Canon SX510 HS vs Canon SX600 HS
80 Imaging
36 Features
41 Overall
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93 Imaging
40 Features
45 Overall
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Canon SX510 HS vs Canon SX600 HS Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.4-5.8) lens
- 349g - 104 x 70 x 80mm
- Revealed August 2013
- Older Model is Canon SX500 IS
- Replacement is Canon SX520 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1280 video
- 25-450mm (F3.8-6.9) lens
- 188g - 104 x 61 x 26mm
- Announced January 2014
- Refreshed by Canon SX610 HS

Canon SX510 HS vs Canon SX600 HS: A Detailed Hands-on Comparison for Enthusiasts and Photographers
When I first unpacked the Canon PowerShot SX510 HS and its later sibling, the SX600 HS, I was intrigued by their shared lineage as compact superzoom cameras designed for casual and enthusiast users alike. Both promise versatile focal ranges and straightforward handling, but which one truly delivers more bang for your buck? Having put both through my extensive testing suite - covering everything from sensor analysis to real-world shooting scenarios - I'm here to share how these two stack up across key photographic disciplines and technical benchmarks.
Let’s dive in.
First Impressions and Physical Handling: Size Matters, But How Much?
At a glance, both cameras present the typical compact, pocketable design that Canon’s PowerShot line is known for. However, their dimensions and ergonomics reveal some important differences right off the bat.
The SX510 HS is notably chunkier and heavier - measuring roughly 104x70x80 mm and tipping the scales at 349 grams - compared with the slimmer 104x61x26 mm frame and lighter weight of 188 grams on the SX600 HS. This roughly halves the thickness and shaves off a significant 45% of weight in favor of the SX600 HS. For those of us who travel frequently or prefer discreet street photography tools, the SX600 HS's svelte profile pays dividends.
Although the SX510’s heft feels more substantial, many users might appreciate the larger grip surface and a more balanced feel when zooming through the impressive 30x reach. The SX600 HS, by contrast, is easier to stash and less obtrusive but sacrifices some physical controls and a firm hold.
Ergonomically, neither camera offers an electronic viewfinder, relying solely on rear LCDs for composition - a decisive factor in bright outdoor shooting scenarios. The SX510’s chunk allows a more ergonomic placement of the shutter and zoom toggles, while the SX600’s conservative body design means tighter button spacing.
Designing for User Experience: Control Layout and Interface
Handling in real-world uses isn’t just about size; it’s the interface that determines how quickly you can adjust settings on the fly.
Looking at the top-plate design, the SX510 HS favors a more traditional compact camera layout with clearly labeled dials and switches, including manual exposure modes (shutter priority, aperture priority, and full manual). The SX600 HS drops manual exposure modes altogether, leaning into auto and scene selections - signaling a shift toward users looking for simplified usability over granular control.
Neither camera offers a touchscreen interface, which is worth noting in 2013-2014 designs where touchscreens were beginning to percolate through the market. On the rear, both feature a 3-inch TFT LCD with matching pixel density (461k dots), but as we’ll see, screen quality nuances differ slightly.
In practice, the SX510’s inclusion of exposure compensation and white balance bracketing gives creative photographers more tools to extract nuanced images. Additionally, the manual focus ring on both is electronic but less tactile - an expected limitation in compact fixed-lens cameras of this segment.
Sensor and Image Quality: The Heart of the Matter
Both cameras employ the same physical sensor size - a 1/2.3-inch CMOS chip measuring about 6.17x4.55 mm with a 28.07 mm² area. The SX510 HS employs a 12-megapixel resolution, while the SX600 HS increases this to 16 megapixels on the same sensor size.
This increased pixel density on the SX600 HS comes at a trade-off: smaller individual photodiodes capture less light, which can impact noise performance and dynamic range, especially in challenging lighting conditions. Additionally, the SX600 HS’s sensor leverages BSI-CMOS (Back-Side Illuminated) technology - a significant upgrade over the older CMOS in the SX510 - to improve light-gathering efficiency.
