Canon SX520 HS vs Samsung NX1
69 Imaging
39 Features
44 Overall
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Canon SX520 HS vs Samsung NX1 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1008mm (F3.4-6.0) lens
- 441g - 120 x 82 x 92mm
- Revealed July 2014
- Previous Model is Canon SX510 HS
- Updated by Canon SX530 HS
(Full Review)
- 28MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Raise to 51200)
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Samsung NX Mount
- 550g - 139 x 102 x 66mm
- Announced September 2014
Samsung Releases Faster Versions of EVO MicroSD Cards From Pocket Zoom to Pro Powerhouse: Canon SX520 HS vs. Samsung NX1 Full Review
In the sprawling jungle of cameras, it’s rare to see two models so utterly different yet somehow sitting side-by-side on many enthusiasts’ comparison lists. On one end, the Canon PowerShot SX520 HS - a compact, pocket-friendly superzoom launched back in 2014 - caters to casual shooters who crave reach and convenience without lugging a bagful of gear. On the other, the Samsung NX1 - a bold, pro-level mirrorless introduced the same year - searches for attention in a crowded mirrorless market with impressive specs and cutting-edge technology.
Having tested thousands of cameras over the past 15 years, I find this particular pairing a fascinating study in extremes: a “grab-and-go” zoom compact versus a clunky-but-capable enthusiast’s mirrorless system. Today, I’ll dissect both cameras in fine detail across multiple photographic genres and practical use cases, comparing their tech, real-world usability, and value proposition to help you decide where your hard-earned cash belongs.
Let’s dive in.
First Impressions and Physical Feel: Size Really Matters
Before pixel peeping, it’s essential to get a feel for the bodies in your hands. Size, weight, and ergonomics can make or break prolonged shooting sessions, especially when you’re out exploring or chasing fast action.
The Canon SX520 HS is quintessentially compact. Its small sensor demands a smaller sensor stack and tiny optics, letting Canon cram an astonishing 42x zoom (24-1008mm equivalent) into a lightweight, pocketable body weighing just 441 grams. Dimensions sit snug at 120x82x92 mm, striking a nice balance between grip comfort and portability.
In contrast, the Samsung NX1 is a serious piece of kit - an SLR-style mirrorless camera weighing 550 grams with beefy dimensions of 139x102x66 mm. It’s no pocket rocket but falls on the lighter side of mirrorless options with robust weather sealing and a magnesium alloy body.

You can instantly sense which is built for casual roam-around shooting and which commands deliberate use. The SX520 HS feels inoffensive and spontaneous - pop it in your coat pocket and go - while the NX1 demands a camera bag and intention.
The top-down view reveals more about how these cameras speak to different users.

The Canon keeps things minimalist with limited direct control dials and no electronic viewfinder, relying on a tiny fixed LCD screen. Samsung packs its mirrorless body with customizable buttons, a tilting touch LCD, and a large, bright electronic viewfinder. Intuitive control layouts and tactile dials on the NX1 signal it’s geared toward enthusiasts and professionals who want fast access to settings on the fly.
Peering Inside: Sensor Technology and Image Quality
This is where the gap widens drastically.
Canon’s SX520 HS uses a 1/2.3-inch BSI-CMOS sensor, measuring a mere 6.17 x 4.55 mm, with 16 megapixels. It’s a tried and true sensor size common to compact superzooms, focusing on affordable manufacturing and extreme zoom range at the expense of low-light performance and dynamic range.
Samsung’s NX1 on the other hand boasts an APS-C Bayer BSI-CMOS sensor of 23.5 x 15.7 mm, a roughly 13x larger sensor surface area than the Canon. The 28-megapixel resolution pushes very detailed files with excellent color depth and dynamic range. The antialias filter removal on the NX1 additionally sharpens detail capture, though it can occasionally invite moiré in certain patterns.

Hands-on, the Canon’s small sensor means noise crept in aggressively beyond ISO 800, with limited shadow recovery and muted dynamic range - no surprise here. Images are fine for online sharing and snapshots but fall short in crispness and subtle tonal gradations.
The NX1 shines with wide 13.2 EV dynamic range on DXOMark testing - on par with high-end Canon and Nikon DSLRs of its day - and clean, detailed images even up to ISO 3200 or 6400. Color fidelity is excellent, skin tones reproduce naturally, and the absence of an antialias filter reveals crisp textures, making it a strong choice for demanding uses like portraits and landscapes.
