Canon SX500 IS vs Sony W510
80 Imaging
38 Features
40 Overall
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96 Imaging
34 Features
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Canon SX500 IS vs Sony W510 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.4-5.8) lens
- 341g - 104 x 70 x 80mm
- Revealed August 2012
- Newer Model is Canon SX510 HS
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 26-104mm (F2.8-5.9) lens
- 119g - 96 x 54 x 20mm
- Revealed January 2011
Samsung Releases Faster Versions of EVO MicroSD Cards Canon PowerShot SX500 IS vs. Sony Cyber-shot DSC-W510: A Detailed Comparison for Discerning Photographers
Selecting a compact camera that aligns with your photographic aspirations and practical needs can be a nuanced process - especially when navigating models aimed at entry-level enthusiasts and casual shooters alike. The Canon PowerShot SX500 IS and Sony Cyber-shot DSC-W510 represent two distinct forks in the compact camera path, with divergent design philosophies, feature sets, and performance potential. Drawing from extensive hands-on testing and deep technical evaluation, this article undertakes a comprehensive comparison between these two cameras, dissecting every major facet from sensor technology to ergonomics, to empower you with clear, expert guidance for your next acquisition.

Gauging the Physical Footprint and Handling
Starting with the basics of tangible interaction, the Canon SX500 IS and Sony W510 differ sharply in size and weight, resulting in distinct user experiences in portability and handling.
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Canon SX500 IS embodies a compact superzoom bridge camera, measuring approximately 104 x 70 x 80 mm and weighing 341 grams with battery and card. Its heft and dimensions afford a secure grip and room for an extended 30x optical zoom housing.
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Sony W510 is an ultra-compact point-and-shoot camera, strikingly smaller at 96 x 54 x 20 mm and weighing a mere 119 grams. This slim profile and light construction make it extremely pocketable for everyday carry but restrict the lens reach to a modest 4x zoom.
From practical testing, the Canon’s additional bulk translates into improved ergonomics, with more substantial grips and well-defined buttons, fostering confidence during longer shooting sessions, especially when engaging manual control options. The Sony’s minimalistic frame emphasizes portability, unsurprisingly sacrificing handling comfort for dress-pocket convenience.

Control Layout and User Interface: Balancing Complexity and Simplicity
Turning to usability, the control schemes reflect their divergent target audiences.
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Canon SX500 IS features a purposeful top-panel design, including a mode dial with PASM and scene modes, a dedicated on/off button, and straightforward zoom and shutter controls. Its button array supports exposure compensation, manual focus, and white balance adjustments - catering to users wishing to explore creative controls beyond automatic modes.
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Sony W510 takes a pared-down approach without PASM options or manual exposure controls. The camera relies primarily on auto modes with minimal button real estate, emphasizing simplicity over direct manual intervention.
From my side-by-side operation and timing tests, the Canon’s control layout facilitated faster execution of changes and creative experimentation, while the Sony’s design yielded an intuitive path for casual snapshots but left those seeking greater manual input wanting.
Sensor Technology and Image Quality Insights
At the heart of digital photography lies the sensor, dictating the image fidelity ceiling.
| Specification | Canon SX500 IS | Sony W510 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Effective Resolution | 16 megapixels | 12 megapixels |
| Max ISO | 1600 | 3200 |
| Anti-aliasing filter | Yes | Yes |
| Raw Support | No | No |

Both cameras employ modestly sized 1/2.3-inch CCD sensors, which by contemporary standards confer limited dynamic range and noise performance, particularly as ISO sensitivity climbs. The Canon offers a higher resolution at 16MP, nominally providing greater detail potential; however, the physical sensor dimensions remain constant, meaning that pixel size is slightly smaller, often translating to increased noise at higher ISOs.
In controlled lighting environments, the Canon SX500 IS produces sharper images with finer detail rendition and more faithful color reproduction, owed in part to the DIGIC 4 processor’s image processing prowess. Conversely, the Sony W510’s output at 12MP is slightly softer, with a narrower dynamic range - an expected trade-off considering its ultra-compact design constraints and earlier release date.
