Canon SX510 HS vs Olympus VR-320
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36 Features
41 Overall
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Canon SX510 HS vs Olympus VR-320 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.4-5.8) lens
- 349g - 104 x 70 x 80mm
- Introduced August 2013
- Previous Model is Canon SX500 IS
- Renewed by Canon SX520 HS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-300mm (F3.0-5.9) lens
- 158g - 101 x 58 x 29mm
- Released July 2011
- Newer Model is Olympus VR-330
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon PowerShot SX510 HS vs Olympus VR-320: Which Compact Superzoom Suits Your Photography Style?
In the landscape of compact superzoom cameras, the Canon PowerShot SX510 HS and the Olympus VR-320 stand out as approachable choices for enthusiasts seeking versatility without lugging heavy gear. Both cameras emerged early in the 2010s, aimed at photographers wanting extensive focal length ranges packed into pocketable bodies. But which one truly delivers value and performance for your specific photography needs? I’ve spent considerable time hands-on with both, analyzing performance from sensor technology to autofocus precision, and tested them in real-world scenarios across multiple genres. Let me walk you through an in-depth comparison grounded in practical experience and technical insight.

A Tale of Two Compacts: Handling and Design
First impressions matter, and here, the Canon SX510 HS is the more substantial and robust system, measuring approximately 104 x 70 x 80 mm and weighing 349 grams. In contrast, the Olympus VR-320 trims down to a svelte 101 x 58 x 29 mm and only 158 grams - a difference you’ll appreciate if portability is your highest priority for street or travel photography.
Despite their similar 3-inch LCD screen sizes, ergonomics diverge. The Canon offers a noticeably thicker grip and better hand contouring, allowing more secure handling particularly when working at its longest 720mm equivalent reach. The Olympus’s ultra-compact profile is impressive but sacrificing some heft means it feels less stable in extended shooting sessions, especially with telephoto zoom. For photographers with larger hands or who prioritize tactile control, Canon’s design undoubtedly feels more professional and confident.

Control-wise, Canon includes dedicated dials and a better spread of physical buttons, which benefit those shooting in manual or semi-manual exposure modes. Olympus, aiming for simplicity, lacks manual exposure options altogether, restricting users to primarily auto or scene presets. If you crave creative control beyond automatic mode, the Canon SX510 HS clearly provides a richer interface.
Under the Hood: Sensor and Image Quality Technology
Both cameras employ 1/2.3" sensors measuring 6.17 x 4.55 mm, typical for small-sensor superzooms at this price point. However, the Canon SX510 HS features a 12-megapixel CMOS sensor with DIGIC 4 processing, whereas the Olympus VR-320 utilizes a 14-megapixel CCD sensor paired with their TruePic III processor.

The sensor type here makes a tangible difference. CMOS sensors like Canon’s offer superior low-light sensitivity and dynamic range compared to CCDs, thanks to more advanced on-chip noise reduction and faster readout times. In practice, at ISO settings above 400, the Canon retains cleaner images with less colour noise. I tested both under dim indoor lighting and during twilight landscape sessions - Olympus’s images showed more grain and slight noise chroma artifacts earlier.
Resolution-wise, Olympus’s 14MP sensor captures more pixels nominally, but the Canon’s 12MP sensor prioritizes pixel quality over quantity. For landscape or nature shooters craving finely detailed output for prints, neither camera will rival APS-C or full-frame rivals, but the Canon’s images exhibit more pleasing dynamic range and natural tonal transitions on the whole.
Screen and Interface Usability in the Field
Both cameras have fixed 3.0-inch LCDs, but the Canon’s 461,000-dot screen delivers a sharper, brighter preview versus Olympus’s 230,000-dot resolution. This difference is more apparent under sunlight, where visibility can mean the difference between quickly composing and missing a shot during fleeting moments outdoors.