In my lab and field tests, the SX600 HS demonstrated sharper resolution in well-lit conditions, showing more detail at base ISO. However, its high ISO noise is more pronounced relative to the SX510, thanks partly to the tighter pixel pitch. Both cameras max out at ISO 3200 (native), with no extended or boosted ISO modes.
Dynamic range was modest on both but slightly better on the SX600 HS - likely due to its DIGIC 4+ image processor paired with the BSI sensor enhancing tonal graduations in shadow recovery.
While neither camera supports RAW output - a significant limitation for professionals - JPEG processing on both is competent, with the SX600 producing crisper images that may appeal more to users sharing photos directly without extensive editing.
Shooting Modes and Autofocus Performance: Focus on Precision
Autofocus remains one of the critical differentiators when comparing compact superzooms. The SX510 HS relies on a single-point contrast-detection system, with face detection enabled, while the SX600 HS improves autofocus with nine focus points, including face detection but no continuous AF or eye detection.
Neither camera features phase-detection AF, so response speeds depend heavily on contrast detection efficacy.
In real-life wildlife and sports scenarios, both exhibited some hunting issues under low contrast or low light. The SX600 HS offered a slight edge with quicker lock-on speeds and better consistency in daylight tracking but did not support AF-C modes for continuous focus during bursts.
Both cameras support single continuous shooting at 4fps, with the SX600 HS again showing a marginally larger buffer before slowing. Neither offers silent or electronic shutter options.
LCD Screens and Viewfinder: Composing with Confidence
As mentioned earlier, both cameras lack electronic viewfinders, meaning composing in bright daylight can be challenging.
The screens are identically sized at 3 inches and similarly high-resolution for their era (461k dots). The SX600 HS’s PureColor II G technology delivers slightly better brightness and richer color when outdoors, a noticeable advantage during outdoor shoots.
Neither offers tilt or touch capabilities, which limits usability modes like low or high-angle shooting or intuitive focus and menu selection.
Zoom Capabilities and Lens Performance: How Far Can You Go?
The SX510 HS rocks a massive 30x zoom, covering 24-720 mm equivalent - a seriously long reach that makes it attractive for wildlife, travel, and sports photography at a casual level. The SX600 HS pares this back to an 18x zoom at a 25-450 mm equivalent range to maintain a smaller, lighter form factor.
Optically, the SX510’s larger zoom range does come with trade-offs in aperture - its lens is faster at wide angle (f/3.4 vs f/3.8) but slower when fully zoomed (f/5.8 vs f/6.9 on the SX600). The longer zoom on the SX510 leads to more visible telephoto distortion and chromatic aberrations at max zoom, something I noticed during close inspection of distant trees and wildlife shots.
Despite the higher zoom range, the SX510 controls distortion and vignetting well through in-camera correction profiles. The SX600 HS’s shorter zoom is less ambitious but yields slightly better image sharpness across its range, thanks partly to the DIGIC 4+ processing.
The SX510’s macro focusing distance is effectively zero cm, literally allowing the front lens to get close for near-microscopic shots, while the SX600 HS has a minimum macro focus distance of 5cm, still usable for table-top macro but less versatile.
Real-World Performance Across Photography Genres
Let’s break down how each camera performs in specific photography conditions based on my in-field evaluations.
Portrait Photography
Portraits demand pleasing skin tones, accurate exposure, and often rely on selective focus and bokeh quality. Here, both cameras reveal their compact sensor limitations: shallow depth of field effects are modest, especially at wide angles.
The SX510 HS’s larger aperture range (f/3.4-5.8) allows slightly more background blur when zoomed in compared to the SX600 HS (f/3.8-6.9). Its face detection autofocus is responsive on both models, but neither supports eye-detection AF, a modern standard for portrait sharpness precision.
Color fidelity is roughly comparable, but the SX600’s sensor yielded somewhat more neutral and less saturated skin tones under mixed indoor lighting.
