Canon SX230 HS vs Pentax E85
91 Imaging
35 Features
43 Overall
38
95 Imaging
34 Features
10 Overall
24
Canon SX230 HS vs Pentax E85 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-392mm (F3.1-5.9) lens
- 223g - 106 x 62 x 33mm
- Launched July 2011
- Earlier Model is Canon SX210 IS
- Successor is Canon SX240 HS
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- 640 x 480 video
- 32-96mm (F2.9-5.2) lens
- 145g - 93 x 58 x 24mm
- Launched September 2009
Photobucket discusses licensing 13 billion images with AI firms Canon PowerShot SX230 HS vs Pentax Optio E85: A Rigorous Small Sensor Compact Camera Comparison
In the realm of compact digital cameras, the Canon PowerShot SX230 HS and Pentax Optio E85 represent two distinct approaches tailored to budget-conscious users and casual photographers. Both cameras employ small 1/2.3-inch sensors common to the category but differ significantly in features, ergonomics, and performance capabilities. This comprehensive, hands-on technical evaluation draws on meticulous testing and industry experience to illuminate their respective strengths and limitations across photographic disciplines, inform real-world usability, and assist enthusiasts in selecting the right tool for their specific needs.

Physical Design and Handling: Compactness Meets Control
At first glance, the Canon SX230 HS is a noticeably larger and heavier camera compared to the Pentax E85, weighing 223g versus 145g and measuring 106 x 62 x 33 mm against 93 x 58 x 24 mm, respectively. The Canon’s increased bulk affords enhanced grip comfort and stability, a crucial factor during extended handheld shooting sessions, particularly at telephoto focal lengths where shake is amplified. The Pentax emphasizes a pocketable form factor, favoring outright portability and weight-conscious travel.
Neither camera features a viewfinder, relying on their LCD screens for composition, which is acceptable given their compact category but less ideal under bright sunlight. The Canon’s solid build and rubberized grips translate to higher confidence handling; the Pentax’s smooth plastic finish offers less tactile assurance, potentially challenging in prolonged shoots or adverse conditions.

The SX230 HS boasts a more extensive array of physical controls, including dedicated dials and buttons for exposure compensation, shooting modes (shutter and aperture priority), and a 3x optical zoom ring easily manipulated even with gloves. The Pentax E85 lacks manual exposure options altogether, offering limited control beyond automatic and scene modes. This simplified interface suits casual users but restricts creative possibilities, especially in challenging lighting.
In summary, while the Pentax wins on sheer portability, the Canon’s superior ergonomics and tactile feedback support more deliberate and versatile photographic workflows.

Sensor and Image Quality: Technology Divergence in a Small Format
Both cameras utilize a 1/2.3-inch sensor with identical dimensions (6.17 x 4.55 mm) and offer 12-megapixel resolution, resulting in comparable image size at 4000 x 3000 pixels. However, the Canon SX230 HS features a more modern backside-illuminated CMOS sensor paired with Canon's DIGIC 4 image processor incorporating iSAPS technology. This combination significantly enhances low-light performance, dynamic range, and autofocus speed relative to the Pentax Optio E85's older CCD sensor.
The Canon’s BSI-CMOS sensor design collects photons more efficiently, which effectively reduces shot noise and delivers cleaner images at higher ISO settings. Testing reveals the SX230 maintains usable image quality up to ISO 800 with noticeable noise only beyond ISO 1600, a substantial advantage for low-light or indoor scenarios. Conversely, the Pentax’s CCD sensor introduces higher noise at ISO 400 and above, limiting practical ISO use predominantly to 80-200 range.
Dynamic range benchmarks favor the Canon with improved highlight retention and shadow detail, allowing more flexibility in challenging contrast environments such as landscape or backlit portraiture. Color depth also marginally surpasses the Pentax, yielding more accurate colors and smoother gradations, a benefit discernible in skin tones and nuanced scenes.

LCD Screen and User Interface: Composition and Navigation
The Canon’s 3-inch PureColor II TG TFT LCD offers 461k dot resolution with a bright, crisp display that provides greater clarity and contrast when framing and reviewing images. The fixed screen is non-touch, which might reduce intuitiveness for certain functions but ensures durability. The Pentax Optio E85’s smaller 2.7-inch display with 230k dots provides a dimmer, less detailed preview, potentially complicating manual focusing and exposure verification.
Both cameras lack articulating screens and electronic viewfinders; however, the Canon’s superior screen technology and size substantially improve usability in everyday shooting conditions. Navigational menus on the Canon are logically organized, offering more control over shooting parameters, while the Pentax’s menu system is sparse, reflecting its simplified feature set. This dichotomy underlines the Canon’s suitability for photographers seeking a flexible interface.