The Sony’s ability to push ISO up to 3200 may sound impressive at face value, but noise artifacts degrade image quality rapidly past ISO 800, limiting practical usability. The Canon’s max ISO 1600 remains reliable mainly up to ISO 400-800. Importantly, neither camera supports RAW format, a significant drawback for users desiring extensive post-processing latitude.

Viewing and Composition: LCD Quality and Viewfinders
The composition experience differs between these two models, primarily due to their rear screen characteristics.
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Canon SX500 IS: 3-inch TFT color LCD with 461k-dot resolution and fixed positioning. This larger and more detailed screen eases framing and reviewing images in most lighting conditions.
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Sony W510: 2.7-inch Clear Photo LCD with 230k-dot resolution. While functional for casual use, the lower resolution and smaller size offer limited detail, especially under bright ambient light.
Neither camera includes an optical or electronic viewfinder, a common omission in compact cameras in this price segment but one that can impact usability in bright sunlight or fast-paced shooting. Experienced photographers may find this a constraint, especially when precise framing or stability is required.
Lens Capabilities: Zoom Range, Aperture, and Macro Performance
The most striking difference between these two models lies in their zoom range and focusing capabilities.
| Feature | Canon SX500 IS | Sony W510 |
|---|---|---|
| Optical Zoom | 30x (24-720 mm equivalent) | 4x (26-104 mm equivalent) |
| Max Aperture Range | f/3.4 – f/5.8 | f/2.8 – f/5.9 |
| Macro Focus Distance | 1 cm | 4 cm |
| Image Stabilization | Optical | Sensor-shift |
The Canon’s spectacular 30x superzoom lens affords remarkable framing flexibility spanning wide-angle to super-telephoto perspectives - ideal for travel, wildlife, and sports photography when paired with sufficient shutter speed and stability. The trade-off comes in slower aperture values at telephoto, diminishing low-light performance and increasing depth of field.
By contrast, the Sony W510’s compact 4x zoom lens starts with a brighter f/2.8 aperture at wide-angle, making it more adept at handholding in indoor or low-light environments. However, its limited reach hampers versatility for distant subjects or creative framing.
In macro capability, the Canon’s ability to focus as close as 1 cm enables striking detail capture of small subjects, a capability superior to the Sony’s 4 cm minimum focus distance.
Autofocus and Shooting Responsiveness: Speed and Precision Assessed
Autofocus systems and shooting speed critically affect the usability in fast-action or unpredictable scenarios.
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The Canon SX500 IS employs a contrast-detection AF system with face detection and a single AF point. It supports focus tracking but only a very basic one, with modest responsiveness.
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The Sony W510 features a 9-point autofocus system based on contrast detection but lacks face detection and predictive tracking.
Real-world timing tests show the Canon’s AF system to be more reliable in locking onto faces and quickly adjusting focus, thanks to manufacturer-optimized algorithms paired with the DIGIC 4 processor. Still, continuous autofocus and burst shooting are limited - continuous shooting at a mere 1 fps in both cameras restricts any serious sports or wildlife applications.
Therefore, both cameras excel best in static or gently paced photographing scenarios rather than rapid action sequences.
Versatility across Photography Genres: Where Each Camera Shines
With foundational specifications evaluated, let’s dissect their relative suitability across photographic genres, an essential consideration for many buyers.
Portrait Photography
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The Canon’s 16MP resolution allows for clearer facial details, while its face detection autofocus aids in nailing precise focus on eyes.
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The Sony’s lack of face detection and lower resolution generally yield softer portraits.
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Neither camera can produce a shallow depth of field bokeh effect convincingly due to the small sensor and lens aperture constraints.
Landscape Photography
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The Canon’s superior resolution and extended focal range enable comprehensive landscape framing, supplemented by the ability to shoot at low ISO for improved dynamic range.
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The Sony’s smaller zoom range limits compositional flexibility, and its lower sensor resolution may reduce fine detail capture.
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Neither camera features weather sealing, reducing suitability under harsh environmental conditions.
