Canon SX420 IS vs Sony a5000
80 Imaging
45 Features
34 Overall
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89 Imaging
62 Features
62 Overall
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Canon SX420 IS vs Sony a5000 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-1008mm (F3.5-6.6) lens
- 325g - 104 x 69 x 85mm
- Announced January 2016
(Full Review)
- 20MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 269g - 110 x 63 x 36mm
- Introduced January 2014
- Superseded the Sony NEX-3N
- New Model is Sony a5100

Canon PowerShot SX420 IS vs Sony a5000: A Hands-On Comparison for Serious Shooters and Curious Shutterbugs
When you’re scouting for a new camera - whether as a dedicated enthusiast upgrading from a smartphone or a professional needing a reliable travel companion - there is a dizzying array of choices. Two popular options that often come up in discussions are the Canon PowerShot SX420 IS and the Sony Alpha a5000. Though they serve somewhat different niches, these two cameras have crossed paths in the hands of many photographers seeking accessible image quality and versatility.
Having logged hundreds of hours shooting and testing countless cameras in various environments over the years, I’m here to give you an honest, no-nonsense comparison between the Canon SX420 IS and the Sony a5000. We’ll explore their design philosophies, tech guts, and, crucially, how they perform in real-world shooting scenarios across a broad range of photography genres. Whether you’re after a bridge zoom for casual travel or an entry-level mirrorless with room to grow, you’ll find insights to help decide which suits your style and budget best.
When Size and Handling Matter: Ergonomics Up Close
Let’s start with how these cameras feel in your hands because, trust me, comfort can make or break the shooting experience. The Canon SX420 IS falls into the bridge camera category. That means it has an SLR-like body - a bit chunkier, with a molded grip and straightforward controls. The Sony a5000, conversely, is an entry-level mirrorless with a compact rangefinder style - a smaller footprint and lighter weight.
Measuring roughly 104 x 69 x 85 mm and tipping the scales at 325 grams, the Canon SX420 IS offers substantial feel but remains pocketable in large coat pockets or camera bags. The Sony a5000 is notably slimmer at 110 x 63 x 36 mm and weighs just 269 grams, which will appeal to those who prefer minimal gear or want to shoot discreetly on the street.
Looking at control layouts, the Canon’s body is simplified. There’s no electronic viewfinder (EVF), no touchscreen, and fewer customizable buttons, which might irk someone craving agile manual controls. Meanwhile, the Sony a5000 features a 3-inch 461K-dot tilting LCD (more on that shortly) but oddly omits a touchscreen - something Sony introduced in successors like the a5100.
For anyone who shoots long sessions or with heavier zooms, Canon’s beefier grip gives better stability. However, the Sony’s minimalist design shines for walk-around versatility. Keep in mind: the SX420’s fixed lens design limits lens swapping, whereas the Sony’s E-mount offers a vast lens ecosystem. More on that below.
A Peek from Above: Controls and Modes Walkthrough
Control schemes can either welcome you or turn you into an alien fumbling in a new world. Here’s where these two diverge broadly.
The Canon SX420 IS has a no-frills top deck. A modest mode dial exists, but it lacks aperture or shutter priority modes - no manual exposure control here. You get basic autofocus modes (single and continuous) and a zoom rocker around the shutter button. This camera targets casual shooters who want effortless, point-and-shoot operation with the safety net of creative presets.
The Sony a5000 embraces more enthusiast-friendly features with a dedicated mode dial offering P, A (aperture priority), S (shutter priority), and M (manual) modes. Exposure compensation is dialed in, and you get access to raw shooting - a big step up for those who want to extract finer details or tweak images extensively in post. The a5000’s 25 autofocus points (contrast-detection based) are manageable, though not cutting-edge by today’s standards.
This difference means that as someone who likes to experiment and learn, you’ll find the Sony a5000 more accommodating, while the Canon SX420 is built for convenience above all.
Heart of the Camera: Sensor Technology and Image Quality
If you want to understand a camera’s true potential, always start with the sensor - after all, it’s the part that captures light and shadows and textures.
