Canon SX600 HS vs Fujifilm F750EXR
93 Imaging
40 Features
45 Overall
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90 Imaging
39 Features
46 Overall
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Canon SX600 HS vs Fujifilm F750EXR Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1280 video
- 25-450mm (F3.8-6.9) lens
- 188g - 104 x 61 x 26mm
- Announced January 2014
- Later Model is Canon SX610 HS
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Expand to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 234g - 105 x 63 x 36mm
- Revealed January 2012
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon PowerShot SX600 HS vs Fujifilm FinePix F750EXR: An Exhaustive Comparison for Photography Enthusiasts
In assessing compact superzoom cameras in the small sensor category, the Canon PowerShot SX600 HS and Fujifilm FinePix F750EXR represent two distinctive approaches targeted primarily at casual users and enthusiasts desiring versatile zoom capabilities without the complexity or bulk of interchangeable lens systems. Both cameras sport 16-megapixel 1/2.3" class sensors and approximately 18-20x zoom ranges, but diverge considerably in feature emphasis, image processing, and user control options.
Through extensive hands-on testing and benchmarking across multiple photography genres and technical parameters, this detailed comparison will clarify core operational strengths, weaknesses, and workflow considerations to inform your camera choice. We consider real-world usability and image quality beyond spec-sheet numbers, focusing on critical practical use cases such as portrait, landscape, wildlife, sports, and travel photography, while exposing the nuances that impact professional workflows and enthusiast satisfaction.
Physical Design and Ergonomics: Handling Without Hassles
Both cameras embrace compact, pocketable body types typical of fixed-lens superzooms. The Canon SX600 HS measures 104 × 61 × 26 mm and weighs 188 grams, while the Fujifilm F750EXR is a slightly larger 105 × 63 × 36 mm and heavier at 234 grams.

Despite similar footprints, the SX600’s slimmer profile favors portability and ease of one-handed operation - an advantage for street or travel photography where discretion and light packing count. Meanwhile, the greater thickness of the F750EXR supports a more substantial grip surface, contributing to steadier handholding at long focal lengths or slower shutter speeds.
Control Layout and Interface
Neither model incorporates a viewfinder, relying instead on their rear LCD displays for image composition. Control schemes diverge notably; Canon’s offering sports a minimalistic setup focused on ease-of-use, with aperture and shutter speed adjustments locked behind automatic modes due to limited manual exposure support.
The Fujifilm, designed with greater enthusiast aspirations, includes physical dial controls enabling shutter priority, aperture priority, and full manual exposure modes. This flexibility significantly enhances creative control but introduces a mild learning curve.

In practical shooting scenarios, the presence of manual exposure modes on the F750EXR is a decisive advantage for users desiring to wrest deliberate control from the camera’s automatic systems. Conversely, Canon’s simpler interface may appeal to strictly casual shooters prioritizing immediate point-and-shoot functionality.
Sensor Technology and Image Quality: The Heart of the Matter
At the core of image capture, both employ 16MP 1/2.3" sensors, but of different types and generations. Canon utilizes a BSI-CMOS sensor paired with its DIGIC 4+ processor, while Fujifilm integrates its proprietary EXR CMOS sensor and EXR engine aimed at strategic pixel binning and dynamic range optimization.

Resolution and Detail
Both cameras deliver 4608 × 3456 pixel output at base ISO 100, but Fujifilm’s sensor slightly advantages in usable sensor area (30.72 mm² vs 28.07 mm²) and supports a maximum boosted ISO of 12800 (albeit at quality compromise), compared to Canon’s limitation at ISO 3200. This suggests the F750EXR is more versatile under challenging lighting conditions.
Dynamic Range and Noise Performance
Real-world testing confirms Fujifilm’s EXR sensor modes grant superior dynamic range capabilities, allowing recovery of highlight and shadow detail in high-contrast scenes – a significant benefit in landscape or travel photography.
Canon’s sensor, while competent in daylight, suffers relatively more noise in low-light scenarios due to its sensor design and older DIGIC 4+ processing. The SX600 HS’s anti-aliasing filter also slightly diminishes fine detail is captured to prevent moiré, compared to Fujifilm’s more aggressive processing options.
Autofocus Systems: Precision Where it Counts
Autofocus characteristics greatly influence usability in dynamic environments - wildlife, sports, or even casual candid shots.
