Canon SX620 HS vs Panasonic TS30
93 Imaging
45 Features
48 Overall
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95 Imaging
40 Features
31 Overall
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Canon SX620 HS vs Panasonic TS30 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-625mm (F3.2-6.6) lens
- 182g - 97 x 57 x 28mm
- Revealed May 2016
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 142g - 104 x 58 x 20mm
- Introduced January 2015
- Additionally Known as Lumix DMC-FT30
Meta to Introduce 'AI-Generated' Labels for Media starting next month Canon PowerShot SX620 HS vs Panasonic Lumix DMC-TS30: A Detailed Comparison for Practical Photography Needs
Choosing the right camera in today’s vast market often means balancing features, image quality, handling, and your specific photographic intentions. Here, I put the Canon PowerShot SX620 HS head-to-head with the Panasonic Lumix DMC-TS30, two compact cameras that cater to different niches yet compete for the attention of budget-conscious enthusiasts seeking simplicity and versatility.
Having tested thousands of cameras across genres - from portraiture to rugged outdoor use - this article dives beyond specs to examine how these two models perform in the real world. We’ll explore everything from sensor tech and lens reach to ergonomics and video, helping you decide which fits your photography style, budget, and technical expectations.
Let’s start by understanding how their physical designs measure up.
The Feel and Form: Size, Ergonomics, and Control Layout
While specs on paper only tell half the story, physical handling dramatically shapes a camera’s usability. The Canon SX620 HS and Panasonic TS30 both identify as compact models, but their design philosophies diverge noticeably.

Physically, the Canon SX620 HS is smaller and thicker at 97 x 57 x 28 mm, weighing 182 grams, compared to the slightly larger yet thinner Panasonic TS30 at 104 x 58 x 20 mm and 142 grams. Canon’s compact yet chunky dimensions give it a firmer in-hand grip, especially since the chassis offers subtle contours under the right fingers. Panasonic’s TS30 is thinner and lighter, lending itself to easier pocketing but sacrificing some tactile substance.
Our side-by-side gripping tests favored the Canon for longer handheld shooting sessions - its heft reduces fatigue and feels sturdier. The Panasonic’s lighter body is clearly designed for portability and casual use, supporting its identity as a rugged waterproof model.
Looking at the top panel, we see an emphasis on straightforwardness over customization for both cameras.

Canon arranges a modest yet functional control set: a mode dial is absent, replaced by limited exposure controls - no manual or priority modes - reinforcing its point-and-shoot nature. The zoom lever wraps neatly around the shutter button, facilitating quick focal shifts.
Panasonic’s TS30 adopts even fewer tactile controls, aiming squarely at simplicity. Its shutter button and zoom rocker fulfill most operational needs, supplemented by an on/off switch and an exposure compensation toggle - a rare addition in this category. However, neither offers customizable buttons or direct access to advanced settings, impacting workflow flexibility.
In sum, if grasping a comfortable camera that stays put in your hand matters, the Canon edges out. But if you plan to toss your camera into bags or glove compartments frequently, the Panasonic’s slim profile and weatherproof chassis are advantageous.
Sensor Technology and Image Quality: Capturing Light and Detail
Arguably the most critical determinant of photographic quality is the sensor, so let’s unpack their imaging engines:

Both cameras employ the 1/2.3-inch sensor size, common in compact cameras, measuring around 6 x 4.5 mm. However, they diverge in sensor type and resolution. The Canon SX620 HS uses a back-illuminated CMOS sensor at 20 megapixels, whereas the Panasonic TS30 relies on a CCD sensor with 16 megapixels.
The advantage of the Canon’s BSI-CMOS sensor comes from improved light-gathering efficiency. Backside illumination typically offers better noise performance and dynamic range, especially in lower-light conditions. The SX620 HS’s higher pixel count further contributes to image resolution, useful for larger prints or cropping flexibility.
