Canon SX210 IS vs Sony TX55
90 Imaging
36 Features
40 Overall
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97 Imaging
39 Features
46 Overall
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Canon SX210 IS vs Sony TX55 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-392mm (F3.1-5.9) lens
- 220g - 103 x 61 x 38mm
- Announced June 2010
- Older Model is Canon SX200 IS
- Successor is Canon SX230 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3.3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 26-130mm (F3.5-4.8) lens
- 109g - 93 x 54 x 13mm
- Launched July 2011

Canon SX210 IS vs Sony TX55: A Detailed Showdown in Compact Camera Excellence
When compact cameras reigned supreme - before smartphones muscled their way into daily photography - two types competed fiercely for pocket space: superzooms with ambitious focal ranges, and ultracompacts designed for sleek, stealthy snapshots. Today, we’re revisiting this classic duel between the Canon PowerShot SX210 IS and the Sony Cyber-shot DSC-TX55, two cameras that, while rooted in a bygone era, still offer valuable lessons in balancing specs, ergonomics, and real-world usability.
Having spent countless hours field-testing both models, I’ll peel back the marketing and get down to what matters: image quality, handling, autofocus chops, and whether either fits your shooting style and needs today. Ready for a nostalgic yet practical camera comparison? Let’s dig in.
Hands-on Feel and Handling: Size Isn't Everything (But It Matters)
First impressions always matter in photography - and the size and shape of a camera directly impact your shooting comfort and spontaneity. Comparing the bulkier Canon SX210 IS to the ultra-slim Sony TX55 reveals contrasting philosophies in design ergonomics.
The Canon SX210 IS feels like a modest brick - measuring 103 x 61 x 38 mm and weighing 220 grams - it sits comfortably in my hands with a textured grip that instills confidence for longer shoots. The zoom lever encircling the shutter button is thoughtfully placed; zooming through the generous 14x focal range feels intuitive. However, its relatively thick body can be a hindrance in tight pockets, and the somewhat dated form factor reminds you this isn’t a “grab and go” street shooter.
On the flip side, the Sony TX55 is downright svelte: just 93 x 54 x 13 mm, tipping the scales at a mere 109 grams. This ultracompact design fits effortlessly into slim jackets and clutch bags, making it an ideal travel companion. Holding it requires a bit more finesse - the lack of a pronounced grip means it demands careful handling, especially when zooming through its 5x range. Yet in crowded or casual scenarios, its low profile doesn’t announce your presence.
In balancing bulk versus portability, Canon caters to users prioritizing grip and extended zoom reach, while Sony is clearly targeting discretion and travel friendliness. Your personal shooting preferences naturally tilt the scale here.
Design Details Up Close: Controls and User Interface
Size aside, how do these cameras feel when you actually use them? Let's peek at their control layouts and operational philosophy.
The Canon SX210 IS adopts a classic superzoom approach: physical dials and buttons abound, including a dedicated mode dial, zoom lever, and a coarse but reliable 3-inch LCD with 230k-dot resolution. You get manual exposure control (shutter and aperture priority modes), a fairly rare treat in compacts of this era. The button spacing and tactile feedback were a pleasant surprise, facilitating single-hand shooting after a few familiarization shots.
The Sony TX55 leans into minimalism and touchscreen savvy. Sporting a 3.3-inch, 1230k-dot XtraFine OLED touchscreen (yes, touchscreen!), it ditches the mode dial entirely. Controls are sparse, focusing on a clean, modern interface navigated primarily via the touch display. Manual exposure controls are absent, offering only auto-centric shooting modes with some customizable white balance and ISO.
From a usability view, Canon’s approach serves enthusiasts wanting some creative control, while Sony opts for swift, casual shooting with intuitive tapping and swipes. Interestingly, both lack electronic viewfinders, so LCD quality and visibility outdoors become critical factors.
