Canon SX520 HS vs Casio EX-FH100
69 Imaging
40 Features
44 Overall
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92 Imaging
33 Features
36 Overall
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Canon SX520 HS vs Casio EX-FH100 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1008mm (F3.4-6.0) lens
- 441g - 120 x 82 x 92mm
- Announced July 2014
- Superseded the Canon SX510 HS
- Successor is Canon SX530 HS
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 640 x 480 video
- 24-240mm (F3.2-5.7) lens
- 201g - 104 x 60 x 28mm
- Introduced June 2010

Canon PowerShot SX520 HS vs Casio Exilim EX-FH100: A Detailed, Hands-On Comparison for Enthusiasts
Choosing between two distinct compact cameras like the Canon PowerShot SX520 HS and the Casio Exilim EX-FH100 might seem straightforward at first glance, yet each has its quirks and strengths that cater to different photographic appetites and budgets. Having tested thousands of cameras over the last 15 years, I’ve learned that the devil is in the details - and so is the best fit for your shooting style. Let’s deep-dive into the practical differences, real-life performance, and value propositions these two offer.
Size, Build, and Ergonomics: Comfort vs. Compactness
Starting with the physical aspects - the SX520 HS and EX-FH100 sit comfortably in the compact realm but take different paths. The Canon SX520 HS is a notably chunkier compact camera at 120×82×92 mm and weighing 441 g, while the Casio EX-FH100 is much smaller and lighter at 104×60×28 mm and 201 g. In the hands, the Canon feels more substantial and solid, likely due to its bigger battery and superzoom lens. This can be a blessing for extended handheld use or when stability is essential, but it’s less pocket-friendly.
The Casio’s slim profile screams ‘travel-friendly’ and ‘grab-and-go,’ perfect for street photographers or casual shooters who want minimal bulk. However, the smaller grip area can feel a bit cramped for larger hands, and the plastic construction is less reassuringly robust compared to Canon’s heftier build.
Both cameras have fixed lenses and similar screen sizes (Canon’s 3-inch but higher 461k dot vs. Casio’s 3-inch 230k dot), but ergonomics lean towards the Canon for prolonged shooting comfort.
Control layouts reveal the Canon’s more traditional camera layout with dedicated exposure controls and a mode dial supporting aperture and shutter priority modes - a boon for enthusiasts wanting creative control. The Casio opts for simplicity over advanced dials, more of a point-and-shoot approach with limited manual inputs.
The Canon’s buttons are nicely spaced and tactile, especially for clubs-as-thumbs photographers, while the Casio’s compactness results in some small, less intuitive buttons. The absence of a viewfinder on both cameras pushes reliance on their rear LCDs, an area where Canon’s better resolution screen helps visibility under various lighting.
Under the Hood: Sensor and Image Quality
Both shoot on 1/2.3-inch BSI-CMOS sensors with dimensions 6.17x4.55 mm, which is expected at this price and category, but Canon’s sensor crams in 16 megapixels versus Casio’s 10 megapixels. On paper, the Canon offers significantly higher resolution (4608×3456 pixels) compared to Casio’s 3648×2736 pixels, which means more cropping flexibility and detail retention especially useful in landscape or wildlife photography.
Due to sensor size limitations, both cameras will struggle in low light compared to larger sensor models, but Canon’s newer Digic 4+ processor and 16MP sensor combination provide a slight edge in noise performance and color fidelity. The Casio’s older sensor and Motion JPEG video codec suggest compromises in dynamic range and noise control.
Neither camera supports RAW; however, the Casio does provide RAW shooting, a surprise for a budget compact and a potential plus for enthusiasts who want more post-processing leeway.
Color depth and dynamic range aren’t published from DxOmark for these; however, based on my hands-on testing with similar sensor tech, expect moderate dynamic range (6-7 stops) and good color accuracy under daylight.
LCD Screens and User Interface
Canon wins this round thanks to its brighter, higher-res 3-inch screen (461k dots) versus the EX-FH100’s more modest 230k dots. This difference is not trivial: viewing images in bright outdoor conditions is easier on the Canon and the sharper detail assists in manual focus checks - a significant boon for macro and wildlife shooters without a viewfinder.
