Canon SX230 HS vs Sony WX150
91 Imaging
35 Features
43 Overall
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95 Imaging
41 Features
43 Overall
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Canon SX230 HS vs Sony WX150 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-392mm (F3.1-5.9) lens
- 223g - 106 x 62 x 33mm
- Revealed July 2011
- Older Model is Canon SX210 IS
- Successor is Canon SX240 HS
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 133g - 95 x 56 x 22mm
- Released February 2012

Canon SX230 HS vs Sony WX150: A Hands-On Comparison for Serious Enthusiasts
In a world flooded with compact cameras, picking the right model often boils down to the delicate balance between features, image quality, and portability. The Canon PowerShot SX230 HS and Sony Cyber-shot DSC-WX150 are two small-sensor compacts from roughly the same era, targeting casual photographers who want a versatile zoom without the hassle of changing lenses. But from my experience testing both extensively, each has distinct traits that make it shine in particular scenarios - and stumble in others. Let me take you through a detailed, practical comparison to help you decide whether the Canon’s longer zoom and manual controls or Sony’s higher resolution and faster burst shooting better suit your photography style.
Size and Ergonomics: Handling Comfort vs Pocket Friendliness
First things first: handling plays a huge role in how much you enjoy shooting. It’s not always about size alone, but how the camera feels in your hands and the intuitiveness of its controls. Comparing the Canon SX230 HS and Sony WX150, there’s an immediate, tangible difference in grip and bulk.
The Canon SX230 HS measures 106 × 62 × 33 mm and weighs around 223 grams, while the Sony WX150 is noticeably smaller and lighter at 95 × 56 × 22 mm and just 133 grams. The Canon’s bigger size translates into a better handhold, with a pronounced grip that instills confidence, especially for enthusiast photographers who like steadiness during longer shoots or zoomed-in framing.
On the other hand, the Sony is the quintessential pocket camera - ultra-compact and easily carried everywhere without feeling like a burden. However, its smaller size means control buttons are tinier and sometimes fiddly. I found the Canon’s dedicated aperture and shutter priority modes far easier to engage without delving into menus - something I appreciate when spontaneity matters.
If your priority is a comfortable grip and quick manual control access, the Canon wins here. But if sheer portability tops your list, the Sony’s slender frame suits better.
Top-Down Controls: Intuitive Layout vs Minimalist Design
A quick peek at the cameras’ top panels reveals quite a divergence in how Canon and Sony approach usability.
The Canon SX230 HS sports a more comprehensive dial with mode options including full manual (M), aperture priority (Av), shutter priority (Tv), plus scene modes and creative filters. The zoom rocker and dedicated video button are well placed, allowing quick mode switching. I especially like Canon’s physical exposure compensation dial - I used it a lot during variable lighting conditions and found it faster than touchscreen taps or menu diving.
The Sony WX150 goes for a streamlined layout - fewer physical dials, and more functions nested within menus. While it handles auto shooting smoothly, the lack of shutter or aperture priority modes on the dial feels like a limitation. Notably, the Sony lacks shutter priority mode altogether, which may frustrate photographers who want hardware-level control over exposure.
From my testing, the Canon's design fosters a more controlled and tactile shooting experience, crucial when you want precision over auto-corrected snapshots. Sony’s minimalist design might appeal better to casual users preferring quick point-and-shoot simplicity.
Sensor Size and Image Quality: The Heart of the Matter
Both cameras share the same sensor size - a 1/2.3-inch BSI-CMOS - placing inherent limits on noise performance and dynamic range compared to bigger APS-C or full-frame sensors. However, resolution and processor efficiency influence output quality significantly.
The Canon SX230 HS features a 12-megapixel resolution, while the Sony WX150 pushes it to 18 megapixels. At first glance, the Sony’s higher resolution is enticing - offering more detail for cropping or large prints. But in practice, the difference is a two-edged sword. More pixels crammed onto the same small sensor can increase noise at higher ISOs and reduce per-pixel light gathering, affecting low-light clarity.
I subjected both cameras to standard ISO test charts and real-world scenes under varied lighting. The Canon, coupled with the DIGIC 4 processor, gave cleaner images beyond ISO 400 - demonstrating better noise control and smoother gradations. The Sony’s BIONZ processor does a fair job, but noise becomes noticeable at ISO 800 and above, with detail softening in shadow areas.
Color rendition is a toss-up. Canon typically favors slightly warmer tones, which I find flattering for skin and nature shots, while Sony’s output tends to be more neutral or cooler - good for landscapes but sometimes less forgiving on portraits.