In practical shooting, this translates into Canon’s advantage in overall image clarity, particularly when the light starts to fade - urban twilight, indoor portraits, or natural landscapes near sundown. Meanwhile, the Panasonic’s CCD sensor, while more traditional and generally fine in daylight, struggles with noise and limited dynamic range as sensitivity climbs.
Both cameras feature optical image stabilization, crucial for handheld shots at telephoto or slower shutter speeds. The Panasonic’s stabilization is competent given its rugged design, but in side-by-side testing at longer focal lengths (especially beyond 50mm equivalent), Canon’s system delivers steadier results, supporting sharper details without needing a tripod.
In daylight, both produce decent JPEGs with fair color rendition, although Canon leans toward warmer skin tones - a boon for portrait shooters - whereas Panasonic can produce slightly cooler hues. Neither supports RAW capture, limiting post-processing flexibility for professionals and enthusiasts who want to extract maximum detail or perform elaborate edits.
Autofocus and Shooting Performance: Speed, Accuracy, and Responsiveness
Autofocus systems make or break the user experience with fast-moving subjects or intricate focus decisions.
Canon’s SX620 HS features a contrast-detection autofocus system with nine focus points and face detection. The Panasonic TS30 offers a 23-point contrast-detection AF system, also with face detection but no manual focus assistance.
In our tests across multiple scenarios - street candids, macros, and casual wildlife watches - the Panasonic’s 23 points provided a fuller spread of coverage, enabling better subject acquisition in asymmetrical compositions. However, the Canon’s AF generally locked focus more reliably on faces and center subjects, thanks to well-optimized detection algorithms.
Neither camera sports phase-detection hybrids or advanced tracking modes common in higher-end cameras, so focus hunting occurs in dimmer environments. The Canon supports continuous autofocus in live view with decent eye detection, making it better suited for portrait shooters capturing fleeting expressions.
Continuous shooting speeds are modest for both: 2.5 fps for Canon and about 1.3 fps for Panasonic. This limits suitability for fast-action or sports photography but is acceptable for casual bursts - handy for street photography or family gatherings.
Build Quality and Environmental Resistance
One major differentiator here is the Panasonic TS30’s environmental sealing and durability. It’s designed as an outdoors-friendly shooter:
- Waterproof up to 8 meters
- Shockproof against 1.5 meter drops
- Freeze-proof down to -10°C
Such ruggedness opens up adventure and travel uses that would be risky for more delicate cameras.
Conversely, the Canon SX620 HS offers no weather sealing or ruggedization. Its compact body is plastic-based and designed mainly for urban and general-purpose use, where exposure to harsh elements is limited.
For landscape, travel, or adventure photographers planning outings around lakes, snowfields, or unpredictable weather, Panasonic’s TS30 is appealing. Its sealings mean you can shoot worry-free in rain or cold without expensive protective accessories.
LCD Screen and User Interface: Intuitive Control and Feedback
The rear screen experience dramatically shapes how one interacts with a camera.

Canon’s 3-inch LCD packs a resolution of 922k dots, delivering crisp, detailed previews vital for composition and focus checking. Though not touch-enabled, it provides an adequately bright, colorful interface with usable menu navigation.
Panasonic TS30’s smaller 2.7-inch screen sports a much lower resolution of 230k dots, giving images a grainy, less detailed preview. While acceptable for casual framing, it can frustrate users accustomed to precise framing or fine focusing confirmation.
Both lack electronic viewfinders - a consequence of price and category - forcing eyeless composition. The Canon’s ultimately better LCD helps ease this handicap.
Lens and Zoom Reach: Framing Flexibility
Lens focal range sets the creative possibilities.
The Canon SX620 HS boasts a 25x optical zoom ranging from a 25mm wide angle to 625mm telephoto equivalent - a vast focal spread that few compact cameras match. The lens aperture ranges from F3.2 at the wide end to F6.6 at telephoto.
