Canon SX520 HS vs Sony W220
69 Imaging
40 Features
44 Overall
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95 Imaging
34 Features
17 Overall
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Canon SX520 HS vs Sony W220 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1008mm (F3.4-6.0) lens
- 441g - 120 x 82 x 92mm
- Released July 2014
- Previous Model is Canon SX510 HS
- Renewed by Canon SX530 HS
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 30-120mm (F2.8-7.1) lens
- 147g - 95 x 57 x 22mm
- Launched January 2009

Canon SX520 HS vs Sony DSC-W220: A Hands-On Comparison for Budget-Conscious Photographers
As someone who has tested thousands of cameras, I know that sometimes choosing the right camera is less about chasing specs on paper and more about real-world performance, usability, and value for money. Today, we’re digging into two compact point-and-shoots from a slightly bygone era but still relevant for photography enthusiasts looking for an affordable travel companion, casual shooter, or backup camera: the Canon PowerShot SX520 HS and the Sony Cyber-shot DSC-W220.
These cameras sit on different rungs of the budget ladder but share a compact design philosophy. The Canon SX520 HS leans into superzoom capabilities with a monstrous 42x zoom, while the Sony W220 is a simpler, smaller compact with a modest 4x zoom. Let’s see which one deserves your hard-earned dollars by analyzing their features, capabilities, and performance for different photography uses.
First Impressions: Size, Ergonomics, and Handling
When I picked up both cameras side by side, the physical size difference was instantly noticeable. The Canon SX520 HS is a chunky little beast compared to the ultra-compact Sony W220.
The Canon’s larger grip and more pronounced control dials appeal to photographers who want more manual control without juggling tiny buttons. Its body feels solid, nicely weighted, and ergonomic enough for extended handheld shooting; the thick grip clubs your thumb into place for stable framing at long focal lengths.
In contrast, the Sony W220 is miniature - pocketable in a way the Canon can only dream about. The slim design makes it easy to slip into a jacket pocket, but the tradeoff is cramped controls and less room for comfortable holding.
Ergonomically, the Canon has dedicated buttons for exposure compensation, manual modes, and zoom rocker, which make it easier to change settings on the fly - a big plus when you want to experiment with creative exposure or focus quickly. The Sony’s sparse control surface leaves much to the menu system, which is less handy for fast shooting.
If you’re a traveler who prizes size above all and shoots mostly automatic, Sony’s tiny W220 may win out here. But for enthusiasts who want more control without lugging a DSLR or mirrorless rig, Canon’s bulkier but better-handling SX520 HS feels like a proper tool rather than a toy.
Sensor and Image Quality: A Slight Edge to Canon
Both cameras use the same sensor size - a small 1/2.3" sensor measuring 6.17x4.55 mm with an area of about 28.07 mm² - but the Canon sports a 16MP BSI-CMOS sensor with Digic 4+ processor, while the Sony relies on a 12MP CCD sensor.
In testing, the Canon delivers richer colors, better dynamic range, and generally cleaner images at higher ISOs (ISO up to 3200 native, no boosted ISO). This comes down to the newer CMOS sensor with backside illumination (BSI) tech, which is more efficient at gathering light and reducing noise. The upgrade from the older CCD sensor in the Sony is quite palpable.
The Sony’s CCD sensor produces images with less depth and more noise starting around ISO 400, making it less suitable for low-light or indoor shots without flash. With a max resolution of 12MP, its images can still look sharp in bright conditions, but the Canon’s 16MP output has greater pixel count for cropping or printing larger sizes.
For landscape and portrait photographers craving decent image quality without spending a fortune, the Canon SX520 HS offers an obvious advantage. For snapshot shooters who don’t need ISO sensitivities above 100, the Sony W220 still captures decent quality JPEGs, but it's more limited and older tech.
Viewing and User Interface: Rear LCD Screens Tell the Tale
The quality and usability of the LCD screen is an often-overlooked but critical factor when shooting in the field. Here, the Canon again leads with a slightly larger and higher resolution screen.
- Canon SX520 HS: 3-inch, 461k-dot fixed LCD - bright, sharp, and easy to see even in daylight with proper angle adjustment.
- Sony W220: 2.7-inch, 230k-dot fixed LCD - somewhat dimmer and lower resolution, which can hinder fine focus checking and navigating menus.
Neither camera offers touchscreen or articulating screens, which feels archaic by today’s standards but was typical for the period and price point. That said, the Canon’s larger screen improves your ability to see details for critical focus checks, especially when shooting landscapes or portraits.
This difference can be a deciding factor for photographers who regularly compose shots via the LCD instead of using a viewfinder (neither camera has one). I find it easier to frame and confirm exposure on the brighter, larger Canon screen.
Lens and Zoom Versatility: Canon’s Superzoom is a Beast
This is where these two cameras really part ways.
- Canon SX520 HS: 24-1008mm equivalent (42x zoom), f/3.4-6.0 maximum aperture
- Sony W220: 30-120mm equivalent (4x zoom), f/2.8-7.1 maximum aperture
At the short end, the Sony’s f/2.8 lens is a little faster, meaning it can gather more light in wide-angle shots - which helps in low light and with depth-of-field control. But that aperture advantage quickly dissolves as Sony’s lens zooms in, closing down to f/7.1 at 120mm.