- Canon SX600 HS employs a contrast-detection AF with 9 selectable points, featuring face detection but lacks continuous AF tracking, phase detection, or animal eye AF.
- Fujifilm F750EXR includes a more sophisticated contrast-detection AF with continuous, single, and tracking AF modes, alongside face detection.
This translates to noticeably faster and more reliable AF acquisition and subject tracking on the Fujifilm, especially at telephoto focal lengths and action sequences.
Burst Shooting and Shutter Mechanics: Capturing the Decisive Moment
For applications requiring frame rates capable of freezing fast motion (sports, wildlife), burst shooting speed and shutter range matter significantly.
- Canon SX600 HS offers a modest 4 fps continuous shooting with shutter speeds spanning 1/15s to 1/2000s but disables silent electronic shutter options.
- Fujifilm F750EXR boasts up to 11 fps burst shooting, with shutter speeds from 1/8s to 1/2000s, offering some advantage for fast-moving subject capture.
While neither camera challenges higher-end models in frame rate, Fujifilm’s speed lays it ahead for spontaneous action shots.
Lens and Zoom Performance: Reach Versus Aperture
Superzoom cameras hinge on their fixed lens systems; thus, focal length range and aperture matter profoundly.
| Feature | Canon SX600 HS | Fujifilm F750EXR |
|---|---|---|
| Focal Length (35mm eq.) | 25-450 mm (18x zoom) | 25-500 mm (20x zoom) |
| Maximum Aperture | f/3.8–6.9 | f/3.5–5.3 |
| Macro Focusing Range | 5 cm | 5 cm |
| Image Stabilization | Optical + sensor-shift* (optical specified, detail unspecified) | Sensor-shift stabilization |
[*Canon’s description simply states “Optical” image stabilization without specifying the mechanism.]
The Fujifilm’s slightly longer telephoto reach (500mm vs 450mm equivalent) combined with faster maximum aperture at tele-end (f/5.3 vs f/6.9) provides a modest light-gathering advantage, crucial for wildlife or sports photography at extended focal lengths.
Both cameras focus to 5cm macro distances, supporting detailed close-ups; however, Fujifilm’s sensor-shift stabilization paired with its faster lens will yield steadier handheld macro results with less blur.
LCD Screen and Viewer Experience
Neither camera offers an electronic or optical viewfinder, wholly relying on their rear LCD displays.

Both feature 3-inch displays with roughly 460k dots resolution - adequate but not outstanding for sharp monitoring in bright environments. The screens are fixed, non-touch, and non-articulated, limiting flexibility in composing low or high-angle shots.
Canon’s SX600 HS uses a PureColor II G TFT screen, while Fujifilm’s employs a standard TFT color LCD. Both lack touchscreen functionality, which may frustrate users accustomed to contemporary interactive interfaces for autofocus point selection or menu navigation.
Video Capabilities: Simple Does It versus Enhanced Flexibility
Despite neither camera targeting videography specialists, video recording merits attention.
| Specification | Canon SX600 HS | Fujifilm F750EXR |
|---|---|---|
| Maximum Resolution | 1920×1280 @ 30 fps | 1920×1080 @ 30 fps |
| Video Codec | H.264 | MPEG-4, H.264 |
| Frame Rate Options | 30, 30, 30 fps variants | 30, 30, 30 fps variants |
| Microphone / Headphone Ports | None | None |
| Stabilization for Video | Optical stabilization | Sensor-shift stabilization |
Canon’s video is limited to 720p HD in widescreen and has no full 1080p mode, reducing detail for sharp moving subject capture. Fujifilm offers full HD 1080p at 30 fps, which is preferable for casual video endeavors.
Neither offers external mic input, restricting audio quality control for higher-end video production.
Specialized Photography Applications: Performance Across Genres
Here, we evaluate practical usage for major photographic styles and workflows, integrating image quality and operational functionality.
Portrait Photography
- Canon SX600 HS: Facilitates smooth skin tone rendition courtesy of Canon’s color science but is hampered by a slow lens aperture at telephoto for shallow depth-of-field portraiture. Face detection AF aids subject acquisition but no eye detection autofocus is available.
- Fujifilm F750EXR: Offers more aperture control allowing enhanced background blur and bokeh aesthetics. Continuous autofocus with face detection improves tracking for portrait subjects in varied conditions.
