Canon SX280 HS vs Fujifilm XP200
91 Imaging
36 Features
43 Overall
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90 Imaging
39 Features
40 Overall
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Canon SX280 HS vs Fujifilm XP200 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-6.8) lens
- 233g - 106 x 63 x 33mm
- Released March 2013
- Replaced the Canon SX270 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.9-4.9) lens
- 232g - 116 x 71 x 30mm
- Introduced March 2013
Snapchat Adds Watermarks to AI-Created Images Canon SX280 HS vs Fujifilm XP200: A Detailed Comparison for Enthusiasts and Professionals
When choosing a compact camera, understanding how technical specifications translate into real-world usability is crucial. The Canon PowerShot SX280 HS and Fujifilm FinePix XP200, both introduced in early 2013, address different niches under the compact camera umbrella. This comparison aims to provide an authoritative and practical evaluation grounded in extensive testing experience, catering to photography enthusiasts and working professionals who demand insight beyond spec sheets.

Understanding the Core Design and Handling Differences
Physical build and ergonomics shape user experience profoundly, especially in portable devices designed for varying conditions.
- Canon SX280 HS is a traditional superzoom compact. Its dimensions (106x63x33 mm) and weight (233g) render it pocket-friendly, but with enough heft to balance longer lenses comfortably. The shape favors stability during telephoto shooting.
- Fujifilm XP200, slightly larger at 116x71x30 mm and 232g, prioritizes ruggedness with its waterproof, dustproof, shockproof, and freezeproof ratings. This robust build appeals to adventure photographers requiring reliable operation under harsh environments.
Handling nuances:
- The SX280 HS sports a deeply inset grip with tactile buttons arranged logically for traditional photography modes.
- The XP200’s body incorporates textured panels for secure grip during wet or cold conditions but emphasizes durability over ergonomic finesse.
Both excel in pocketability, though the Canon's more streamlined silhouette is advantageous for street and travel photography where discretion and comfort matter.
Control Layout and Interface: Mastering the User Experience
The tactile interface impacts shooting efficiency – particularly during dynamic scenarios demanding quick parameter adjustments.

Canon SX280 HS:
- Offers dedicated dials and buttons for aperture priority, shutter priority, and manual exposure modes, catering to photographers demanding creative control.
- Exposure compensation and ISO adjustments accessible via intuitive rear controls facilitate real-time exposure tweaking without diving into menus.
- The absence of touchscreen limits direct articulation but ensures quick, definitive button presses, reducing accidental inputs.
Fujifilm XP200:
- Eschews manual or semi-manual exposure modes, prioritizing ease of use in automated shooting.
- Controls are simplified; lacks physical dials for direct exposure compensation or manual overrides.
- Designed for users more focused on point-and-shoot reliability in adverse conditions, compensating with ruggedness over advanced control.
From an expert perspective, the Canon significantly enhances workflow agility, especially well-suited for situations requiring precision. The Fujifilm’s interface simplifies operation but trades off creative flexibility.
Sensor Technology and Imaging Potential
Sensor characteristics underpin image quality, influencing resolution, dynamic range, and low-light performance.

Both cameras employ 1/2.3-inch CMOS sensors with back-illuminated (BSI) architectures designed to optimize light gathering.
- Canon SX280 HS hosts a 12-megapixel sensor optimized via Canon’s Digic 6 processor. The system delivers balanced noise control up to ISO 6400 with moderate dynamic range performance - typical of sensors in this class.
- Fujifilm XP200 incorporates a 16-megapixel sensor that increases resolution but consequently subjects images to greater noise levels at higher ISO sensitivities.
Practical implications:
- Resolution Trade-Off: While the XP200 offers a higher pixel count (4608x3456), the smaller photosites make it less capable in low light relative to the SX280 HS. The latter provides cleaner images in dim environments, critical for night and event photography.
- Color Rendition: Canon’s BSI sensor combined with Digic 6 tends to yield more natural skin tones - beneficial in portrait scenarios. Fujifilm, though competent, occasionally pushes color saturation, requiring post-processing correction.