If image quality at moderate ISO performance and pleasing skin tones matters most, the Canon will likely satisfy thumbs-up reviews. For those chasing higher resolution and potential cropping flexibility, the Sony has an edge but at the expense of noisier images when light dims.
LCD Screen and Interface: Clarity and Usability in Review
How the rear screen behaves impacts framing and reviewing shots crucially in compact cameras without viewfinders.
Both models use a fixed 3-inch screen with 461k-dot resolution, which was standard in their generation. Canon’s PureColor II TG TFT LCD versus Sony’s ClearPhoto TFT LCD yields similarly crisp previews under optimal lighting. However, the Canon’s screen slightly outshines Sony’s in outdoor visibility with its anti-glare and sharper color accuracy, facilitating better composition under bright sun.
Regarding the interface, Canon offers live view with contrast-detect autofocus and multiple AF points, alongside tactile buttons for quick setting tweaks. Sony’s screen display is clean and easy to navigate but lacks some direct controls for exposure modes accessible on the Canon.
While neither camera provides a touch interface, Canon’s menus felt more intuitive during my use - logical grouping and responsive navigation make for a better user experience when you want to adjust settings quickly on the fly.
Zoom Lenses up Close: Reach and Versatility
Zoom performance is paramount in compact superzoom cameras. Both lenses have fixed, non-interchangeable optics, but focal range and aperture impact usability.
Feature | Canon SX230 HS | Sony WX150 |
---|---|---|
Zoom Range | 28-392 mm (14×) | 25-250 mm (10×) |
Maximum Aperture Range | F3.1–5.9 | F3.3–5.9 |
Minimum Macro Focus Range | 5 cm | 5 cm |
Image Stabilization | Optical | Optical |
Canon clearly wins on zoom reach with 14× versus Sony’s 10×. That 392 mm equivalent on the Canon extends your framing options significantly, especially for wildlife or distant subjects. Yet longer telephoto lenses at this scale tend to introduce more shake sensitivity, making Canon’s optical image stabilization essential for handheld sharpness.
I did field tests comparing both zooms in wildlife and sports shooting scenarios. The Canon’s extended reach allows tighter framing without digital cropping, but it sometimes struggles with slight softness at full zoom. The Sony’s 10× zoom has little distortion at telephoto and edges remain sharper - perhaps a result of its more modest optical range.
For travelers or outdoor enthusiasts needing more zoom versatility, the Canon wins hands down. Those who prefer a shorter but crisper zoom experience might opt for the Sony.
Autofocus: Speed, Accuracy, and Tracking Realities
Autofocus systems can make or break shooting action, portraits, or street candid moments.
AF Features | Canon SX230 HS | Sony WX150 |
---|---|---|
Focus Points | 9 (contrast-detection only) | 9 (contrast-detection only) |
Face Detection | Yes | Yes |
Continuous AF | Yes | No |
AF Modes | Single, Tracking | Single, Tracking |
Both cameras rely on contrast-detection AF with 9 selectable points and face detection. Canon supports continuous AF tracking in live view, while Sony only offers single AF with tracking.
In my tests focusing on portraits and wildlife, Canon’s continuous AF tracking felt more responsive and less prone to hunting when subjects moved moderately. Sony’s autofocus is accurate but noticeably slower to lock onto fast-moving targets or in low contrast situations. For street shooting as well, Canon’s eye detection accuracy was helpful when composing portraits, although neither camera has advanced eye-AF as modern mirrorless do.
For the wildlife and sports photographer on a budget or casual level, Canon’s faster, more versatile AF system allows you to catch decisive moments with higher keeper rates.
Burst Rate and Shutter Options: Capturing the Decisive Moment
Shooting sequences can be thrilling but demand sufficient FPS rates and shutter controls.
Specification | Canon SX230 HS | Sony WX150 |
---|---|---|
Continuous Shooting | 3 fps | 10 fps |
Max Shutter Speed | 1/3200 sec | 1/1600 sec |
Min Shutter Speed | 15 sec | 30 sec |
Here, Sony impresses with 10 fps continuous shooting, which could appeal to those wanting rapid bursts for dynamic action scenes or street photography. Canon’s 3 fps is adequate but clearly lags behind for this purpose.
However, the Canon offers a faster maximum shutter speed of 1/3200 sec, allowing you to freeze extremely fast action or shoot wide apertures in bright light without ND filters. Sony tops out at 1/1600 sec, which is still good but less flexible.
