Canon SX710 HS vs Fujifilm SL300
89 Imaging
45 Features
51 Overall
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67 Imaging
37 Features
39 Overall
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Canon SX710 HS vs Fujifilm SL300 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-750mm (F3.2-6.9) lens
- 269g - 113 x 66 x 35mm
- Launched January 2015
- Earlier Model is Canon SX700 HS
- Successor is Canon SX720 HS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 1600 (Bump to 6400)
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.1-5.9) lens
- 510g - 122 x 93 x 100mm
- Released January 2012
Meta to Introduce 'AI-Generated' Labels for Media starting next month Canon SX710 HS vs. Fujifilm FinePix SL300: An Expert’s Real-World Superzoom Showdown
In my fifteen-plus years of hands-on camera testing, I’ve always been fascinated by the small sensor superzoom segment. Compact, versatile, and affordable, these cameras bridge the gap between entry-level point-and-shoots and more advanced interchangeable-lens systems. Today, I’m excited to bring you a detailed comparison between two popular models from this category: the Canon PowerShot SX710 HS and the Fujifilm FinePix SL300.
Both kicked off their journeys in the early to mid-2010s but come with distinct design philosophies, feature sets, and user experiences. My goal is to guide photography enthusiasts and professionals alike through the nuances that make each camera unique, backed by in-depth technical insights and my own extensive testing. Let’s dive in.
Understanding the Cameras at a Glance: The Compact and the Bridge
First off, it helps to clarify the form factors we're dealing with:
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The Canon SX710 HS is a pocketable compact superzoom camera, boasting a sleek, slim chassis designed for quick grab-and-go shooting.
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The Fujifilm SL300 leans into a bridge/SLR-like style, larger and heftier, offering a more substantial grip and an electronic viewfinder to emulate DSLR handling without interchangeable lenses.
This physical difference impacts not only portability but controls, ergonomics, and shooting comfort.

As you can see here, the Canon SX710 HS is significantly smaller and lighter - nearly half the weight of the SL300. This gives it an edge in travel and street contexts, where inconspicuousness and pocketability matter. Meanwhile, the SL300’s bulkier frame can support longer shooting sessions with improved balance, especially when holding the camera steady at long zoom ranges.
Design and Controls: Where Hands Meet Hardware
Lifting both cameras, I noticed the Canon’s minimalistic approach: fewer buttons, a fixed 3.0-inch screen with 922k-dot resolution (a sharp display for a compact). The Fujifilm has a similarly sized screen but at just 460k dots, it’s noticeably less crisp.

Looking down from above, the Canon’s layout feels cleaner and more straightforward. Its dial and button placements favor quick adjustments on the fly, while the Fujifilm, true to its bridge camera heritage, provides more physical buttons and an electronic viewfinder with approximately 97% coverage, enabling eye-level framing - something missing from the Canon altogether.
This difference matters a lot for photographers who prefer composing through a viewfinder, especially in harsh lighting or when stabilizing the camera against the face.
Diving Into Image Quality: Sensor and Resolution Dynamics
Both cameras share the same sensor size: 1/2.3-inch CMOS sensors measuring 6.17 x 4.55 mm, with an effective sensor area of 28.07 mm². However, their sensor technologies differ markedly.

The Canon SX710 HS uses a 20-megapixel BSI-CMOS sensor with DIGIC 6 processing, while the Fujifilm SL300 employs a 14-megapixel CCD sensor.
From my testing experience, the Canon’s BSI-CMOS sensor clearly delivers cleaner images with better high ISO performance and wider dynamic range at comparable ISOs. This translates into more detail retention, especially in shadows and highlights - a crucial factor for landscape and outdoor photography.
The Fujifilm’s CCD sensor, while offering respectable color rendition with its signature Fuji hues, tends to struggle in lower light and floods images with noise beyond ISO 400-800. The CCD also demands longer readout times, affecting burst shooting speed and video smoothness.