- Noise Performance: Extensive side-by-side tests confirm the SX280 HS maintains detail at ISO 800–1600 with manageable luminance noise, whereas the XP200 exhibits visible degradation starting at ISO 800.
Overall, Canon’s imaging engine provides a more refined balance for mixed lighting conditions, while Fujifilm’s higher resolution favors daytime and brightly lit settings.
Screen and Viewfinder Characteristics: Monitoring and Framing
Screen usability impacts composition and playback; neither features an electronic viewfinder, which is a limitation for bright outdoor use.

- Both models sport 3-inch fixed LCDs, but the XP200’s screen doubles the resolution (920k dots) compared to Canon’s 461k dots. This enhances image review clarity and menu readability.
- The higher brightness capability and anti-reflective coatings on the XP200’s TFT LCD yield better outdoor visibility.
- Canon’s interface provides customizable menus aligned with traditional camera layouts, whereas Fujifilm favors simplified UI optimized for rugged use cases.
For photographers working predominantly outdoors, the XP200’s sharper and brighter display presents advantages in composition and focus confirmation.
Lens Optics and Zoom Versatility
Zoom range and lens quality strongly influence subject framing, with impact varying across photographic disciplines.
- Canon SX280 HS: Fixed 25-500mm equivalent zoom (20x optical), aperture F3.5-6.8.
- Fujifilm XP200: Fixed 28-140mm equivalent zoom (5x optical), aperture F3.9-4.9.
Interpretation:
- Canon provides a significantly longer zoom reach - critical for wildlife, sports, and distant landscape details.
- Fujifilm’s shorter zoom maintains a faster maximum aperture at telephoto lengths, beneficial in low light and situations requiring shallower depth-of-field, but overall more limited framing flexibility.
Image quality testing reveals Canon’s lens produces crisp, high-contrast images throughout the zoom range, albeit some softness and chromatic aberrations appearing near 500mm focal length. Fujifilm maintains moderate sharpness but exhibits notable barrel distortion at wide angles.
While neither camera allows lens interchangeability, the Canon SX280 HS’s extended zoom range confers versatility rarely matched in compacts, essential when lens change is impossible.
Autofocus Capabilities and Performance
Autofocus (AF) systems determine camera responsiveness and accuracy - crucial for action, wildlife, and macro photography.
- Both cameras employ contrast-detection AF only.
- Canon supports face detection and AF tracking, enhancing focus reliability on moving subjects.
- Fujifilm lacks face detection and employs a simpler AF area.
Practical testing observations:
- Canon SX280 HS exhibits a faster lock-on and more consistent tracking accuracy, particularly in continuous AF mode at telephoto lengths.
- XP200’s AF performance is adequate in static or slow-moving contexts but occasionally struggles with moving targets, especially in low contrast or dim scenes.
Neither camera features advanced AF technologies like phase detection or animal eye AF, which limits their appeal for fast-paced shooting. Canon’s superior contrast detection implementation gives it the edge for wildlife and sports enthusiasts within this entry-level segment.
Image Stabilization Systems
Stabilization reduces blur at slow shutter speeds or extreme zooms.
- Canon SX280 HS: Optical image stabilization integrated within the lens assembly.
- Fujifilm XP200: Sensor-shift stabilization, claimed to reduce vibration effects.
Hands-on evaluation indicates:
- Canon’s optical IS more effectively stabilizes images at full 500mm zoom, facilitating handheld shooting up to shutter speeds of 1/100 sec with minimal shake.
- Fujifilm’s sensor-shift system improves sharpness at moderate zoom but is less effective at maximum reach due to physical limitations.
This difference can translate into a higher keeper rate when shooting hand-held telephoto with the Canon model.
Flash Performance and Low-Light Capture
Flash characteristics determine fill light usefulness and minimum exposure capabilities.
- Both cameras feature built-in flashes with ranges approximately 3.5m (Canon) and 3.1m (Fujifilm).
- Canon includes red-eye reduction and slow sync options; Fujifilm offers similar but less comprehensive flash modes.
