Canon SX30 IS vs Fujifilm X-S20
64 Imaging
36 Features
42 Overall
38


72 Imaging
73 Features
92 Overall
80
Canon SX30 IS vs Fujifilm X-S20 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fully Articulated Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-840mm (F2.7-5.8) lens
- 601g - 123 x 92 x 108mm
- Launched September 2010
- Superseded the Canon SX20 IS
- New Model is Canon SX40 HS
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 160 - 12800 (Boost to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 6240 x 4160 video
- Fujifilm X Mount
- 491g - 127 x 85 x 65mm
- Announced May 2023
- Superseded the Fujifilm X-S10

Canon SX30 IS vs Fujifilm X-S20: The Bridge Superzoom Meets the Modern Mirrorless
Choosing the right camera can feel like navigating a labyrinth, especially when options span different eras and styles. Here, we line up two very distinct models - Canon’s SX30 IS, a 2010-era superzoom bridge camera, and FujiFilm’s X-S20, a 2023 entry-level mirrorless powerhouse - to see how they perform across all photography disciplines and real-world scenarios.
Drawing from my extensive experience testing hundreds of cameras across genres, this comparison will explore what each model truly offers, from sensor technology and autofocus to build quality and user experience. Whether you’re hunting for a beginner-friendly zoom or a pro-level mirrorless setup, this guide is built to help you decide with confidence.
Setting the Stage: Size, Style, and Handling
At first glance, these cameras could hardly be more different visually and physically. The Canon SX30 IS is a classic superzoom bridge with an SLR-like bulky ergonomics designed around a fixed long zoom lens. The Fuji X-S20, meanwhile, sports the compact, mirrorless retro-modern SLR-style body that’s been embraced widely by enthusiasts.
Canon’s SX30 IS weighs in heavier (601 g) and is chunkier (123×92×108 mm), giving you a sense of heft and solidity but also better one-handed grip thanks to a pronounced grip and larger lens barrel. Fuji’s X-S20 is lighter (491 g) and notably slimmer (127×85×65 mm), making it easier to carry all day and more unobtrusive for street and travel photography.
Handling-wise, the SX30’s fixed lens and simple body make it straightforward but constrained from a manual control perspective. The X-S20, with a dedicated Fujifilm X mount, gives you lens-swapping versatility alongside fully articulated touch-enabled 3-inch screen and an EVF with 2,360k-dot resolution - perfect for precise composition.
If portability is priority, especially for travel or street, you’ll appreciate the X-S20’s compactness. On the other hand, the SX30 IS’s bulkier body accommodates a longer zoom range natively, which we’ll delve into shortly.
Sensor and Image Quality: A Tale of Two Eras
We’re looking at two different sensor classes here. The Canon SX30 IS opts for a 1/2.3” CCD sensor, sporting 14 megapixels, whereas the Fuji X-S20 boasts a larger 26 MP APS-C-sized BSI-CMOS sensor.
Canon’s sensor area is a mere 28.07 mm² compared to Fuji’s robust 366.60 mm², which has massive implications for image quality, dynamic range, and low-light performance. In real-world shooting, that smaller sensor means more noise at ISO 400 and above, less flexibility in post-processing, and limited depth of field control.
The Fuji X-S20’s CMOS sensor allows native ISO sensitivities from 160 up to 12,800, expandable to 51,200. This wide range and sensor size results in cleaner images in low light and much finer detail retention - essential for demanding genres like landscapes and portraits.
Resolution-wise, Fuji’s 6240x4160 max image size outclasses Canon’s 4320x3240, translating to sharper prints and more cropping latitude.
Despite the SX30’s CCD sensor struggling by today’s standards, it can still deliver decent daylight shots, especially with the right technique. But if image quality is critical, the Fuji X-S20 is in a completely different league, especially for professionals, enthusiasts, or anyone requiring detailed and noise-free results.
Zoom and Autofocus: Flexibility vs Precision
One of the SX30’s strongest selling points remains its jaw-dropping 24-840mm (35mm equivalent, 35x optical zoom) lens with a maximum aperture of f/2.7–5.8. This ultra-zoom range offers immense versatility without changing lenses, whether you're capturing sweeping landscapes or distant wildlife.
The Fuji X-S20, instead, comes without a kit lens but offers access to 86 Fujifilm X-mount lenses, ranging from wide-angle primes to super-telephoto zooms. This interchangeable lens system ultimately provides more flexibility but requires you to invest in lenses to cover various focal lengths.
Regarding autofocus, the SX30 IS has 9 contrast-detection focus points with no continuous AF or face detection, relying on slower and less accurate contrast-detect AF systems typical of its era.
The X-S20 dominates here with an advanced hybrid AF system combining phase and contrast detection across 425 focus points, featuring face and eye detection with animal eye AF capabilities - all essential for sharp shots in portraits, sports, and wildlife. Continuous autofocus tracking and selective AF areas make this one of the best entry-level mirrorless AF experiences available.
