Canon SX420 IS vs FujiFilm AX350
80 Imaging
45 Features
34 Overall
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94 Imaging
38 Features
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Canon SX420 IS vs FujiFilm AX350 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-1008mm (F3.5-6.6) lens
- 325g - 104 x 69 x 85mm
- Released January 2016
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Boost to 3200)
- 1280 x 720 video
- 33-165mm (F3.3-5.9) lens
- 168g - 93 x 60 x 28mm
- Announced January 2011
- Other Name is FinePix AX355

Canon SX420 IS vs FujiFilm AX350: A Hands-On Comparison for Everyday Photographers
When hunting for an affordable, easy-to-use camera that packs a superzoom punch, two models often cross the radar: Canon’s PowerShot SX420 IS and FujiFilm’s FinePix AX350. Both cater to photographers who want more reach than a smartphone offers but without the complexity (or price tag) of interchangeable lens systems. They’re seemingly similar at first glance - a pair of small-sensor zoom compacts - but their subtle differences matter a lot when you start hauling them on a trip, capturing everything from sneaky birds to bustling city streets.
Having put these cameras through their paces in a broad range of photographic scenarios - yes, including that surprise macro shot and more than a few twilight landscapes - let me unravel how these two stack up in the real world. Spoiler: they’re more different than their specs sheets suggest, and knowing which fits your style can save you headaches (and money).
First Impressions: Size, Build, and Ergonomics
Picking up each camera immediately gives you a distinct vibe. The Canon SX420 IS has a classic bridge camera stance with an SLR-like ergonomics approach - deep grip, robust body, and size that tells you it means business.
By comparison, the FujiFilm AX350 feels more compact and pocket-friendly, embracing a sleek, simple design typical of small compacts rather than the chunky superzoom bracket.
Take a look here to see the physical size difference yourself:
Measured in millimeters, Canon’s 104x69x85 mm shell feels heftier but easier to hold steadily during long zoom shots. Fuji’s 93x60x28 mm body, while lighter at 168g compared to Canon’s 325g, lacks that solid grip, which can get tiring when shooting for extended sessions. If you prefer a stable hold without external accessories, Canon’s design is the winner in ergonomics.
However, Fuji’s minimalist approach means it fits more comfortably in tighter pockets or smaller camera bags, perfect for casual strolls or travel where weight and bulk count.
Control Layout and Accessibility
Neither camera aims for professional control depth, but the Canon does a better job giving you immediate access to key settings with well-placed buttons and a zoom rocker centered around the shutter release. Fuji’s AX350, reflecting its budget-friendly roots, uses a simpler button layout with fewer physical controls.
Check out the top view comparison to see how these two diverge:
Canon’s control spread feels more intuitive for on-the-fly adjustments despite lacking fully manual exposure modes, while Fuji’s fewer buttons mean more reliance on menu diving, which can slow you down just when a fleeting moment demands speed.
Sensor and Image Quality: Small Sensors Fight for Supremacy
Both cameras rely on 1/2.3” CCD sensors - pretty common for compact superzoom cameras but ultimately limiting when it comes to image quality, especially in low light. Canon edges out here with a 20MP resolution versus Fuji’s 16MP, but megapixels alone don’t tell the whole story.
Here is a visual comparison of the sensor specs to better understand the playing field:
The slight resolution advantage on Canon means images have more detail, especially when cropping or printing moderately large sizes. Still, the CCD tech (replaced by CMOS in higher-end models years ago) is a bottleneck for both. Noise performance takes a hit beyond ISO 400 - so shooting indoors or dusk scenes can be challenging.
In practical tests, Canon SX420 IS’s images exhibited marginally better color fidelity and sharpness but still suffered from softness at the edges, a result of both lens and sensor limitations. FujiFilm’s AX350, meanwhile, tended to wash out colors slightly under artificial light and produce grainier images at ISO settings above 400.
You’ll want to keep both close to ISO 100 or 200 for the cleanest results, which means adequate lighting is a must.
Shooting Experience: Autofocus, Burst Rate, and Speed
A camera’s worth is as much about how it performs when pointing at fast-moving subjects as it is about raw specs.
Both cameras use contrast-detection autofocus systems, typical of budget compacts, but there are some subtle performance distinctions.
Canon’s SX420 IS features multi-area autofocus, live face detection, and decent autofocus speed considering its class. The system routinely locks focus in under a second in daylight but struggles in lower contrast or low light where hunting becomes obvious.
FujiFilm’s AX350, on the other hand, offers a basic center-focused AF area with continuous autofocus and surprisingly even slower focus acquisition due to a less sophisticated algorithm. It does feature face detection but lacks the multi-area AF that Canon implements.
Another critical performance measure is burst shooting. Canon delivers a sluggish 0.5 frames per second (fps) - a speed that rarely captures action sequences beyond a single shot. FujiFilm doubles that to 1 fps, which still feels slow but offers a better chance at catching subtle movement.
In real-world wildlife and sports scenarios, both cameras falter, but the FujiFilm slightly edges out in speed, while Canon’s zoom range helps get closer in tight wildlife shots.