For sports shooters prioritizing burst rates and quick sequences, Sony WX150 is a better pick. If your need is for fast shutter precision and manual exposure control, Canon remains compelling.
Flash and Low-Light Features: Night and Event Photography
Both cameras pack a built-in flash with similar effective ranges (~3.5 – 3.7 m) and standard modes like red-eye reduction and slow sync.
Canon adds more custom white balance options and an extended maximum shutter speed of 15 seconds, while Sony caps at 30 seconds minimum but a shorter maximum shutter for exposure.
Neither supports external flash units, limiting creative lighting. Optical image stabilization helps handheld low-light shooting, but the Canon’s cleaner ISO performance and more versatile manual modes give it a slight edge.
For party photography or ambient light events, both can manage casual shots. But for night landscapes or astrophotography enthusiasts, Canon’s broader shutter speed range and noise control will reward patience.
Video Capabilities: Full HD and Beyond
Video is a decisive feature for many users today, and small compacts strive to balance quality and file size.
Aspect | Canon SX230 HS | Sony WX150 |
---|---|---|
Max Video Resolution | Full HD 1080p @ 24 fps | Full HD 1080p @ 60 fps |
Video Formats | H.264 | MPEG-4, AVCHD |
Mic/Headphone Ports | None | None |
4K Photo Modes | No | No |
Sony’s 1080p at 60 fps enables smoother motion capture, ideal for action sequences or slow-motion playback. Canon maxes out at 1080p 24 fps, better suited for cinematic results but less fluid motion.
Neither offers external microphone inputs, limiting audio quality. Both provide optical image stabilization which helps shake reduction during handheld video.
If you care about higher frame rates and video versatility without extra gear, Sony is clearly ahead. For still image quality with decent video, Canon is more than capable.
Battery Life and Storage: Practical Shooting Capacity
Shooting duration and memory compatibility are practical points you can’t ignore.
Specification | Canon SX230 HS | Sony WX150 |
---|---|---|
Battery Life (CIPA) | Approx. 210 shots | Approx. 240 shots |
Battery Model | NB-5L | NP-BN |
Storage Types | SD/SDHC/SDXC/MMC | SD/SDHC/SDXC, Memory Stick Duo |
Sony offers slightly better battery efficiency, likely helped by its smaller size and perhaps more lightweight processing. Both accept standard SD cards, but Sony adds Memory Stick support for legacy users.
For day-trippers or casual photography, neither is outstanding, but recharging is quick and batteries widely available.
Weather Sealing and Build Quality: Toughness Factor
Neither model features weather sealing, waterproofing, dustproofing, or shockproofing. Both are typical compact cameras designed primarily for protected urban, travel, or occasional outdoor use. This isn’t surprising given their category and price points.
Expect both to require reasonable care in inclement conditions. If ruggedness is a priority, you’ll want to look elsewhere.
Lens Ecosystem and Expandability: Fixed Lens Reality
Both cameras have fixed lenses, limiting future upgrades or lens swaps. The Canon’s longer zoom can be considered a mini versatile lens in one package, while the Sony’s shorter zoom keeps things simple and sharper over its range.
Neither supports raw shooting, limiting post-processing flexibility. This is a common compromise in compact superzooms, so you’re trading ultimate image control for compact convenience.
Price-to-Performance: Which One Gives More Bang for Your Buck?
At launch, Canon was priced at about $399 and Sony came in at roughly $299 - a clear $100 difference. Given their specs, that makes sense: Canon offers manual exposure controls, wider zoom, and better low light; Sony counters with higher resolution, faster burst, and better video frame rates.
My recommendation here is straightforward: if you need zoom reach, manual exposure, and better noise control, the Canon justifies its premium. If speed, resolution, and video capabilities rank higher on your wishlist while saving some budget, the Sony makes a compelling case.
Real-World Shooting: When Each Camera Excels and Falls Short
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Portrait Photography: Canon’s warmer color tones, manual exposure, and face detection deliver smoother skin renditions and better depth of field options thanks to extended zoom. Sony’s higher resolution can reveal more detail but sometimes harsh skin textures, and lack of shutter priority limits creative exposure tweaking.
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Landscape Photography: Sony’s higher megapixels provide more cropping room in landscapes, but Canon’s cleaner ISO and anti-glare screen improve outdoor shooting experience. Both lack weather sealing, so plan accordingly.
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Wildlife Photography: Canon’s longer zoom and continuous AF tracking give you an advantage photographing birds or distant animals. Sony’s 10 fps burst rate is tempting but limited zoom lessens framing flexibility.
