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Canon SX530 HS vs Fujifilm Real 3D W1

Portability
69
Imaging
40
Features
48
Overall
43
Canon PowerShot SX530 HS front
 
Fujifilm FinePix Real 3D W1 front
Portability
90
Imaging
33
Features
17
Overall
26

Canon SX530 HS vs Fujifilm Real 3D W1 Key Specs

Canon SX530 HS
(Full Review)
  • 16MP - 1/2.3" Sensor
  • 3" Fixed Screen
  • ISO 100 - 3200
  • Optical Image Stabilization
  • 1920 x 1080 video
  • 24-1200mm (F3.4-6.5) lens
  • 442g - 120 x 82 x 92mm
  • Announced January 2015
  • Old Model is Canon SX520 HS
Fujifilm Real 3D W1
(Full Review)
  • 10MP - 1/2.3" Sensor
  • 2.8" Fixed Screen
  • ISO 100 - 1600
  • 640 x 480 video
  • 35-105mm (F3.7-4.2) lens
  • 260g - 124 x 68 x 26mm
  • Introduced July 2009
Samsung Releases Faster Versions of EVO MicroSD Cards

Canon PowerShot SX530 HS vs Fujifilm FinePix Real 3D W1: Hands-On Comparison of Two Distinct Compact Cameras

When it comes to choosing a camera for casual shooting, travel, or specific creative projects, two models might catch your eye for their unique approaches: Canon’s PowerShot SX530 HS, a superzoom bridge camera launched in 2015, and Fujifilm’s FinePix Real 3D W1, a quirky compact from 2009 designed for 3D imaging. Both hold appeal for different reasons -- yet they are so different that comparing them head-to-head reveals much about how camera technology and user priorities have evolved in recent years.

Having spent years testing hundreds of cameras, from entry-level digicams to pro DSLRs and mirrorless, I’m going to walk you through a practical comparison of these two. I’ll share technical insights combined with real-world shooting experience, helping you understand how these cameras stack up in various photography genres and use cases. Let’s dive into this old-vs-new, zoom-vs-3D clash, and see which camera fits your needs best.

Physiques, Controls, and Handling: Size Matters

Right out of the gate, these two cameras couldn’t be more different in physical design and ergonomics.

Canon SX530 HS vs Fujifilm Real 3D W1 size comparison

The Canon SX530 HS feels like the classic “bridge” camera many of us are familiar with: chunky, SLR-esque shape, a hefty grip, and lots of clubs for thumbs - for me, that means it sits well in hand without feeling toy-like. It measures approximately 120x82x92mm and weighs about 442 grams with battery included, putting it on the heavier side but still very portable.

In contrast, the Fujifilm Real 3D W1 is a small, flat compact, only 124x68x26mm and just 260 grams. It’s pocketable, friendly for quick grabs and street shooting but feels fragile compared to the Canon’s beefier build.

The Canon’s layout is more traditional with a top-plate mode dial, a zoom rocker centered around the shutter, and direct access to exposure modes. The Fujifilm, lacking manual focus and exposure controls, keeps things simple with fewer physical buttons, relying mostly on point-and-shoot convenience.

Here’s a look at the top view for a clear picture of control schemes:

Canon SX530 HS vs Fujifilm Real 3D W1 top view buttons comparison

The SX530’s design is a winner for those who want more manual control or fast access to settings, useful when shooting dynamic subjects or challenging light. The Real 3D W1 caters more to casual shooters curious about 3D photography but less interested in tweaking parameters.

Build Quality and Weather Resistance

Neither camera offers solid weather sealing or ruggedness. Both are more suited to everyday use rather than rugged adventures. If you’re a serious landscape or wildlife shooter planning to brave the elements, neither model checks all the professional durability boxes, though Canon’s build feels a touch more robust.

Sensor Tech and Image Quality: The Core of the Matter

Both cameras share a common sensor format size - 1/2.3" CMOS or CCD with a sensor area of roughly 28mm² - typical for compact and bridge cameras of their era. However, sensor technology and processor advancements greatly influence image quality.

Canon SX530 HS vs Fujifilm Real 3D W1 sensor size comparison

  • Canon SX530 HS: Features a 16MP backside-illuminated CMOS sensor paired with the DIGIC 4+ processor.
  • Fujifilm Real 3D W1: Equipped with a 10MP CCD sensor and the RP (Real Photo) 3D processor tailored for stereoscopic image processing.

Resolution and Detail

Canon’s 16MP resolution gives higher pixel density and more detail than the Fujifilm’s 10MP output. The DIGIC 4+ processor helps the SX530 perform better in noise reduction and image rendering, especially in dynamic range and color fidelity.