Landscape Photography
For landscapes, dynamic range and resolution are prime factors. The SX600 HS’s 16MP sensor edges out the SX510's 12MP in resolving fine details like foliage and distant buildings. The DIGIC 4+ also improves handling of HDR scenes and subtle tonal transitions.
Neither camera features weather sealing, which is a drawback for shooting in adverse conditions. Both are best suited for fair weather outings or urban landscapes.
The maximum shutter speed differences - 1/1600 sec on the SX510 vs 1/2000 sec on the SX600 - are unlikely to impact landscape shooters much, but aperture flexibility might favor the SX510 slightly when shooting in low light or twilight.
Wildlife and Sports Photography
Wildlife and sports photography demand fast autofocus, high frame rates, and significant zoom reach.
Here the SX510 HS offers advantages with its longer 30x zoom and modest aperture range allowing tighter framing and more background separation. However, autofocus speed and continuous focus capabilities fall short by modern standards on both cameras.
Burst shooting is stuck at 4fps continuous for each, which might miss action peaks but is sufficient for casual use.
The SX600 HS’s lighter body makes handheld wildlife runs less tiring, but the shorter zoom is limiting if subjects are distant.
Street and Travel Photography
Street photography benefits from small size and discreetness. The SX600 HS is the clear winner due to its reduced bulk and faster startup times. Both lack electronic viewfinders and touchscreens, which makes rapid focus acquisition and framing a little more awkward.
Travel photographers will appreciate the SX600’s longer battery life (290 shots vs 250) and built-in NFC connectivity for quick smartphone transfers, a notable perk absent on the SX510.
The SX510’s larger zoom range is enticing for travel scenarios involving distant sights, but its weight and size could deter all-day handlers.
Macro and Close-up Photography
The SX510 HS shines here with near-zero focusing distances, allowing detailed images of flowers, textures, and small objects. The SX600 HS’s 5cm minimum focus distance is still respectable, but not quite as flexible.
Neither camera offers focus stacking or bracketing, so perfect macro shots rely on steady hands or tripods.
Night and Astro Photography
Neither camera is optimized for long-exposure astro work, as max shutter speeds cap at 15 seconds and ISO sensitivity tops out at 3200 without expansion. Noise becomes severe at ISO above 800 on both.
Lack of RAW and bulb modes further restrict astrophotography enthusiasts.
Video Recording
Both cameras shoot Full HD video, but with differing frame rates and formats.
- SX510 HS: 1080p at 24 fps, 720p at 30 fps; MPEG-4 and H.264 encoding
- SX600 HS: 1080p at 30 fps (slightly higher vertical resolution, 1280 lines), 720p at 30 fps; H.264 only
Neither camera features microphone or headphone jacks, nor in-body stabilization beyond optical lens stabilization.
Output quality is reasonable for casual video but falls short of modern standards. The SX600’s slight video specification improvements offer smoother motion rendering.
Reliability, Build Quality, and Weather Resistance
Both cameras show similar unsealed plastics typical of consumer compacts. They lack environmental sealing against dust, moisture, or shock, making them vulnerable in rugged outdoor conditions.
Build quality is solid for their price points but users should treat with care, especially around bumps and exposure to weather.
Battery Life and Connectivity
Battery life differences are clear but less dramatic than size or speed: the SX600 HS posts a 290 shot rating per charge, exceeding the SX510’s 250. Neither models support USB charging - a modest inconvenience in the current era.
Both feature USB 2.0 speeds - a sign of their release eras - but only the SX600 HS offers NFC for quick pairing with smart devices. Neither has Bluetooth or GPS.
Overall Scores and Value Assessment
Here’s how the cameras rate when we weigh the comprehensive suite of features and tests:
The SX600 HS generally improves on the SX510 HS with a better sensor, more megapixels, upgraded processor, lighter build, and superior screen technology. However, it loses some functionality like manual exposure control and zoom range.
Strengths by Photography Genre
Let’s take a look at how each camera fares in popular photographic genres:
- Portraits: Slight edge to SX510 HS due to better aperture and manual exposure modes.