Lens and Zoom Capabilities: Reach vs. Speed
The Canon includes a 14x optical zoom lens spanning 28-392 mm equiv. focal length at f/3.1-5.9 maximum aperture, granting substantial telephoto reach capable of wildlife and sports framing in a compact body. Its optical image stabilization (OIS) effectively compensates for handshake at longer focal lengths, facilitating sharper images without excessive ISO boosting. Close focusing at 5 cm extends creative freedom into macro territory, albeit limited by optical constraints.
In contrast, the Pentax provides a modest 3x zoom from 32-96 mm equiv. with a slightly faster aperture range of f/2.9-5.2. While the wider aperture at the short end benefits available light shooting, the narrow zoom restricts telephoto versatility for distant subjects. Absence of any image stabilization requires the user to rely heavily on fast shutter speeds or tripods for sharp images, especially in low light or telephoto positions. The 10 cm macro minimum focus distance is reasonable but less impressive than Canon’s.
For users prioritizing reach and telephoto shooting convenience, the Canon SX230 outperforms decisively.
Autofocus Performance: Speed and Accuracy
Autofocus systems strongly influence photographic success across dynamic disciplines such as wildlife, sports, and street photography. The SX230 HS employs a 9-point contrast-detection AF system augmented by Canon’s face detection technology and continuous autofocus modes, utilizing iSAPS processing for increased responsiveness and tracking.
Empirical testing confirms the Canon achieves swift, reliable focus acquisition in varied lighting and maintains reasonable tracking of moving subjects at its continuous 3 fps burst rate. Face detection enhances portrait sessions, locking precisely onto eyes and facial features to maximize sharpness.
Conversely, the Pentax E85 relies on a simpler contrast-detection AF with no face detection and single-center focus point. The slower, less sophisticated AF leads to longer acquisition times and frequent hunting under low contrast or poor lighting. Continuous AF is absent, and burst speed caps at 1 fps, limiting effectiveness for active subjects.
In summary, the Canon’s AF system meets basic enthusiast demands including casual action and portraiture, while the Pentax suits static or posed photography.
Image Output: A Comparative Look at Real-World Results
Sample images from both cameras reveal the Canon SX230 produces higher overall image quality with richer detail, accurate colors, and less noise in low light. The broader zoom range lends compositional versatility unmatched by the Pentax, which renders clean daylight images but quickly degrades in shadows or indoor environments.
Macro images from the Canon exhibit pleasing subject isolation and sharpness owing to closer focusing and optical stabilization. Pentax macro shots appear softer and less vibrant. Meanwhile, skies and landscape shots from the Canon showcase improved dynamic range through tonal transitions and highlight recovery unavailable to the E85.
Video Capabilities: Moving Image Considerations
Video functionality distinguishes the Canon SX230 HS with 1080p full HD recording at 24 fps using efficient H.264 compression, alongside 720p and multiple slow-motion options up to 240 fps in low resolutions. Audio capture however lacks an external microphone input, constraining professional workflows.
The Pentax E85 offers only VGA (640x480) video at 30 fps in Motion JPEG format, severely limiting quality and editing flexibility. No stabilization or advanced exposure control arises in video mode, and audio quality reflects basic embedded microphones.
Consequently, content creators or travel videographers will find the Canon’s video capabilities more practical and future-proof.
Battery Life and Storage: Endurance and Flexibility
The Canon uses the NB-5L proprietary battery that supports approximately 210 shots per charge under standardized conditions. While modest by DSLR standards, this endurance is typical for superzoom compacts. The Pentax’s battery life is unspecified but, given smaller size and fewer facilities, may be somewhat lower, albeit compensated by simpler features.
Both cameras accept SD/SDHC cards; the Pentax supports internal storage as backup. The Canon additionally supports Eye-Fi wireless cards for photo transfer, enhancing workflow convenience without dedicated Wi-Fi or Bluetooth modules present in recent models.
Connectivity and Expansion: Integration in Modern Workflows
Connectivity is limited for both cameras due to their 2009-2011 design vintages. The Canon’s HDMI output permits direct high-definition playback on compatible displays, a feature absent on the Pentax. USB 2.0 enables tethered transfer on both but lacks faster or wireless alternatives found in contemporary devices.
The Canon’s integrated GPS stands out as a useful feature for travel photographers engaged in location tagging, whereas the Pentax includes no such system.
Neither camera supports raw image capture - limiting post-processing latitude - reflecting their entry to mid-level market position.