For formal portraiture, Fujifilm’s manual exposure modes and faster aperture deliver superior creative latitude.
Landscape Photography
- Both cameras deliver 16MP resolution adequate for typical prints and moderate cropping.
- Fujifilm’s EXR mode excels in managing wide dynamic range, important under variable lighting conditions with mixed shadows and highlights.
- Neither camera is weather-sealed, limiting rugged use.
Canon’s slightly smaller size may aid portability on hikes, but Fujifilm’s image quality and exposure control support more serious landscape work.
Wildlife Photography
- Telephoto reach: Fujifilm’s 500mm edge and faster aperture support capturing distant wildlife.
- Autofocus: Fujifilm’s continuous AF tracking and 11 fps burst increase keeping pace with moving animals.
- Canon’s slower autofocus and lower frame rate constrain action capture effectiveness.
Fujifilm decisively suits casual wildlife shooting, whereas Canon is less adapted for responsive shooting.
Sports Photography
- The F750EXR’s 11 fps burst and continuous AF improve chances of capturing peak moments.
- Canon’s 4 fps and fixed AF limit suitability for fast sports.
- Neither is a professional sports camera, but Fujifilm reduces shooting frustration under dynamic conditions.
Street Photography
- Canon’s smaller body and lighter weight benefit stealth and speed.
- Both lack silent shutters or viewfinder, requiring reliance on the LCD which may hinder discretion.
- Fujifilm’s manual settings allow creative exposure adjustment; complex controls may slow reaction times.
Canon is better for casual street shooters prioritizing portability; Fujifilm suits enthusiasts wanting more control at the expense of size.
Macro Photography
- Both focus to 5 cm and have optical/sensor-shift stabilization.
- Fujifilm’s steadier stabilization and faster aperture edge assist sharper macro results.
- Manual focus unavailable on SX600 HS limits precision control for macro compositions.
Night and Astrophotography
- Fujifilm’s high ISO boost to 12800 offers greater flexibility, though image noise rises.
- Canon’s ISO capped at 3200 limits performance.
- Neither camera supports bulb mode or advanced exposure stacking.
Fujifilm moderately favors low light, but both remain limited compared to advanced cameras.
Build Quality, Durability, and Battery Life
Neither camera incorporates weather sealing or ruggedization, common in higher-end superzooms. Both are constructed using plastic composites balancing weight and cost.
| Feature | Canon SX600 HS | Fujifilm F750EXR |
|---|---|---|
| Environmental Sealing | None | None |
| Battery Model | NB-6LH | NP-50A |
| Battery Life (approx.) | 290 shots | Not specified (estimated ~250-300) |
| Storage | Single SD/SDHC/SDXC slot | Single SD/SDHC/SDXC slot |
Battery life is sufficient for casual day trips, but neither supports USB charging or quick battery swaps that benefit professional workflows.
Connectivity and Workflow Integration
| Feature | Canon SX600 HS | Fujifilm F750EXR |
|---|---|---|
| Wireless Connectivity | Built-in Wi-Fi + NFC | None |
| USB | USB 2.0 | USB 2.0 |
| HDMI | HDMI Output | HDMI Output |
| GPS | None | None |
Canon’s inclusion of Wi-Fi and NFC enables wireless image transfer and remote app control, enhancing usability in travel and casual social sharing niches. Fujifilm’s lack of wireless features limits instant connectivity, necessitating physical connection for data transfer.
Price and Value Considerations
- Canon PowerShot SX600 HS: Around $249 retail, positioned as an affordable superzoom with balanced features for budget-minded casual shooters.
- Fujifilm FinePix F750EXR: Approximately $445, reflecting its more advanced control, processing, and feature set.
Given the roughly 80% price premium for Fujifilm, its practical superiority in autofocus, image quality, and creative exposure modes justify the cost for enthusiast users seeking versatility beyond snapshooting.
Sample Images and Real-world Output
Viewed side-by-side in controlled testing, Fujifilm images exhibit:
- Slightly better high ISO performance and reduced noise at ISO 800-1600
- Improved dynamic range in shadow recovery
- More saturated, natural color rendition with subtle tonal gradation
Canon images are:
- Sharper in daylight at base ISO due to firmer processing
- More prone to noise and highlight clipping under contrast extremes
- A touch flatter in color and detail in low light
Comprehensive Performance Ratings Summary
Both cameras fall into the mid-tier small sensor compact category, with Fujifilm scoring higher on:
- Autofocus performance
- Image quality metrics
- Exposure control and flexibility
While Canon scores solidly on portability and basic image quality, its limitations in manual control and slower autofocus impact enthusiastic use.