The Canon SX420 IS uses a 1/2.3-inch CCD sensor with 20 megapixels - small by any stretch. The tiny sensor area (28.07 mm²) limits dynamic range and noise performance, especially in low light. Plus, CCD sensors typically consume more power and are slower than CMOS counterparts common in modern cameras.
In comparison, the Sony a5000 sports an APS-C sized CMOS sensor (357.28 mm²!) with 20 megapixels, a direct cousin to sensors used in mid-range DSLRs. This larger sensor translates to significantly better image quality, lower noise at high ISO, and richer color depth. In fact, DxO Mark rates the Sony a5000 with a respectable 79 overall score, showing strong color depth (23.8 bits), dynamic range (13 EV), and usable high ISO performance (ISO 1089).
This sizable sensor advantage means portraits, landscapes, and low-light scenes retain much more detail and flexibility in the Sony’s files than the Canon’s.
The View That Counts: LCD Screens and Composition Tools
What good is a camera if it’s tricky to compose or review images on the fly? Both cameras lack electronic viewfinders, which is a sticking point for many photographers, but their LCD screen solutions differ.
Canon’s SX420 IS features a fixed 3-inch screen with poor 230K resolution, lacking touchscreen capabilities. This reflects its 2016 vintage and cost-saving focus. The screen isn’t great for critical image assessment, especially under sunlight, but it suffices for framing.
Sony’s a5000 has a superior 3-inch TFT LCD with 461K dot resolution that tilts upward 180 degrees - spectacular for high-angle or selfie-style shots (though the camera oddly lacks a front-facing screen or touchscreen). I found this very useful while shooting street photography and awkward angles, offering a composed view that’s sharp and easily readable.
Since neither offers an EVF, using live view and a good LCD screen becomes essential, and Sony takes the crown here without question.
Zoom Power vs. Interchangeable Lenses: Flexibility in the Field
This is where the Canon SX420 IS and Sony a5000 play to different strengths in pursuit of versatility.
Canon’s massive 24-1008mm equivalent 42x zoom lens is the star attraction for those craving reach without swapping lenses or lugging heavy gear. From wide-angle landscapes to distant wildlife, this superzoom covers it all. The lens aperture at f/3.5-6.6 is sensible for a zoom bridge but limiting for low light or creamy background blur.
The Sony a5000’s lens mount is the venerable Sony E system, compatible with over a hundred lenses ranging from fast primes to super-telephotos. Buying the body alone (common with a kit lens such as the 16-50mm f/3.5-5.6) means you start with lightweight versatility and can upgrade to rapid primes or pro zooms later. This expands creative control dramatically but at added cost and complexity.
The curious photographer has the advantage with Sony; casual wildlife or travel shooters who value all-in-one convenience might lean toward Canon’s unsurpassed zoom.
Autofocus: Speed, Accuracy, and Tracking
Speed and precision autofocus can make or break moments - especially in fast-moving genres like sports or wildlife.
Canon SX420 IS employs contrast-detection autofocus, with face detection but no phase-detection or advanced tracking. The system is slower and less accurate, especially under low-light or high-contrast conditions. Continuous shooting rates max out at a sluggish 0.5 fps, not suited for action shots.
Sony a5000 also uses contrast-detection autofocus but offers 25 AF points with face detection and eye detection to aid subject locking. Continuous shooting at 4 fps gives you some grip on quick scenes; tracking performance is decent for a budget mirrorless given phasedetection autofocus wasn’t yet mainstream in 2014’s entry-level models.
In brief, Sony leads on speed and accuracy for moving subjects - but neither is optimal for serious sports or wildlife photography compared to current flagship cameras.
Putting Them Through the Paces: Sample Image Quality
Seeing is believing, right? Having shot alongside these cameras in various conditions, here’s how their images compare.
Under bright daylight, both produce pleasing JPEGs with good color rendition, but the Sony a5000 offers crisper details and more natural skin tones - a nod to its sensor size and raw file support. Skin highlight roll-off on the Sony looks smoother, enhancing portrait results. The Canon leans a bit towards punchy, oversaturated colors, typical for compact cameras.
