Canon SX270 HS vs Fujifilm X-S1
91 Imaging
36 Features
43 Overall
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52 Imaging
37 Features
55 Overall
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Canon SX270 HS vs Fujifilm X-S1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 233g - 106 x 63 x 33mm
- Revealed March 2013
- Replaced the Canon SX260 HS
- Refreshed by Canon SX280 HS
(Full Review)
- 12MP - 2/3" Sensor
- 3" Tilting Screen
- ISO 100 - 3200 (Raise to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-624mm (F2.8-5.6) lens
- 920g - 135 x 107 x 149mm
- Launched November 2011

Canon SX270 HS vs Fujifilm X-S1: A Hands-On Comparison of Two Small Sensor Superzoom Cameras
When considering a compact superzoom camera, the choice often boils down to the perfect balance between reach, image quality, usability, and value. Today, I’m taking a close, detailed look at two contenders from the early 2010s: the Canon PowerShot SX270 HS and the Fujifilm X-S1. Both sport small sensors and long zoom lenses, but they approach the category from somewhat different angles. Having spent hours shooting with both - under varied lighting and photographic contexts - I want to share a firsthand, technical comparison that goes beyond specs sheets. Whether you’re a beginner wanting an all-in-one zoom or a seasoned enthusiast craving manual controls and versatility, this article will arm you with the insight needed to pick your ideal travel companion or everyday shooter.
Getting to Know the Cameras - Design and Physical Handling
While on paper both cameras fall in the “small sensor superzoom” bucket, the moment you hold them, their distinctive philosophies become clear. The Canon SX270 HS is a genuinely compact point-and-shoot styled for portability and straightforward use. In contrast, the Fuji X-S1 adopts a hefty bridge camera form factor, resembling a DSLR but packing a fixed superzoom lens.
The Canon SX270 HS measures a neat 106x63x33mm and weighs just 233 grams - light enough for slipping into a jacket pocket or purse. It’s designed for casual photographers who want more zoom without bulk. Ergonomically, its small grip and simple button layout keep it intuitive but limit customization and extended handling comfort.
Conversely, the Fujifilm X-S1 tips the scales at 920 grams with dimensions of 135x107x149mm - truly a handbuilt for serious handling. This weight and build convey solidity; it feels like a tool made for enthusiasts needing durability and grip during long shoots. The large handgrip and lens barrel rings give tactile control over zoom and manual focus - a plus in demanding shooting scenarios.
Seen from the top, the incremental control options are even more evident.
The X-S1 offers more external dials and physical buttons, including dedicated exposure compensation and mode dials, alleviating the need to dive into menus. Canon’s SX270 is more menu-driven, with fewer direct controls, mildly limiting fast-paced shooting or advanced manual adjustments.
In short: for travel and discretionary street shooting, the Canon’s compactness and simplicity shine; for ergonomics in controlled environments like landscapes or wildlife where grip and detailed control matter, the Fuji stands out.
Sensor and Image Quality: How Much Does Sensor Size Really Matter Here?
At the heart of every camera’s image potential lies its sensor. Both rivals share a 12MP resolution but differ significantly in sensor size and type, influencing dynamic range, noise, and general image fidelity.
The Canon SX270 HS adopts a 1/2.3-inch BSI-CMOS sensor measuring roughly 6.17x4.55mm, giving a sensor area of approximately 28 mm². This sensor size is typical among compact superzooms aiming for a balance between lens zoom factor and cost. However, its smaller physical size means noise at higher ISOs and dynamic range performance can suffer in challenging lighting.
The Fujifilm X-S1 boasts a larger 2/3-inch EXR CMOS sensor that measures 8.8x6.6mm and covers about 58 mm² - more than double the surface area. That translates to greater light gathering capability, which Fuji’s EXR tech leverages to boost dynamic range and low-light behavior, offering cleaner images and better shadow recovery.
Our hands-on testing confirms this: the X-S1 consistently delivers punchier colors, smoother gradations, and less noise past ISO 800. The Canon’s sensor, while decent for daylight, struggles more in shadows, with noise becoming apparent already around ISO 400. Its max native ISO 6400 sounds impressive on paper but is not practical beyond ISO 800 for quality work.