For wildlife or sports photographers needing rapid, reliable autofocus, the Fuji is the clear choice. If you prioritize an all-in-one zoom experience for casual shooting, the Canon still delivers respectable results but with noticeable lag and hunt in AF performance.
Build Quality and Weather Sealing: Toughness Considered
Neither camera sports professional-level environmental sealing, with both lacking waterproof, dustproof, or freezeproof ratings.
The Canon SX30 IS has a classic bridge camera build - solid enough for day-to-day use but visibly vintage, with plastic components prone to wear over time.
The Fuji X-S20 features a more modern SLR-style magnesium alloy chassis that offers a more tactile, reassuring feel in hand. While not officially weather-sealed, Fuji’s build quality and design suggest it will tolerate light moisture and dust better than the older Canon.
If you shoot outdoors often in uncertain conditions, investing in additional protection might be necessary whichever camera you choose. Personally, I find mirrorless bodies like the X-S20 easier to pair with protective gear due to their smaller footprints.
The Interface: Control Layout and Usability
Handling and interface are critical for efficiency. The Canon SX30 IS features a decidedly retro control layout with a 2.7-inch fully articulated 230k-dot screen and an electronic viewfinder (EVF). The limited resolution and slower responsiveness make for a somewhat dated experience.
The Fujifilm X-S20, by contrast, impresses with a fully articulated 3.0-inch touchscreen at 1,840k-dot resolution, dramatically improving usability for framing at odd angles and menu navigation. Its EVF offers sharp 2,360k-dot coverage at 100%, giving crisp previews even in bright sunlight.
Fuji’s interface embraces a DSLR-inspired dial system combined with touchscreen controls, while the Canon relies on more menu-driven inputs and lacks touchscreen.
Fuji’s touchscreen functionality speeds up autofocus selection and playback review - a modern convenience that significantly enhances the shooting experience, especially for new users transitioning from smartphones.
Photography Disciplines: Who Shines Where?
Let’s examine both cameras and their performance in key photography genres you care about.
Portraiture
The X-S20 excels with its APS-C sensor, superior color science (Fuji’s film simulations are widely loved), and advanced eye/face detection autofocus. The larger sensor enables shallower depth of field and more natural skin tones. Coupled with fast primes or zoom lenses with wide apertures, portraits look professional and flattering.
The SX30 IS can take portraits but suffers from a smaller sensor’s limited background separation and less accurate autofocus. Skin tones sometimes look flat due to CCD color rendering limitations.
Landscape Photography
Landscape demands high resolution, wide dynamic range, and often weather resistance. Fuji’s higher resolution APS-C sensor delivers dramatic detail and superb dynamic range, allowing images rich in tonal gradation. The wide ISO range and weather-resistant lenses improve performance in challenging conditions.
Canon’s SX30 struggles with noisy shadows, limited resolution, and a lens max aperture that’s not ideal for sharpness across the full zoom range. It’s usable in bright daylight but won’t match modern mirrorless detail or dynamic range.
Wildlife and Sports
The SX30 IS's 35x zoom is quite handy here, providing reach without lugging heavy glass. Yet, autofocus speed and continuous burst rate at 1fps are limiting for fast-moving subjects.
The X-S20 has a faster 8 fps burst (20 fps in electronic shutter mode), advanced AF tracking, and the ability to use super telephoto Fujinon lenses, making it far better suited to these demanding scenarios. Additionally, animal eye autofocus gives it an edge when photographing pets or wildlife.
Street Photography
Portability, discretion, and low-light capabilities control this domain. Fuji wins hands down with its compact, lighter body, quiet shutter options including a 1/32,000s silent shutter, and superior ISO performance. The Canon’s size and slower operation detract from candid shooting ease.
Macro Photography
Neither camera is specialized for macro, but the SX30 IS includes an impressive close focusing capability almost down to zero centimeters, leveraging its superzoom lens for close-ups.
The X-S20 paired with dedicated macro lenses will outperform in sharpness and focusing precision, especially with focus bracketing features.
Night and Astro Photography
The tiny Canon sensor and ISO cap at 1600 limit low light and night shooting. The Fuji’s high ISO range and absence of an AA filter support better starscapes and low-light handheld shots.
Video Capabilities: Evolution Over More Than a Decade
The SX30 IS captures video at a maximum 720p at 30fps in Motion JPEG format, which is outdated and poor in compression efficiency and quality by modern standards. It lacks microphone/headphone jacks and advanced recording options, limiting practical use.
The Fuji X-S20 is a video beast in comparison, recording 6K (6240x4160) at 30p and 4K up to 60p with advanced H.265 and H.264 codecs, plus linear PCM audio. It includes microphone and headphone ports, sensor-based 5-axis stabilization, and advanced video features like timelapse recording and exposure control. If video is important, the Fuji dominates without question.
Battery Life and Storage
Battery life is a surprise win for the X-S20, rated at approximately 750 shots per charge, aided by a modern battery (NP-W235) and energy-efficient processor. The SX30’s official rating is unavailable but is generally lower due to older battery tech and LCD-heavy usage.
Both cameras use a single SD card slot, but Fuji supports UHS-II cards for faster write speeds critical for high-res images and video.
