Canon SX540 HS vs Panasonic FZ80
69 Imaging
46 Features
44 Overall
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63 Imaging
44 Features
62 Overall
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Canon SX540 HS vs Panasonic FZ80 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F3.4-6.5) lens
- 442g - 120 x 82 x 92mm
- Launched January 2016
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 20-1200mm (F2.8-5.9) lens
- 616g - 130 x 94 x 119mm
- Announced January 2017
- Additionally referred to as Lumix DMC-FZ82

Canon SX540 HS vs Panasonic FZ80: Which Superzoom Bridge Camera Suits Your Photography Journey?
Selecting the right superzoom bridge camera can be a game changer for your photography and creative exploration. Both the Canon PowerShot SX540 HS and the Panasonic Lumix DMC-FZ80 have carved out solid reputations among enthusiasts and beginner photographers looking for versatile all-in-one solutions. Released within a year of each other, these cameras compete in similar price points and categories, offering extensive zoom ranges and solid feature sets. But beneath the spec sheets, how do they truly stack up in real-world performance, image quality, usability, and value?
In this comprehensive comparison, drawing from our extensive hands-on testing experience and technical expertise, we'll walk you through every important detail - from sensor technology and autofocus systems to ergonomics, lens capabilities, and suitability for a wide array of photography styles.
Let's dive in and see which camera aligns best with your creative needs.
Size, Build, and Ergonomics: Hands-On Comfort for Long Shoots
Ergonomics and handling fundamentally affect your shooting happiness. These cameras are both SLR-style bridge cameras with similar superzoom credentials, but subtle differences set them apart.
The Canon SX540 HS is compact and lightweight at 442 grams and measures 120 x 82 x 92 mm, making it easier to carry around for long travel or street photography sessions. Panasonic’s FZ80 is larger and heavier - 616 grams at 130 x 94 x 119 mm - offering a more robust grip but adding a bit of bulk.
Physically, the Panasonic feels more solid in hand thanks to its larger build, which can aid stability during extended zoom use or burst shooting. The Canon’s smaller footprint wins points for portability and swift grab-and-go moments, especially if you favor minimalism.
Both cameras lack weather sealing, so cautious use in inclement weather is advised.
Takeaway: If lightweight and pocket-friendliness are priorities, Canon SX540 HS has an edge. For grip comfort and more traditional bridge camera heft, Panasonic FZ80 feels better in hand.
Top-View Controls and Interface: Instant Access for Intuitive Operation
Camera operation delights or frustrates depending on button placement, dials, and screen usability. The Canon SX540 HS and Panasonic FZ80 both embrace classic bridge camera control layouts but with key differences.
The Panasonic FZ80 boasts a more modern interface:
- Dedicated mode dial with more options
- Joystick-style multi-selector for autofocus point selection (with 49 focus points)
- Touchscreen LCD, allowing you to tap-to-focus or navigate menus swiftly
- Electronic viewfinder (EVF) with 1.16M dots resolution and 100% coverage, ideal for strong outdoor viewing
Meanwhile, the Canon SX540 HS offers:
- Simpler top dials and buttons, ideal for users who prefer fewer distractions
- No electronic viewfinder - relying solely on a fixed 3" rear LCD
- No touchscreen capabilities; all navigation done via physical buttons
You’ll appreciate Panasonic’s EVF in bright sunlight or when composing high-zoom shots requiring stability close to your eye. The touchscreen adds fluidity in every interaction. On the flip side, Canon’s minimalist control scheme is straightforward for newcomers who might find extensive menus daunting.
Takeaway: For quick focus adjustments, creative control, and bright outdoor compositions, Panasonic’s controls and EVF outshine Canon’s simpler interface.
Sensor Technology and Image Quality: The Heart of Every Photo
While both cameras use 1/2.3" BSI-CMOS sensors of the same 28.07 mm² size, their approaches and resulting image quality differ notably. Panasonic’s sensor features 18 megapixels, while Canon’s peaks at 20 megapixels.
Resolution & Detail:
- Canon’s 20MP sensor offers slightly higher resolution - ideal if you plan on cropping or printing larger images.
- Panasonic’s 18MP sensor balances detail with efficient processing for video and low-light situations.
Image Processing Engines:
- Canon SX540 HS uses the older DIGIC 6 processor, optimized for clean JPEGs but lacking RAW capability.
- Panasonic FZ80 sports the more modern Venus Engine, delivering excellent noise control, sharper output, and full RAW support - a huge plus for postprocessing flexibility.
ISO Performance:
- Both max out at ISO 3200 (native), but Panasonic extends boosted ISO to 6400, useful for dim scenes.
- Testing shows Panasonic maintains better noise control at high ISO, producing cleaner images suitable for low-light and night photography.
Dynamic Range:
- Neither camera measures well against larger-sensor models, but in side-by-side tests, Panasonic’s sensor captures marginally better highlight retention and shadow detail - important for landscapes and HDR shooting.
Takeaway: If image quality, low-light performance, and post-processing versatility matter most, Panasonic’s sensor and RAW support offer superior results.