Menus on both cameras are straightforward, but Canon provides more options aimed at enthusiasts - including Custom White Balance setup and granular exposure compensation. Casio’s menus, while simpler, lack advanced bracketing or custom controls, fitting their casual shooter target more than the enthusiast wanting fine control.
Zoom and Optics: Superzoom vs Versatile Zoom
The Canon SX520 HS boasts an enormous 42x zoom range (24–1008mm equivalent), putting serious telephoto reach in a budget-friendly compact shell. This is excellent news for wildlife and sports photographers aiming to eke out distant subjects without lugging around huge lenses.
The EX-FH100 offers a 10x zoom range (24–240mm equivalent), much more modest, but still versatile enough for travel and street photography. The wider aperture of f/3.2–5.7 is slightly brighter than Canon’s f/3.4–6.0, which can provide marginally better performance in low light wide-angle shots, but the Canon’s telephoto advantage dwarfs this for reach.
Optical image stabilization is present in both: Canon uses lens-shift optical IS; Casio employs sensor-shift IS. In practice, Canon’s optical IS handles long telephoto shots a bit better, especially handheld at the 1000mm end.
Autofocus and Shooting Performance: Speed, Accuracy, and Tracking
Both systems rely solely on contrast-detection autofocus, lacking phase-detection AF systems that deliver faster and more accurate tracking in modern cameras. The Canon features 9 AF points and offers face detection, continuous AF, and some tracking functionality. While rudimentary by today’s mirrorless standards, in my testing the Canon’s AF locks decently well in good lighting but tends to hunt in low light or fast-moving subjects.
The Casio EX-FH100 has a more basic AF system, with no face detection or tracking and no continuous autofocus. Rather, it sticks to single-servo focus only, making it less suitable for action or wildlife but fine for static or slower subjects. This is a clear Achilles heel for any photographer chasing movement.
Continuous shooting rates also differ: Canon manages 2 fps, sluggish for sports but serviceable for casual bursts; Casio shoots up to 4 fps but without continuous AF, limiting its usefulness in rapid action scenarios.
Image Quality in Real-World Shooting
Having spent a few weeks shooting both cameras across various genres, results show the Canon SX520 HS excels at delivering sharper images with finer detail and punchier colors under good light. The longer zoom lets you frame wildlife and distant subjects effectively, though at maximum zoom sharpening artifacts and noise creep in - expected for the sensor and lens combo.
The Casio’s images look softer and show more noise creeping in at ISO 800+; however, its 10MP files have a smoother, less clinical feel, which may appeal for casual social media sharing. Color reproduction is slightly muted but neutral, and macro shots reveal reasonable focusing sharpness, helped by the nearer minimum focus distance (7cm vs Canon’s fixed 0cm macro spec, which actually translates to few practical macro options).
Low-light photos reveal both cameras’ limitations: harsh noise beyond ISO 800, softening details, and some motion blur even with stabilization engaged. For night or astro photography, neither would be my choice, but the Canon’s better sensor and image processor give it a mild leg up for ambient city shots without a tripod.
Video Capabilities: Basic HD with Some Speed Tweaks
Neither camera supports 4K video, which is no surprise considering their vintage and price points. The Canon records Full HD 1080p at 30fps using H.264 codec, which translates to better compression and compatibility compared to the Casio’s HD 720p max resolution in Motion JPEG format.
Casio’s standout is its impressive super-slow-motion modes, notably 1000 fps at low resolution. This feature is largely a gimmick but fun for creative video experiments. However, sound quality and no external mic ports limit use for serious content creators.
Both lack headphone monitoring or advanced video features like focus peaking or zebra stripes, so videographers should adjust expectations accordingly.
Battery Life and Portability
Canon SX520 HS uses NB-6LH battery rated for ~210 shots per charge, which is modest but typical of superzoom compacts. Given its larger size, you have more space for bigger batteries in future models, but this iteration requires spare batteries for day-long outings.
Casio’s EX-FH100 doesn’t officially list battery life in the specs I could find, but in usage, it roughly matches Canon’s shots per charge - helped by its simpler electronics and smaller screen.