Sensor and Image Quality: The Heart of the Matter
At the core of any camera lies its sensor and image processor - the determinants of resolution, dynamic range, color fidelity, and noise handling. Let’s pit the Canon SX210 IS’s CCD sensor against Sony TX55’s BSI CMOS offering.
Both cameras use a 1/2.3-inch sensor (6.17 x 4.55 mm, approx. 28.07 mm²), fairly standard for this category and era. The Canon warhorse wields a 14-megapixel CCD sensor paired with Canon’s then-new Digic 4 processor. CCDs often deliver pleasing colors and respectable dynamic range but generally struggle at high ISOs.
Sony counters with a 16-megapixel Back-Side Illuminated (BSI) CMOS sensor, an advanced design that gathers more light per pixel and typically boasts superior low-light and high ISO performance. The TX55’s sensor also benefits from the BIONZ processor, known for responsive noise reduction and color accuracy.
In side-by-side tests, Canon’s images offer slightly warmer tones and decent fine detail under bright conditions. However, shadow recovery is limited, and noise creeps in aggressively beyond ISO 400. Sony’s sensor shows crisper images with more natural hues, and noise control up to ISO 800 is noticeably better, unlocking more usable shots in dim lighting.
Of course, sensor size constrains both cameras; neither can rival APS-C or full-frame models in dynamic range or depth of field control - but the Sony clearly leverages modern sensor tech more effectively.
Screen and Interface: How You See and Interact
A quality rear LCD vastly affects framing, reviewing, and navigating menus, particularly when no viewfinder is present.
Canon’s SX210 IS sports a 3.0-inch fixed screen at 230k dots - by today’s standards, a tad pixelated and somewhat dim outdoors. It lacks touchscreen capabilities, requiring button presses for navigation, which can feel sluggish. However, the screen reflects accurate colors and sufficient brightness indoors.
In contrast, the Sony TX55 rocks a 3.3-inch XtraFine OLED touchscreen with an impressive 1230k-dot resolution. This combination results in vivid colors, deep blacks, and excellent brightness even in sunlight. The touchscreen interface introduces pinch-to-zoom during playback, tap-to-focus during live view, and more fluid menu access - all significant comfort upgrades.
For photographers who review shots on the fly or compose in bright conditions, Sony’s screen makes a compelling impression.
Autofocus and Shooting Speed: Catching the Moment
If capturing fleeting moments is your game - sports, wildlife, or street - autofocus speed and frame rates become crucial. How do these two fare?
Canon’s SX210 IS brings a 9-point contrast-detection AF system without continuous focusing or tracking capabilities. Its max burst rate is a paltry 1 frame per second (fps), rendering it awkward for action sequences. Face detection is absent. Focusing is reliable but can sometimes feel snail-paced in lower light.
Sony’s TX55 also offers 9 focus points with contrast detection, enhanced by multi-area and center AF options. While it lacks phase-detection AF or eye tracking, its AF acquires subjects faster and more accurately, provided there’s sufficient light. Notably, the TX55 achieves impressive 10 fps burst shooting - unusual for this category - letting you snap rapid sequences for capturing candid moments or movement.
For sports or wildlife aficionados on a budget, Sony’s responsiveness gives it the edge, though neither camera is a dedicated action tool.
Lens Versatility and Zoom Capabilities
Zoom range and aperture shapes the camera’s versatility - from sweeping landscapes to intimate macro.
The Canon SX210 IS sports a formidable 28–392 mm equivalent (14x zoom) lens with an aperture range from f/3.1–5.9. This reach allows for genuine telephoto shots - think distant wildlife or tight portraits with background compression. The minimum focus distance is 5 cm for macro shooting, satisfactory but not exceptional.
Sony’s TX55 carries a shorter 26–130 mm equivalent (5x zoom) with aperture f/3.5–4.8, expectedly sacrificing reach for compactness and wider angles. However, Sony’s lens autofocus precision shines down close, with a closer macro focal length of 3cm enabling fine close-ups with finer details.