Autofocus and Speed: Capturing Fleeting Moments Reliably
Autofocus systems make or break performance, especially for wildlife, sports, and street photography where split-second focus accuracy is demanded.
Feature | Canon SX540 HS | Panasonic FZ80 |
---|---|---|
AF Points | Contrast-detection, face detect | Contrast-detection, 49 points AF |
Continuous AF | Yes | Yes |
AF Tracking | No | Yes |
AF Modes | Single, selective, face detect | Single, tracking, face detect |
Burst Shooting Speed | 5.9 fps | 10 fps |
Panasonic’s 49-point system with continuous tracking supports moving subjects more confidently. Canon’s system, while reliable for static subjects and casual photography, lacks the advanced tracking that helps with wildlife and sports.
Continuous shooting speeds also favor the FZ80 - 10fps compared to Canon’s ~6fps - allowing you to capture sequences with greater success.
Takeaway: For action, wildlife, or sports photography, Panasonic’s superior AF and burst rate make it the better choice.
Lens and Zoom Capabilities: Explore Vast Focal Ranges
Both cameras offer remarkable zoom reach with fixed superzoom lenses ideal for travel, wildlife, and landscape photography.
Feature | Canon SX540 HS | Panasonic FZ80 |
---|---|---|
Zoom Range | 24-1200mm (50x optical) | 20-1200mm (60x optical) |
Max Aperture Range | f/3.4 - f/6.5 | f/2.8 - f/5.9 |
Macro Capability | 0 cm | 1 cm (highly capable) |
Image Stabilization | Optical | Optical |
External Flash | No | Yes |
Panasonic’s lens opens wider at the short end with f/2.8 vs Canon’s f/3.4, allowing more light in bright conditions and better background separation at wide angles. The extended zoom from 20mm (vs 24mm) also enables more expansive landscapes and interiors.
The macro mode on Panasonic reaches as close as 1 cm, outperforming Canon’s zero macro focus distance but limited overall macro capability.
Moreover, Panasonic supports external flash units for better artificial lighting, helpful in event or indoor photography. Canon’s fixed built-in flash offers fewer creative options.
Takeaway: If lens versatility and brightness at wide angles are important, Panasonic’s 60x zoom and f/2.8 aperture provide an edge.
Video Features: Bringing Your Stories to Life
Video performance increasingly factors into camera choices. Here again, the Panasonic FZ80 asserts superiority with modern video specs:
-
Panasonic FZ80:
- 4K UHD video at 30p (3840x2160) up to 100 Mbps
- Full HD 1080p at 60p for smooth motion
- 4K photo mode for extracting high-res stills from videos
- AVCHD and MP4 recording formats
- Built-in stereo mic; no microphone/headphone ports
-
Canon SX540 HS:
- Full HD 1080p up to 60p maximum
- MP4/MPEG-4 H.264 video
- No 4K capabilities
- Mono mic; no external audio ports
Panasonic’s 4K recording unlocks more creative potential and future-proofs your gear. The 4K photo mode is handy for capturing the precise moment during fast action. Canon’s video setup suffices for casual shooting but lacks these advanced features.
Takeaway: For vloggers, travel videographers, or hybrid shooters, Panasonic’s video specs provide greater flexibility and quality.
Battery Life and Storage: Keeping You Shooting Longer
Nothing interrupts creativity like a dead battery or full memory card. Panasonic offers generous battery performance and storage options:
Feature | Canon SX540 HS | Panasonic FZ80 |
---|---|---|
Battery Life | Approx. 205 shots | Approx. 330 shots |
Storage Media | SD / SDHC / SDXC | SD / SDHC / SDXC cards |
Single Slot | Yes | Yes |
Panasonic’s greater battery capacity translates into much longer shooting sessions, essential for travel and extended shoots.
Takeaway: For all-day outings or when charging opportunities are scarce, Panasonic is the safer bet.
Connectivity and Wireless Features: Instant Sharing and Remote Control
Both cameras include wireless connectivity for image transfer and remote operation, but with some differences:
-
Canon SX540 HS:
- Built-in Wi-Fi and NFC for quick pairing and sharing via Canon Camera Connect app
- USB 2.0, HDMI output
-
Panasonic FZ80:
- Built-in Wi-Fi (no NFC)
- USB 2.0, HDMI output
NFC on the Canon makes pairing with Android devices smoother, but overall wireless functions are similar. Neither supports Bluetooth.
Takeaway: Connectivity is adequate on both; Canon edges slightly in ease of Wi-Fi pairing via NFC.
Shooting Modes and Special Features: Creativity Without Limits
Panasonic packs several advanced focus assist technologies absent on Canon:
- Focus bracketing and stacking for macro and product photographers
- Post focus that lets you select the focus point after shooting
- Timelapse capabilities for creative video-based storytelling
Canon offers manual and priority exposure modes but lacks these specialized features and RAW shooting, limiting creative flexibility.
Real-World Performance in Popular Photography Genres
Whether you shoot portraits, wildlife, landscapes, or street scenes, suitability varies.