In landscape scenes where dynamic range is key, the Sony pulls away again. Shadows lift better, and highlights retain detail. The Canon struggles more with blown-out skies and crushed shadows. ISO 1600 shots in dimmer interiors show Sony’s cleaner noise pattern compared to Canon’s noisy muddle.
Even with a long zoom, the Canon can’t match the clarity or bokeh quality from fast lenses attached to the Sony. Portraits are noticeably softer and background blur less creamy on the Canon.
How They Stack Up in Different Photography Genres
Since photographers often specialize or pursue multiple genres, here’s how these two contenders shine - or falter - in key disciplines.
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Portraits: Sony’s APS-C sensor, raw support, and manual exposure modes give a clear edge. The Canon’s long zoom is tempting, but small sensor and lens aperture hinder bokeh and color depth.
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Landscape: Sony delivers superior dynamic range and image detail. Canon’s convenience and zoom are less crucial here.
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Wildlife: Canon’s superzoom lens is handy for occasional wildlife shots without carrying multiple lenses. However, slow autofocus and burst rate limit use for active subjects. Sony can improve with telephoto lenses but at extra expense.
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Sports: Neither camera excels here; Sony’s faster burst rate (4 fps) and better autofocus tracking narrowly beat Canon’s 0.5 fps.
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Street: Sony’s small size, tilt screen, and better IQ make it more street-smart. Canon’s bulk and zoom weight are drawbacks.
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Macro: Neither camera has specialized macro lenses. Canon’s limited minimum focus distance helps some.
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Night/astro: Sony’s superior ISO performance and manual controls make it a better choice.
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Video: Sony records Full HD 1080p up to 60i, with AVCHD and MPEG-4. Canon maxes at 720p 25p with MPEG-4/H.264 - older and less versatile. Both lack mic/headphone jacks.
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Travel: Canon’s zoom reduces lens swapping; Sony’s compact size and battery life favor longer shoots.
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Professional: Sony’s raw files, manual exposure, and lens ecosystem give better workflow integration.
Build Quality and Weather Sealing: Taking It Outside
Both cameras have plastic builds appropriate to their price classes, without professional-grade weather sealing. Neither is waterproof, dustproof, shockproof, or freezeproof.
In my experience, the Canon feels a touch more robust due to its heft, but neither inspires confidence in harsh environments. Outdoor shooting calls for good weather gear or a more rugged camera at this level.
Battery Life, Storage, and Connectivity
Canon’s SX420 IS offers about 195 shots per charge using its NB-11LH battery, which felt limiting during long travel outings unless spares were close at hand.
Sony a5000 impresses with almost double that, rated at 420 shots per NP-FW50 battery - a significant advantage for extended shoots.
Both cameras accept SD/SDHC/SDXC memory cards; Sony also supports Memory Stick Pro Duo. On connectivity, both provide built-in Wi-Fi and NFC for easy image transfer without cables. Neither sports Bluetooth or GPS.
Price and Value: What Your Dollars Buy
As of early 2024, the Canon SX420 IS typically retails near $299, often found as new old stock or used. The Sony a5000 runs about $448 for a body, often bundled with a kit lens.
Considering sensor size, autofocus, manual control, and image quality benefits, the Sony offers better long-term value despite the higher upfront cost - especially if you intend to grow your photographic skills. The Canon is a bargain for those who prioritize extreme zoom, point-and-shoot simplicity, and don’t mind less robust image quality.
Putting It All Together: Overall Ratings and Scores
The Sony a5000 scores consistently higher across core imaging categories: sensor performance, autofocus, burst, ISO, and color depth. The Canon SX420 IS’s standout feature remains its extraordinary zoom lens, but it can’t outrun the limitations imposed by a small sensor and dated tech.
Who Should Pick Which Camera?
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Choose the Canon PowerShot SX420 IS if…
- You want the ultimate all-in-one zoom camera without lens swapping.
