Canon SX40 HS vs Olympus 1s
64 Imaging
35 Features
50 Overall
41
79 Imaging
37 Features
66 Overall
48
Canon SX40 HS vs Olympus 1s Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fully Articulated Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-840mm (F2.7-5.8) lens
- 600g - 123 x 92 x 108mm
- Released September 2011
- Superseded the Canon SX30 IS
- New Model is Canon SX50 HS
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-300mm (F2.8) lens
- 402g - 116 x 87 x 57mm
- Announced April 2015
- Older Model is Olympus 1
Photography Glossary Canon SX40 HS vs Olympus Stylus 1s: A Rigorous Comparison of Small Sensor Superzoom Bridge Cameras
In the world of bridge cameras with small sensors and superzoom lenses, two models have garnered notable attention: the Canon PowerShot SX40 HS introduced in 2011, and the Olympus Stylus 1s, released a few years later in 2015. Both cameras occupy a niche where versatility and compact SLR-like handling converge with hefty zoom ranges - targeting walk-around photographers, travel enthusiasts, and those who prefer an all-in-one solution without the system complexity of interchangeable lenses.
Having spent significant time behind the viewfinders and in the field with these models, I’m going to break down their strengths and weaknesses across practically every aspect that matters - from sensor tech and image quality to autofocus performance, ergonomics, and even video capabilities. Along the way, I’ll share my testing insights and how these cameras stack up in varied photographic disciplines including portraiture, wildlife, landscape, sports, street photography, macro, night shooting, and video.
Before diving in, it’s worth noting these cameras responded to somewhat different demands. The SX40 HS was Canon’s stopper against early crowdsly bridge cameras loaded with zoom, while the Stylus 1s refined Olympus’s premium fixed-lens design focus on speed and handling. Let’s see how their concepts play out in practice.
Size, Ergonomics, and Control Layout: The Feel of the Beast
Physically, both cameras clearly take aim at DSLR-style shooters craving the feel of a big grip and ample controls, yet with a built-in superzoom lens. The SX40 HS is a little chunkier and heavier than its Olympus rival, weighing in at 600g and measuring approximately 123 x 92 x 108 mm, versus 402g and 116 x 87 x 57 mm of the 1s. The slimmer profile of the Olympus is immediately noticeable in hand, especially for those with smaller palms or for street photographers who favor discretion.

Canon’s body thickness and heft give it a confident grip and encourage stability during long telephoto shots, but it also means it is less pocketable, and the extended lens barrel towards 840mm (35× zoom) sometimes feels front-heavy on a tripod. Olympus’s more compact 300mm maximum zoom (10.7× optical zoom) reduces overall size and weight, making it easier to carry all day and shoot handheld with minimal fatigue.
Looking at the top panel controls, the Canon opts for familiar Canon dial layouts combined with a rear joystick for AF point selection, while the Olympus 1s goes a bit further with a top LCD panel and more dedicated buttons for ISO, drive mode, and exposure compensation. Both cameras have fully manual exposure modes, but the Olympus’s touch-enabled rear screen adds an interactive dimension, especially useful in live view focusing and menu navigation.

The articulated screen on the Canon is smaller (2.7 inches) and lower resolution (230k dots) compared to the 3-inch, 1,040k-dot tilting touchscreen on the Olympus, which is a distinct advantage for composing at odd angles or outdoors under bright sun.
Sensor and Image Quality: Crunching Pixels on a Compact Chip
When comparing these two, the sensor is a great place to start as it largely determines image quality. Both cameras use relatively small sensors typical of bridge cameras, but the Olympus features a larger 1/1.7-inch sensor (41.52 mm²) in contrast to Canon’s smaller 1/2.3-inch sensor (28.07 mm²).

While both sensors offer roughly 12 megapixels, the gain in sensor area on the Olympus delivers a measurable bump in image quality - especially in terms of dynamic range and high ISO noise performance. During our ISO comparison tests shooting standard test charts and real-world scenes, the Stylus 1s maintained cleaner shadows and better highlight retention up to ISO 1600. Canon’s camera maxes out ISO at 3200, but the noise at 1600 is already quite evident.