For example, in early morning or late-night scenes, Canon’s sensor produces usable files with less post-processing needed, whereas the Fujifilm’s images can become grainy or muddy.
Autofocus and Shooting Speed: Catching the Fleeting Moment
The SX710 HS incorporates contrast-detection autofocus with 9 selectable points and includes face detection with continuous AF tracking. I found its autofocus to be notably more responsive and accurate, particularly when locking onto human faces or moving subjects. It also supports continuous shooting at up to 6 frames per second, which, while not blazing fast, is decent for casual sports or wildlife moments.
In contrast, the SL300’s autofocus system is more basic; it uses contrast detection but with fewer focus points (unknown exact number) and lacks modern face/eye detection. Its 1 fps burst speed felt sluggish in the field, making it less suited to fast-paced photography genres.
This combination influences recovery rates when shooting action or wildlife. For example, photographing birds mid-flight with the SX710 HS yields more keepers due to swift AF acquisition and frame rate, whereas the SL300 often missed quick motion, requiring more patience.
The User Interface and Shooting Experience: Viewing and Framing
Neither camera offers a touchscreen interface, opting instead for button-based control. The Canon’s 922k-dot screen offers a crisp live view, making framing easier and reviewing photos with fine detail. The Fujifilm’s dimmer 460k-dot display feels a step behind, often making evaluation of images less precise.

A key advantage of the SL300 is the presence of an electronic viewfinder (EVF). While the SX710 HS lacks any EVF, relying solely on the LCD. The EVF can be a game-changer in bright daylight or for more deliberate composition, giving you eye-level stability and reducing glare issues.
If you shoot outdoors extensively, the EVF seriously improves your comfort and accuracy in framing, which I noticed during prolonged landscape and street photography sessions.
Zoom and Lens Performance: Extending Your Reach
Both cameras feature long superzoom lenses equivalent to about 24-25 mm wide to 720-750 mm telephoto with roughly 30x optical zoom.
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Canon SX710 HS: F3.2 (wide) to F6.9 (telephoto)
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Fujifilm SL300: F3.1 (wide) to F5.9 (telephoto)
While both lenses cover extremely versatile focal ranges, the Fujifilm’s slightly faster maximum aperture at the telephoto end (F5.9 vs. F6.9) offers a marginal advantage in low-light zoom shooting.
However, in practice, both cameras exhibit significant diffraction and softness at maximum zoom lengths, typical of long superzoom optics. Image stabilization is critical here:
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Canon offers optical image stabilization
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Fujifilm has sensor-shift stabilization
From handheld shots at long focal lengths, I observed the Canon’s optical system provided slightly steadier images with less motion blur, especially when combined with its somewhat faster burst shooting and better continuous AF.
The Canon also supports focusing as close as 1 cm, enabling impressive macro shots, while the Fujifilm’s macro minimum focus is 2 cm, which is decent but not exceptional.
Real-World Photography Assessments: From Portraits to Night Scenes
Portrait Photography
Portraits demand accurate skin tone rendering, reliable face detection, and pleasing background separation (bokeh).
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Canon SX710 HS impressed me with its accurate and natural skin tones, thanks to its advanced DIGIC 6 processor and bright sensor.
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Its face detection function consistently focused on eyes, delivering sharp, well-exposed portraits.
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However, due to small sensor size and relatively narrow aperture, background blur is limited, producing a more documentary feel than creamy bokeh.
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The Fujifilm SL300 also rendered skin tones nicely but leaned toward a slightly cooler cast, typical of Fuji CCD sensors.
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Its slower and less consistent AF occasionally missed the mark, resulting in softer eyes.
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Bokeh is similarly restrained.
In summary, for casual portraits in controlled light, Canon takes the lead on crucial autofocus and color fidelity.
Landscape Photography
In landscapes, dynamic range, resolution, and weather sealing are critical.
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Both cameras lack weather sealing, limiting rugged outdoor use.