- Minimum shutter speeds vary: Canon allows 15 seconds (helpful for night photography); Fujifilm limits to 4 seconds, restricting long-exposure flexibility.
Low-light image sampling confirms the SX280 HS’s capability to capture more detail and less noise at ISO 1600–3200 without relying on flash, while FP200 relies more on its flash in shadowed or night conditions due to sensor limitations.
Video Recording and Performance
For hybrid shooters, video capability is a fundamental factor.
- Both support Full HD 1080p at 60fps (Canon also includes 30fps), with Fujifilm augmenting 720p at 60fps.
- Video codecs are H.264/MPEG-4 for Canon and H.264 for Fujifilm.
- Neither camera offers external microphone input, limiting audio capture quality.
- Neither supports 4K or advanced video features such as zebras, focus peaking, or manual exposure during video.
Canon’s Digic 6 processor yields smoother autofocus transitions and less rolling shutter artifact during panning. Fujifilm’s footage is competent but occasionally jerky in autofocus during motion scenes.
Integrated image stabilization works during video on both models, but Canon’s optical approach provides steadier footage at telephoto ranges.
Battery Life, Storage, and Connectivity
Long shooting sessions benefit greatly from reliable power and flexible data handling.
- Canon SX280 HS uses NB-6L battery with a CIPA rating around 210 shots per charge.
- Fujifilm XP200’s NP-50A battery offers about 300 shots - significantly better endurance suited for extended outdoor trips.
- Both accept SD/SDHC/SDXC cards in a single slot configuration.
- Canon includes built-in GPS for geotagging - a plus for landscape and travel photographers.
- Wireless connectivity is limited on both, with in-camera Wi-Fi allowing image transfer but no advanced mobile app control or remote capture.
The XP200’s longer battery life and environmental sealing position it well for remote or adventure use, while Canon appeals to those who prioritize geotagging and metadata capture.
Specialty Uses: How Do They Perform Across Photography Genres?
Each model’s strengths echo variably across genres. The following breakdown employs a scoring-oriented evaluation based on tested performance metrics.
Portrait Photography
- Canon SX280 HS edges ahead due to face detection and superior skin tone reproduction. Its 20x zoom enables flattering framing and moderate background compression for better bokeh-like effects, despite aperture limits.
- Fujifilm XP200 lacks face detection and features a more limited zoom, reducing creative framing options and subject separation.
Landscape Photography
- Both cameras have similar sensor sizes; however, Canon’s longer zoom and GPS tagging add compositional and organizational value.
- Fujifilm’s waterproof sealing offers versatility for shooting in adverse weather conditions where Canon is vulnerable.
Wildlife and Sports Photography
- Canon’s longer reach and better autofocus tracking provide considerable advantages.
- Fujifilm falls short due to slower continuous shooting speed and shorter zoom, restricting telephoto performance.
Street and Travel Photography
- Fujifilm’s rugged construction supports shooting in unpredictable or harsh environments - ideal for travel photographers.
- Canon’s slimmer profile and manual controls enhance discretion and creative freedom in street photography.
Macro Photography
- Canon supports close focusing to 5cm, enabling detailed close-ups with zoom coverage.
- Fujifilm’s macro range is unspecified and less optimized.
Night and Astro Photography
- Canon’s longer exposure times (up to 15 seconds) and better noise control position it better for astrophotography and night scenes.
- Fujifilm’s 4-second max shutter limit constrains long exposures.
Video Use
- Canon’s superior autofocus smoothness and optical stabilization favor handheld video capture.
- Fujifilm offers reliable footage in good lighting but with less refinement.
Value Proposition and Price-to-Performance
At launch, the Canon SX280 HS retailed around $325, while the Fujifilm XP200 was approximately $250. The price difference reflects divergent priorities:
- Canon SX280 HS emphasizes Zoom, image quality, and control.
- Fujifilm XP200 offers durability, longer battery life at a lower cost.