Neither model breaks new ground compared to APS-C or Micro Four Thirds mirrorless shooters, but within their class, Olympus gains an edge in better tonal gradation and color fidelity. The Canon still produces pleasing and punchy images, especially when lighting is abundant.
Color depth and white balance efficacy were practical for most situations in both cameras, although Olympus’s support for RAW shooting unlocks more recovery options in post-processing - a feature missing from the Canon SX40 HS.
Autofocus: Speed, Accuracy, and Tracking Performance
A bridge camera’s autofocus (AF) system can make or break its suitability for wildlife, sports, and street photography. The SX40 HS uses a 9-point contrast-detection-only AF system with face detection, but no phase detection or tracking AF. Olympus’s Stylus 1s significantly advances here with a 35-point contrast-detection AF system augmented for face detection and continuous AF tracking.
Real-world autofocus tests told the story clearly: the SX40 HS was slower and more prone to hunting, particularly in lower contrast or low light scenes. Locking onto fast-moving subjects was a chore; I experienced several missed focus shots during bird-in-flight trials and sports sequences. The Olympus autofocus was noticeably snappier, more confident in challenging lighting, and much better at maintaining focus on moving targets during burst mode.
Bright daylight AF acquisition was competent from both, but Olympus’s wider spread and density of AF points allow for more flexible composition and quicker refocusing. The Olympus also supports touch to focus via its touchscreen - ideal for street and macro shooting where precise focus placement is crucial.
Zoom Range and Lens Characteristics: How Much Reach Matters
The Sigma-like zoom ranges tell a different story in lens design philosophy. The Canon packs an astounding 24-840mm (35× optical zoom, 5.8× crop factor equivalent) lens with an aperture range of f/2.7-5.8. This insane reach enables nature photographers, event shooters, or travel photographers to get close without swapping lenses.
On the other hand, Olympus’s Stylus 1s opts for a shorter but faster zoom of 28-300 mm (10.7×, 4.8× equivalent) but maintains a constant bright aperture of f/2.8 throughout the zoom range - a rarity and a real boon for low-light photography and subject isolation.
This translates into a practical edge for Olympus in achieving better bokeh and subject separation, especially for portrait and macro photographers. The Canon’s max aperture shrinks to f/5.8 at the long end, making it harder to freeze action or blur backgrounds when zoomed all the way in.
Both cameras have optical image stabilization which helps counteract camera shake at long focal lengths. The Canon’s system, while effective, sometimes showed softness at max zoom in handheld photos due to its huge reach. Olympus’s shorter zoom and superior stabilization offered consistently sharper handheld shots.
Handling Different Photography Genres – Real World Testing Across the Board
Portrait Photography: Skin Tones and Bokeh
The Olympus Stylus 1s wins hands down in portrait work. Its constant f/2.8 aperture enables creamy bokeh that gently separates the subject from backgrounds. The camera also excelled in its face detection autofocus, reliably keeping eyes sharp with fast acquisition.
While the Canon SX40 HS tries to keep pace, its variable aperture and smaller sensor limit background blur and dynamic range. Portraits tend to look slightly flatter, especially at telephoto zoom settings. Still, in outdoor daylight portraits, the Canon can hold its own.
Landscape Photography: Resolution, Dynamic Range, and Weather-Sealing
Both cameras lack environmental sealing - a disappointment for rugged landscape photographers seeking weatherproof gear. The Olympus’s wider dynamic range (thanks to sensor size) captures more detail in shadows and highlights - a crucial factor for tricky lighting conditions like sunsets or forests.
The SX40 HS’s longer reach can be handy for isolating distant landscape details. Both deliver around 12 MP resolution, sufficient for 8x10 prints and moderate cropping.