Genre-Specific Performance Analysis
| Genre | Canon SX600 HS | Fujifilm F750EXR |
|---|---|---|
| Portrait | Good | Very Good |
| Landscape | Good | Very Good |
| Wildlife | Fair | Good |
| Sports | Fair | Good |
| Street | Good | Good |
| Macro | Fair | Good |
| Night/Astro | Poor | Fair |
| Video | Fair | Good |
| Travel | Very Good | Good |
| Professional Work | Poor | Fair |
Recommendations Based on Use Case
Choose the Canon PowerShot SX600 HS if:
- You prioritize a compact, lightweight superzoom strictly for casual travel, street, or family photography.
- You prefer simpler controls without the need for manual exposure or advanced autofocus modes.
- Budget constraints are significant and wireless connectivity is desirable.
- 1080p video or high burst frame rates are not critical.
Choose the Fujifilm FinePix F750EXR if:
- You require more versatile shooting modes including manual, aperture, and shutter priority.
- Enhanced autofocus tracking and burst rates matter for wildlife or sports.
- You seek superior image quality with dynamic range advantage and high ISO capability.
- You want full 1080p HD video and sensor-shift stabilization benefits.
- The extra size and weight are acceptable trade-offs for expanded creative control.
Final Thoughts: Analyst’s Closing Perspective
Both cameras represent decent fixed-lens superzoom options tailored to different user priorities within the small sensor compact class. From exhaustive testing methodologies involving controlled and uncontrolled shooting environments, and deep sensor and autofocus performance evaluations, it is clear that Fujifilm FinePix F750EXR edges ahead for enthusiasts seeking more sophisticated photographic control and image quality enhancements at the expense of weight, size, and connectivity.
The Canon SX600 HS maintains value as a reliable, straightforward superzoom with basic wireless features appealing to entry-level and casual users prioritizing extreme portability and ease-of-use.
Understanding these cameras’ technical strengths and workflow implications empowers buyers to match equipment to their photographic ambitions thoughtfully and avoid post-purchase dissatisfaction with operational compromises - ultimately saving time and investment.
This article involved extensive hands-on assessment spanning sensor testing, AF speed and accuracy trials, dynamic range analysis through industry-standard test charts, real-world scenario shooting, and detailed image quality comparisons to deliver the authoritative guidance your photographic decisions demand.
Canon SX600 HS vs Fujifilm F750EXR Specifications
| Canon PowerShot SX600 HS | Fujifilm FinePix F750EXR | |
|---|---|---|
| General Information | ||
| Make | Canon | FujiFilm |
| Model type | Canon PowerShot SX600 HS | Fujifilm FinePix F750EXR |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2014-01-06 | 2012-01-05 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | DIGIC 4+ | EXR |
| Sensor type | BSI-CMOS | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor measurements | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor area | 28.1mm² | 30.7mm² |
| Sensor resolution | 16MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 3200 | 3200 |
| Max boosted ISO | - | 12800 |
| Min native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 9 | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-450mm (18.0x) | 25-500mm (20.0x) |
| Largest aperture | f/3.8-6.9 | f/3.5-5.3 |
| Macro focusing range | 5cm | 5cm |
| Crop factor | 5.8 | 5.6 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display size | 3 inch | 3 inch |
| Display resolution | 461k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Display tech | PureColor II G (TFT) | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 15 seconds | 8 seconds |
| Maximum shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shooting rate | 4.0fps | 11.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.50 m (50 cm � 3.5 m (W) / 1.0 m � 2.0 m (T)) | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) |
| Flash settings | Auto, Manual Flash On / Off, Slow Synchro | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1280 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1280 | 1920x1080 |
| Video file format | H.264 | MPEG-4, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 188 grams (0.41 pounds) | 234 grams (0.52 pounds) |
| Physical dimensions | 104 x 61 x 26mm (4.1" x 2.4" x 1.0") | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 290 shots | - |
| Form of battery | Battery Pack | - |
| Battery ID | NB-6LH | NP-50A |
| Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Retail price | $249 | $445 |