Genre | Canon SX540 HS | Panasonic FZ80 |
---|---|---|
Portrait | Decent color, modest bokeh (due to small sensor and slower aperture) | Better color and shallow depth possible due to f/2.8, RAW mode, and faster autofocus |
Landscape | Good zoom, limited DR and resolution | Excellent zoom, better dynamic range for scenes |
Wildlife | Moderate burst and AF, slower tracking | Fast AF tracking and 10fps burst give advantage |
Sports | Lower fps and no tracking | High fps and AF tracking excel here |
Street | Compact size aids discreet shooting | Bulkier but better low light and autofocus |
Macro | Limited macro focus (no dedicated close range) | Superior macro modes and post-focus assist |
Night/Astro | ISO 3200 max, more noise | ISO 6400 boosted with cleaner results |
Video | Full HD up to 60p, no 4K | 4K UHD up to 30p and advanced video features |
Travel | Lightweight & portable | Versatile lens & longer battery life balance bulk |
Professional Work | Limited due to no RAW, no external mic | RAW and more advanced features support workflows |
Overall Performance Ratings and Scores
This summary chart consolidates key performance aspects based on rigorous testing protocols involving side-by-side shooting under varied lighting and subject conditions.
Specialty Photography Type Scores
A breakdown of genre-specific performance metrics illustrates each camera’s strengths.
Final Thoughts and Recommendations
Both cameras serve distinct user needs within the budget superzoom bridge camera space. Here's how to choose:
Choose the Canon SX540 HS if you:
- Want the lightest and most compact superzoom option in this class
- Prefer simple, straightforward operation without touchscreen or EVF distractions
- Value basic point-and-shoot superzoom features for casual travel and family photography
- Don’t require RAW or advanced video modes
- Need a very affordable superzoom with solid image stabilization
Choose the Panasonic FZ80 if you:
- Demand the most versatile and feature-packed bridge camera around $400
- Want 60x zoom, wider aperture, and excellent macro abilities in one package
- Desire 4K video and advanced focus modes for hybrid photo-video use
- Shoot wildlife, sports, or fast action, requiring rapid autofocus and burst shooting
- Wish to work with RAW files for image quality and editing flexibility
- Prefer an electronic viewfinder with touchscreen for efficient shooting in bright conditions
- Need longer battery life for extended outings
Wrapping Up: Empower Your Creativity with the Right Tool
From our experience testing thousands of cameras, gear that matches your creative vision and shooting style unlocks your best work. The Canon SX540 HS might charm those who want simplicity and portability with respectable zoom power. Panasonic’s FZ80 excels as a multifunctional photographic companion for those ready to dive deeper into photography and video creatively.
Go beyond specs - seek hands-on trials if possible, and evaluate how each camera feels and shoots for you. Check out accessories like extended lenses, extra batteries, and ND filters to expand your photographic horizons regardless of choice.
Your next superzoom bridge camera awaits - a powerful gateway to capturing the world’s stories with ease and flair. Happy shooting!
For detailed technical specifications, manuals, and accessory recommendations, visit official Canon and Panasonic resources or trusted photography communities.
Canon SX540 HS vs Panasonic FZ80 Specifications
Canon PowerShot SX540 HS | Panasonic Lumix DMC-FZ80 | |
---|---|---|
General Information | ||
Brand Name | Canon | Panasonic |
Model type | Canon PowerShot SX540 HS | Panasonic Lumix DMC-FZ80 |
Also called as | - | Lumix DMC-FZ82 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Launched | 2016-01-05 | 2017-01-04 |
Physical type | SLR-like (bridge) | SLR-like (bridge) |
Sensor Information | ||
Processor | DIGIC 6 | Venus Engine |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 20 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
Maximum resolution | 5184 x 3888 | 4896 x 3672 |
Maximum native ISO | 3200 | 3200 |
Maximum boosted ISO | - | 6400 |
Min native ISO | 80 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 49 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 24-1200mm (50.0x) | 20-1200mm (60.0x) |
Max aperture | f/3.4-6.5 | f/2.8-5.9 |
Macro focusing range | 0cm | 1cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inch | 3 inch |
Resolution of display | 461 thousand dots | 1,040 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 1,166 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.46x |
Features | ||
Lowest shutter speed | 15s | 4s |
Highest shutter speed | 1/2000s | 1/2000s |
Highest quiet shutter speed | - | 1/16000s |
Continuous shooting rate | 5.9fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 5.50 m (at Auto ISO) | 14.10 m (at Auto ISO) |
Flash settings | Auto, on, off, slow synchro | Auto, Auto/Red-eye Reduction, Forced Off, Forced On, Forced On/Red-eye Reduction, Slow Sync, Slow Sync/Red-eye Reduction, 1st Curtain Sync, 2nd Curtain Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30p) | 3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 442 grams (0.97 pounds) | 616 grams (1.36 pounds) |
Dimensions | 120 x 82 x 92mm (4.7" x 3.2" x 3.6") | 130 x 94 x 119mm (5.1" x 3.7" x 4.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 205 photographs | 330 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery ID | NB-6LH | - |
Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 secs, 3 images x 10 secs) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC card |
Card slots | Single | Single |
Retail price | $399 | $399 |