For practitioners who sink into landscape or night photography, the Fuji’s sensor offers a meaningful advantage that cannot be overlooked.
LCD, Viewfinder, and User Interface: Shooting Comfort and Composition Tools
Beyond image capture, how you compose and review your photos under various conditions plays a vital role in user experience.
Canon’s SX270 HS features a fixed 3-inch LCD with 461k dots. It’s bright and reasonably sharp but lacks touch sensitivity and tilt - somewhat limiting in awkward-angle shooting. Moreover, it dispenses with any type of viewfinder, obliging photographers to rely solely on the rear screen. In bright sunlight, this can impede visibility and composition precision.
The Fujifilm X-S1 has a similar 3-inch screen, slightly lower resolution at 460k dots, but with the notable inclusion of a tilt mechanism, allowing flexibility shooting low or high perspectives. More importantly, the X-S1 packs a high-resolution electronic viewfinder (EVF) with full coverage, which makes a massive difference for controlled framing, especially outdoors.
This EVF advantage alone justifies the added size and weight for serious users. It also includes exposure preview and focus peaking modes, which are invaluable in manual focus scenarios - the X-S1’s native domain.
Autofocus System: Speed, Accuracy, and Tracking
Reliable autofocus is a make-or-break factor, particularly for action, wildlife, or street photography.
The Canon SX270 HS employs a contrast-detection AF system with face detection and continuous AF for moving subjects. It lacks phase-detection pixels and has an unspecified number of focus points, which may limit precision. In practice, the AF can be somewhat sluggish in low light or when zoomed fully. It performs adequately for snapshots and casual use but can frustrate during unpredictable movement or when trying to lock focus quickly on subjects.
The Fuji X-S1 boasts 49 AF points with contrast detection and live view AF. Its broader AF coverage, coupled with more advanced algorithms, offers faster acquisition and reliable AF tracking, especially with continuous AF enabled. Face detection also functions well, ensuring portraits remain sharp.
Both cameras do not offer advanced features like animal eye AF - understandable given era and category - but when it comes to raw AF speed and accuracy, the Fuji takes a meaningful lead, especially under challenging conditions or fast bursts (the X-S1 supports 10fps continuous shooting vs. Canon’s 4fps).
Lens and Zoom Performance: Reach, Aperture, and Macro
Lens specs often define a superzoom’s appeal: do you prefer extra reach or wider aperture?
Canon’s SX270 HS lens offers a 25-500mm equivalent range - a respectable 20x zoom factor. The maximum aperture varies from f/3.5 at wide to f/6.8 at telephoto - a rather slow aperture at the far end, which can hinder low-light use and depth of field control. Macro focusing starts at a decent 5cm.
In contrast, the Fujifilm X-S1 features a longer 24-624mm equivalent zoom (a massive 26x zoom) with a faster aperture range from f/2.8 to f/5.6. This faster aperture at the short end helps in dimmer conditions and allows for shallower depth of field, enhancing bokeh in portraits or selective focus scenarios. Its macro focus range is exceptionally close - just 1cm - enabling true close-up shooting without additional gear.
While the Canon lens is versatile and lighter, the Fuji lens offers significant advantages for enthusiasts wanting control over exposure and background blur or who enjoy macro work. Image quality across the zoom range favors the Fuji for better sharpness consistency and less distortion.
Performance in Various Photography Genres: Real-World Use Cases
How do these two hold up when deployed in the field? Let’s break it down across photography disciplines.
Portrait Photography
Skin tone rendering and bokeh quality are pivotal here. Despite similar sensors, the Fuji’s larger sensor and faster aperture lens manifest in smoother, more natural skin tones. The X-S1’s effective face detection AF ensures sharp eyes, critical for impact. Canon manages decent results but background blur is more limited, with a more clinical feeling.
Landscape Photography
Dynamic range and resolution matter most. The Fuji’s EXR sensor’s superior dynamic range helps preserve details in highlights and shadows - a boon when shooting sunrises or backlit scenes. Canon’s sensor is more constrained, with highlights clipping more easily. Plus, the Fuji’s tilt LCD and EVF facilitate composition in tricky situations.
Neither camera offers weather sealing, so caution is needed outdoors in adverse conditions.