In practice, the Canon’s extended zoom wins for reach-dependent photography (long lenses trump), while Sony’s brighter aperture and better macro range favor close-up detail and bright, wider scenes.
Image Stabilization: Steady Hands Welcome
Both cameras incorporate optical image stabilization - critical for preventing blur especially at zoom telephoto lengths or lower shutter speeds.
Canon uses a “Hybrid” optical IS system that compensates for pitch and yaw movements and allows shooting handheld down to 1/30s at full zoom if you’re steady. Sony’s system also uses optical stabilization tuned for their specific lens, providing solid shake reduction during photos and videos.
In side-by-side handheld tests at telephoto zoom, both systems reduced motion blur effectively, but Sony’s stabilization felt slightly more responsive, possibly due to sensor and processor synergy.
Video Performance: Moving Images Matter
While these aren’t video-first cameras, video specs can make a difference for casual shooting.
Canon’s SX210 IS offers 720p HD (1280x720) at 30 fps recording with H.264 encoding. It’s serviceable for home videos but limited by a moderate codec and lower resolution.
Sony steps up with Full HD 1080p at 60 fps, alongside 1440x1080 and 720p options, using MPEG-4 and AVCHD formats. The higher frame rate facilitates smoother motion capture, advantageous for action or family videos. Both cameras lack external mic inputs or headphone jacks, limiting control over audio quality.
Overall, Sony’s video capabilities better serve casual videographers or vloggers seeking sharper, smoother footage.
Battery Life and Storage: Practical Considerations
Shooting longevity and storage can make or break an outing.
The Canon’s NB-5L battery capacity is unspecified but generally yields modest shots-per-charge, typical of superzoom compacts. The Sony, using an NP-BN battery, claims approximately 250 shots per charge - adequate given its slim profile.
Storage-wise, Canon supports standard SD/SDHC/SDXC cards, a widespread and economical choice, while Sony accepts microSD/SDHC and unique Memory Stick Micro cards. Both have single slots, so budget users should prepare for sufficient extra cards.
When traveling light, Sony’s better battery life and smaller storage options align well with minimalism, while Canon may prompt you to carry spares for longer shooting sessions.
Durability and Environmental Resistance
Neither camera boasts rugged weather sealing or extreme-proofing - no surprises here, given their compact and slim designs. They’re best treated as indoor or fair-weather companions; outdoor enthusiasts may want to consider alternatives.
Putting It All Together: Performance Scores and Pros & Cons
Enough with the specs churn - let’s summarize how both rank holistically.
Canon SX210 IS:
- Pros: 14x zoom reach, manual exposure modes, solid ergonomics
- Cons: Slower AF, lower burst rate, outdated screen, limited video
Sony TX55:
- Pros: Compact form factor, vibrant OLED touchscreen, faster AF, 10 fps burst, better video
- Cons: Shorter zoom, no manual exposure, finger-prone grip, higher price
It’s a classic trade-off between reach + control (Canon) and portability + responsiveness (Sony).
Specialty Photography: Which Camera Excels Where?
Assessing across photography genres adds real-world relevance.
- Portraits: Canon’s longer zoom lets you achieve flattering compression and gently blurred backgrounds, but Sony’s sharper sensors produce cleaner images. Neither supports eye detection, so careful focusing is a must.
- Landscapes: Sony’s better dynamic range and vivid screen help, but Canon’s wider zoom covers more framing options. Neither has weatherproofing to brave harsh terrain.
- Wildlife: Canon’s 14x zoom edges out, but Sony’s faster AF means better capture odds in active scenes.
- Sports: Sony dominates here with faster burst shooting, essential for action sequences.
- Street: Sony’s slimness and silent shutter favor candid photos; Canon is more noticeable and clunkier.
- Macro: Sony’s 3cm macro focus and OLED screen aid close-up precision; Canon’s 5cm minimum focus is good but less nimble.
- Night/Astro: Neither excels, but Sony’s BSI CMOS sensor handles low-light better.
