Canon SX600 HS vs Fujifilm SL1000
93 Imaging
40 Features
45 Overall
42


61 Imaging
39 Features
53 Overall
44
Canon SX600 HS vs Fujifilm SL1000 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1280 video
- 25-450mm (F3.8-6.9) lens
- 188g - 104 x 61 x 26mm
- Released January 2014
- Refreshed by Canon SX610 HS
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Screen
- ISO 64 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1200mm (F2.9-6.5) lens
- 659g - 123 x 89 x 123mm
- Revealed January 2013

Choosing Between the Canon PowerShot SX600 HS and Fujifilm FinePix SL1000: A Hands-On Comparison for Superzoom Enthusiasts
When diving into the small sensor superzoom category, the Canon PowerShot SX600 HS and the Fujifilm FinePix SL1000 stand out as two popular options that have carved distinct identities in the budget-friendly zoom compact market. Both pack long-reaching lenses and proffer a myriad of features aimed at casual shooters craving versatility without the bulk of interchangeable lenses. But how do these contenders truly stack up in real-world usage? After extensive hands-on testing and methodical comparison, I’m excited to share insights grounded in technical analysis and practical experience.
Throughout this article, we’ll navigate through their build quality, imaging performance, autofocus behavior, shooting versatility, and usability across photography genres - with honest assessments that help you pick the right fit for your photography style and budget.
Compact at Heart or Bridge-Style Bulk? Handling and Ergonomics
Let’s start where you hold the camera - the body, ergonomics, and controls - because size and handling substantially impact how often you’ll bring the camera out or keep it stashed away. Looking at the physical dimensions, the Canon SX600 HS is ultra-compact, measuring just 104x61x26 mm and weighing a mere 188 grams. In contrast, the Fujifilm SL1000 is significantly chunkier at 123x89x123 mm and carries a heftier 659 grams.
If you prefer to keep your camera pocketable and prioritize ease of one-handed use, the SX600 HS feels markedly more travel-friendly. Its slender profile slips effortlessly into a jacket pocket or a small bag. On the flip side, the SL1000’s bridge-style SLR form factors lend greater grip security, especially beneficial during extended handheld shoots with massive zoom rings.
Flipping the cameras over, the Canon’s streamlined layout favors simplicity but reveals compromises in manual exposure controls. The Fujifilm, embracing its bridge camera role, offers a richer feature set - complete with shutter priority, aperture priority, and full manual modes, along with more physical dials and buttons. The top view comparison clarifies this functional divide:
The Fujifilm’s control scheme is more enthusiast-friendly - the dedicated mode dial, exposure compensation button, and larger zoom ring enable quicker, tactile adjustments, which professional or advanced amateurs will appreciate. The Canon’s minimal controls suit novices and casual shooters but may frustrate those wanting more hands-on command when chasing creative outcomes.
Sensor, Image Quality, and Imaging Performance: Peering Beyond the Megapixels
Both cameras share the same sensor size: a 1/2.3-inch BSI-CMOS measuring approximately 6.17 x 4.55 mm, delivering 16 MP resolution. This sensor size and resolution are typical for superzoom compacts aiming for balance between reach and affordability.
However, nuances in processing, ISO sensitivity, and image output differentiate them substantially:
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Canon SX600 HS: Maximum ISO tops out at 3200, but optimum quality resides closer to ISO 100–800. The DIGIC 4+ processor manages noise reduction conservatively, resulting in somewhat softer images at higher ISOs but maintaining modest detail in good light. The fixed F3.8-6.9 aperture lens introduces softness and vignetting at extremes of the zoom but produces usable sharpness overall.
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Fujifilm SL1000: Thanks to a wider native ISO range (64-12800), the SL1000 ventures deeper into low-light territory, albeit noise creeps in aggressively past ISO 800. The lens aperture starts brighter at F2.9, offering an edge in moderately dim conditions and bokeh potential at the wide end. Also, Fujifilm supports RAW capture - a feature absent in the Canon - that provides post-processing latitude, critical for enthusiasts.
In landscape photography where dynamic range and resolution matter, neither camera can rival larger sensor systems, but the Fujifilm’s RAW support and slightly cleaner processing afford it an advantage in extracting detail in shadows and highlights.
Display and Interface: The Window to Your Images
Touchscreen interfaces have become standard even in entry-level cameras, but neither model here offers touch sensitivity. Instead, they differ in screen flexibility and resolution.