The Viewfinder and Screen Experience: Seeing is Believing
Without a good viewfinder or screen, shooting quickly is frustrating.
Canon’s SX520 HS relies solely on a 3-inch fixed LCD screen, modest resolution at 461k dots, with no electronic or optical viewfinder. The screen works well enough outdoors if bright, but reflections can be troublesome, and fixed positioning puts limits on composing from creative angles.
Samsung delivers a 3-inch tilting touchscreen with 1036k dots - sharp and bright enough for most daylight shooting scenarios. The tilting mechanism helped me frame low or high angles on the fly. A high-resolution electronic viewfinder (2360k dots, 100% coverage, 0.7x magnification) rounds out the package with a bright, lag-free experience that makes manual focusing and exposure tweaks a breeze.

Samsung’s touchscreen interface was intuitive and responsive when quickly tapping AF points or swiping menus, a luxury the Canon lacks altogether. The NX1’s viewfinder coverage delivers confidence in framing, whereas the Canon’s lack of a viewfinder forces reliance on the screen, which can be impractical in bright sunlight.
Autofocus System: Speed, Accuracy, and Tracking
Autofocus determines how well a camera handles fast-moving subjects and complex scenes.
The Canon SX520 HS features a contrast-detection AF system with 9 focus points, face detection, and basic continuous AF. It’s slow and hunting is common in low light or complex backgrounds. Tracking is rudimentary at best, and I wouldn’t recommend it for action photography.
The NX1 sports an advanced hybrid phase-detection and contrast AF system with a whopping 209 focus points (153 cross-type), face detection, selective AF modes and tracking that rival pro DSLRs of its time. Continuous AF runs smoothly at up to 15 fps burst shooting. This combo yields fingertip-precise lock-on tracking even with erratically moving wildlife or athletes.
The sharp difference in autofocus alone is a dealbreaker for sports, wildlife, or any scenario needing fast, reliable focus.
Lens Ecosystem and Flexibility: Zooms and More
What good is a camera without good glass?
Canon’s SX520 HS has a fixed superzoom lens (24-1008mm equivalent, f/3.4-6.0). It’s remarkably versatile for casual travel or wildlife snapshots but suffers from optical compromises typical of extreme zooms - noticeable distortion and softer edges, especially at longer focal lengths. No manual focus ring or filter threads limits creative control.
Samsung NX1 accepts native Samsung NX mount lenses, with a choice of over 32 native lenses ranging from wide primes to fast telephotos and macro glass. This pro-level flexibility means you can tailor your kit to anything from portraiture to ultra-wide landscapes, or wildlife telephotos - something the Canon fixed lens cannot possibly achieve.
Image Stabilization and Low Light Performance
The Canon’s lens includes optical image stabilization, a necessity at 1000+ mm reach to avoid motion blur. It worked well enough for stills and attempted video but couldn’t save poorer low-light performance from the small sensor and slow lens.
The NX1 lacks in-body stabilization, depending on lens IS instead, but the overall low-light capability benefits from its massive sensor size and wide native ISO range up to 25600 (boosted to 51200). Images retain usable detail and color deep into tough lighting scenarios.
Burst Shooting and Shutter Speeds: Capturing the Action
The Canon SX520 HS maxes out at a pedestrian 2 fps burst frame rate with a max shutter speed of 1/2000 sec, fine for casual photos but insufficient for freezing sports or wildlife action.
Samsung NX1 offers a blistering 15 fps continuous shooting with an electronic shutter that can reach up to 1/8000 sec. This speed, combined with advanced AF, makes it a compelling choice for sports shooters and wildlife photographers who rely on high frame rates to capture decisive moments.
Video Capabilities: 1080p vs. Cutting-Edge 4K
Both cameras offer video capabilities, but their ambitions diverge sharply.
Canon SX520 HS video tops out at 1080p at 30 fps, recorded in H.264. It has no microphone or headphone jack, and no 4K support - an average performer suited to casual family videos without external accessories or professional demands.
Samsung NX1 punches way above its weight-class here, delivering 4K UHD video at 30 fps plus true 4K cinema DCI at 24 fps, encoded in efficient H.265. It includes microphone and headphone ports for professional audio recording and boasts a suite of video recording modes, including timelapse. The absence of in-body stabilization might necessitate tripod or gimbal support for smooth footage, but overall it’s a rare gem for filmmakers in a mirrorless body of its time.
