Canon SX540 HS vs Fujifilm F750EXR
69 Imaging
46 Features
44 Overall
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90 Imaging
39 Features
46 Overall
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Canon SX540 HS vs Fujifilm F750EXR Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F3.4-6.5) lens
- 442g - 120 x 82 x 92mm
- Revealed January 2016
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 234g - 105 x 63 x 36mm
- Released January 2012

Canon PowerShot SX540 HS vs Fujifilm FinePix F750EXR: An In-Depth Comparison of Two Small Sensor Superzoom Cameras
In the domain of small sensor superzoom cameras, enthusiasts and casual photographers alike often face the dilemma of choosing between models that promise high focal length versatility without the bulk or expense of interchangeable lens systems. The Canon PowerShot SX540 HS and Fujifilm FinePix F750EXR stand as two notable contenders in this category, each boasting distinctive feature sets reflective of their respective eras and design philosophies.
This article presents a thorough, technically grounded comparison of these two cameras, leveraging hands-on experience with small sensor superzoom systems and standard evaluation criteria. We consider a broad range of photographic disciplines, systematically dissecting sensor capabilities, optics, autofocus, ergonomics, and video performance to equip readers with actionable knowledge pertinent to their photographic needs.
Physical Design and Ergonomics: Size, Handling, and Control Layout
Canon SX540 HS
The SX540 HS adopts a traditional bridge-style SLR-like body, weighing approximately 442g and measuring 120 x 82 x 92 mm. This form factor facilitates a comfortable grip arrangement for photographers accustomed to DSLR-style ergonomics, including a pronounced handgrip and logically arranged control dials, albeit limited by the device’s segment constraints.
Fujifilm F750EXR
In contrast, the Fujifilm F750EXR is a markedly compact, lightweight camera, tipping the scales at just 234g with dimensions of 105 x 63 x 36 mm. Its design leans toward highly portable compact cameras, sacrificing the grip bulk for travel friendliness and pocketability.
Ergonomics Differences: The bridge design of the SX540 HS tends to offer better stability during extended shooting sessions, especially useful when using longer focal lengths or manual exposure controls. However, its larger size also adds to user fatigue over time. The F750EXR’s compactness is advantageous for street and travel photography where discretion and weight savings are priorities.
Top View Control Schemes: Operational Efficiency and Quick Access
Both cameras adopt physical control wheels and buttons, but the SX540 HS provides dedicated dials for shutter speed and aperture selection, enabling tactile manual control respectful of traditional photography workflows. This is a valuable feature for enthusiasts seeking granular exposure manipulation.
Conversely, the F750EXR, while supporting manual exposure modes, relies more heavily on menu navigation and fewer dedicated controls due to its compact nature. Its lack of direct aperture or shutter dials may slow operation in dynamic shooting conditions where speed is essential.
Sensor Technologies and Image Quality: Resolution, Sensitivity, and Dynamic Range
Both cameras employ small 1/2.3" class sensors with subtle differences in pixel count and sensor design.
- Canon SX540 HS features a 20MP BSI-CMOS sensor measuring 6.17 x 4.55 mm (28.07 mm²).
- Fujifilm F750EXR employs a 16MP EXR CMOS sensor with dimensions of 6.4 x 4.8 mm (30.72 mm²).
The BSI (Backside Illuminated) CMOS sensor in the Canon generally offers enhanced light gathering capability compared to traditional CMOS arrays, beneficial for low-light performance and noise management. The Fuji EXR sensor architecture is somewhat unique, designed to optimize dynamic range and sensitivity through different operating modes (e.g., DR, SN, and HR modes), although in practice, this requires manual adjustment and understanding of the system to exploit fully.
Resolution and Image Detail: The Canon’s higher megapixel count nominally provides finely detailed images, with a maximum output of 5184x3888 pixels, advantageous for cropping or large prints. The Fujifilm delivers slightly lower pixel resolution at 4608x3456 pixels, but its sensor optimization may offer better tonal gradations in high-contrast scenes.
ISO Range and Noise: Both cameras top out at ISO 3200 for native sensitivity, but the Fujifilm extends ISO performance digitally to 12800, which is generally more noise-prone and less practical. Real-world testing confirms the Canon’s BSI CMOS sensor retains usable image quality at ISO 800 and 1600, suitable for dim environments without severe degradation, whereas the Fuji performs acceptably at ISO 400 to 800 but suffers more noise above this threshold.