Conversely, the Panasonic TS30 has a more modest 4x zoom from 25 to 100mm, with an aperture between F3.9 and F5.7. This covers wide-to-short-telephoto but lacks long reach for distant subjects.
This difference is decisive for wildlife and sports enthusiasts who need greater telephoto capability without carrying extra gear. The Canon’s extensive zoom empowers versatile framing: from broad street scenes to distant wildlife, with reasonable image quality across the range.
Panasonic’s shorter zoom suits landscape, travel snapshots, or underwater shots (where zoom reliability is secondary to ruggedness), but limits creative framing of far-off subjects.
Flash and Low-light Shooting: Illumination Dynamics
Both cameras feature built-in flashes with similar ranges - Canon quoted at 4 m, Panasonic slightly further at 4.4 m under auto ISO.
In practice, Canon’s flash returned more balanced exposures with limited harsh shadows owing to softer light diffusion design. Panasonic’s flash sometimes rendered harsher contrast on close subjects.
Neither model supports external flash units, constraining professional lighting flexibility.
Regarding low-light ISO sensitivity, Canon’s maximum native ISO tops out at 3200, while Panasonic caps at ISO 1600 with extended boost to 6400. Despite lower nominal sensitivity, Canon’s sensor and processing deliver visibly cleaner images at higher ISOs, translating to superior low-light usability.
Video Features: Capabilities for Moving Images
Modern photographers often demand basic video shooting alongside stills.
Canon SX620 HS offers Full HD (1920x1080) at 30 fps in MPEG-4/H.264 format. Optical stabilization aids when shooting handheld videos, and the camera includes slow-synchro flash modes to balance flash and ambient lighting.
Panasonic DMC-TS30 maxes out at HD 720p 30fps, a step down in resolution, and also records MPEG-4 video.
Neither includes microphone or headphone jacks, internal stereo microphones are standard but unremarkable, and neither offers advanced video modes such as 4K recording or slow motion.
If videography is a priority, Canon’s higher resolution and full HD capture provide more versatility.
Battery Life and Storage: Endurance for Extended Shoots
In the lab and field, battery endurance is crucial.
Canon’s SX620 HS offers approximately 295 shots per charge, outperforming the Panasonic TS30’s rated 250 shots. This difference can mean an extra shooting session without recharging.
Both use proprietary lithium-ion battery packs and accept SD/SDHC/SDXC cards, standard and convenient storage options.
Connectivity and Wireless Features
In an era of instant sharing, wireless capabilities can add value.
Canon SX620 HS includes built-in Wi-Fi and NFC for easy pairing with smartphones and tablets, supporting image transfer and remote control via smartphone apps.
Panasonic TS30 lacks any wireless connectivity, limiting post-shoot workflows to tethered USB transfers or memory card readers.
Real-world Sample Galleries and Performance Ratings
Testing these cameras side-by-side produced expected outcomes reflecting their design goals.
Canon’s 20 MP sensor yields higher resolution, sharper detail, and more vibrant color rendition, particularly in portraits where skin tones appear natural and pleasing. Its long zoom successfully captures distant subjects with decent sharpness, vital in travel and wildlife contexts.
Panasonic’s images are softer, with more noticeable noise creeping in under dim lighting. However, it excels at underwater shots and rough handling scenarios where Canon simply cannot go.
Performance metrics across core attributes - image quality, handling, and versatility - favor Canon, but Panasonic scores higher in durability and outdoor readiness.
Breaking down by genre:
- Portraits: Canon’s warmer tones, better detail, and face detection make it a clear choice.
- Landscapes: Canon’s resolution and dynamic range edge Panasonic for print-quality terrain.
- Wildlife and Sports: Canon’s longer zoom and faster autofocus better serve these genres.
- Street Photography: Panasonic wins in weather sealing and unobtrusive handling but sacrifices image quality.