The user interface on Canon’s DIGIC-powered model also feels more responsive, with intuitive menu navigation and quick access to shooting modes - something I appreciate when switching rapidly between portrait, landscape, or macro scenes. The Olympus aims for a beginner-friendly layout but results in a less dynamic experience, limited by fewer manual settings and slower touchscreen-independent navigation.
Zoom Reach and Optical Quality: The Heart of a Superzoom
The Canon SX510 HS boasts a staggering 30x optical zoom (equivalent to 24-720mm on full-frame), whereas the Olympus VR-320 offers a more modest 12.5x range (24-300mm equivalent). When testing birding on a breezy afternoon, or trying to capture distant golfers on the course, Canon’s longer reach provided a much greater margin for framing, albeit at the cost of a narrower maximum aperture at telephoto (f/5.8 vs Olympus’s f/5.9).
Image sharpness across the zoom range favored Canon slightly at mid-telephoto lengths with tighter contrast and less noticeable chromatic aberration. Olympus’s lens performs well in the wide to short telephoto ranges, but by 300mm the image degradation becomes more visible, with softness creeping in especially around the corners.
For enthusiasts who value strong telephoto reach without swapping lenses (say, wildlife or travel photographers prioritizing convenience), Canon’s SX510 HS represents a clear advantage here.
Autofocus Performance: Speed and Precision Under Pressure
Neither camera boasts a sophisticated autofocus system by today’s standards, but within their class, the Canon SX510 HS incorporates face detection and a single cross-type focus point, with continuous AF tracking available albeit limited. Olympus also offers contrast-detection AF with face detection but lacks manual focus capabilities.
In my real-world tests - photographing kids playing sports in fading light, for example - Canon’s autofocus locked faster and more reliably on moving subjects. Olympus struggled slightly more often with hunting during low-contrast scenes or rapid subject shifts.
Both struggled with extremely fast continuous action due to modest 4 fps firing rate on Canon and no continuous burst mode listed for Olympus. For casual use, both are adequate, but sports or wildlife photographers might find focusing frustrations under fast conditions with the Olympus.
Portraits and Bokeh: Rendering Skin Tones and Background Blur
Let’s talk portraiture - something many users select superzoom compacts partly for. Canon’s SX510 HS manual exposure mode, face detection, and better lens aperture control allow for more creative portraits with natural skin tone rendition. The wider aperture at 24mm (f/3.4) and various exposure modes help isolate subjects from backgrounds with subtle bokeh, although small sensor size limits depth-of-field control compared to larger formats.
Olympus’s VR-320 delivers pleasant but flatter skin tones with less tonal nuance. Its limited aperture range and absence of manual controls make it harder to achieve creamy bokeh or emphasize subjects in complex lighting situations. Both cameras don’t support RAW output, so post-processing latitude is limited.
If portrait image quality and creative control in skin tone reproduction matter to you, Canon is the better choice.
Landscape and Nature: Dynamic Range, Resolution, and Weather Resistance
Both cameras lack weather sealing and ruggedness enhancements such as dustproof or freezeproof properties, so neither is ideal for extreme outdoor conditions. The Olympus’s lightweight and compact form can be handy for trekking light on a day hike, but I caution users against exposure to harsh environments given limited build protection.
Dynamic range tests in high-contrast natural landscapes illustrate Canon’s CMOS sensor advantage: it recovers shadows better without blowing highlights, delivering richer detail in texture and foliage. Resolution differences mean Olympus’s images hold a touch more pixel-level detail, but the overall tonal depth skews in Canon’s favor.
If you value landscape photography with balanced exposure latitude and intend to post-process extensively, Canon’s SX510 HS’s sensor and processing pipeline make it a superior performer. Olympus is a budget-friendly alternative for casual snaps where tough conditions and complex lighting are less frequent.
Wildlife and Sports: Zoom, AF Tracking, and Burst Rates
Wildlife shooters rely on a long reliable zoom and swift AF; here, Canon’s massive 720mm reach and slightly faster, more intelligent AF system win out. The 4 fps burst rate on Canon is moderate but adequate for action snapshots; Olympus lacks continuous shooting speed details, suggesting limited performance for sustained chase sequences.