Wildlife and Sports: Autofocus and Burst Rate
Here the difference is stark. Olympus’s continuous AF tracking paired with 7 fps burst shooting outperforms Canon’s 10 fps, largely handicapped by slow AF reacquisition and hunting.
Telephoto reach favors the Canon’s 840mm, but image softness and missed focus crops some of the advantage away. Olympus’s faster AF and stabilization make up for shorter max zoom in most practical wildlife scenarios.
Street Photography: Discretion and Portability
The 1s’s smaller size, lighter weight, and quieter shutter make it more street-friendly. Canon’s larger profile draws attention. The Olympus offering also includes a touch screen for faster manual focus control - handy in fast street shooting where composition agility matters.
Macro Photography: Magnification and Focusing Precision
Olympus allows focusing as near as 5 cm with greater precision thanks to touchscreen AF. Canon’s macro focusing closely to zero cm allows for extreme close-ups, but slower AF can challenge sharp stills.
Night and Astro Photography: High ISO and Long Exposure
Both cameras offer manual exposure modes including shutter priority and bulb-like slow shutter options. Olympus’s higher max ISO (12800 vs 3200) and better ISO performance clearly lead to cleaner night shots, less digital noise, and more usable images under low light.
Canon’s longer max shutter speed (1/3200 to 15 seconds) offers a crisp range but image quality at high ISO falls short for astrophotography.
Video Capabilities: Resolutions and Stabilization
Both cameras support HD video with Canon maximizing at 1080p/24 fps and Olympus at 1080p/30 fps. Neither offers 4K or professional video-centric features. Olympus’s touchscreen aids focus during video but both lack microphone or headphone inputs, limiting audio control.
Stabilization works well on both for smooth handheld video.
Travel Photography: Versatility and Battery Life
Battery life favors the Olympus Stylus 1s (450 shots vs 380 for Canon). Olympus’s smaller form factor and more flexible screen tilt are definite pluses for travel photographers on the move.
Build Quality, Storage, and Wireless Connectivity
Neither camera offers weather sealing, which constrains outdoor use. Both accept SD/SDHC/SDXC cards but have only one slot.
Connectivity is a mixed bag - Olympus includes built-in Wi-Fi for image transfer; Canon relies on Eye-Fi card support, an older protocol that is less convenient.
Putting It All Together: Strengths, Weaknesses, and Who Should Buy Which
I consolidated my evaluation into an overall score card for quick reference.
Also, here’s a nuanced, genre-specific performance breakdown:
Canon SX40 HS: Strengths & Weaknesses
-
Strengths:
- Impressive super-telephoto reach (35× zoom)
- Decent stabilization for sharpness at long focal lengths
- Familiar Canon handling and controls
- Affordable price point (~$330)
-
Weaknesses:
- Smaller sensor limiting image quality and noise performance
- Slow and less sophisticated autofocus
- Lower-res and smaller LCD
- No RAW format support
- No built-in Wi-Fi
Who Should Consider the Canon SX40 HS?
Photographers needing extreme zoom range on a budget, for bird watchers or casual wildlife shooters on a limited budget. Also suitable for travel photographers who prioritize reach over compactness.
Olympus Stylus 1s: Strengths & Weaknesses
-
Strengths:
- Larger sensor with improved image quality and dynamic range
- Constant bright f/2.8 lens aperture, great for portraits and low light
- Faster, accurate AF with continuous tracking
- Higher resolution, tilting touchscreen with touch AF
- Built-in Wi-Fi for easy image sharing
- Better battery life and overall portability
-
Weaknesses:
- Shorter maximum focal length (10.7× zoom) limits super-telephoto reach
- Higher price point (~$700)
- No weather sealing
Who Should Choose the Olympus Stylus 1s?
Enthusiasts requiring a more balanced and faster camera for low-light, portrait, macro, and general-purpose use. Also better for street photographers who value responsiveness and portability.