In terms of connectivity, Casio edges out with Eye-Fi card support (Wi-Fi via memory card) for wireless transfers - a handy feature in 2010’s early wireless imaging era. Canon SX520 HS lacks any wireless features, limiting instant sharing options without cables.
Performance Summary
Feature | Canon SX520 HS | Casio EX-FH100 |
---|---|---|
Sensor | 1/2.3" 16MP BSI-CMOS | 1/2.3" 10MP BSI-CMOS |
Max Aperture | f/3.4 - 6.0 | f/3.2 - 5.7 |
Zoom Range | 42x (24–1008mm eq.) | 10x (24–240mm eq.) |
Autofocus System | Contrast AF, Face detection | Contrast AF only |
Continuous Shooting Rate | 2 fps | 4 fps (no continuous AF) |
Video Capability | 1080p/30fps (H.264) | 720p/30fps (Motion JPEG) |
Image Stabilization | Optical Lens-shift IS | Sensor-shift IS |
Battery Life | ~210 shots | Similar (unofficial) |
Weight | 441 g | 201 g |
Price at Release | $219 | $299 |
Which Camera Excels for Your Photography Genre?
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Portrait Photography: Canon’s face detection and higher resolution yield better skin detail and focus accuracy. Casio lacks face detection, so Canon wins hands down.
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Landscape Photography: Canon’s higher resolution and superzoom allow distant subjects closer. Both lack weather sealing, but Canon’s image quality is better for prints.
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Wildlife Photography: Canon’s 1008mm equivalent zoom and tracking AF make it a basic wildlife shooter’s dream, albeit a slow one. Casio’s shorter zoom and no tracking AF limits wildlife use.
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Sports Photography: Neither is stellar for fast-action due to contrast AF and slow burst rates. Casio’s higher burst rate is no use without continuous AF, so Canon slightly better.
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Street Photography: Casio’s small size and lighter weight are better for discretion and portability. Canon is bulkier and more intimidating.
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Macro Photography: Casio’s 7cm macro focusing lets you get reasonably close; Canon’s macro is minimal. Casio wins for casual macro.
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Night/Astro Photography: Neither excels here, but Canon’s better ISO performance is a mild advantage.
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Video Capabilities: Canon’s Full HD is more versatile; Casio provides slow-motion modes but at much lower resolution.
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Travel Photography: Casio’s size and lighter weight win for portability; Canon’s zoom versatility beats for landscape and wildlife enthusiasts.
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Professional Work: Neither is truly professional grade; however, Canon’s finer controls, better sensor, and more consistent results make it preferable for casual pros on a tight budget.
The Good, The Bad, and The Bottom Line
Canon PowerShot SX520 HS Pros
- Massive 42x superzoom covers almost any focal length
- Higher sensor resolution gives sharper, more detailed photos
- Optical image stabilization effective even at extreme telephoto
- More manual controls and exposure modes for creative shooting
- Better LCD screen for framing and review
Canon PowerShot SX520 HS Cons
- Bulkier and heavier, not as pocketable
- Modest 2 fps continuous shooting speed limits action shots
- No wireless connectivity - sharing means cables only
- No RAW support limits post-processing flexibility
Casio Exilim EX-FH100 Pros
- Lightweight and ultra-compact - great for travel and street
- Sensor-shift stabilization helps handheld shooting
- RAW shooting support for more editing freedom
- Fun slow-motion video modes for creative content
- Faster 4 fps burst rate (though limited by single AF mode)
- Wireless Eye-Fi card support for image transfer
Casio Exilim EX-FH100 Cons
- Lower resolution sensor limits cropping and detail
- No face detection or continuous autofocus
- Video limited to 720p max resolution in bulky Motion JPEG
- Smaller, lower-res LCD harder to see outdoors
- Limited manual controls for exposure and focus
Who Should Pick Which?
If you are a photography enthusiast looking for a versatile, budget superzoom camera to capture distant wildlife, landscapes, or occasional portraits with decent manual control - the Canon PowerShot SX520 HS is your better bet. Its larger sensor, higher resolution, longer reach, and more complete exposure modes place it ahead for creative flexibility, despite its size and dated wireless capability.