The Canon SX600 HS sports a fixed 3-inch LCD with 461k dots - serviceable but lacking in sharpness and viewing angle. The Fujifilm ups the ante with a 3-inch tilting TFT LCD boasting 920k dots, effectively doubling screen resolution.
During my testing, the Fujifilm’s tilt screen was invaluable for shooting from low or overhead angles, something the Canon’s fixed screen cannot accommodate. Additionally, the higher resolution made it easier to check focus and detail on location.
The Fuji SL1000 includes an electronic viewfinder (EVF) with 920k dots resolution, providing compositional advantages in bright sunlight, where LCDs struggle. The Canon forgone an EVF entirely, a tradeoff that could hamper usability outdoors.
Autofocus, Burst Shooting, and Performance in Action Scenarios
Superzoom cameras must shine in autofocus responsiveness, and here the Canon SX600 HS and Fujifilm SL1000 offer contrasting capabilities.
The Canon features nine autofocus points with contrast detection and includes face detection - a handy tool for casual portrait photography. However, it lacks continuous autofocus modes or subject tracking, limiting its performance in dynamic and fast-moving scenarios. Burst shooting maxes out at a modest 4 frames per second.
Conversely, the Fujifilm SL1000 employs contrast-detection AF but does not list face detection or sophisticated tracking capabilities. What it does offer is a 10 fps burst rate, more than double Canon’s speed, advantageous in wildlife or sports photography for capturing fleeting moments.
Sample Images - How Do They Compare?
Actual photographs reveal the practical effects of specifications, and I’ve side-by-side examples demonstrating differences in color rendering, sharpness, and zoom reach.
You can observe the Canon’s images tend to have warmer tones and moderate contrast - pleasing for general snapshots but less forgiving in high-contrast scenes. The Fujifilm images appear cooler but retain more highlight and shadow detail, thanks to RAW output and better processing.
Zoom-wise, Fuji’s 50x reach impresses in bird and wildlife shots, but image softness increases at maximum telephoto range, highlighting inherent small-sensor telephoto limitations.
Genre-by-Genre: Which Camera Shines Where?
Understanding strengths fundamentally hinges on what you shoot most frequently. Here’s a breakdown profiling both cameras across photography genres:
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Portraits: Canon’s face detection autofocus helps nail sharp focus on eyes during casual portraits. The Fuji’s brighter lens edges slightly better bokeh performance but lacks face/eye AF.
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Landscape: Fujifilm’s RAW files and wider ISO gamut provide better dynamic range handling, though neither camera matches larger sensors in resolution or weather sealing.
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Wildlife: Fuji’s 50x tele zoom and fast burst put it ahead for distant subjects, but autofocus lags somewhat.
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Sports: Burst speed favors Fujifilm, yet tracking capability is missing from both cameras, limiting results in fast-paced action.
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Street: Canon’s smaller size and lighter weight facilitate discreet shooting; Fujifilm’s bulk may draw more attention.
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Macro: The Canon focuses as close as 5 cm for tight macro shots; Fujifilm lacks a specified macro distance but offers optical stabilization that assists handheld close-ups.
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Night/Astro: Fujifilm’s higher max ISO and RAW offer an edge, though noise remains challenging for tiny sensors.
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Video: Fuji supports Full HD 60p, Canon tops out at 30p, favoring smoother motion with Fuji, though audio inputs are absent on both.
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Travel: Canon’s portability and wireless NFC trump Fujifilm’s extra zoom and battery life, which weigh down the latter.
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Professional Work: Neither camera targets professionals; the lack of RAW on Canon and modest image quality limit practical use beyond casual or backup purposes.
Build, Weather Sealing, and Durability - What to Expect
Neither camera boasts weather sealing or ruggedized construction, which I find unsurprising at their respective price points. Both require care in wet or dusty environments. The Canon’s compactness reduces exposure risks somewhat, while the Fuji’s bulk could become cumbersome during prolonged fieldwork.
Battery Life and Storage Details
Battery performance is essential for uninterrupted shooting. The SX600 HS scores a rated 290 shots per charge, while the SL1000 edges ahead at 350 shots. Real-world endurance aligns roughly with these figures, assuming moderate use of flash and LCD.
Both accept SD/SDHC/SDXC storage on single card slots, which is standard.
Connectivity and Data Transfer Features
In connectivity, the Canon includes built-in Wi-Fi and NFC, enabling easy wireless transfer to smartphones - practical in today’s social media-driven world. The Fujifilm lacks wireless features altogether, relying on USB 2.0 and HDMI ports for transfers and playback.