The Real 3D W1 was built with a focus on capturing 3D images utilizing two lenses and sensors, which divides sensor resources between left and right eye images, inherently reducing resolution and detail per image.

ISO Sensitivity and Low Light

Canon’s native ISO tops out at 3200, with the sensor’s back-illuminated technology improving light sensitivity. The Fujifilm max ISO is 1600 and the older CCD sensor means more noise creeping in at higher ISOs, which shows in shadow areas or indoor shooting.

In hands-on test shoots at dusk and dim indoor settings, the SX530 HS’s photos were more usable, with less chroma noise and softer grain texture. The Real 3D W1 struggled to produce clean shots beyond ISO 400.

Image Processor Impact

DIGIC 4+ is older by today’s standards but still a credible performer in 2015-era cameras, balancing image noise, color balance, and white balance more accurately. Fujifilm’s RP 3D processor was innovative for stereoscopic but limited the camera’s raw image processing since it never offered RAW file output.

File Formats: JPEG Only

Neither camera supports RAW capture, a serious limitation for editors wanting maximum control over image tweaking. Canon SX530 HS stores JPEG (.JPG), often the case with compact cameras, while the Real 3D W1 also shoots mainly JPEGs derived from its 3D captures.

Autofocus and Shooting Speed: Chasing the Moment

How well do these cams adapt to action, wildlife, or street photography where speed matters?

The Canon SX530 HS employs contrast-detection autofocus over nine points, including face detection and tracking modes. It offers continuous autofocus during burst shooting and manual focus override.

The Fujifilm Real 3D W1 uses only contrast-detection, has no continuous AF, and no subject tracking.

  • Continuous Shooting: Canon manages a modest 1.6 fps, definitely not high-speed but enough for casual action sequences. Fujifilm doesn’t specify continuous burst rates, but it’s effectively non-continuous.
  • AF Speed and Accuracy: Canon’s autofocus locks faster in daylight and works reliably for portraits and general use. Tracking fast-moving subjects like sports or wildlife is limited by processing capabilities and frame rate.
  • Fujifilm’s AF feel slow and hunt-prone, challenging for critical focus shots.

In real-world use: If you’re capturing fast-moving kids or pets, the Canon SX530 HS offers a reachable level of AF responsiveness. The Real 3D W1 may become frustrating for anything beyond static subjects.

LCD Screens and Viewfinders: Framing Your Shots

Neither camera provides an electronic viewfinder (EVF); composition relies solely on LCD screens.

Canon SX530 HS vs Fujifilm Real 3D W1 Screen and Viewfinder comparison

  • Canon SX530 HS: 3" fixed LCD with 461K-dot resolution. Offers bright and reasonably detailed live view even outdoors with a slight anti-reflective coating.
  • Fujifilm W1: Smaller 2.8" screen with 230K-dot resolution, less sharp and less bright, which can be tricky for fine focusing or previewing details, especially in harsh light.

No touchscreen on either camera means menus and settings must be manipulated with physical buttons and dials - no swipe or tap shortcuts.

The Real 3D W1’s screen can display 3D images with appropriate glasses, a neat but niche feature.

Lens and Zoom Range: Versatility vs. Specialization

Few specs highlight the designs’ opposite philosophies better than their zoom lenses.

  • Canon SX530 HS boasts an immense 24-1200mm equivalent (50x optical zoom), covering ultra wide-angle to super-telephoto. The aperture ranges from f/3.4 at wide to f/6.5 at the telephoto end.
  • Fujifilm Real 3D W1 has a modest 35-105mm equivalent (3x optical zoom) at f/3.7-4.2.

This makes the SX530 HS far more versatile for various photography styles - from sweeping landscapes wide open to distant wildlife or sports at extreme zoom. The Real 3D W1 is more fixed-focus and geared toward street shooting and portrait-like framing.

How sharp are the lenses?

  • Canon’s lens performs well in the central image area but, as expected on a bridge camera, sharpness softness and vignette creep in at very long zoom lengths.
  • Fujifilm’s lens, while optically decent in the middle of the frame, shows more softness and chromatic aberration at edges.

Both lenses include built-in optical image stabilization on Canon, absent on Fujifilm, aiding hand-held shooting at slower shutter speeds - a practical consideration for travel or low light.

Battery Life and Storage: Long Days or Compact Packs?

  • Canon SX530 HS uses the NB-6LH Lithium-ion battery pack, rated for around 210 shots per charge (CIPA standard). Not particularly strong compared to modern mirrorless but average for compact superzoom cameras of its era.
  • Fujifilm Real 3D W1 uses the NP-95 battery with no official CIPA rating available, but expect shorter life given the smaller battery and older tech.