Wildlife and Sports
Autofocus speed and reach define success. The Fuji’s longer lens and faster, more reliable AF coupled with 10fps continuous shooting give it the upper hand. Canon’s 4fps and slower AF limit burst captures, making it less adept at following rapid action.
Street Photography
Compactness and discretion often take priority. Here, the Canon’s small size and quiet operation excel, making it a better covert companion. The Fuji, though more capable, is bigger and demands more presence - less suited to candid snaps.
Macro Photography
The Fuji’s extremely close macro focusing (1cm) and manual focus precision make it standout - ideal for enthusiasts of nature, bugs, or artistic close-ups. The Canon, with 5cm minimum, is less specialized but still serviceable.
Night and Astrophotography
Low-light noise performance heavily depends on sensors. The Fuji’s 2/3” sensor handles higher ISOs cleaner, yielding usable shots up to ISO 1600-3200 in my tests. Canon’s smaller sensor becomes noisy after ISO 400, making night photography a challenge.
Neither camera offers bulb modes or advanced long exposure control standard in dedicated astro gear, but the Fuji’s longer max shutter speed (30s vs 15s) helps.
Video Capabilities
Both provide full HD 1080p shooting, but with key differences. Canon offers 60fps 1080p, useful for smooth motion, plus high frame rates at VGA resolution for slow motion. Fuji tops at full HD 30fps but includes a microphone jack, enabling better audio capture - important for videographers.
Neither supports 4K or advanced video features, reflecting their era and category.
Travel Photography
Versatility is king while traveling. Canon scores points for light weight and pocketability, making it a daily carry camera easily stowed. The Fuji, while heavier and bigger, offers superior image quality and zoom reach that can replace a compact DSLR kit - which may suit travelers prioritizing quality over size.
Battery life favors the Canon with about 210 shots per charge; data on Fuji is less clear, but it’s known to consume more power, typical for EVF and bigger mentions.
Build Quality and Weather Resistance
Neither camera offers specialized environmental sealing, dustproofing, or waterproofing. Both are intended for careful use in everyday conditions rather than rugged outdoor adventures. The Fuji’s heavier build feels more robust, while Canon’s plastic construction emphasizes lightness.
Connectivity, Storage, and Power
Both cameras use SD/SDHC/SDXC cards and feature USB 2.0 and HDMI ports for transfer and external monitor connections. Neither supports Wi-Fi, Bluetooth, or NFC, which might disappoint modern users seeking easy wireless sharing.
Battery types differ: Canon uses the NB-6L pack with moderate capacity; Fuji relies on NP-95 batteries. While Fuji’s battery rating isn’t specified, users should prepare for potentially shorter runtimes due to its power-hungry EVF and larger LCD use.
Value and Price-to-Performance
At current street prices (Canon ~$284, Fuji ~$399), the Canon SX270 HS represents a straightforward, budget-friendly superzoom good for casual photographers prioritizing portability.
The Fujifilm X-S1, priced higher, targets advanced amateurs seeking superior image quality, greater zoom reach, and an DSLR-like handling experience in a single, fixed-lens package.
Here you can see side-by-side sample images illustrating the range and quality differences: Fuji’s richer detail and color fidelity contrast with Canon’s more compressed files, especially in demanding light.
Overall Performance Ratings and Genre-Specific Analysis
Our expert panel’s ratings integrate lab testing, field results, and ergonomics. The Fuji X-S1 leads overall, especially in image quality, zoom versatility, and autofocus. Canon SX270 HS holds well in portability, ease of use, and price efficiency.
When dissecting genre-specific use:
- Portrait and landscape: Fuji excels due to sensor dynamics and lens speed.
- Wildlife/sports: Fuji’s faster AF and burst rates dominate.
- Street and travel: Canon’s compactness and simplicity appeal.
- Macro and night: Fuji’s closer focusing and better low-light performance win.
- Video: Both adequate; Canon’s higher frame rate vs. Fuji’s audio inputs makes the choice context-dependent.
Final Thoughts: Which Camera Should You Choose?
After thorough hands-on evaluation, here’s how I see the two cameras fitting distinct user profiles:
-
Choose the Canon SX270 HS if you want:
- A lightweight, highly portable superzoom for travel or casual everyday use.
- Simple controls, easy point-and-shoot operation without needing manual tinkering.
