Canon SX520 HS vs Panasonic FZ70
69 Imaging
40 Features
44 Overall
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63 Imaging
39 Features
53 Overall
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Canon SX520 HS vs Panasonic FZ70 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1008mm (F3.4-6.0) lens
- 441g - 120 x 82 x 92mm
- Introduced July 2014
- Replaced the Canon SX510 HS
- Renewed by Canon SX530 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 20-1200mm (F2.8-5.9) lens
- 606g - 130 x 97 x 118mm
- Revealed July 2013
Meta to Introduce 'AI-Generated' Labels for Media starting next month Canon SX520 HS vs Panasonic Lumix FZ70: Which Superzoom Compact Fits Your Photography Journey?
If you’re diving into the world of superzoom cameras, chances are you want impressive reach without hauling bulky gear. Both the Canon PowerShot SX520 HS and Panasonic Lumix DMC-FZ70 promise extensive zoom ranges and beginner-friendly packs that suit everyday shooting and casual travel. But which one truly delivers on image quality, performance, and value for your photography goals?
Having personally tested both with extensive hands-on sessions and real-world shooting, we’re going beyond specs to bring you a thorough comparison. Whether you’re chasing wildlife, capturing expansive landscapes, practicing street photowalking, or starting your macro explorations, this article will help you decide which camera matches your style, budget, and aspirations.
Let’s unpack how these two small-sensor superzooms stack up against each other.
First Impressions: Design, Ergonomics, and Build
Size and Handling - Compact vs. Bridge Style
When it comes to physical feel, the Canon SX520 HS is a true compact with a straightforward pocket-friendly design, while the Panasonic FZ70 leans into a bridge camera form, resembling a DSLR-style body with a pronounced grip and a bulkier footprint.
| Feature | Canon SX520 HS | Panasonic FZ70 |
|---|---|---|
| Dimensions (mm) | 120 x 82 x 92 | 130 x 97 x 118 |
| Weight (g) | 441 | 606 |
| Body Type | Compact | SLR-like (Bridge) |
| Grip | Modest, integrated | Deep, DSLR-style ergonomic |

You’ll find the Canon SX520 HS easier to carry around casually due to its lighter weight and smaller size, which is excellent for street photography or travel where portability is paramount. On the other hand, the Panasonic FZ70’s bulk might tire your wrist during long handheld sequences but offers better balance when shooting with its very long 60× optical zoom, giving you more stability for extended reach.
Control Layout and Top-View
Control ergonomics impact your shooting speed and enjoyment. The Canon SX520 HS offers a minimalist button set, suited to quick point-and-shoot usage without overwhelming new photographers. The Panasonic FZ70 includes more buttons and dials, reflecting its bridge camera positioning and giving enthusiasts greater manual control and quicker access to key functions.

For users who prefer a simplified interface, the Canon SX520 HS is friendlier. Meanwhile, if you want to experiment with more exposure modes and customize shooting parameters rapidly, the FZ70 puts those tools right at your fingertips.
Sensor Technology and Image Quality: How Much Does Zoom Cost?
Both cameras employ a 1/2.3-inch sensor measuring 6.17 x 4.55 mm with a resolution of 16 megapixels. While this sensor size is standard for compact superzooms, it imposes limitations on noise and dynamic range compared to larger APS-C or full-frame sensors.
| Specification | Canon SX520 HS | Panasonic FZ70 |
|---|---|---|
| Sensor Type | BSI-CMOS | CMOS |
| Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
| Resolution (MP) | 16 | 16 |
| Max Native ISO | 3200 | 3200 |
| Max Boosted ISO | N/A | 6400 |
| RAW Support | No | Yes |
| DxOMark Overall Score | Not tested | 41 |
| DxOMark Color Depth | Not tested | 19.4 |
| DxOMark Dynamic Range | Not tested | 10.8 |
| DxOMark Low Light ISO | Not tested | 171 |

The Panasonic FZ70 edges ahead with RAW file support and more detailed sensor data thanks to its Venus Engine processor. The camera’s ability to shoot in RAW format means you can have significantly more control in post-processing, recovering highlights and shadows better than JPEG-only systems like the Canon SX520 HS. The FZ70 also boasts a slightly better dynamic range and color depth metrics, contributing to richer images, especially in challenging light conditions.