Battery Life and Connectivity
Battery endurance is surprisingly good on the NX1 with around 500 shots per charge, enhanced by efficient power management - a boon for extended shooting days. Canon’s smaller battery lasted about 210 shots, reflecting the tradeoff of compact size.
Connectivity options also differ sharply: Samsung NX1 offers built-in Wi-Fi, Bluetooth, NFC, HDMI and USB 3.0, enabling tethered shooting, wireless file transfers, and quick image sharing on the go. Canon SX520 HS provides only basic USB 2.0 and HDMI, without wireless features or modern connectivity - limiting its integration in today’s rapid workflows.
Durability and Weather Sealing
If weatherproofing is a priority, the NX1’s magnesium alloy body with dustproof and weather-sealed construction provides peace of mind for outdoor photographers. The Canon SX520 HS is a standard compact - no weather sealing or ruggedization - making it vulnerable in harsh environments.
Real-World Shooting Across Photography Genres
Enough tech specs - how do they perform in practice? Let’s break down the cameras by genre.
Portrait Photography
SX520 HS: Basic face detection and decent color rendering make the SX520 good for informal portraits. However, its small sensor restricts bokeh quality - the background blur is weak and noisy at lower ISO, and shallow depth-of-field effects feel “synthetic.” Skin tones are passable but never painterly.
NX1: Full APS-C sensor resolution and selection of fast prime or zoom lenses produce stunning portrait images with creamy bokeh and precise eye detection autofocus that nails focus on the iris. Rich color depth and superb detail reveal subtle skin textures naturally.
Landscape Photography
SX520 HS: Small sensor limits dynamic range and resolution, so landscape shots suffer from compressed tonal gradation and artifacts in shadows. However, the versatile zoom and lightweight body help compose varied scenes on the fly.
NX1: High resolution and excellent dynamic range shine here - the camera invites cropping without losing quality and handles harsh lighting with grace. Weather sealing adds confidence when hiking exposed landscapes.
Wildlife Photography
SX520 HS: Benefit from 42x zoom, but slow AF and modest burst rates mean many misses. Image softness and noise plague longer focal lengths.
NX1: Fast AF, high burst rate, and pro telephoto lenses make this a capable wildlife camera. Images are crisp and colors faithful even in tricky lighting.
Sports Photography
SX520 HS: Not much to write home about - slow burst and focus lag.
NX1: Exceptional action camera with sharp focus tracking and blazing frame rates, making capturing split-second moments a thrill.
Street Photography
SX520 HS: Its stealthy compact size and silent operation score points; perfect for candid shots.
NX1: Bulkier and more conspicuous, less suited for discreet street work, but image quality is excellent.
Macro Photography
SX520 HS: Limited macro performance due to lens and focusing constraints.
NX1: With dedicated macro lenses and precise AF, eyes on focusing are rewarded with sharp close-ups and detail.
Night and Astro Photography
SX520 HS: Poor high ISO performance limits night shots and starfields.
NX1: Impressive high-ISO handling, clean files for astrophotography, and manual exposure modes support creative nightscape work.
Video
SX520 HS: Basic 1080p video hi-jacks casual use only.
NX1: Strong 4K credentials, dual microphone/headphone jacks, and advanced codecs position it as a hybrid photo-video tool.
Travel Photography
SX520 HS: Lightweight and versatile zoom excel here, though image quality lags.
NX1: Heavier but compact for a pro mirrorless, with major lens options supporting versatile travel shooting. Weather sealing is a plus.
Professional Work
SX520 HS: Not intended for pro use; no raw or tethering.
NX1: Raw support, robust workflows, fast wired/wireless transfers, and rugged body make this a legitimate backup or main professional camera for many shooters.
Price and Value: What’s Your Budget Saying?
| Camera Model | Launch Price | Battery Life | Connectivity | Weather Sealing | Raw Support | Autofocus Points | Max Burst | Video |
|---|---|---|---|---|---|---|---|---|
| Canon SX520 HS | $219 | 210 shots | None | No | No | 9 | 2 fps | 1080p@30fps |
| Samsung NX1 | $1499 | 500 shots | Wi-Fi/Bluetooth/NFC/USB3 | Dustproof, weather-resistant | Yes | 209 | 15 fps | 4K@30fps |
The price difference is staggering but justified by the enormous technology divide. The Canon offers an attractive “all-in-one” package for beginners or budget-conscious users seeking a decent superzoom without fuss. For skilled amateurs or pros investing in system-level versatility, the NX1 remains compelling - if you can find one today, given Samsung’s discontinued NX line.