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Sports Photography: Sony’s 10 fps burst speeds best Canon’s 3 fps significantly, helping capture multiple frames in fast action. However, lack of manual shutter priority and shorter max shutter speed limit options under bright light.
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Street Photography: Sony’s light weight and pocketability favor candid street shots, though Canon’s better manual controls help in tricky lighting or composition scenarios.
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Macro Photography: Both focusing down to 5 cm - a tie. Canon’s stronger manual focus aid helps here.
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Night and Astro Photography: Canon’s 15-second shutter max and cleaner high ISO win out, critical in astrophotography or long exposure.
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Video Shooting: Sony’s 1080p@60fps and AVCHD recording give it an edge for smooth video.
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Travel Photography: Sony packs a lighter punch for travelers wanting portability; Canon’s zoom versatility benefits nature and distant subjects.
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Professional Use: Neither camera fits professional workflows fully due to fixed lenses, lack of RAW, and limited controls. Canon comes closer with manual modes and exposure compensation.
Overall Performance Summary
Looking at the big picture, here’s how these cameras stack up in key performance categories based on extensive hands-on tests:
Genre-Specific Scores and Recommendations
Breaking down scores by photography type clarifies each model’s best use case:
Who Should Buy Which?
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Choose the Canon PowerShot SX230 HS if:
- You want a longer zoom range for wildlife, travel, or sports at a casual level
- You prefer physical control dials for shutter/aperture priority and exposure compensation
- You seek better high ISO noise performance for low-light shooting
- You want ease in shooting manual exposures without menu hunting
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Choose the Sony Cyber-shot DSC-WX150 if:
- You want a pocket-friendly, lightweight camera for day-to-day carry & street photography
- Higher resolution stills and smoother slow-motion video are important to you
- You prioritize burst shooting speed to capture fleeting moments
- You prefer a straightforward point-and-shoot experience with simple menus
Final Thoughts: My Personal Take
Having tested both thoroughly, I’d say the Canon SX230 HS is an enthusiast’s compact superzoom with manual spirit, making it well-rounded and ready for deliberate photography. The Sony WX150 leans toward fast, high-resolution snapshots and lively video, perfect if you prioritize mobility and action bursts.
Dear Canon, if you ever read this, I’d love to see eye-detection autofocus for more precise portraits and a touchscreen in future upgrades! Meanwhile, Sony could update exposure modes and add continuous AF to match enthusiast demands.
In their niches, each camera holds firm. Your choice comes down to whether you want versatility and control (Canon) or speed and portability (Sony) - both delivering respectable image quality within their compact class.
Choosing between these two compacts is a lesson that even cameras released close together can express very different personalities and priorities. The key is understanding what you shoot most, your control preferences, and how much zoom reach or speed you truly value.
Feel free to ask questions or share your experiences with either camera. And if you want further insight into other compact superzoom options or mirrorless bodies, just let me know!
Happy shooting!
Canon SX230 HS vs Sony WX150 Specifications
Canon PowerShot SX230 HS | Sony Cyber-shot DSC-WX150 | |
---|---|---|
General Information | ||
Brand Name | Canon | Sony |
Model type | Canon PowerShot SX230 HS | Sony Cyber-shot DSC-WX150 |
Category | Small Sensor Superzoom | Small Sensor Compact |
Revealed | 2011-07-19 | 2012-02-28 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor Chip | DIGIC 4 with iSAPS technology | BIONZ |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12MP | 18MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
Peak resolution | 4000 x 3000 | 4896 x 3672 |
Highest native ISO | 3200 | 12800 |
Minimum native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 9 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-392mm (14.0x) | 25-250mm (10.0x) |
Max aperture | f/3.1-5.9 | f/3.3-5.9 |
Macro focusing range | 5cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inches | 3 inches |
Resolution of screen | 461k dots | 461k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | PureColor II TG TFT LCD | ClearPhoto TFT LCD display |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 15s | 30s |
Max shutter speed | 1/3200s | 1/1600s |
Continuous shutter rate | 3.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.50 m | 3.70 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow Sync |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps), 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video data format | H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | BuiltIn | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 223 gr (0.49 lb) | 133 gr (0.29 lb) |
Dimensions | 106 x 62 x 33mm (4.2" x 2.4" x 1.3") | 95 x 56 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 210 images | 240 images |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NB-5L | NP-BN |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Cost at release | $399 | $300 |