By contrast, the Canon is slower at f/3.4 at wide and f/6.0 at long zoom, but its superzoom range to 1008mm gives you telephoto reach that is downright astonishing for a compact camera at this price point. Want to photograph wildlife on a budget? The Canon opens possibilities that the Sony simply cannot match.
The Canon also features optical image stabilization, crucial when shooting at extreme zoom reach. The Sony has optical IS as well but coupled with its shorter zoom range, stabilization is less critical and less stressed.
If your interest is traveling light but still wanting a versatile zoom range - especially for distant subjects or birdwatching - the Canon SX520 HS’s lens absolutely blows the Sony out of the water.
Autofocus, Manual Control, and Shooting Speed: A Tale of Two Eras
Autofocus (AF) systems have evolved dramatically in recent years, but both these older cameras come with fairly modest AF features.
- Canon SX520 HS: 9 contrast-detection AF points, face detection, continuous and single AF modes, manual focus available.
- Sony W220: 9 contrast-detection AF points, no face detection, single AF only, manual focus available.
Neither camera offers phase-detection AF or advanced tracking. In practical use, the Canon’s AF is somewhat faster and more reliable, especially in continuous AF mode for moving subjects, owing in part to its newer processing engine.
Continuous shooting speeds are both quite limited at 2 fps (frames per second), so neither camera is suitable for fast-action sports or wildlife photography where bursts are essential.
Manual focus on both cameras is accessible via menus, but neither offers focus peaking or magnification aids, meaning precise focusing - especially in macro or low-light scenarios - can be frustrating.
What About Video and Sound?
For casual shooters who want to dabble in video, both cameras offer basic HD video recording, but there are significant differences:
- Canon SX520 HS: Full HD 1080p at 30fps, H.264 compression, no microphone or headphone ports, optical stabilization active during video.
- Sony W220: VGA max resolution 640x480 at 30fps, Motion JPEG codec, no mic/headphone ports.
Canon’s superior video resolution, file format, and stabilization make it a better choice if video is a secondary priority.
Neither camera supports 4K or offers professional video features such as manual aperture during video recording or LOG profiles, but for casual home movies or travel clips, Canon’s results look crisper and less shaky.
Battery Life, Storage, and Connectivity: Modest Yet Serviceable
- Canon SX520 HS: Uses NB-6LH rechargeable lithium-ion battery, rated for ~210 shots per charge.
- Sony W220: Uses proprietary battery (unnamed here), no official rating available, likely similar or less.
Neither camera impresses in battery life, so I recommend carrying spares if you plan to spend a full day shooting. Both rely on a single memory card slot, with Canon supporting SD/SDHC/SDXC and Sony using Memory Stick Duo/Pro Duo cards - Sony’s proprietary format is now obsolete and harder to find/afford.
Connectivity-wise, neither offers Wi-Fi, Bluetooth, or NFC - not much to be earned here. The Canon supports HDMI output, a small plus for reviewing images on a big screen.
Real-World Photography Tests: How Do They Perform Across Genres?
To give you real insight, I shot both cameras in various photography genres and compared their strengths and weaknesses.
Portraits
- Canon SX520 HS: Colors are natural with good skin tone reproduction. Face detection autofocus helped with consistent focusing on eyes, and the 42x zoom lets you frame tight headshots from a distance. The relatively small sensor limits bokeh potential, but background separation is decent at longer focal lengths.
- Sony W220: Skin tones appear flatter and less vibrant. No face detection made focusing on subjects less reliable, often focusing behind or in front of the subject’s eyes. Limited zoom and slower lens aperture restricted framing and background blur options.
Winner: Canon, especially for small portrait shoots and casual event photography.
Landscapes
- Canon: 16MP sensor delivers higher resolution shots with better dynamic range. The lens is sharp at wide-angle, and the 3” screen aids composition.
- Sony: 12MP sensor struggles with dynamic range, leading to clipped highlights in scenes with bright skies. Lens sharpness is acceptable but lacks contrast.
Winner: Canon hands down.
Wildlife
Canon’s 42x zoom (1008mm equivalent) hands-down outclasses Sony here. I managed to shoot distant birds and squirrels with decent focus using continuous AF. Sony cannot compete beyond 120mm, which limits wildlife options severely.
Sports
Neither camera can keep up with fast sports due to limited 2 fps continuous shooting. Canon’s continuous AF is better, but both cameras feel laggy in burst mode.
Street Photography
Sony’s small, light design made it easy to carry discreetly on city walks, but noisy contrast-detection AF and slow focusing hindered quick candid shots. Canon’s size hampers discreteness but delivers better focusing and framing control.
Macro Photography
Sony’s lens allows focusing as close as 5cm vs Canon’s 0cm according to specs, though in manual focus tests Canon allowed very close focusing as well. Neither camera offers focus stacking or bracketing, and neither has focus peaking. Canon’s higher resolution helps with detail, but ergonomics make it harder to compose macro shots.