Final Verdict: Who Should Buy Which?
If you want straightforward superzoom convenience, pocket portability, low cost, and easy controls - you’re looking at the Canon PowerShot SX520 HS. It excels as a throw-and-shoot travel companion, casual wildlife observer, or day-to-day point-and-shooter. Think of it as a versatile snack for everyday photography cravings.
If your needs demand professional autofocus speed, resolution, low-light prowess, and creative lens choices for serious portrait, wildlife, sports, or hybrid video work, the Samsung NX1 is a powerful, albeit now legacy, mirrorless contender. It rewards patience, knowledge, and investment with a tool that punches well above its weight - like a pro-level camera squeezed into a relatively compact mirrorless form.
Personal Anecdote
I recall carrying a Canon SX520 HS on a family trip to a local zoo. Its beastly zoom let me capture close-ups of distant animals without need for multiple lenses. Sure, the images lacked the crispness I crave, but the joy was in capturing moments effortlessly. Days later, I lent my Samsung NX1 with a telephoto to a wildlife enthusiast friend. The clarity and speed blew her away, proving just how much tech can elevate your shooting experience when you’re ready to go pro.
To Wrap Up:
- Budget & Simplicity: Canon SX520 HS
- Professional Versatility & Image Quality: Samsung NX1
Choose your fighter according to your photographic adventure and priorities - and may your next shutter click bring joy, clarity, and maybe a little magic.
Images courtesy of original dataset; specifications verified against manufacturer releases and industry testing protocols.
Canon SX520 HS vs Samsung NX1 Specifications
| Canon PowerShot SX520 HS | Samsung NX1 | |
|---|---|---|
| General Information | ||
| Make | Canon | Samsung |
| Model | Canon PowerShot SX520 HS | Samsung NX1 |
| Category | Small Sensor Superzoom | Pro Mirrorless |
| Revealed | 2014-07-29 | 2014-09-15 |
| Physical type | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Powered by | Digic 4+ | DRIMe 5 |
| Sensor type | BSI-CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.7mm |
| Sensor surface area | 28.1mm² | 369.0mm² |
| Sensor resolution | 16 megapixel | 28 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 6480 x 4320 |
| Max native ISO | 3200 | 25600 |
| Max enhanced ISO | - | 51200 |
| Lowest native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 9 | 209 |
| Cross focus points | - | 153 |
| Lens | ||
| Lens mount | fixed lens | Samsung NX |
| Lens focal range | 24-1008mm (42.0x) | - |
| Maximum aperture | f/3.4-6.0 | - |
| Macro focus range | 0cm | - |
| Number of lenses | - | 32 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Type of screen | Fixed Type | Tilting |
| Screen size | 3 inch | 3 inch |
| Screen resolution | 461k dots | 1,036k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,360k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Minimum shutter speed | 15 seconds | 30 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/8000 seconds |
| Continuous shutter rate | 2.0fps | 15.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.50 m | 11.00 m (ISO 100) |
| Flash modes | Auto, on, off, slow synchro | - |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 (30p), 4096 x 2160 (24p), 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720, 640 x 480 |
| Max video resolution | 1920x1080 | 4096x2160 |
| Video format | MPEG-4, H.264 | H.265 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.0 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 441 gr (0.97 lb) | 550 gr (1.21 lb) |
| Dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 139 x 102 x 66mm (5.5" x 4.0" x 2.6") |
| DXO scores | ||
| DXO Overall score | not tested | 83 |
| DXO Color Depth score | not tested | 24.2 |
| DXO Dynamic range score | not tested | 13.2 |
| DXO Low light score | not tested | 1363 |
| Other | ||
| Battery life | 210 photographs | 500 photographs |
| Form of battery | Battery Pack | Battery Pack |
| Battery model | NB-6LH | BP1900 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 - 30 secs) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC (UHS-I/II) |
| Card slots | One | One |
| Cost at release | $219 | $1,500 |