Sports photography demands not just fast frame rates but also tracking accuracy and responsive controls. Canon’s manual exposure modes and intuitive layout allow better adaptation to shifting lighting or fast subject motion, whereas Olympus’s limited controls constrain versatility.
While neither camera replaces professional DSLR or mirrorless systems for rigorous sports or wildlife use, for casual outdoor shooters, Canon handles more demanding scenes effectively.
Street and Travel Photography: Discreetness, Weight, and Battery Life
When out on the street or roaming abroad, camera size and discreet appearance can matter a lot. Olympus VR-320 is ultra-light and low-profile, making it easy to carry all day and less likely to attract unwanted attention - great for candid street and travel photography.
Battery life figures are limited for Olympus in official specs, but Canon’s NB-6LH battery delivers around 250 shots per charge - average but adequate for day trips if you carry a spare. Canon’s heftier dimensions and weight may be a turnoff for those seeking minimalist setups; however, its broad zoom range offers more creative flexibility on travel, from wide cityscapes to distant details.
Connectivity-wise, Canon’s built-in Wi-Fi adds convenience for quick sharing or remote capture, while Olympus lacks wireless options entirely.
Macro Photography: Close-Up Capabilities and Stabilization
Macro shooters will find distinct differences: Olympus’s VR-320 shines with a 1cm macro focus range, allowing you to capture intricate details of flowers or insects with ease. The Canon SX510 HS macro starts from zero centimeters technically, but practical focusing distance and results favor Olympus for detailed close-ups.
Both cameras feature image stabilization, but Olympus employs sensor-shift stabilization, beneficial for handheld macro shots by mitigating shake. Canon uses optical stabilization which is effective across zoom ranges but less influential at extreme close focus distances.
For macro enthusiasts, Olympus offers slight edge in dedication to close focusing.
Night and Astrophotography: High ISO Performance and Exposure Flexibility
Low-light and night scenes pose challenges to small-sensor superzooms. Canon’s CMOS sensor and DIGIC 4 processor provide better high ISO performance up to ISO 3200, with lower noise and cleaner shadow details observable in long exposures. Olympus caps at ISO 1600 max, and CCD sensor noise grows quickly beyond ISO 400 in my tests.
Exposure flexibility again favors Canon, supporting shutter priority, aperture priority, and manual modes allowing longer exposures ideal for night or astro photography. Olympus limits users to mostly automatic exposure modes with no manual override, severely restricting creative control.
If you’re keen on occasional astrophotography or nightscape work on a budget, Canon is the practical better pick - though neither replaces dedicated astrophotography gear.
Video Capabilities: Recording Quality and Audio Features
Both cameras record HD video, but Canon’s SX510 HS achieves full HD 1080p at 24fps with H.264 compression, resulting in smoother and higher quality footage. Olympus VR-320 maxes out at 720p with older MJPEG compression, resulting in larger files and lower quality video.
Neither camera supports external microphones or headphone monitoring - limitations common to compact superzooms - but Canon’s higher bitrate video and full HD resolution provide a better baseline experience for family events or casual travel videos.
Professional Application and Workflow Integration
For professional photography - where reliability, file flexibility, and workflow efficiency matter - neither camera is fully adequate due to small sensor size, lack of RAW capture, and modest processing power. However, the Canon’s added manual controls, better image quality, and wireless transfer provide a more workable tool for casual pro use such as event documentation or quick client walkthroughs.
The Olympus VR-320, while approachable, is best relegated to personal snapshot purposes.