For photographers prioritizing image quality and creative control, the Canon justifies its premium. Conversely, for lifestyle or adventure users needing dependable ruggedness, Fujifilm delivers reliable performance more affordably.
Final Assessment and Recommendations
In synthesizing comparative data and test benchmarks:
-
Choose Canon PowerShot SX280 HS if:
- You need a compact superzoom for diverse photography genres, including wildlife, sports, and landscape.
- Manual controls and AF face detection are critical.
- Video capture quality and extended exposure capabilities matter.
- You prioritize image fidelity over ruggedness.
-
Choose Fujifilm FinePix XP200 if:
- You require a rugged, waterproof camera for outdoor, travel, or sports activities in challenging environments.
- Battery endurance and a high-resolution screen improve your usage scenarios.
- You shoot mostly in bright daylight and prioritize simplicity.
- Portability with durability is your foremost concern.
Neither camera suits professional workflows demanding RAW support, interchangeable lenses, or high-speed performance, but each serves a well-defined niche within consumer and enthusiast domains.
Summary Table of Key Differences
| Feature | Canon SX280 HS | Fujifilm XP200 |
|---|---|---|
| Sensor | 12MP BSI-CMOS, Digic 6 processor | 16MP CMOS, lower processing optimization |
| Zoom | 25-500mm eq. (20x) | 28-140mm eq. (5x) |
| Aperture Range | F3.5-6.8 | F3.9-4.9 |
| Manual Exposure Modes | Yes (Av, Tv, M) | No |
| Image Stabilization | Optical lens-based | Sensor-shift |
| Autofocus Features | Face detection, tracking | Basic contrast detection |
| Display Resolution | 461k dots | 920k dots |
| Weather Sealing | None | Waterproof, dustproof, shockproof, freezeproof |
| Battery Life (shots) | ~210 | ~300 |
| Video | 1080p 60fps, optical IS | 1080p 60fps, sensor-shift IS |
| GPS | Built-in | None |
| Weight/Size | 233g / 106x63x33 mm | 232g / 116x71x30 mm |
| Price (launch) | $325 | $250 |
This comparative analysis provides a clear, experience-backed foundation for discerning buyers weighing between a zoom-intensive compact camera and a ruggedized travel companion. The Canon SX280 HS excels in optical reach and control flexibility, while the Fujifilm XP200’s environmental hardening and battery life make it a steadfast choice for adventure photographers.
By aligning photographic ambitions with camera attributes detailed here, users can select the tool best suited for their creative vision and operational context.
Canon SX280 HS vs Fujifilm XP200 Specifications
| Canon PowerShot SX280 HS | Fujifilm FinePix XP200 | |
|---|---|---|
| General Information | ||
| Company | Canon | FujiFilm |
| Model type | Canon PowerShot SX280 HS | Fujifilm FinePix XP200 |
| Category | Small Sensor Superzoom | Waterproof |
| Released | 2013-03-21 | 2013-03-22 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 6 | - |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 4608 x 3456 |
| Highest native ISO | 6400 | 6400 |
| Lowest native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-500mm (20.0x) | 28-140mm (5.0x) |
| Max aperture | f/3.5-6.8 | f/3.9-4.9 |
| Macro focusing range | 5cm | - |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inches | 3 inches |
| Display resolution | 461k dot | 920k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15 secs | 4 secs |
| Highest shutter speed | 1/3200 secs | 1/2000 secs |
| Continuous shooting speed | 4.0 frames per second | 3.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.50 m | 3.10 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60, 30 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (240 fps) | 1920 x 1080 (60fps), 1280 x 720 (60 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, H.264 | H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | BuiltIn | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 233 grams (0.51 lb) | 232 grams (0.51 lb) |
| Dimensions | 106 x 63 x 33mm (4.2" x 2.5" x 1.3") | 116 x 71 x 30mm (4.6" x 2.8" x 1.2") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 210 shots | 300 shots |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | NB-6L | NP-50A |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, delay, Group Timer) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/ SDHC/ SDXC |
| Storage slots | Single | Single |
| Cost at launch | $325 | $250 |