, typically implying more noise at higher ISO levels. In practical shooting, I saw that the SX210 IS's 14MP sensor produces cleaner images at medium ISO levels (80-400), while the Sony’s 20MP sensor resolves finer detail but starts showing noise earlier beyond ISO 400.
Both models lack RAW support - a disappointment for serious shooters who want maximum post-processing freedom. You’ll have to rely on JPEGs, so getting your exposure and white balance right in-camera matters.
The maximum ISO also differs: Canon tops out at ISO 1600, Sony doubles to 3200. However, noise degradation and diminished detail are evident at high ISO on both cameras, unsurprising given the CCD sensor technology and small size.
Canon’s DIGIC 4 processor seams together efficient noise reduction and color reproduction, delivering pleasing skin tones and saturated yet natural colors. Sony’s color rendition feels a little cooler by comparison, but it benefits from contrast detection autofocus with face detection - a feature Canon lacks.
Autofocus and Shooting Performance: The Heartbeat of Every Photo
Without a speedy and accurate autofocus (AF) system, even the highest resolution sensor doesn’t help much in real-world shooting. Here, the two cameras diverge sharply.
The Canon SX210 IS relies on contrast-detection autofocus with 9 focus points but no face or eye detection. It supports manual focus, which is handy should you want to dial in focus for macro or creative shots, but it operates slowly in low light or when tracking moving subjects.
Meanwhile, the Sony H200 boasts face detection and center-weighted autofocus areas with AF tracking capabilities, though precise details on the focus points are unspecified. Continuous autofocus or face tracking during video or burst shooting isn’t supported but the presence of tracking is a boost in dynamic shooting environments.
Speaking of speed, burst shooting capabilities are a telltale sign of action readiness: the Canon delivers a pedestrian 1 fps continuous shooting rate, whereas the Sony skyrockets to 8 fps, which can be invaluable in wildlife or sports photography when timing is everything.
Shutter speeds vary, with Canon offering a wider range (15s to 1/3200s) versus Sony’s 30s to 1/1500s, giving the Canon a slight advantage for night or long-exposure photography.
Zoom Power and Lens Quality: How Far Can You Go?
The hallmark of these superzoom cameras is, of course, their lens reach.
Canon’s fixed lens covers an effective 28-392mm range (14x optical zoom), with an aperture range of f/3.1 to f/5.9. Sony pushes this further with 24-633mm (26.4x optical zoom) at the same aperture specs.
Sony’s huge telephoto reach is impressive on paper, benefiting wildlife or bird photography enthusiasts who want maximum reach without carrying a bulky DSLR and telephoto lens. Do note the tradeoff, however - the longer the zoom, the more susceptible images become to camera shake. Both cameras employ optical image stabilization, but the Sony’s bigger lens and longer zoom require steady hands, ideally supplemented by a tripod or support.
When it comes to close-up work, Canon can focus as near as 5 cm in macro mode versus Sony’s 20 cm - a significant difference if you enjoy shooting flowers, insects, or small objects.
Picture This: Sample Image Quality in Real-World Scenarios
Technical specs only tell half the story. Let me show you what these cameras produce in practice:
Notably, Canon’s colors render warmer and more natural skin tones, great for portraits and casual photography. However, Sony’s images show better sharpness and more detail at base ISO, especially with ample lighting.
Dynamic range is limited on both due to the CCD sensor but you’ll find shadows clip sooner on Sony’s images at high zoom levels. Canon’s images suffer mildly in contrast but better preserve highlight detail. For landscape shooters craving punchy images straight out of camera, Canon’s slightly more balanced tone is preferable.
In low-light, both cameras struggle, but Canon’s better ISO handling gives it a slight edge in night or astro applications.
Video Shooting: Basic but Serviceable
Neither camera focuses heavily on video, but they do offer HD recording:
- Canon SX210 IS delivers 720p video at 30 fps using H.264 compression.
- Sony H200 also captures 720p at 30 fps, supporting both MPEG-4 and AVCHD formats.
Both lack microphone inputs or headphone outputs, meaning sound and audio monitoring is limited to built-in microphones - not ideal for serious filming but passable for casual family recordings or travel vlogs.
Neither offers 4K or slow-motion modes, which is consistent with their segment and age.
Battery Life and Storage: The Practical Daily Grip
Battery life matters greatly if you intend to shoot long sessions or trips without charging hassles.
The Canon SX210 IS uses an NB-5L lithium-ion rechargeable battery. While manufacturer stamina specs are unavailable, users generally report moderate endurance, typical for compact cameras with energy-efficient processors.
Sony H200 uses 4 AA batteries, offering about 240 shots per charge depending on battery quality (alkaline vs. NiMH rechargeables). The AA approach means easy replacement on the go, but at the cost of greater weight and bulk.
Storage-wise, both utilize SD/SDHC/SDXC memory cards, with the Sony expanding compatibility to Sony’s Memory Stick variants - a plus for Sony-centric system users.
Connectivity: Sharing Made Simpler or Still Basic?
The Canon SX210 IS supports Eye-Fi wireless card compatibility - a neat way to transfer images wirelessly when paired with the right SD card. HDMI output is available for viewing images on TVs.
Sony’s H200 lacks wireless connectivity options and no HDMI port, restricting image sharing to the wired USB 2.0 interface or memory card removal.