Viewing and Image Samples: The Proof is in the Pixels
Below is a gallery showcasing hand-held photos captured on both cameras in comparable lighting conditions - daylight landscapes, portraits, and telephoto wildlife.
These images represent the typical performance levels. Olympus images show richer colors and greater detail retention in shadows, while the Canon excels in framing distant subjects.
Interface and Post-Shooting Experience
The Canon’s PureColor II VA LCD with limited resolution feels dated next to Olympus’s crisp, touch-enabled LCD. Olympus’s more intuitive menu design and touchscreen AF speed delivery in live view make shooting smoother for beginners and pros alike.

Downloading images is also easier with Olympus’s integrated Wi-Fi compared to the Canon’s reliance on an Eye-Fi card, which is less reliable and requires extra setup.
Final Verdict: Which Bridge Camera Wins the Day?
Both the Canon SX40 HS and Olympus Stylus 1s represent excellent options within small-sensor superzoom bridge cameras, but they lean into different philosophies.
- The SX40 HS is your superzoom champion, an affordable camera with vast reach but compromises in speed, image quality, and user experience.
- The Stylus 1s is a refined and more modern offering with bigger sensor, brighter lens, touchscreen, and snappier autofocus, better suited for enthusiast-level creative work and varied genres.
In today’s market, the Olympus Stylus 1s stands out as the more well-rounded and versatile camera - a compelling tool to those wanting solid image quality, dependable autofocus, and an engaging photographic experience beyond just zoom numbers. The Canon, meanwhile, remains appealing to those for whom the absolute reach and budget-friendliness outweigh other features.
Choosing between them ultimately depends on whether your priorities skew towards telephoto reach or balanced performance and handling.
Thank you for joining me on this in-depth journey comparing the Canon SX40 HS and Olympus Stylus 1s. Should you have any questions about specific usage scenarios or workflow integration, feel free to ask - after all, this dog is a good boy, and I’m here to help you fetch the best photographic gear for your needs.
Canon SX40 HS vs Olympus 1s Specifications
| Canon PowerShot SX40 HS | Olympus Stylus 1s | |
|---|---|---|
| General Information | ||
| Brand | Canon | Olympus |
| Model | Canon PowerShot SX40 HS | Olympus Stylus 1s |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2011-09-15 | 2015-04-13 |
| Physical type | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor dimensions | 6.17 x 4.55mm | 7.44 x 5.58mm |
| Sensor surface area | 28.1mm² | 41.5mm² |
| Sensor resolution | 12 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 3968 x 2976 |
| Max native ISO | 3200 | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 9 | 35 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-840mm (35.0x) | 28-300mm (10.7x) |
| Largest aperture | f/2.7-5.8 | f/2.8 |
| Macro focus range | 0cm | 5cm |
| Focal length multiplier | 5.8 | 4.8 |
| Screen | ||
| Screen type | Fully Articulated | Tilting |
| Screen diagonal | 2.7 inch | 3 inch |
| Resolution of screen | 230k dots | 1,040k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | PureColor II VA TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder resolution | - | 1,440k dots |
| Viewfinder coverage | - | 100 percent |
| Features | ||
| Slowest shutter speed | 15 secs | 60 secs |
| Maximum shutter speed | 1/3200 secs | 1/2000 secs |
| Continuous shooting rate | 10.0 frames per second | 7.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.00 m | 10.30 m (at ISO 1600) |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, redeye reduction, fill-on, off, redeye reduction slow sync, full, manual |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/2000 secs | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1920 x 1080 (30p), 1280 x 720 (30p) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 600g (1.32 lb) | 402g (0.89 lb) |
| Dimensions | 123 x 92 x 108mm (4.8" x 3.6" x 4.3") | 116 x 87 x 57mm (4.6" x 3.4" x 2.2") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 380 shots | 450 shots |
| Battery type | Battery Pack | Battery Pack |
| Battery model | NB-10L | BLS-50 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 12 sec, custom) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC card |
| Card slots | 1 | 1 |
| Cost at launch | $330 | $699 |