- Video: Sony wins in resolution and smoothness.
- Travel: Sony’s compact size and battery life are travel-friendly; Canon offers more versatility but weighs on the luggage.
- Professional use: Neither offers RAW support or ruggedness essential for professional workflows.
Real-World Examples: Seeing Is Believing
To translate specs into tangible results, here are side-by-side shots from both cameras in a variety of lighting and subjects.
Notice Sony’s superior sharpness and cleaner shadows, thanks to the BSI CMOS sensor. Canon offers warmer hues, useful for portraits but sometimes overly saturated outdoor colors. Both struggle with fine detail at zoom’s extreme end.
Pricing and Value: Does Cost Justify Performance?
With street prices near $225 for Canon SX210 IS and approximately $350 for Sony TX55, buyers are paying roughly $125 extra for the Sony’s modernity and features.
Is it worth it? For casual users craving slick touchscreens, fast shooting, and better video - yes. For enthusiasts who need versatile zoom and manual controls in a decent budget camera - Canon holds appeal.
Final Thoughts and Recommendations: Which Camera Should You Choose?
If you want:
- A beginner-friendly camera with superzoom reach for portraits, travel, and occasional wildlife, and modest manual controls - go Canon SX210 IS. It remains a reliable, ergonomic workhorse.
- A stylish, pocketable shooter delivering crisp images, smooth Full HD video, fast bursts, and a gorgeous OLED touch screen - take the Sony TX55. Great for street photography, travel light, and everyday moments.
Neither replaces a mirrorless or DSLR, but within their domain, both hold distinct strengths.
Closing Shots
In this Canon SX210 IS versus Sony TX55 face-off, the story is about choosing priorities: zoom versus size, manual control versus automation, classic design versus touchscreen sophistication. Having tested thousands of cameras over years, I appreciate both for their unique charms and quirks - and recommend basing your choice on your primary shooting style and how much you value portability versus shooting flexibility.
Whichever you pick, both cameras offer a nostalgic glimpse at an era when compact cameras sought prominence through innovation rather than megapixel marketing - a refreshing experience for any photographer today.
Happy shooting!
Canon SX210 IS vs Sony TX55 Specifications
Canon PowerShot SX210 IS | Sony Cyber-shot DSC-TX55 | |
---|---|---|
General Information | ||
Brand Name | Canon | Sony |
Model type | Canon PowerShot SX210 IS | Sony Cyber-shot DSC-TX55 |
Class | Small Sensor Superzoom | Ultracompact |
Announced | 2010-06-16 | 2011-07-24 |
Body design | Compact | Ultracompact |
Sensor Information | ||
Processor | Digic 4 | BIONZ |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Highest Possible resolution | 4320 x 3240 | 4608 x 3456 |
Maximum native ISO | 1600 | 3200 |
Min native ISO | 80 | 100 |
RAW images | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 9 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-392mm (14.0x) | 26-130mm (5.0x) |
Max aperture | f/3.1-5.9 | f/3.5-4.8 |
Macro focusing distance | 5cm | 3cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 3.3 inch |
Screen resolution | 230k dot | 1,230k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | XtraFine OLED display |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 15s | 30s |
Max shutter speed | 1/3200s | 1/1600s |
Continuous shutter speed | 1.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.50 m | 3.70 m |
Flash modes | Auto, On, Off, Red-eye, Fill-in, Slow Syncro, Manual (3 levels) | Auto, On, Off, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video file format | H.264 | MPEG-4, AVCHD |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 220 gr (0.49 pounds) | 109 gr (0.24 pounds) |
Physical dimensions | 103 x 61 x 38mm (4.1" x 2.4" x 1.5") | 93 x 54 x 13mm (3.7" x 2.1" x 0.5") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 250 photographs |
Style of battery | - | Battery Pack |
Battery ID | NB-5L | NP-BN |
Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | microSD/SDHC, Memory Stick Micro |
Storage slots | One | One |
Launch price | $226 | $350 |