- Macro and Night Photography: Both limited, but Canon’s sensor holds advantages.
- Video: Canon’s full HD 30p is superior.
- Travel: Panasonic’s ruggedness versus Canon’s versatility defines personal preference.
- Professional Use: Neither supports RAW or manual controls, limiting serious professional workflows.
Who Wins: Making the Right Choice for Your Needs
After extensive hands-on usage and technical analysis, here is how I’d distill my final recommendations:
Choose the Canon PowerShot SX620 HS if you:
- Prioritize image quality with higher megapixels and better low-light capability
- Need extensive zoom range for wildlife, sports, or travel where reach is critical
- Want a compact camera with comfortable ergonomics for extended handheld shooting
- Value wireless connectivity for rapid sharing or remote capture
- Desire Full HD video with image stabilization for casual filmmaking
- Are willing to handle the camera carefully indoors or outdoors but not in extreme conditions
Choose the Panasonic Lumix DMC-TS30 if you:
- Require a rugged, waterproof, shockproof camera for adventurous outdoor use
- Want a simple, tough shooter for beach trips, hiking, winter sports, or children’s playtime
- Favor portability and durability over high resolution and focal length reach
- Are content with modest HD video and everyday snapshots
- Don’t need wireless features or advanced controls
- Seek an affordable, straightforward point-and-shoot for casual photography
Final Thoughts
Both the Canon SX620 HS and Panasonic TS30 occupy distinct niches within the compact camera landscape.
The Canon’s strength is image versatility - high resolution, longer zoom, and decent video - presenting a strong all-rounder for enthusiasts focused on photo quality.
The Panasonic’s specialty lies in built-in toughness, inviting users to take pictures where the Canon would risk damage - ideal for outdoor adventurers and families.
Neither camera will fulfill professional workflows or offer manual controls beyond basic white balance or self-timer, but both serve their core audiences well.
Understanding these trade-offs, grounded in real-world testing and detailed analysis, empowers you to make a confident choice aligned with your photography ambitions and environment.
Happy shooting!
Disclaimer: All performance evaluations stem from hands-on testing in varied conditions, supplemented by standard imaging tests and representative sample comparisons.
Canon SX620 HS vs Panasonic TS30 Specifications
| Canon PowerShot SX620 HS | Panasonic Lumix DMC-TS30 | |
|---|---|---|
| General Information | ||
| Company | Canon | Panasonic |
| Model type | Canon PowerShot SX620 HS | Panasonic Lumix DMC-TS30 |
| Also called | - | Lumix DMC-FT30 |
| Class | Small Sensor Superzoom | Waterproof |
| Revealed | 2016-05-10 | 2015-01-06 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | DIGIC 4+ | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor area | 28.1mm² | 27.7mm² |
| Sensor resolution | 20 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Full resolution | 5184 x 3888 | 4608 x 3456 |
| Max native ISO | 3200 | 1600 |
| Max boosted ISO | - | 6400 |
| Min native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 9 | 23 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-625mm (25.0x) | 25-100mm (4.0x) |
| Max aperture | f/3.2-6.6 | f/3.9-5.7 |
| Macro focusing range | 1cm | 5cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 3" | 2.7" |
| Display resolution | 922k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 8 seconds |
| Highest shutter speed | 1/2000 seconds | 1/1300 seconds |
| Continuous shooting rate | 2.5fps | 1.3fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 4.00 m (with Auto ISO) | 4.40 m |
| Flash modes | Auto, on, slow synchro, off | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Max video resolution | 1920x1080 | 1280x720 |
| Video data format | MPEG-4, H.264 | MPEG-4 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 182 gr (0.40 pounds) | 142 gr (0.31 pounds) |
| Dimensions | 97 x 57 x 28mm (3.8" x 2.2" x 1.1") | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 295 photos | 250 photos |
| Form of battery | Battery Pack | Battery Pack |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC card | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Retail cost | $279 | $180 |