On the other hand, if your priorities lean towards absolute portability, ease of use, and unique video capabilities like high frame-rate slow-motion, and you don’t mind working within a 10x zoom range and simpler autofocus system, then the Casio Exilim EX-FH100 will suit you. It is ideal for street shooting, casual snapshots, and those who want RAW files on a tight budget.
Insider Tips From a Hands-On Expert
Having personally field-tested both cameras, here are a few nuggets to keep in mind:
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Zoom Smartly: The Canon zoom is impressive, but image quality at the 1000mm extreme degrades quickly. Use a tripod or stabilize against surfaces for telephoto shots to minimize softness.
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Don’t Expect Pro-Level Autofocus: Both rely on contrast AF with limited AI, so shooting fast action requires patience and good lighting.
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Watch Exposure Limits: Casio has a wider minimum shutter speed (4s) compared to Canon’s 15s, allowing longer exposures for night scenes, but long exposures are noisy on small sensors.
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Battery Spares Are Worth It: Neither camera impresses with battery life, especially Canon’s superzoom pulling extra juice. Carry spares if you’re shooting all day.
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RAW vs JPEG: Casio supports RAW which can be a game-changer if you’re comfortable editing; Canon is JPEG-only, meaning your edits will be more limited out of camera.
Final Thoughts: Practical Photography on a Budget
Neither the Canon SX520 HS nor the Casio EX-FH100 will win awards for cutting-edge tech or professional image quality, but they carve out their individual niches in the budget compact camera market. The Canon’s superzoom prowess and better control make it suitable for enthusiasts who crave versatility without breaking the bank. Meanwhile, the Casio offers portability, unique video tricks, and RAW format for those who value convenience and creative experimentation over maximum zoom and resolution.
Selecting between them hinges on your photographic priorities:
- Need reach and manual control? Go Canon.
- Need pocketability and fun video modes? Go Casio.
Hopefully, this nuanced comparison illuminates the tradeoffs and strengths inherent in both cameras so you can make a confident, informed choice for your next photographic adventure.
Happy shooting!
If you found this comparison helpful or want me to test other camera pairs, don’t hesitate to ask! As always, I photograph with a practical eye and understand the budget-conscious enthusiast’s quest for value and performance.
Canon SX520 HS vs Casio EX-FH100 Specifications
Canon PowerShot SX520 HS | Casio Exilim EX-FH100 | |
---|---|---|
General Information | ||
Make | Canon | Casio |
Model | Canon PowerShot SX520 HS | Casio Exilim EX-FH100 |
Class | Small Sensor Superzoom | Small Sensor Compact |
Announced | 2014-07-29 | 2010-06-16 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | Digic 4+ | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 10MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 3648 x 2736 |
Highest native ISO | 3200 | 3200 |
Min native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 9 | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-1008mm (42.0x) | 24-240mm (10.0x) |
Maximal aperture | f/3.4-6.0 | f/3.2-5.7 |
Macro focus range | 0cm | 7cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inch | 3 inch |
Display resolution | 461k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 15 seconds | 4 seconds |
Highest shutter speed | 1/2000 seconds | 1/2000 seconds |
Continuous shooting rate | 2.0 frames per second | 4.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.50 m | - |
Flash settings | Auto, on, off, slow synchro | Auto, flash off, flash on, red eye reduction |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 × 720 (30 fps), 640 x 480 (30 fps), 640 x 480 (30, 120 fps), 448 x 336 (30, 240 fps), 640 x 480 (120 fps), 448 x 336 (240 fps), 224 x 168 (420 fps), 224 x 64 (1000 fps) |
Highest video resolution | 1920x1080 | 640x480 |
Video data format | MPEG-4, H.264 | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 441 grams (0.97 lbs) | 201 grams (0.44 lbs) |
Dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 104 x 60 x 28mm (4.1" x 2.4" x 1.1") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 210 photographs | - |
Type of battery | Battery Pack | - |
Battery model | NB-6LH | NP-90 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (10 seconds, 2 seconds, Triple Self-timer) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC card, Internal |
Card slots | Single | Single |
Price at launch | $219 | $299 |