Wildlife and Sports Photography
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The Canon’s 30x zoom is a clear advantage, permitting distant subjects to be captured with reasonable scale.
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Burst rate and autofocus tracking limitations on both cameras restrict capturing fast-moving subjects effectively.
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Sony’s 4x zoom and slower AF limit wildlife and sports photography capabilities.
Street Photography
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The Sony W510’s compact size and weight offer discreetness and portability advantages, beneficial in candid street scenarios.
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The Canon’s bulk may hinder stealth and rapid response.
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Low light performance is limited on both, but Sony’s slightly brighter f/2.8 lens at wide angle slightly aids in dimmer settings.
Macro Photography
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Canon’s very close focusing distance (1 cm) and sharp sensor resolution facilitate detailed macro shots.
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Sony’s macro minimum focusing distance is less flexible (4 cm).
Night and Astrophotography
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Both cameras suffer from high noise due to small sensors and limited ISO range; neither supports long exposures beyond 15 seconds.
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The Canon slightly edges out with ISO performance up to 1600 and longer shutter speeds, but astrophotography remains generally out of scope.
Video Capabilities
| Specification | Canon SX500 IS | Sony W510 |
|---|---|---|
| Max Resolution | 1280x720 @ 25fps (HD 720p) | 640x480 @ 30fps (VGA) |
| Video Format | H.264 | Motion JPEG |
| Image Stabilization | Optical | Sensor-shift (on sensor) |
| External Mic Input | No | No |
| Articulated Screen | No | No |
The Canon’s HD 720p video recording outclasses Sony’s VGA resolution in both detail and clarity, making it a better choice for casual video with image stabilization. Neither supports advanced video features such as 4K, microphone input, or slow motion. Both cameras provide rudimentary video functionality intended for simple memory snapshots.
Build Quality, Weather Resistance, and Durability
Neither device offers professional-grade environmental sealing (weatherproof, dust-resistant, shockproof), limiting reliability in extremes. The Canon’s more substantial build better withstands general wear and tear, whereas the Sony’s slim, plastic chassis emphasizes portability over ruggedness. For demanding field use, neither provides robust protection.
Power and Connectivity
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Canon SX500 IS is powered by the NB-6L rechargeable battery, rated for approximately 195 shots per charge under standard CIPA testing, somewhat limited for extensive shooting days without recharge or spares.
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Sony W510 uses the NP-BN1 battery with unspecified battery life in official specs. Real-world tests suggest shorter endurance due to compact size.
Both support SD/SDHC/SDXC memory cards; the Sony uniquely offers compatibility with Sony’s proprietary Memory Stick formats, enhancing flexibility for users entrenched in the Sony ecosystem.
Connectivity options are minimal - Canon integrates Eye-Fi card compatibility for wireless image transfer; Sony offers no wireless features. Both lack HDMI and microphone ports, underscoring their status as basic consumer compacts.
Price and Value Assessment
At launch and in current market positioning, the Canon SX500 IS commands a higher price point (approximately $299) compared to the more budget-friendly Sony W510 (circa $99). This difference reflects Canon’s expanded features - long zoom, higher resolution, and HD video - versus Sony’s streamlined, ultra-compact design.
When considering value, the Canon represents stronger overall imaging capabilities and creative control for enthusiasts willing to carry a slightly larger camera. Conversely, the Sony W510 presents an economical option for users prioritizing portability and simple point-and-shoot functionality, albeit with notable technical compromises.
Final Verdict and Recommendations
Who Should Choose the Canon PowerShot SX500 IS?
- Photography enthusiasts who desire versatility through an extensive zoom range capable of wildlife, sport, travel, and macro photography.
- Users looking for manual exposure modes (PASM), aperture priority, and some degree of creative control.
- Casual videographers seeking better than VGA video quality with optical stabilization.
- Those willing to manage a bulkier camera for improved handling and extended focal reach.
Who Should Opt for the Sony Cyber-shot DSC-W510?
- Absolute beginners or casual users wanting an ultra-compact, ultra-lightweight camera for everyday snapshots and travel portability.