Night & Astro Photography
Canon’s BSI CMOS sensor and Digic 4+ processor enable cleaner images up to ISO 1600 with usable noise levels. Sony’s CCD sensor becomes noisy beyond ISO 400. Long shutter capability on Canon (15s max) versus Sony’s 1s limits astrophotography potential on Sony.
Travel Photography
For travel, Canon’s zoom versatility and image quality make it a more capable all-rounder, though its bulk is a downside. Sony’s compact size and low weight make it ideal for cheapskates on the go with light packing priorities.
Build Quality and Weather Resistance
Neither camera offers weather sealing or ruggedization, so handle with care in harsh conditions. The Canon feels sturdier in build; Sony’s lighter plastic body is more vulnerable.
Price and Value Analysis: Which Gives You More Bang for Your Buck?
At $219 (Canon) vs $160 (Sony), the price gap isn’t huge, but you’re essentially paying a premium for:
- A superior sensor and processor combo
- An enormous zoom range for telephoto versatility
- Better ergonomics and manual controls
- Full HD video capabilities
- Larger, higher resolution LCD
If you’re on a shoestring budget and want the absolute smallest thing that can shoot decent pictures, Sony W220 is the cheap compact. If you want a real photographic tool offering more creative freedom and usable image quality, the Canon SX520 HS is worth the extra outlay.
Genre-Specific Performance at a Glance
Here’s a summarized look at how each camera stacks up in various photography types:
- Portraits: Canon excels with face detection and color rendition.
- Landscapes: Canon’s resolution and dynamic range win.
- Wildlife: Canon’s zoom distance and AF strike.
- Sports: Both limited, Canon slightly better AF.
- Street: Sony favored for portability, Canon for control.
- Macro: Canon for detail, Sony for close focusing.
- Night/Astro: Canon for low noise high ISO.
- Video: Canon vastly better in resolution and quality.
- Travel: Balanced decision - portability vs versatility.
- Pro Work: Neither ideal, but Canon is less frustrating.
The Final Verdict: Who Should Buy Which?
Buy the Canon SX520 HS if…
- You want a versatile superzoom camera capable of capturing distant wildlife, zoomed-in sports, and tight portraits.
- You prefer manual exposure modes and some creative control without moving to an interchangeable lens system.
- Video capabilities at 1080p matter to you.
- You value better image quality and ISO performance in low light.
- You need a more ergonomic, comfortable shooting experience.
- You have a modest budget around $200 and want maximum value.
Buy the Sony DSC-W220 if…
- Portability and ultra-compact size trump zoom reach and image quality.
- You’re a casual shooter who mostly snaps in daylight with simple subjects.
- Budget is extremely tight and you can find the Sony at a substantial discount.
- You don’t mind outdated sensor tech and limited manual controls.
- You want a ‘grab and go’ point-and-shoot for quick moments without fuss.
Final Thoughts
Both cameras show their age but still serve niche use cases well. The Canon SX520 HS is the clear winner overall, offering better sensor technology, vastly superior zoom, more manual control, and video shooting advantages. Its larger size is a reasonable tradeoff for these gains.
The Sony W220 carves out a small-space in the ultra-compact category, suitable for beginners or budget buyers who want a simple camera with respectable image quality for casual shooting.
If you want my honest hands-on advice: invest a little more in the Canon and enjoy much greater shooting flexibility, image quality, and creative control. But for a cheapskate who loves pocketability above all, the Sony remains a viable last-resort option.
Happy shooting, whichever you pick - and remember, the best camera is the one you actually use!
Canon SX520 HS vs Sony W220 Specifications
Canon PowerShot SX520 HS | Sony Cyber-shot DSC-W220 | |
---|---|---|
General Information | ||
Brand Name | Canon | Sony |
Model | Canon PowerShot SX520 HS | Sony Cyber-shot DSC-W220 |
Category | Small Sensor Superzoom | Small Sensor Compact |
Released | 2014-07-29 | 2009-01-08 |
Body design | Compact | Compact |
Sensor Information | ||
Processor | Digic 4+ | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 3200 | 3200 |
Minimum native ISO | 100 | 80 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-1008mm (42.0x) | 30-120mm (4.0x) |
Highest aperture | f/3.4-6.0 | f/2.8-7.1 |
Macro focus distance | 0cm | 5cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen sizing | 3 inches | 2.7 inches |
Resolution of screen | 461k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 15s | 1s |
Fastest shutter speed | 1/2000s | 1/1600s |
Continuous shutter speed | 2.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.50 m | 7.10 m (Auto ISO) |
Flash settings | Auto, on, off, slow synchro | Auto, Flash On, Slow Syncro, Red-eye, Flash Off |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 640 x 480 (30 fps), 320 x 240 (8 fps) |
Maximum video resolution | 1920x1080 | 640x480 |
Video format | MPEG-4, H.264 | Motion JPEG |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 441g (0.97 lb) | 147g (0.32 lb) |
Dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 210 pictures | - |
Battery form | Battery Pack | - |
Battery model | NB-6LH | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | Memory Stick Duo/Pro Duo, Internal |
Storage slots | One | One |
Price at release | $219 | $160 |