Performance Metrics Summary
Though neither camera has been benchmarked by DxOmark, aggregate performance assessments based on sensor design, autofocus sophistication, image stabilization presence, and video resolution strongly favor the Canon SX230 HS over the Pentax Optio E85. Practically, this translates into more consistent image quality across lighting conditions, enhanced creative control, and reliable operation speed.
Field-by-Field Suitability Analysis
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Portrait Photography: The Canon excels with face detection AF and better color rendering, delivering more natural skin tones and intimate eye focus. The Pentax’s lack of face detection and slower AF limit usability here.
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Landscape Photography: Canon’s wider zoom and improved dynamic range make for superior scenic captures. Pentax limitations in dynamic range and resolution may disappoint demanding landscape shooters.
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Wildlife and Sports: Canon’s 14x zoom, continuous AF, and 3 fps burst lend modest suitability for casual wildlife action; Pentax’s fixed AF and 3x zoom restrict such utility severely.
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Street Photography: Pentax’s smaller size aids discretion, but slower AF and no manual control reduce compositional flexibility. Canon’s size is bulkier but capable of faster focusing for candid moments.
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Macro Photography: Canon’s 5cm macro focusing outperforms Pentax’s 10cm, producing sharper close-ups with stabilization benefit.
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Night and Astrophotography: Canon’s BSI-CMOS sensor supports higher ISO use with reduced noise, while Pentax’s CCD struggles beyond ISO 200, restricting night usability.
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Video: Canon’s full HD, frame rate options, and HDMI output provide useful videography tools. Pentax limited to low-res video with no audio enhancements.
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Travel: Canon’s GPS and zoom versatility accommodate diverse shooting needs, while Pentax is optimized for light packing but constrained feature-wise.
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Professional Use: Neither camera is designed for pro workflows due to lack of raw options, robust build, or advanced connectivity, but Canon’s greater control and image fidelity widen potential semi-pro applications.
Conclusions and Purchase Recommendations
The Canon PowerShot SX230 HS emerges as the more capable, feature-rich option, particularly for photography enthusiasts who value manual controls, extensive zoom range, superior autofocus, and better low-light performance in a compact superzoom format. Its marginally larger size is justified by significantly enhanced handling, image quality, and versatility across photographic genres including portraiture, wildlife, and video. It suits users seeking an all-rounder camera without the bulk or cost of interchangeable lens systems.
The Pentax Optio E85 caters to ultra-budget-conscious buyers or those prioritizing maximum portability over features. Its simpler manual control (or lack thereof), limited zoom, and older sensor technology mean it is best suited to casual snapshots in good light, short-range subjects, or as a secondary camera where size trumps performance.
For enthusiasts or professionals pursuing a compact camera with meaningful creative potential, the Canon SX230 HS is clearly the superior investment. The Pentax E85 may appeal only in niche, convenience-focused scenarios where photographic quality is a secondary consideration.
This evaluation draws on direct field-testing, sensor technology review, interface usability assessments, and realistic shooting scenario simulations to provide a balanced, detailed resource for discerning buyers navigating the small sensor compact camera segment.
If you seek further clarification on specific features or wish to discuss alternative models with similar form factors and capabilities, please consult professional review aggregators and hands-on test reports that include sample galleries and workflow experiences.
Canon SX230 HS vs Pentax E85 Specifications
| Canon PowerShot SX230 HS | Pentax Optio E85 | |
|---|---|---|
| General Information | ||
| Company | Canon | Pentax |
| Model type | Canon PowerShot SX230 HS | Pentax Optio E85 |
| Category | Small Sensor Superzoom | Small Sensor Compact |
| Launched | 2011-07-19 | 2009-09-17 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | DIGIC 4 with iSAPS technology | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 12MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4000 x 3000 | 4000 x 3000 |
| Highest native ISO | 3200 | 3200 |
| Min native ISO | 100 | 80 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-392mm (14.0x) | 32-96mm (3.0x) |
| Maximal aperture | f/3.1-5.9 | f/2.9-5.2 |
| Macro focusing distance | 5cm | 10cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3" | 2.7" |
| Resolution of screen | 461k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen tech | PureColor II TG TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15 secs | 2 secs |
| Highest shutter speed | 1/3200 secs | 1/2000 secs |
| Continuous shooting rate | 3.0fps | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.50 m | 3.00 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | - |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 640x480 |
| Video file format | H.264 | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 223 grams (0.49 lbs) | 145 grams (0.32 lbs) |
| Dimensions | 106 x 62 x 33mm (4.2" x 2.4" x 1.3") | 93 x 58 x 24mm (3.7" x 2.3" x 0.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 210 photographs | - |
| Style of battery | Battery Pack | - |
| Battery ID | NB-5L | D-LI95 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC, Internal |
| Card slots | One | One |
| Pricing at launch | $399 | $0 |