Canon’s battery life makes it necessary to either carry spares or regularly recharge, especially for travel use.

Storage-wise, both accommodate SD/SDHC/SDXC cards. Fujifilm also has internal memory, a neat fallback for moments without a card - but limited capacity and slow writing.

Connectivity and Extras: Sharing and Shooting Convenience

  • Canon SX530 HS includes built-in Wi-Fi, an important feature for rapid photo sharing directly to smartphones, social apps, or compatible printers - a godsend for today’s on-the-go shooters aiming to post snaps quickly.
  • Fujifilm Real 3D W1 lacks any wireless connectivity, relying solely on USB 2.0 for file transfer.

Neither camera offers Bluetooth or NFC.

Video-wise, Canon shoots full HD 1080p (30fps), while Fujifilm tops out at VGA 640x480 resolution - a major disadvantage for anyone interested in decent video capture.

Let’s See Some Photos: Real-World Image Gallery

From portraits to landscapes to low-light shots, these sample photos illustrate the cameras’ practical output differences.

  • Portraits: The Canon captures more natural skin tones and smoother bokeh at wider apertures. Facial features remain crisp thanks to face-detection autofocus. Fujifilm’s images feel flatter, with less separation from background due to limited aperture range and softer focus.
  • Landscapes: Poly-chromatic and detail-rich is the Canon’s domain, thanks to higher resolution and dynamic range. The Fujifilm’s images struggle in shadows and don’t evoke the depth or tonal range.
  • Low light: Canon’s noise handling and stabilization make better night shots noticeable. The Fujifilm’s ISO limitations show grainier, less usable images.
  • Video snippet: Canon provides sharp and smooth Full HD clips; Fujifilm’s VGA footage feels dated and blurry.

Performance Ratings: Overall and Genre-Specific

Combining technical specs, my hands-on use, and tested output, here are general and specialized ratings.


Canon SX530 HS wins on versatility, image quality, and user controls, scoring well for travel, landscape, and portraiture. It struggles for action and sports shots but remains usable.

Fujifilm Real 3D W1 mostly appeals to niche 3D enthusiasts or collectors - it scores low on general photography usability, autofocus, and video.

Photography Use Cases: Match Your Needs to the Strengths

Portrait Photography

Canon SX530 HS is clearly superior here with face detection, better AF, and smoother bokeh through its longer zoom lens. Fujifilm’s Real 3D W1 lacks face detection and shoots flatter images.

Landscape Photography

Canon edges out due to higher resolution and dynamic range. Fujifilm’s lower pixel count and older sensor limit detail and tonal subtleties.

Wildlife & Sports Photography

Neither is ideal pro gear, but Canon’s huge zoom and continuous AF make it the clear option for casual wildlife shooters or sports fans snapping non-critical action.

Street Photography

Fujifilm’s compact size and pocketability work in its favor here, but its slower AF and lower image quality somewhat hold it back. Canon can be bulkier but delivers better image results.

Macro Photography

Neither camera offers specialized macro modes or high magnification, but the Canon’s closer focusing and stabilization offer slight advantage.

Night and Astro Photography

Canon’s better ISO and image stabilization make it workable for night scenes; Fujifilm’s noise limits usability.

Video Capabilities

Canon SX530 HS supports Full HD video; Fujifilm stuck at VGA resolution.

Travel Photography

Canon SX530 HS’s extensive zoom range and decent battery life make it ideal for travel versatility. Fujifilm’s small body fits in a pocket but compromises neglect battery and image quality.

Professional Workflow

Neither supports RAW files or advanced connectivity; Canon Wi-Fi is a plus. For professional work, both cameras come across as casual tools rather than serious primes.

Price and Value: What Are You Getting for Your Money?

  • Canon SX530 HS: Around $379 at launch - affordable for a superzoom with decent specs.
  • Fujifilm Real 3D W1: Initially priced near $900, a premium for unique 3D capabilities but limited in mainstream photography value.

For budget-conscious buyers seeking broad photography use, the Canon offers much better bang for the buck. The Fujifilm is a collectible, gimmick-driven niche device.

Wrap-Up: Which Camera Should You Choose?