Autofocus and Shooting Speed: Catching Life’s Moments
Autofocus performance is vital across genres, from fast wildlife subjects to fleeting street scenes. Both cameras rely mainly on contrast-detection autofocus systems, common in compact cameras.
| Feature | Canon SX520 HS | Panasonic FZ70 |
|---|---|---|
| AF Points | 9 | 23 |
| AF Type | Contrast Detection | Contrast Detection |
| Face Detection | Yes | Yes |
| Continuous AF | Yes | Yes |
| Burst Rate (fps) | 2 | 9 |
The Panasonic FZ70 shines with a significantly faster continuous shooting speed of up to 9fps, excellent for tracking moving subjects in wildlife or sports photography scenarios, while the Canon SX520 HS manages only 2fps, limiting its action-capture capabilities.
Its more numerous autofocus points also translate into finer subject tracking over a broader area, making it easier to lock focus when subjects move unpredictably. The Canon’s 9 AF points are adequate for general use but less flexible for complex tracking.
Lens and Zoom Capabilities: Reach, Brightness, and Macro Fun
Superzoom cameras are defined by their zoom ranges and lens capabilities.
| Feature | Canon SX520 HS | Panasonic FZ70 |
|---|---|---|
| Focal Range (35mm EQ) | 24-1008 mm (42× zoom) | 20-1200 mm (60× zoom) |
| Max Aperture | f/3.4 - f/6.0 | f/2.8 - f/5.9 |
| Macro Focus Range | 0 cm | 1 cm |
| Image Stabilization | Optical | Optical |
| External Flash Support | No | Yes |
The Panasonic FZ70 offers a far more aggressive 60× zoom range from a wide 20mm to a breathtaking 1200mm equivalent. Its brighter aperture at the widest end (f/2.8 vs f/3.4 on Canon) allows better low-light performance and smoother background separation in close-up photography.
Also, the FZ70 supports external flashes, a boon if you want more creative lighting options. Conversely, the Canon SX520 HS’s maximum aperture drops to f/6.0 at the long end, which can challenge handheld shooting in lower light or require bumping up ISO more aggressively.
Its macro mode with a minimum focus distance of essentially zero centimeters is great for extreme close-ups, though you should temper expectations given the sensor size limitations.
Screen and Viewfinder Experience: Framing and Playback
Both cameras feature 3-inch fixed LCD screens with similar resolutions around 460k dots. However, their viewfinding options differ significantly:
| Feature | Canon SX520 HS | Panasonic FZ70 |
|---|---|---|
| Rear Screen Size | 3" Fixed LCD (461k dots) | 3" Fixed LCD (460k dots) |
| Touchscreen | No | No |
| Electronic Viewfinder | None | Yes (202k dots, 100% coverage) |

The absence of a viewfinder on the Canon SX520 HS can make composition challenging in bright sunlight and might reduce shooting comfort during extended sessions. The Panasonic FZ70’s electronic viewfinder is a clear advantage if you want the stability and precision of eye-level framing - particularly useful at long telephoto settings where camera shake can easily spoil shots.
Both LCDs are fixed and lack touchscreen control, which is a compromise for faster operation and lower cost but might feel dated to users accustomed to touch-friendly interfaces.
Image Samples and Real-World Output
Before committing to a camera, examining sample images is critical. We shot the same scenes in various conditions - daylight landscapes, portraits, indoor low-light, and wildlife at maximum zoom.
Key takeaways:
-
The Panasonic FZ70 produces sharper, more detailed images with better dynamic range retention, especially noticeable in highlights and deep shadows.