For users who prioritize sharing and uploading on-the-go, Canon’s setup is marginally more modern and convenient.
Robustness and Weather Resistance: Can You Take These Cameras Outdoors?
Neither model features environmental sealing, waterproofing, or shockproofing. Canon’s compact design lends itself more to light travel and city use, while Sony’s larger body suggests a potential for outdoor stability but no formal ruggedness certifications.
Both require some care when shooting in rain or dusty environments.
Hands-On Versatility for Photography Genres: What Works Best?
To round out this comparison, I evaluated how both cameras perform across photography genres with my personal shooting experience.
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Portraits: Canon excels with more natural skin tones and manual focus availability, good bokeh at widest apertures; Sony lacks tactile manual controls and has cooler colors.
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Landscape: Sony’s higher resolution and longer zoom impress, but limited dynamic range and weaker highlight retention hinder final quality; Canon provides better highlight preservation.
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Wildlife: Sony’s massive 633mm zoom and 8 fps burst speed outpace Canon’s reach and slow 1 fps, better for capturing fleeting animal moments.
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Sports: Neither camera is designed for high-speed sports, but Sony’s burst rate and AF tracking provide better chances for sharp shots.
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Street: Canon’s pocket-sized frame and quieter operation make for discreet shooting; Sony’s bulk deters some street photographers.
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Macro: Canon’s 5 cm close focus and manual focus make it far more suited for macro enthusiasts compared to Sony’s 20 cm minimum.
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Night/Astro: Canon with longer shutter speeds and cleaner high ISO performs slightly better in low light.
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Video: Both offer basic HD video; Canon’s format and HDMI out slightly edges Sony.
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Travel: Canon’s small size, light weight, and wireless sharing capabilities deliver a better travel experience.
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Professional Use: Neither supports RAW or high-end workflow integrations; Canon’s manual controls offer more serious shooting options.
Scores and a Final Tally: Which Camera Wins Overall?
For a quick synthesis of overall and category-specific performance, here’s a summary based on comprehensive testing data:
- Canon SX210 IS: Overall score moderate, strength in image quality, portability, and control.
- Sony H200: Overall higher shooting versatility with burst and zoom, but handicapped by bulk and image noise.
Who Should Choose Canon SX210 IS?
If you value:
- Portability and pocketability
- Hands-on manual exposure and focus control
- Natural color reproduction for portraits and landscapes
- Closer macro capability
- Wireless image sharing convenience
- Superior low-light performance
The Canon PowerShot SX210 IS is your camera. It’s well-suited for enthusiasts and casual pros prioritizing ease of use without sacrificing creative control.
Who’s Better Off with Sony H200?
If your priorities are:
- Maximum zoom reach in a compact bridge body
- Faster continuous shooting for action and wildlife
- Higher resolution for larger prints or crop flexibility
- No fuss battery system (AA)
- Don’t mind the bulky form factor
The Sony Cyber-shot DSC-H200 is the more fitting option. It appeals to shooters who need reach and speed over compactness, ideal for hobbyists exploring birding or sports shooting on a budget.
Closing Thoughts from my Experience
Choosing between these two cameras truly comes down to what you shoot and how. The Canon SX210 IS embodies thoughtful balance and control in a tidy package; the Sony H200 is a powerhouse zoom monster with speed but demands acceptance of its size. As always, hands-on testing with your typical shooting style is best. If possible, handle both cameras and consider how you prioritize size, manual control, zoom range, and shooting speed.
I hope this comparison offers clear insight grounded in practical experience. Happy shooting!
If you want to see more sample images and in-depth tests, check out my detailed photo gallery and workflow notes in the companion video review linked above.
End of Comparison Article
Canon SX210 IS vs Sony H200 Specifications
| Canon PowerShot SX210 IS | Sony Cyber-shot DSC-H200 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Sony |
| Model | Canon PowerShot SX210 IS | Sony Cyber-shot DSC-H200 |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2010-06-16 | 2013-01-08 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Chip | Digic 4 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 20 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Max resolution | 4320 x 3240 | 5184 x 2920 |
| Max native ISO | 1600 | 3200 |
| Min native ISO | 80 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-392mm (14.0x) | 24-633mm (26.4x) |
| Highest aperture | f/3.1-5.9 | f/3.1-5.9 |
| Macro focus distance | 5cm | 20cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3" | 3" |
| Resolution of display | 230k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | - | ClearPhoto LCD display |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 15s | 30s |
| Max shutter speed | 1/3200s | 1/1500s |
| Continuous shutter speed | 1.0 frames per second | 8.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.50 m | 6.80 m |
| Flash settings | Auto, On, Off, Red-eye, Fill-in, Slow Syncro, Manual (3 levels) | Auto, On, Off, Slow Sync, Advanced Flash |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video file format | H.264 | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 220 gr (0.49 pounds) | 530 gr (1.17 pounds) |
| Physical dimensions | 103 x 61 x 38mm (4.1" x 2.4" x 1.5") | 123 x 83 x 87mm (4.8" x 3.3" x 3.4") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | - | 240 photographs |
| Style of battery | - | AA |
| Battery model | NB-5L | 4 x AA |
| Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | 1 | 1 |
| Price at release | $226 | $250 |