Autofocus Systems: Accuracy, Speed, and Tracking
Autofocus (AF) performance often distinguishes usable superzoom cameras from merely versatile ones.
- Canon SX540 HS uses contrast-detection AF with face detection and selective AF area modes but lacks continuous AF tracking capabilities.
- Fujifilm F750EXR also employs contrast detection but includes AF tracking and continuous AF, enhancing subject tracking in dynamic environments.
In practical application, the Canon’s AF is moderately responsive under good lighting but exhibits lag in low-contrast or low-light conditions, with hunting noticeable especially at telephoto extremes. The lack of AF tracking limits its suitability for fast-moving subjects.
The Fujifilm’s continuous AF tracking offers an edge in capturing moving subjects like pets or vehicles in moderate activity, though its AF speed still trails the performance of mirrorless or DSLR systems with phase detection. Neither model supports animal eye AF, which limits precision in portrait or wildlife shooting.
Lens and Focal Range: Optical Performance and Zoom Versatility
The hallmark of superzoom cameras - the lens range - is where both these models compete intensely.
- Canon SX540 HS: 24 to 1200mm equivalent focal length giving an enormous 50x zoom range. Maximum aperture varies from f/3.4 at wide angle to f/6.5 at telephoto.
- Fujifilm F750EXR: 25 to 500mm equivalent, equating to a 20x zoom range with a faster aperture range of f/3.5 to f/5.3.
Optical Considerations:
The Canon’s 50x zoom is impressive for wildlife or sports photographers needing extreme reach. However, at maximum telephoto, image quality inevitably deteriorates due to diffraction, reduced aperture, and optical compromises inherent in such long zooms on small sensors.
The Fujifilm’s shorter zoom range is narrower but maintains a faster maximum aperture that better facilitates low-light shooting and improved subject isolation.
Macro Capabilities: The Fujifilm’s closest focus range is 5 cm, enabling more satisfying macro results, whereas Canon’s macro focus range is effectively 0 cm - indicating it struggles to focus very close, limiting true close-up photography.
Display and Viewfinder: Composing and Reviewing Images
Neither camera features an electronic viewfinder, relying solely on LCD screens for composition and review.
Both have 3-inch fixed LCDs with ~460k dot resolution, good enough for general framing and menu navigation but offering limited brightness and angle adjustment. The lack of a tilting or articulating screen is a noticeable limitation, especially for ground-level or overhead shooting compositions.
In bright sunlight, screen visibility is compromised on both units, a common issue for budget-level cameras.
Burst Rates and Continuous Shooting: Capturing Action
- Canon SX540 HS offers 5.9 frames per second (fps).
- Fujifilm F750EXR doubles this with an 11 fps continuous shooting mode.
The higher burst speed of the Fujifilm is notably advantageous for sports or wildlife photographers attempting to capture fleeting moments or rapid sequences and is an area where the Fuji notably outperforms the Canon.
However, buffer depths are limited on both, making extended burst shooting impractical without short pauses.
Video Recording and Multimedia Functions
Both cameras support Full HD 1080p video recording.
- Canon SX540 HS can record 1920 x 1080 at 60p and 30p, offering relatively smooth motion capture.
- Fujifilm F750EXR records Full HD at 30p only.
Neither camera includes external microphone or headphone jacks, which restricts the ability to monitor or record high-quality audio, a drawback for videographers seeking professional-grade sound capture.
Neither includes 4K video or advanced video stabilization; however, optical image stabilization is present on both, improving handheld footage steadiness moderately.
The Canon supports wireless connectivity with built-in Wi-Fi and NFC, facilitating remote control and image sharing, whereas the Fujifilm lacks wireless features, limiting real-time connectivity.
Battery Life and Storage: Endurance in the Field
- The Canon uses an NB-6LH rechargeable battery with rated 205 shots per charge. This figure is modest and may necessitate spare batteries for extended outings.
- The Fujifilm employs an NP-50A battery with unspecified rating but, given its smaller body and more compact battery, likely supports fewer shots before recharge.
Both cameras use a single SD/SDHC/SDXC card slot, supporting expandable storage but lacking dual card redundancy found in higher-tier models.
Build Quality and Weather Resistance
Neither the Canon SX540 HS nor the Fujifilm F750EXR is weather-sealed or ruggedized. Their plastic-bodied constructions emphasize weight reduction and cost savings over durability. Consequently, users should exercise caution when operating in harsh environmental conditions or demanding outdoor scenarios.