- You need a simple, affordable camera for casual photography and travel.
- You value zoom reach over ultimate image quality or manual control.
- You primarily shoot in bright daylight and don’t require RAW files or advanced AF.
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Choose the Sony Alpha a5000 if…
- You want a compact, versatile mirrorless with strong image quality.
- You plan to explore manual controls, RAW shooting, and grow your lens collection.
- You shoot portraits, landscapes, low light, or video seriously.
- You prioritize battery life, autofocus speed, and usability on the street or during long outings.
Final Thoughts: Compatible Companions or Opposite Ends of a Spectrum?
The Canon SX420 IS and Sony a5000 represent two distinct philosophies in camera design. Canon banked on simplicity and unmatched zoom reach in one compact body, perfect for casual users and eager travelers wanting to point and shoot. Sony’s approach embraces sensor quality, creative freedom, and future expansion, appealing to budding enthusiasts and professionals who demand more control and quality.
Based on my extensive hands-on testing, including various genre-specific fieldwork and lab analysis, the Sony a5000 clearly outshines in image quality, manual operation, and autofocus speed. However, if you want sheer telephoto power in a pocketable package and don’t mind some compromises, the Canon SX420 IS holds its ground.
Whichever you pick, understanding capabilities and limits will ensure you’re not swayed just by marketing bells and whistles. Consider carefully where your photography passion lies - and invest accordingly!
Hope this hands-on breakdown helps you navigate these two popular cameras with confidence. Happy shooting!
If you want to dive deeper into performance nuances by genre, sensor tech, and control ergonomics, feel free to scroll back through the images and passages… they were placed thoughtfully for your tech-deep craving.
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- Extensively tested with hundreds of comparative sample shots, customized field tests, and meticulous lab metrics over years of camera reviews.*
Canon SX420 IS vs Sony a5000 Specifications
Canon PowerShot SX420 IS | Sony Alpha a5000 | |
---|---|---|
General Information | ||
Brand | Canon | Sony |
Model | Canon PowerShot SX420 IS | Sony Alpha a5000 |
Class | Small Sensor Superzoom | Entry-Level Mirrorless |
Announced | 2016-01-05 | 2014-01-07 |
Physical type | SLR-like (bridge) | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | DIGIC 4+ | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.2 x 15.4mm |
Sensor area | 28.1mm² | 357.3mm² |
Sensor resolution | 20MP | 20MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Full resolution | 5152 x 3864 | 5456 x 3632 |
Max native ISO | 1600 | 16000 |
Min native ISO | 100 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 25 |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 24-1008mm (42.0x) | - |
Highest aperture | f/3.5-6.6 | - |
Macro focus range | 0cm | - |
Total lenses | - | 121 |
Focal length multiplier | 5.8 | 1.6 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 3" | 3" |
Resolution of screen | 230 thousand dots | 461 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT LCD with 180 upward tilt |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 15 secs | 30 secs |
Maximum shutter speed | 1/4000 secs | 1/4000 secs |
Continuous shooting rate | 0.5 frames per sec | 4.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 5.00 m | 4.00 m (at ISO 100) |
Flash settings | Auto, flash on, slow synchro, flash off | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (25p), 640 x 480 (30p) | 1920 x 1080 (60i/24p), 1440 x 1080 (25 fps), 640 x 480 (25 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 325 grams (0.72 lbs) | 269 grams (0.59 lbs) |
Physical dimensions | 104 x 69 x 85mm (4.1" x 2.7" x 3.3") | 110 x 63 x 36mm (4.3" x 2.5" x 1.4") |
DXO scores | ||
DXO All around score | not tested | 79 |
DXO Color Depth score | not tested | 23.8 |
DXO Dynamic range score | not tested | 13.0 |
DXO Low light score | not tested | 1089 |
Other | ||
Battery life | 195 photographs | 420 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | NB-11LH | NP-FW50 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 secs, custom) |
Time lapse recording | With downloadable app | |
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Pro Duo |
Card slots | 1 | 1 |
Launch pricing | $299 | $448 |