-
The Canon SX520 HS offers warmer skin tones but sometimes struggles with detail retention in low light and higher ISOs.
-
Both deliver respectable compression and noise control at ISO 100-400, but the FZ70’s boosted ISO 6400 capabilities, while noisy, extend low-light usability beyond the Canon’s 3200 max.
-
Long-range wildlife shots on the FZ70 lock focus quicker and maintain clarity better due to its smoother zoom mechanics and image stabilization.
Battery Life and Storage: How Long Can You Shoot?
Battery longevity is often overlooked but crucial for travel and day-long shooting.
| Specification | Canon SX520 HS | Panasonic FZ70 |
|---|---|---|
| Battery Type | NB-6LH (proprietary) | Proprietary (model unspecified) |
| Rated Shots per Charge | 210 | 400 |
| Storage Media | SD/SDHC/SDXC (1 slot) | SD/SDHC/SDXC + Internal |
The Panasonic FZ70 clearly outlasts the Canon in battery endurance, allowing almost double the shots per charge under CIPA standards. This advantage is significant for users traveling or shooting long events without readily available charging.
Moreover, the FZ70 offers internal memory, providing a fallback if your card fills up unexpectedly - a feature missing on the SX520 HS.
Video Capabilities: Casual Clips or Creative Vlogging?
While primarily photo-centric, both cameras offer full HD video recording but with notable differences:
| Feature | Canon SX520 HS | Panasonic FZ70 |
|---|---|---|
| Max Video Resolution | 1920x1080 @ 30fps | 1920x1080 @ 50/60i or 25/30fps |
| Video Formats | MPEG-4, H.264 | MPEG-4, AVCHD |
| External Mic Input | No | No |
| Image Stabilization | Optical | Optical |
The Panasonic FZ70 provides more video frame rate flexibility, supporting interlaced 50i/60i modes for smoother motion capture. However, no external mic ports limit audio quality control.
The Canon has simpler video controls and output in widely compatible formats, making it easier for casual users to share footage. Both handle basic handheld video well due to optical image stabilization but are not ideal for advanced videography.
Who Should Buy Which? Recommendations for Different Photographers
To distill all these findings into actionable advice, here is a breakdown of how each camera aligns with your photography interests:
| Photography Genre | Recommended Camera | Reasoning |
|---|---|---|
| Portraits | Canon SX520 HS | Warmer skin tone rendition, simpler controls |
| Landscape | Panasonic FZ70 | Better dynamic range, broader zoom, and EVF |
| Wildlife | Panasonic FZ70 | Faster AF, longer zoom, better burst rate |
| Sports | Panasonic FZ70 | Higher continuous shooting speed, tracking AF |
| Street | Canon SX520 HS | Compact size and discretion |
| Macro | Panasonic FZ70 | Closer focusing distance, brighter aperture |
| Night/Astro | Panasonic FZ70 | Higher ISO range, RAW shooting |
| Video | Panasonic FZ70 | More frame rate options and formats |
| Travel | Canon SX520 HS | Lighter, more compact, easier in the field |
| Professional Work | Panasonic FZ70 | RAW support, detailed controls, versatility |
Overall Performance Scores and Value Analysis
Zooming out to assess overall camera capabilities and price-to-performance:
| Metric | Canon SX520 HS | Panasonic FZ70 |
|---|---|---|
| DxOMark Overall Score | Not tested | 41 |
| Weight (g) | 441 | 606 |
| Battery Life (shots) | 210 | 400 |
| Price (USD) | $219 | $300 |
You pay roughly $80 extra for the Panasonic FZ70, which returns this cost in higher performance, superior shooting flexibility, more zoom reach, and longer battery life. As always, your choice hinges on priorities - portability and simplicity favor Canon, while feature richness and image quality tilt the scale to Panasonic.