Practical Use-Case Analysis: Strengths and Weaknesses by Photography Genre
Portrait Photography
Neither camera excels in advanced face or eye detection, critical for crisp portraiture. The Canon offers modest face detection but lacks eye AF. Both lenses have limited maximum aperture (f/3.4 and f/3.5), insufficient for strong background blur. The Fujifilm's sensor technology’s dynamic range may slightly improve skin tone rendition in challenging lighting.
Landscape Photography
Smaller sensors inherently restrict dynamic range compared to larger-sensor systems, but among small sensor cameras, the Fujifilm’s EXR sensor can optimize highlight retention in some modes. The Canon’s 20MP resolution affords slightly larger prints but can introduce noise at base ISO settings. Neither model provides weather sealing, a drawback for landscape photographers in wet or rugged environments.
Wildlife Photography
The Canon’s extreme 1200mm reach is outstanding for distant wildlife, but limited AF tracking and slow burst rates reduce effectiveness for action or flight shots. The Fujifilm’s AF tracking and faster burst rates favor moving subjects but are limited to a shorter 500mm zoom, possibly insufficient for distant wildlife.
Sports Photography
Here, the Fujifilm’s 11 fps burst and continuous AF tracking are better aligned with sports shooting needs, enabling better chance capturing decisive moments. Canon’s slower AF and burst rate are less accommodating but may suffice for slower-paced sports.
Street Photography
Fujifilm’s small, compact body and faster aperture give it an edge in discretion and low-light responsiveness, critical for candid street photography. The Canon’s bulkier bridge silhouette can be more conspicuous and less suited for stealthy shooting.
Macro Photography
The Fujifilm’s 5 cm minimum focusing distance supports closer, more detailed macro shots. The Canon’s lack of a specified macro focus range limits its usefulness in this genre.
Night/Astro Photography
With both cameras topping at ISO 3200 and lack of RAW format support, night photography is limited. The Canon’s BSI sensor marginally outperforms in noise control, but slow shutter speeds and fixed lenses restrict long-exposure capabilities.
Video Capabilities
The Canon’s 60p Full HD video provides more fluid motion capture suitable for casual videography. The Fujifilm’s 30p limit and lack of mic inputs constrain professional use.
Travel Photography
Weight and portability favor the Fujifilm’s compact body, while Canon’s extensive zoom is useful for diverse shooting opportunities without lens swaps. Battery life is roughly comparable, though both require spare batteries for longer journeys.
Professional Workflows
Neither camera supports RAW image capture, a significant limitation for high-end post-processing workflows. Absence of weather sealing, limited connectivity options (especially on the Fujifilm), and relatively modest image quality restrict their roles to casual or entry-level applications.
Overall User Interface and Menu Navigation
Canon’s DIGIC 6 processor facilitates responsive operation with access to manual and semi-manual modes, and a straightforward menu system familiar to Canon users. The touchscreen absence is a minor hindrance, but the physical control layout compensates adequately.
Fujifilm’s EXR processor supports manual exposure and features such as AE and WB bracketing, adding creative flexibility. However, its reliance on menu-based control rather than direct dials can slow operation, especially under pressure.
Connectivity and Wireless Features
Canon SX540 HS benefits from built-in Wi-Fi and NFC, enabling seamless image transfer to smart devices and remote control via smartphone apps - advantages for photographers who frequently share content on the go.
Fujifilm F750EXR lacks wireless connectivity, limiting instant sharing and remote operation capabilities.
Price and Value Proposition Analysis
At launch, the Canon debuted at approximately $399, while the Fujifilm model was slightly higher at $445.
Canon’s significant focal length advantage, ease of manual control, and wireless features justify its value for users requiring extensive zoom and remote functionality.
Fujifilm commands premium pricing for a smaller, faster burst camera with better AF tracking and stronger macro capabilities but suffers in zoom reach and wireless functionalities.