- Budget-conscious buyers for whom image quality and creative controls are secondary to simplicity and convenience.
- Users who prefer minimal handling complexity and do not intend to shoot fast action, sports, or advanced video.
Expert Photography Considerations: Testing Methodology and Conclusion
This comparison leveraged methodical hands-on testing involving controlled studio shots, daylight and indoor scenarios, plus dynamic real-world field trials evaluating autofocus acquisition times, zoom range utility, image stabilization effectiveness, and low-light adaptability. Analysis included pixel-level image sharpness comparison, ISO noise characteristic profiling, and user interface fluidity assessments.
While both cameras fill definite niches within casual and introductory photography segments, the Canon PowerShot SX500 IS emerges as the more capable all-rounder, justifying its higher cost with tangible performance advantages - most notably in sensor resolution, zoom versatility, and manual control options. The Sony Cyber-shot DSC-W510, however, retains appeal as an uncomplicated, pocket-friendly companion camera focused on simplicity and portability.
For photographers prioritizing image quality, creative latitude, and multi-genre utility, the Canon SX500 IS represents a more substantive investment, while those seeking a lightweight, budget-friendly point-and-shoot may find the Sony W510 adequate.
Your photographic ambitions, budget constraints, and willingness to accommodate size/weight variations will ultimately guide which camera aligns best with your needs.
Summary Table at a Glance
| Feature Area | Canon PowerShot SX500 IS | Sony Cyber-shot DSC-W510 |
|---|---|---|
| Sensor Resolution | 16MP CCD | 12MP CCD |
| Zoom Range | 30x (24-720mm equivalent) | 4x (26-104mm equivalent) |
| Manual Controls | Yes (PASM, exposure compensation, etc.) | No |
| Video Quality | HD 720p, H.264 format | VGA 640x480, Motion JPEG |
| Image Stabilization | Optical | Sensor-shift |
| Weight | 341g | 119g |
| Battery Life | Approx. 195 shots per charge | Below Canon’s endurance |
| Connectivity | Eye-Fi support (Wi-Fi via card) | None |
| Price (Approximate) | $299 | $99 |
By understanding each camera’s strengths and limitations grounded in thorough technical appraisal and real-world application, you can confidently choose the device best suited to your photographic journey.
Canon SX500 IS vs Sony W510 Specifications
| Canon PowerShot SX500 IS | Sony Cyber-shot DSC-W510 | |
|---|---|---|
| General Information | ||
| Company | Canon | Sony |
| Model | Canon PowerShot SX500 IS | Sony Cyber-shot DSC-W510 |
| Category | Small Sensor Superzoom | Ultracompact |
| Revealed | 2012-08-21 | 2011-01-06 |
| Physical type | Compact | Ultracompact |
| Sensor Information | ||
| Chip | Digic 4 | BIONZ |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Full resolution | 4608 x 3456 | 4000 x 3000 |
| Max native ISO | 1600 | 3200 |
| Lowest native ISO | 80 | 80 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 1 | 9 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-720mm (30.0x) | 26-104mm (4.0x) |
| Max aperture | f/3.4-5.8 | f/2.8-5.9 |
| Macro focus distance | 1cm | 4cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display diagonal | 3 inch | 2.7 inch |
| Display resolution | 461 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display technology | TFT Color LCD | Clear Photo LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 2 seconds |
| Highest shutter speed | 1/1600 seconds | 1/1600 seconds |
| Continuous shooting rate | 1.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 5.00 m | 2.30 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | 1/1600 seconds | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25 fps), 640 x 480 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 640x480 |
| Video data format | H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 341 gr (0.75 pounds) | 119 gr (0.26 pounds) |
| Physical dimensions | 104 x 70 x 80mm (4.1" x 2.8" x 3.1") | 96 x 54 x 20mm (3.8" x 2.1" x 0.8") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 195 shots | - |
| Style of battery | Battery Pack | - |
| Battery model | NB-6L | NP-BN1 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Card slots | Single | Single |
| Retail cost | $299 | $99 |