Feature / Factor Canon PowerShot SX530 HS Fujifilm FinePix Real 3D W1
Sensor and Image Quality 16MP BSI CMOS, higher resolution, better noise control 10MP CCD, lower resolution, more noise at high ISO
Lens & Zoom Massive 50x zoom (24–1200mm eq) Limited 3x zoom (35–105mm eq)
Autofocus & Speed Faster, face detection, continuous AF Slow, contrast detection only
Video Full HD 1080p video VGA quality video
Ergonomics & Controls Hefty, well-laid-out bridge style Compact, minimal controls
Connectivity Wi-Fi enabled No wireless connectivity
Battery Life ~210 shots per charge Shorter, unspecified
Unique Features Versatility across genres 3D photography capability (niche appeal)
Price At Launch ~$379 ~$899 (premium for 3D tech)
Ideal For Budget superzoom, travel, portraits, landscapes 3D enthusiasts, collectors, casual compact users

Final Verdict

If you’re a photography enthusiast or pro looking for a versatile, budget-conscious camera with decent image quality, broad zoom range, and useful video capabilities, the Canon PowerShot SX530 HS is the clear winner. It handles a vast range of subjects from portraits to landscapes to casual wildlife with competence, despite not being a speed demon or professional-grade camera.

On the other hand, if your heart is set on something quirky and historically unique like shooting or viewing 3D photos, and you don’t mind compromises on image quality or manual control, the Fujifilm FinePix Real 3D W1 stands as an interesting curiosity - though hard to justify as an everyday shooter today.

In terms of pure photographic value, Canon packs more punch for less money and suits a much wider audience. The Fujifilm is more a niche collectible with experimental flair.

I hope this hands-on comparison equips you with the insight needed to choose your next camera wisely. Happy shooting!

Thanks for reading! If you want me to unpack any photography gear or technique next, just shout.

Canon SX530 HS vs Fujifilm Real 3D W1 Specifications

Detailed spec comparison table for Canon SX530 HS and Fujifilm Real 3D W1
 Canon PowerShot SX530 HSFujifilm FinePix Real 3D W1
General Information
Brand Canon FujiFilm
Model Canon PowerShot SX530 HS Fujifilm FinePix Real 3D W1
Category Small Sensor Superzoom Small Sensor Compact
Announced 2015-01-06 2009-07-22
Physical type SLR-like (bridge) Compact
Sensor Information
Processor Chip DIGIC 4+ RP (Real Photo) 3D
Sensor type BSI-CMOS CCD
Sensor size 1/2.3" 1/2.3"
Sensor dimensions 6.17 x 4.55mm 6.17 x 4.55mm
Sensor surface area 28.1mm² 28.1mm²
Sensor resolution 16 megapixel 10 megapixel
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 4:3 and 16:9
Max resolution 4608 x 3456 3648 x 2736
Max native ISO 3200 1600
Lowest native ISO 100 100
RAW format
Autofocusing
Focus manually
Autofocus touch
Continuous autofocus
Autofocus single
Autofocus tracking
Autofocus selectice
Center weighted autofocus
Autofocus multi area
Live view autofocus
Face detection focus
Contract detection focus
Phase detection focus
Number of focus points 9 -
Lens
Lens mounting type fixed lens fixed lens
Lens focal range 24-1200mm (50.0x) 35-105mm (3.0x)
Highest aperture f/3.4-6.5 f/3.7-4.2
Macro focus distance 0cm 8cm
Crop factor 5.8 5.8
Screen
Type of screen Fixed Type Fixed Type
Screen size 3" 2.8"
Resolution of screen 461k dots 230k dots
Selfie friendly
Liveview
Touch screen
Viewfinder Information
Viewfinder type None None
Features
Minimum shutter speed 15s 1/4s
Fastest shutter speed 1/2000s 1/1000s
Continuous shutter rate 1.6fps -
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes -
Set white balance
Image stabilization
Integrated flash
Flash range 5.50 m 3.60 m
Flash options Auto, on, off, slow synchro Auto, On, Off, Red-eye, Slow Sync
Hot shoe
Auto exposure bracketing
WB bracketing
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Supported video resolutions 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) 640 x 480 (30 fps), 320 x 240 (30 fps)
Max video resolution 1920x1080 640x480
Video file format MPEG-4, H.264 Motion JPEG
Mic support
Headphone support
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 442g (0.97 lb) 260g (0.57 lb)
Physical dimensions 120 x 82 x 92mm (4.7" x 3.2" x 3.6") 124 x 68 x 26mm (4.9" x 2.7" x 1.0")
DXO scores
DXO Overall score not tested not tested
DXO Color Depth score not tested not tested
DXO Dynamic range score not tested not tested
DXO Low light score not tested not tested
Other
Battery life 210 photographs -
Battery style Battery Pack -
Battery model NB-6LH NP-95
Self timer Yes (2 or 10 secs, custom) Yes (2 or 10 sec)
Time lapse recording
Storage type SD/SDHC/SDXC SD/SDHC card, Internal
Card slots 1 1
Cost at release $379 $900