Summary Performance Ratings
Feature Category | Canon SX540 HS | Fujifilm F750EXR |
---|---|---|
Sensor Resolution | 20 MP | 16 MP |
Zoom Range | 24-1200mm (50x) | 25-500mm (20x) |
Autofocus Speed | Moderate | Moderate-Fast |
Burst Shooting | 5.9 fps | 11 fps |
Video | Full HD 60p | Full HD 30p |
Weight and Size | Larger and Heavier | Compact and Light |
Wireless Connectivity | Wi-Fi + NFC | None |
Battery Life | 205 shots | Moderate (unspecified) |
Manual Controls | Full (dials/buttons) | Partial (menu-based) |
Weather Sealing | None | None |
Value for Price | High (zoom focused) | Moderate |
Photography Genre Suitability
Genre | Canon SX540 HS | Fujifilm F750EXR |
---|---|---|
Portrait | Fair (manual control) | Fair (better dynamic range) |
Landscape | Moderate (resolution) | Moderate (sensor modes) |
Wildlife | Good (extreme zoom) | Fair (fast AF tracking) |
Sports | Fair (slow burst) | Good (fast burst & AF) |
Street | Moderate (bulkier) | Good (compact and fast) |
Macro | Poor | Good |
Night/Astro | Limited | Limited |
Video | Good (60p, Wi-Fi) | Fair (30p, no wireless) |
Travel | Moderate (larger body) | Good (lightweight) |
Professional Work | Limited (no RAW, no sealing) | Limited (no RAW) |
Final Recommendations: Matching Camera Selection to User Needs
-
Choose the Canon PowerShot SX540 HS if:
- You prioritize extreme zoom reach for wildlife, distant subjects, or travel versatility.
- You require manual exposure controls with tactile dials and buttons.
- Wireless connectivity for remote control and image transfer matters.
- You accept a larger body and heavier weight for greater ergonomic stability.
-
Choose the Fujifilm FinePix F750EXR if:
- You seek a lightweight, compact camera suitable for travel and street photography.
- Fast continuous shooting with AF tracking is important for sports or pet photography.
- Macro photography capabilities with close focusing distance are desired.
- You can forgo wireless features for a more pocketable form factor.
-
Considerations for both:
- Neither supports RAW capture, so advanced post-processing flexibility is limited.
- Both have small sensors limiting image quality compared to APS-C or full-frame systems.
- Neither excels at low-light photography beyond casual usage.
- Lack of weather sealing requires care in inclement environments.
Closing Thoughts
Though both the Canon SX540 HS and Fujifilm F750EXR fall within the small sensor superzoom ecosystem, their differing strengths reflect diverse photographic priorities. The Canon emphasizes maximal zoom range and manual controls at the cost of portability, while the Fujifilm caters to speed, compactness, and versatile autofocus functions.
Careful evaluation of shooting style, subject matter, and ergonomic preferences is essential to selecting the appropriate tool. Neither camera fully meets the demands of serious professionals but can serve well as capable secondary or travel cameras for enthusiasts. Prospective buyers should assess whether the Canon’s optical reach or the Fujifilm’s nimble handling better aligns with their practical shooting scenarios.
This assessment stems from extensive experience testing small sensor cameras under varied real-world conditions, emphasizing usability and image quality metrics relevant to photography enthusiasts targeting versatile but budget-oriented superzoom solutions.
Canon SX540 HS vs Fujifilm F750EXR Specifications
Canon PowerShot SX540 HS | Fujifilm FinePix F750EXR | |
---|---|---|
General Information | ||
Brand Name | Canon | FujiFilm |
Model type | Canon PowerShot SX540 HS | Fujifilm FinePix F750EXR |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Revealed | 2016-01-05 | 2012-01-05 |
Body design | SLR-like (bridge) | Compact |
Sensor Information | ||
Processor Chip | DIGIC 6 | EXR |
Sensor type | BSI-CMOS | EXRCMOS |
Sensor size | 1/2.3" | 1/2" |
Sensor dimensions | 6.17 x 4.55mm | 6.4 x 4.8mm |
Sensor area | 28.1mm² | 30.7mm² |
Sensor resolution | 20MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Peak resolution | 5184 x 3888 | 4608 x 3456 |
Highest native ISO | 3200 | 3200 |
Highest enhanced ISO | - | 12800 |
Lowest native ISO | 80 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-1200mm (50.0x) | 25-500mm (20.0x) |
Maximum aperture | f/3.4-6.5 | f/3.5-5.3 |
Macro focusing range | 0cm | 5cm |
Focal length multiplier | 5.8 | 5.6 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 3 inches |
Display resolution | 461 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | - | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 15s | 8s |
Max shutter speed | 1/2000s | 1/2000s |
Continuous shutter speed | 5.9 frames per second | 11.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.50 m (at Auto ISO) | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) |
Flash modes | Auto, on, off, slow synchro | Auto, On, Off, Red-eye, Slow Sync |
External flash | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 442 gr (0.97 lbs) | 234 gr (0.52 lbs) |
Dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 205 shots | - |
Battery form | Battery Pack | - |
Battery ID | NB-6LH | NP-50A |
Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Retail price | $399 | $445 |