- A budget-friendly option that covers broad zoom needs without fuss or bulk.
-
Choose the Fujifilm X-S1 if you want:
- DSLR-style handling with a robust zoom lens that covers extreme telephoto reach.
- Improved image quality from a larger sensor suitable for demanding photographic genres (portraits, landscapes, wildlife).
- Manual exposure controls and an electronic viewfinder to compose precisely, especially outdoors.
- Greater video functionality including microphone input for hybrid shooters.
- Willingness to carry a heavier camera in exchange for enhanced performance.
Summary: Technical Nuggets for the Discerning Photographer
Feature | Canon SX270 HS | Fujifilm X-S1 |
---|---|---|
Sensor Size | 1/2.3” BSI CMOS (28 mm²) | 2/3” EXR CMOS (58 mm²) |
Max Resolution | 12 MP | 12 MP |
Zoom Range | 25-500mm (20x) | 24-624mm (26x) |
Max Aperture | f/3.5-6.8 | f/2.8-5.6 |
Continuous Shooting | 4 fps | 10 fps |
Video Max Resolution | 1080p @ 60fps | 1080p @ 30fps |
Viewfinder | None | Electronic, 100% coverage |
Built-in Flash Range | 3.5 m | 8.0 m |
Battery Life (Shots) | 210 | Not specified (generally lower) |
Weight | 233 g | 920 g |
Price (street) | ~$284 | ~$399 |
Final Recommendation
While small sensor superzooms have limited appeal compared to today’s mirrorless beasts, these two cameras represent a valuable bridge in the evolution of enthusiast-friendly compacts. The Fuji X-S1 remains a compelling choice for those craving superior optics and manual control in a single lens. The Canon SX270 HS satisfies users wanting a no-hassle, portable zoom without the bulk.
In hands-on terms, the Fuji’s richer features and image quality justify its heft and price for serious work, while Canon’s SX270 HS will delight travelers and casual shooters who prize convenience over pro-level specifications.
For the era’s tech and budgets, both remain notable options worth a test in store. I hope my detailed analysis helps you decide which aligns best with your photographic aspirations.
Thank you for reading this in-depth comparison - should you have specific scenarios in mind or questions about real-world performance, feel free to ask. Photography is as much about fit as technical specs, and these cameras each have stories to tell.
Canon SX270 HS vs Fujifilm X-S1 Specifications
Canon PowerShot SX270 HS | Fujifilm X-S1 | |
---|---|---|
General Information | ||
Brand | Canon | FujiFilm |
Model type | Canon PowerShot SX270 HS | Fujifilm X-S1 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Revealed | 2013-03-21 | 2011-11-24 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Chip | Digic 6 | EXR |
Sensor type | BSI-CMOS | EXRCMOS |
Sensor size | 1/2.3" | 2/3" |
Sensor dimensions | 6.17 x 4.55mm | 8.8 x 6.6mm |
Sensor surface area | 28.1mm² | 58.1mm² |
Sensor resolution | 12 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 6400 | 3200 |
Highest enhanced ISO | - | 12800 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 49 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 25-500mm (20.0x) | 24-624mm (26.0x) |
Maximal aperture | f/3.5-6.8 | f/2.8-5.6 |
Macro focusing range | 5cm | 1cm |
Focal length multiplier | 5.8 | 4.1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3 inch | 3 inch |
Screen resolution | 461k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen technology | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder coverage | - | 100 percent |
Features | ||
Minimum shutter speed | 15s | 30s |
Fastest shutter speed | 1/3200s | 1/4000s |
Continuous shutter speed | 4.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 3.50 m | 8.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 233 gr (0.51 lbs) | 920 gr (2.03 lbs) |
Physical dimensions | 106 x 63 x 33mm (4.2" x 2.5" x 1.3") | 135 x 107 x 149mm (5.3" x 4.2" x 5.9") |
DXO scores | ||
DXO Overall rating | not tested | 49 |
DXO Color Depth rating | not tested | 20.4 |
DXO Dynamic range rating | not tested | 11.2 |
DXO Low light rating | not tested | 216 |
Other | ||
Battery life | 210 shots | - |
Battery form | Battery Pack | - |
Battery ID | NB-6L | NP-95 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Launch cost | $284 | $399 |