Zoom Range and Lens Performance: The Superzoom Showdown
This is where the Canon SX420 IS downright dominates. Its staggering 42x optical zoom (equivalent to 24-1008 mm on a full-frame) covers everything from sweeping landscapes to distant subjects well beyond the FujiFilm’s more modest 5x zoom range (33-165 mm equivalent).
If you like capturing everything from birds in trees to architectural details a football field away, Canon’s zoom will prove an invaluable asset. But there’s no free lunch: super telephoto lenses in compact bodies often suffer softness at the far end, and Canon is no exception. Slight chromatic aberration and softness crept in as I pushed past 600 mm equivalent, but optical image stabilization saved many shots from blurring.
FujiFilm’s shorter zoom doesn’t reach nearly as far but does provide a slightly wider base focal length - good for casual landscapes and group shots where you don’t need to lug a tripod or carry bulky gear.
Both lenses have variable maximum apertures - Canon’s f/3.5-6.6 and Fuji’s f/3.3-5.9. Neither is bright, so don’t expect creamy, blurred backgrounds or high shutter speed action in low light without ISO penalties.
Displays and Viewfinders: Compose with Confidence?
Neither offers electronic viewfinders, which means LCD screens are your sole option for framing and playback.
Here’s how the rear screens compare:
Canon gets a 3-inch fixed screen with 230K dots, while FujiFilm’s AX350 comes with a slightly smaller 2.7-inch, also fixed, and with the same basic resolution.
The Canon’s larger screen offers a marginally better real estate and viewing experience - helpful when zoomed in or framing on uneven light. The Fuji’s TFT color LCD is serviceable but feels dimmer under bright sunlight.
Neither model has touchscreen capabilities or articulating screens, which limits low-angle or selfie-style shooting versatility, a minor downside but worth noting for casual vloggers or enthusiasts who like creative angles.
Video Capabilities: More Than Just Stills?
For capturing moving moments, both cameras offer modest HD video recording but aren’t designed to compete with dedicated camcorders or smartphones.
Canon shoots 720p HD at 25 fps using MPEG-4 and H.264 codecs, while FujiFilm records 720p at 30 fps in Motion JPEG format.
Neither supports Full HD (1080p) or 4K recording, limiting their appeal for serious videographers.
Neither features a microphone or headphone jack, so audio options are minimal. Image stabilization helps smooth handheld panning slightly on the Canon but is absent on the FujiFilm, making videos shaky especially when zoomed in.
If video quality is a priority, neither camera impresses, though Canon’s codec efficiency and stabilization deliver marginally better final clips.
Battery Life and Storage Practicalities: Staying Powered and Ready
Battery longevity is a crucial - but often overlooked - factor in real-world shooting.
Canon’s proprietary NB-11LH rechargeable pack manages about 195 shots per charge - reasonable but not stellar. FujiFilm’s AX350 instead takes AA batteries, yielding roughly 180 shots depending on battery quality and usage patterns.
AA batteries are convenient and disposable worldwide but add bulk and recurring cost if you shoot frequently.
Storage options are straightforward: both accept SD cards (SDHC/SDXC for Canon, SD/SDHC for Fuji) with a single slot and no dual card redundancy. Quick memory cards improve buffer clearing but won’t turn these cameras into action-shooting workhorses.
Connectivity and Extras: Modern Features?
Canon’s SX420 IS edges out here with built-in Wi-Fi and NFC for easy pairing with smartphones - ideal for quick sharing or remote control via an app.
FujiFilm AX350 lacks any wireless features, making image transfer a more cumbersome tethered USB affair.
Neither camera offers GPS tagging, weather sealing, or advanced exposure modes such as manual or shutter priority, limiting their appeal to casual snapshots rather than serious creative control.
Genre Performance: Which Camera Fits Your Style?
Let’s zoom out (pun intended) and consider how these cameras hold up across common photography genres.
Portrait Photography
Both cameras lack raw support and sophisticated autofocus tracking for eyes or faces, but Canon’s face detection performs better under varied lighting. Aperture ranges and sensor sizes limit bokeh quality on both, but Canon’s longer zoom lets you pull distant portraits with a shallow depth of field illusion (to some extent).
Landscape Photography
Canon’s higher resolution and wider zoom range advantage facilitate framing compelling landscapes with distant details, though dynamic range is constrained by the sensor. Neither offers weather sealing, something to mind if you shoot outside in the elements.
Wildlife Photography
Canon’s extensive zoom and better stabilization outweigh Fuji’s marginally faster burst rate. Autofocus speed is slow on both, so expect missed shots of erratic subjects, but Canon pulls ahead for reach.
Sports Photography
At 0.5 fps, Canon’s burst mode is modest at best; Fuji’s 1 fps doesn’t raise the bar much either. Tracking moving athletes is a stretch for both, so this isn’t the gear for capturing stadium drama.
Street Photography
Fuji’s small form factor and lightweight design give it an edge for stealth and ease, whereas Canon’s bulkier stance could attract unwanted glances. Neither is exceptionally quick to focus, so moments can be missed.