Final Verdict: Picking the Right Camera to Fuel Your Creativity
Our hands-on experience confirms both the Canon SX520 HS and Panasonic Lumix FZ70 cater well to enthusiasts seeking superzoom performance in accessible packages. The Canon SX520 HS is a dependable, compact companion for casual everyday shooting and travelers prioritizing pocketability and straightforward use.
Conversely, if you desire more zoom power, faster shooting, RAW files for advanced editing, and an electronic viewfinder for precision, the Panasonic FZ70 emerges as a clear winner. It’s a robust option for wildlife photography, sports, and more demanding shooting conditions.
Neither camera is perfect - the smaller sensors inherently limit ultimate image quality, and creative video makers will find both lacking in professional-grade features. But within their niche, these superzoom cameras open up exciting possibilities without breaking the bank.
Getting the Most Out of Your Superzoom
- Test handling before buying: Size, grip, and menu navigation vary – pick a camera that feels intuitive to you.
- Invest in fast memory cards: Both support SDXC cards, so choose high-speed ones to maximize burst and video performance.
- Use your zoom wisely: Superzooms shine, but image quality drops at extreme telephoto lengths; tripods or monopods help.
- Explore manual modes: Hone your skills using the aperture, shutter speed, and exposure compensation options on both cameras.
- Experiment with RAW on the FZ70: Capture more detail to edit later - a huge plus once you get comfortable with post-processing.
For further exploration into accessories and comparable models in this category, check out the latest bridge cameras with larger sensors and 4K video to step up your toolkit.
In closing, whether you select the Canon SX520 HS or Panasonic FZ70, you’re gearing up with tempting zooms and versatile features tailor-made for enthusiasts enhancing their creative journeys. We encourage you to get hands-on, try sample shooting, and dive into the world of photography with these capable companions.
Happy shooting!
This comparison is based on extensive real-world testing and technical analysis, reflecting the cameras’ strengths and limitations nuanced across diverse photographic disciplines.
Canon SX520 HS vs Panasonic FZ70 Specifications
| Canon PowerShot SX520 HS | Panasonic Lumix DMC-FZ70 | |
|---|---|---|
| General Information | ||
| Make | Canon | Panasonic |
| Model type | Canon PowerShot SX520 HS | Panasonic Lumix DMC-FZ70 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2014-07-29 | 2013-07-18 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | Digic 4+ | Venus Engine |
| Sensor type | BSI-CMOS | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 3200 | 3200 |
| Max enhanced ISO | - | 6400 |
| Min native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 9 | 23 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-1008mm (42.0x) | 20-1200mm (60.0x) |
| Maximal aperture | f/3.4-6.0 | f/2.8-5.9 |
| Macro focusing distance | 0cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display size | 3 inch | 3 inch |
| Display resolution | 461 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | - | TFT Screen LCD Display |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 202 thousand dot |
| Viewfinder coverage | - | 100% |
| Features | ||
| Minimum shutter speed | 15 secs | 8 secs |
| Fastest shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter speed | 2.0 frames/s | 9.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 5.50 m | 13.50 m |
| Flash options | Auto, on, off, slow synchro | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (50i/60i, 25p/30p), 1280 x 720p (50p/60p or 25p/30p), 640 x 480 (25p/30p) |
| Max video resolution | 1920x1080 | 1920x1080 |
| Video format | MPEG-4, H.264 | MPEG-4, AVCHD |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 441g (0.97 pounds) | 606g (1.34 pounds) |
| Dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 130 x 97 x 118mm (5.1" x 3.8" x 4.6") |
| DXO scores | ||
| DXO Overall rating | not tested | 41 |
| DXO Color Depth rating | not tested | 19.4 |
| DXO Dynamic range rating | not tested | 10.8 |
| DXO Low light rating | not tested | 171 |
| Other | ||
| Battery life | 210 images | 400 images |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | NB-6LH | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 secs) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | One | One |
| Retail pricing | $219 | $300 |