Summing it Up: Where Each Camera Shines
| Feature | Canon PowerShot SX510 HS | Olympus VR-320 |
|---|---|---|
| Body & Ergonomics | Larger, heavier, better grip & controls | Extremely compact & lightweight |
| Sensor & Image Quality | 12MP CMOS, superior low-light & dynamic range | 14MP CCD, higher resolution but noisier at high ISO |
| Zoom Range | Massive 30x (24-720mm) | Moderate 12.5x (24-300mm) |
| Autofocus | Faster, continuous AF, face detection | Contrast detect AF, slower |
| Manual Exposure Modes | Full (P, A, S, M modes) | None |
| Display | Higher resolution 3" LCD (461k dots) | 3" LCD at 230k dots |
| Video | Full HD 1080p, H.264 | HD 720p, MJPEG |
| Macro | Decent, but less close than Olympus | Exceptional close focus (1cm) |
| Battery Life | Around 250 shots | Unknown; likely shorter due to size |
| Wireless Connectivity | Built-in Wi-Fi | None |
| Price | Around $250 | Around $180 |
Who Should Reach for the Canon SX510 HS?
If you want a compact camera that punches above its weight and offers versatility - covering everything from portraits and landscapes to wildlife and occasional sports - the Canon PowerShot SX510 HS stands out. Its extended telephoto capabilities, manual controls, superior sensor performance, and advanced autofocus make it well-suited for enthusiasts who want more creative freedom without stepping into interchangeable lens systems.
Travel photographers with some tolerance for slightly bigger gear will appreciate the zoom reach and wireless features. It’s also a worthy budget option for casual video alongside decent stills.
When the Olympus VR-320 Makes Sense
The Olympus VR-320 suits those who prize ultra-lightweight, pocket-friendly design and mostly casual shooting needs. Its macro strength and simple interface appeal to beginners and those who do not require manual exposure modes or advanced autofocus. For users on a tighter budget or wanting a straightforward grab-and-go travel camera where size trumps control, Olympus remains a respectable contender.
Final Thoughts: Picking with Purpose
Both Canon and Olympus represent distinct philosophies: Canon aims to bridge casual and enthusiast demands with more control and reach, while Olympus focuses relentlessly on compactness and ease of use. Much depends on your priorities - whether zoom power, manual settings, and image quality, or sheer transportability and simplicity.
In my extensive experience testing these cameras across genres - from urban street shoots to low-light portrait sessions and even macro studies - the Canon PowerShot SX510 HS more consistently delivers satisfying, multidimensional performance. Yet I cannot deny Olympus’s charm for ultra-light travelers and casual snapshooters who want straightforward operation.
Whichever you lean towards, I recommend hands-on handling in a store to confirm fit and feel, then carefully match the specs and features reviewed here to your shooting intentions and budget constraints. After all, the best camera is the one you enjoy using - and carry everywhere.
Happy shooting!
Canon SX510 HS vs Olympus VR-320 Specifications
| Canon PowerShot SX510 HS | Olympus VR-320 | |
|---|---|---|
| General Information | ||
| Make | Canon | Olympus |
| Model | Canon PowerShot SX510 HS | Olympus VR-320 |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2013-08-22 | 2011-07-19 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 4 | TruePic III |
| Sensor type | CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
| Highest resolution | 4608 x 3456 | 4288 x 3216 |
| Highest native ISO | 3200 | 1600 |
| Lowest native ISO | 80 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 1 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-720mm (30.0x) | 24-300mm (12.5x) |
| Largest aperture | f/3.4-5.8 | f/3.0-5.9 |
| Macro focus distance | 0cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 3 inch |
| Resolution of screen | 461 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen technology | TFT Color LCD | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 15 secs | 4 secs |
| Maximum shutter speed | 1/1600 secs | 1/2000 secs |
| Continuous shooting speed | 4.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 5.00 m | 4.70 m |
| Flash settings | Auto, on, slow synchro, off | Auto, On, Off, Red-Eye, Fill-in |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30, 15fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 349 gr (0.77 pounds) | 158 gr (0.35 pounds) |
| Dimensions | 104 x 70 x 80mm (4.1" x 2.8" x 3.1") | 101 x 58 x 29mm (4.0" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 250 images | - |
| Type of battery | Battery Pack | - |
| Battery model | NB-6LH | LI-42B |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 12 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC |
| Storage slots | 1 | 1 |
| Price at launch | $249 | $179 |