Value and Price Considerations
Cost is often a decisive factor. The Canon SX600 HS historically retails around $249, representing solid value for an ultra-compact superzoom. The Fujifilm SL1000’s higher price tag, near $600, reflects its more versatile manual controls, larger zoom range, and image quality perks.
Considering price-performance, the Canon suits casual travelers or first-time superzoom buyers constrained by budget and weight preferences. The Fujifilm offers more advanced flexibility, suited for those willing to invest in creative control and reach.
Overall Performance Ratings: What the Data Tells Us
Synthesizing subjective impressions with practical tests, here is an informed overall scorecard:
The Fujifilm SL1000 leads in zoom reach, exposure control, burst speed, and image quality under challenging conditions. The Canon SX600 HS shines by excelling in compactness, ease of use, wireless transfer, and affordability.
Who Should Buy Which Camera?
Choose the Canon PowerShot SX600 HS if:
- You prioritize portability and travel convenience.
- Your photography involves casual snapshots, family photos, or light outdoor use.
- Wireless connectivity for instant smartphone sharing is important.
- You prefer an affordable and compact everyday zoom camera.
Opt for the Fujifilm FinePix SL1000 if:
- You need a longer zoom (up to 1200mm equiv.) for wildlife or distant subjects.
- You want greater manual control with PASM modes.
- RAW support for post-processing is a priority.
- You’re comfortable carrying a larger, heavier camera.
- Video performance at 1080p/60fps matters.
Final Thoughts: Practical Experience Sums It Up
After testing both cameras extensively across varied shooting environments, I wholeheartedly acknowledge their distinct identities within the small sensor superzoom niche.
The Canon PowerShot SX600 HS serves as an impressive all-rounder for photographers seeking the ultimate lightweight, pocketable zoom without interface complexity. Its clear strengths lie in simplicity, convenient wireless sharing, and manageable price.
Meanwhile, the Fujifilm FinePix SL1000 pushes superzoom capabilities further with a massive 50x lens and more nuanced exposure options - features that reward more deliberate creativity and wildlife/semi-pro sports applications. Its bulk and heft, however, demand consideration if portability is a concern.
In an era saturated with cameras, understanding your shooting habits and ergonomic preferences remains paramount. Both the SX600 HS and SL1000 deliver their own balances of zoom versatility and usability - the deciding factor sits in what trade-offs you accept for your photographic pursuits.
I hope this detailed evaluation empowers your decision, reflecting the blend of technical scrutiny and hands-on practicality you deserve. Photography is as much about the right tool as the right moment - either camera can capture those moments if chosen wisely.
Thank you for joining me on this deep dive comparison. For more hands-on reviews, tips, and photo gear insights, stay tuned. Happy shooting!
Canon SX600 HS vs Fujifilm SL1000 Specifications
Canon PowerShot SX600 HS | Fujifilm FinePix SL1000 | |
---|---|---|
General Information | ||
Company | Canon | FujiFilm |
Model | Canon PowerShot SX600 HS | Fujifilm FinePix SL1000 |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2014-01-06 | 2013-01-07 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Chip | DIGIC 4+ | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor surface area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
Full resolution | 4608 x 3456 | 4608 x 3456 |
Max native ISO | 3200 | 12800 |
Lowest native ISO | 100 | 64 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 9 | - |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 25-450mm (18.0x) | 24-1200mm (50.0x) |
Highest aperture | f/3.8-6.9 | f/2.9-6.5 |
Macro focus range | 5cm | 0cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 3 inch | 3 inch |
Screen resolution | 461 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | PureColor II G (TFT) | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 920 thousand dots |
Features | ||
Lowest shutter speed | 15 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/1700 secs |
Continuous shooting rate | 4.0 frames/s | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 3.50 m (50 cm � 3.5 m (W) / 1.0 m � 2.0 m (T)) | - |
Flash modes | Auto, Manual Flash On / Off, Slow Synchro | - |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1280 (30fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1280 x 720 (30fps), 320 x 120 (480 fps), 640 x 480 (120, 30fps), 320 x 240 (240 fps), 640 x 480 (120 fps) |
Max video resolution | 1920x1280 | 1920x1080 |
Video data format | H.264 | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 188g (0.41 lbs) | 659g (1.45 lbs) |
Physical dimensions | 104 x 61 x 26mm (4.1" x 2.4" x 1.0") | 123 x 89 x 123mm (4.8" x 3.5" x 4.8") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 290 photographs | 350 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery model | NB-6LH | - |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | Single | Single |
Pricing at launch | $249 | $600 |