- Landscape: SX600 HS wins with higher resolution and sensor tech.
- Wildlife: SX510 HS preferred for longer zoom reach.
- Sports: Neither ideal; slight advantage SX600 HS for better AF points but limited overall.
- Street: Compact SX600 HS more discreet and pocketable.
- Macro: SX510 HS excels with close-focus ability.
- Night/Astro: Neither standout.
- Video: SX600 HS marginally better due to frame rate and resolution.
- Travel: SX600 HS wins on size, weight, and battery life.
- Professional Use: Both limited by no RAW support and small sensor technology.
Sample Images: Real-World Output Side-by-Side
Finally, to ground our discussion in practical image quality, here are some direct comparisons of test shots captured in a variety of conditions from well-lit landscapes to backlit portraits.
Note the SX600 HS captures finer detail, but the SX510 HS better controls noise in tricky lighting.
Final Thoughts and Recommendations
The Canon PowerShot SX510 HS and SX600 HS lie at an interesting crossroads in compact superzoom evolution. Both cater to casual photographers seeking one-camera-setup versatility without the complexity or bulk of interchangeable lens systems.
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Choose the SX510 HS if:
You value manual exposure modes, need maximum zoom reach (30x), and prefer slightly faster apertures at the telephoto end. It suits users who prioritize creative control in a compact, yet solidly handling camera. Macro enthusiasts and photographers needing that extra telephoto push can particularly benefit. -
Choose the SX600 HS if:
You prefer lightweight, pocketable design with a contemporary sensor tech upgrade. The higher resolution 16MP output and better battery life lend to more vibrant landscapes and travel photography. It’s ideal for photographers who want simplicity, better autofocus area coverage, and NFC connectivity for easier sharing.
Personally, given my extensive field testing, I see the SX600 HS as the more refined and convenient everyday companion with tactile compromises. The SX510 HS remains a good choice for those who don’t mind extra bulk in exchange for manual controls and extended zoom.
Both retain their relevance for niche users and budget-conscious buyers attracted to Canon’s reliable compact superzoom heritage.
In summary: It truly boils down to what you prioritize - zoom and control versus compactness and sensor finesse. My hands-on examinations and technical analyses should empower you to make the most informed choice tailored to your photography needs.
Happy shooting!
Canon SX510 HS vs Canon SX600 HS Specifications
Canon PowerShot SX510 HS | Canon PowerShot SX600 HS | |
---|---|---|
General Information | ||
Brand Name | Canon | Canon |
Model type | Canon PowerShot SX510 HS | Canon PowerShot SX600 HS |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Revealed | 2013-08-22 | 2014-01-06 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | Digic 4 | DIGIC 4+ |
Sensor type | CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4608 x 3456 |
Maximum native ISO | 3200 | 3200 |
Min native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 1 | 9 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-720mm (30.0x) | 25-450mm (18.0x) |
Largest aperture | f/3.4-5.8 | f/3.8-6.9 |
Macro focusing range | 0cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Resolution of display | 461 thousand dot | 461 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | TFT Color LCD | PureColor II G (TFT) |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 15 seconds | 15 seconds |
Highest shutter speed | 1/1600 seconds | 1/2000 seconds |
Continuous shooting speed | 4.0 frames/s | 4.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.00 m | 3.50 m (50 cm � 3.5 m (W) / 1.0 m � 2.0 m (T)) |
Flash options | Auto, on, slow synchro, off | Auto, Manual Flash On / Off, Slow Synchro |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1280 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1280 |
Video format | MPEG-4, H.264 | H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 349 gr (0.77 pounds) | 188 gr (0.41 pounds) |
Physical dimensions | 104 x 70 x 80mm (4.1" x 2.8" x 3.1") | 104 x 61 x 26mm (4.1" x 2.4" x 1.0") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 250 photographs | 290 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery ID | NB-6LH | NB-6LH |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, custom) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Retail cost | $249 | $249 |