Connectivity and Extras
Connectivity is a highlight of the X-S20 with built-in Wi-Fi, Bluetooth, USB 3.2 Gen 1, and HDMI support, enabling seamless tethering and quick file transfer.
Canon’s SX30 offers Eye-Fi card support for wireless, but it’s limited and represents older technology.
Putting Numbers to Work: Performance Ratings Overview
From my testing benchmarks and user feedback, the Fuji X-S20 outperforms the Canon SX30 IS consistently across nearly all categories: image quality, autofocus, video, and usability, with the exception of native superzoom reach where Canon holds some ground.
Who Should Pick Which Camera?
Canon SX30 IS: When it Makes Sense Today
- You want an affordable, all-in-one zoom solution without buying lenses
- Mostly shooting casual snaps, travel photos, or wildlife at a distance
- Budget-conscious buyers cherishing an optical zoom monster from a prior era
- Users who value simple point-and-shoot operation with manual options
Bottom line: The SX30 is a unique vintage tool - fun for experimentation and casual use, but showing its age in 2024.
Fujifilm X-S20: The Modern Mirrorless Workhorse
- Enthusiasts and professionals requiring exceptional image quality and versatility
- Photographers who want top-tier autofocus, video, and connectivity
- Users invested in a broad lens ecosystem for portrait, sports, macro, or landscapes
- Anyone prioritizing portability, modern ergonomics, and future-proof features
While pricier at ~$1300, the Fuji’s return on investment is significant for serious creatives requiring flexibility and quality.
Final Thoughts: Past Meets Present
The Canon SX30 IS and Fujifilm X-S20 serve very different purposes, bridged by time and technology.
The SX30 is a fascinating relic, offering a unique superzoom experience in a self-contained package, great for casual shooters or those on a tight budget looking for a long reach lens without complexity. It will appeal to collectors or those embracing the charm of older tech with some compromises.
The X-S20, on the other hand, embodies what modern mirrorless cameras strive to be: a tool that balances portability, superb image quality, blazing autofocus with face/eye detection, and professional-grade video. It fits a broad range of photographic disciplines and user demands.
If you’re investing in a camera today for career growth or serious artistry, the Fujifilm X-S20 is the smarter, future-ready choice. But if your needs are simpler or you’re curious how far a bridge superzoom can go, the Canon SX30 IS’s legacy is worth exploring.
Whether your next shoot demands stellar resolution or unmatched zoom reach, I hope this comparison has given you clear, practical insights based on thorough experience and technical knowledge. Happy shooting!
Canon SX30 IS vs Fujifilm X-S20 Specifications
Canon PowerShot SX30 IS | Fujifilm X-S20 | |
---|---|---|
General Information | ||
Manufacturer | Canon | FujiFilm |
Model | Canon PowerShot SX30 IS | Fujifilm X-S20 |
Class | Small Sensor Superzoom | Entry-Level Mirrorless |
Launched | 2010-09-14 | 2023-05-24 |
Body design | SLR-like (bridge) | SLR-style mirrorless |
Sensor Information | ||
Chip | Digic 4 | - |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
Sensor area | 28.1mm² | 366.6mm² |
Sensor resolution | 14MP | 26MP |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 3:2 and 16:9 |
Highest resolution | 4320 x 3240 | 6240 x 4160 |
Highest native ISO | 1600 | 12800 |
Highest boosted ISO | - | 51200 |
Minimum native ISO | 80 | 160 |
RAW files | ||
Minimum boosted ISO | - | 80 |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | 425 |
Lens | ||
Lens mounting type | fixed lens | Fujifilm X |
Lens focal range | 24-840mm (35.0x) | - |
Maximal aperture | f/2.7-5.8 | - |
Macro focus distance | 0cm | - |
Amount of lenses | - | 86 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Fully articulated |
Display sizing | 2.7 inch | 3.00 inch |
Resolution of display | 230k dot | 1,840k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | - | 2,360k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.62x |
Features | ||
Lowest shutter speed | 15 secs | 900 secs |
Highest shutter speed | 1/3200 secs | 1/4000 secs |
Highest quiet shutter speed | - | 1/32000 secs |
Continuous shooting speed | 1.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.80 m | 7.00 m (at ISO 200) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, on, slow sync, manual, commander |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | - | 1/180 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps) 640 x 480 (30 fps), 320 x 240 (30, 15 fps) | 6240 x 4160 @30p, 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM |
Highest video resolution | 1280x720 | 6240x4160 |
Video data format | Motion JPEG | MPEG-4, H.264, H.265 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 601 gr (1.32 lb) | 491 gr (1.08 lb) |
Dimensions | 123 x 92 x 108mm (4.8" x 3.6" x 4.3") | 127 x 85 x 65mm (5.0" x 3.3" x 2.6") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 750 photos |
Battery format | - | Battery Pack |
Battery model | NB-7L | NP-W235 |
Self timer | Yes (2 or 10 sec, Custom) | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC slot (UHS-II supported) |
Storage slots | 1 | 1 |
Retail price | $400 | $1,299 |