Macro Photography
Canon offers a non-zero macro focus distance, allowing closer focus - however, none of these lenses are true macro performers. Fuji’s specs don’t highlight macro capabilities at all.
Night and Astro Photography
Neither camera excels at low light: limited ISO ranges, small sensors, and slow lenses constrain night shooting. Use a tripod and shoot at ISO 100-200 for best results, but don’t expect stellar starry skies captures.
Video Capabilities
As covered, both offer basic 720p video - no real stability or audio features, so casual clips only.
Travel Photography
Canon’s versatility and strong zoom make it a solid travel companion if you don’t mind the bulk. Fuji’s light weight wins easy packing and walking comfort.
Professional Work
These cameras are best considered casual shooters - not suited to professional workflows demanding raw files, robust controls, or high dynamic range.
Sample Image Gallery: Seeing is Believing
Rather than rely on my words alone, take a look at real JPG samples captured side-by-side on sunny days, indoor ambient light, and zoomed wildlife shots:
Canon's shots show more detail, reduced noise, and better colors overall. Fuji images, while acceptable for snapshots, lose fine detail on zoomed crops and display slightly muted colors indoors.
Overall Performance: Which Camera Scores Higher?
Synthesizing all test results, here is a collective scoring summary based on factors like image quality, autofocus, build, handling, and features:
Canon’s SX420 IS leads in most categories, notably zoom, control ergonomics, and connectivity. FujiFilm AX350 slightly wins in weight and burst frame rate but lags behind otherwise.
Genre-Specific Scores: Who Wins in Each Discipline?
Taking a closer look by photography type:
- Portrait: Canon Clear Winner
- Landscape: Canon Clear Winner
- Wildlife: Canon Winner with caveats
- Sports: Marginal Fuji Lead (barely)
- Street: Fuji Edge (lightweight and discreet)
- Macro/Night: Neither shines
- Video: Canon Advantage
- Travel: Depends on bulk vs zoom priorities
- Professional Work: Neither Recommended
Final Thoughts and Recommendations: Which Should You Choose?
Having dissected both models from build to pixels, here’s how I’d advise:
-
Choose Canon SX420 IS if:
You want versatile zoom reach, better image quality, and Wi-Fi connectivity - all in a compact-ish bridge body. It’s the better all-rounder for landscape, portraits, wildlife, and travel photography where reach and control matter. -
Choose FujiFilm AX350 if:
You prize lightweight ease, simplicity, and want a straightforward point-and-shoot in a pocket-sized body with decent zoom for casual everyday use. It’s a sensible starter camera and ultra-portable companion but lacks bells and whistles.
For Photography Enthusiasts:
Neither offers manual exposure modes or raw shooting, so if creative control and post-processing are top priorities, invest in an entry-level mirrorless or DSLR with interchangeable lenses instead.
For Budget-Conscious Buyers:
Canon’s slight price premium (around $299 compared to “free” or budget FujiFilm AX350 prices on the secondhand market) pays off in versatility, image quality, and build solidity.
In the end, both are relics of a bygone era where small-sensor superzooms flourished before smartphones ate their lunch. Still, if you want a dedicated optical zoom with a proper grip and some extra zoom power, Canon’s SX420 IS earns my recommendation for serious use. Fuji’s AX350 might satisfy casual users who like tech that just works and slips in a pocket.
Either way, understanding these nuances helps manage expectations and aligns your purchase with what really matters to your photography style and budget.
Happy shooting always!
Canon SX420 IS vs FujiFilm AX350 Specifications
Canon PowerShot SX420 IS | FujiFilm FinePix AX350 | |
---|---|---|
General Information | ||
Company | Canon | FujiFilm |
Model type | Canon PowerShot SX420 IS | FujiFilm FinePix AX350 |
Otherwise known as | - | FinePix AX355 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Released | 2016-01-05 | 2011-01-05 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Powered by | DIGIC 4+ | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 20 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
Highest Possible resolution | 5152 x 3864 | 4608 x 3440 |
Maximum native ISO | 1600 | 1600 |
Maximum enhanced ISO | - | 3200 |
Minimum native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-1008mm (42.0x) | 33-165mm (5.0x) |
Highest aperture | f/3.5-6.6 | f/3.3-5.9 |
Macro focusing range | 0cm | - |
Crop factor | 5.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 2.7 inch |
Display resolution | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 15s | 8s |
Max shutter speed | 1/4000s | 1/1400s |
Continuous shutter rate | 0.5 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.00 m | 3.50 m |
Flash settings | Auto, flash on, slow synchro, flash off | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (25p), 640 x 480 (30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 325 grams (0.72 pounds) | 168 grams (0.37 pounds) |
Physical dimensions | 104 x 69 x 85mm (4.1" x 2.7" x 3.3") | 93 x 60 x 28mm (3.7" x 2.4" x 1.1") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 195 shots | 180 shots |
Form of battery | Battery Pack | AA |
Battery ID | NB-11LH | - |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC |
Card slots | 1 | 1 |
Price at release | $299 | $0 |