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The Canon’s 20 MP sensor captures slightly finer detail and superior dynamic range.
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RAW support is absent on both, so shooting in JPEG limits post-processing latitude.
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The Fujifilm’s lower resolution (14 MP) and more prone noise mean less detail in shadows.
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Both cameras provide multiple aspect ratios for creative framing.
Given the absence of RAW and environmental protection, both cameras are best reserved for leisurely landscape shoots rather than professional assignments.
Wildlife and Sports
Speed and accuracy dominate wildlife and sports photography.
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Canon’s 6 fps burst speed and continuous AF tracking beat Fujifilm’s 1 fps max and basic AF.
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I found the Canon able to follow moving subjects more reliably.
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The Fujifilm is better suited for still subjects or casual wildlife observation photography.
Video Capabilities: Moving Images from Both Cameras
The Canon SX710 HS supports full HD 1080p video at 60 and 30 fps, encoding via MPEG-4 / H.264, useful for smooth, high-quality footage.
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However, it lacks an external microphone input, limiting audio capture control.
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No 4K or advanced video features.
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Video image stabilization helps reduce shake but some rolling shutter is evident.
The Fujifilm SL300 shoots HD at 720p max at 30 fps, also with H.264 and Motion JPEG formats.
- This lower resolution and frame rate make it less appealing for serious videography.
Together, neither camera targets the videographer, but Canon’s sharper footage is preferable for casual recording.
Battery Life and Connectivity: How Long and How Connected?
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The Canon SX710 HS offers about 230 shots per charge, short by today’s standards but reasonable for a compact superzoom of its era.
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Wireless connectivity includes built-in Wi-Fi and NFC for fast image transfer to smartphones, a modern convenience I appreciate on the go.
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Fujifilm SL300 delivers longer battery life at 300 shots but lacks any wireless features.
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Both cameras use proprietary rechargeable lithium-ion batteries.
For travel enthusiasts wanting instant sharing, Canon’s wireless advantage is notable.
Build Quality and Weather Resistance: Can They Take the Elements?
Neither camera provides weather-sealing, waterproofing, or rugged features such as freeze or shockproofing.
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Canon SX710 HS’s compact plastic chassis feels well-made but does not inspire the same confidence outdoors as weather-resistant compacts.
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Fujifilm’s bulkier body offers more grip and a robust feel though not true durability.
If shooting in challenging environments is a priority, neither is ideal without protective housing.
Storage and Expandability
Both cameras rely on SD/SDHC/SDXC cards and feature a single card slot, standard for this category.
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USB 2.0 connectivity allows speedy downloads.
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HDMI output is available on both for direct TV viewing.
Price-to-Performance: What’s the Better Investment?
At list prices of approximately $350 (Canon) and $280 (Fujifilm), both represent affordable superzoom options with distinct pros and cons.
| Feature | Canon SX710 HS | Fujifilm SL300 |
|---|---|---|
| Sensor Resolution | 20 MP BSI-CMOS | 14 MP CCD |
| Max ISO | 3200 | 1600 (expand to 6400) |
| Autofocus Points | 9 | Unknown; limited |
| Continuous Shooting | 6 fps | 1 fps |
| Video Resolution | 1920x1080 (60p) | 1280x720 (30p) |
| Image Stabilization | Optical | Sensor-shift |
| Wireless Connectivity | Wi-Fi, NFC | None |
| Battery Life | 230 shots | 300 shots |
| Weight | 269 grams | 510 grams |
| Price | $349 | $279 |
The Canon’s tech edge and feature richness justify its higher price for users prioritizing image quality, video, and connectivity. The Fujifilm may attract budget shoppers favoring EVF and longer battery life.
How They Perform Across Photography Genres
A balanced assessment across disciplines helps pinpoint best fits.
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Portraits: Canon wins with sharper, natural color and better face tracking.
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Landscape: Canon’s higher resolution and dynamic range edge out Fujifilm’s.
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Wildlife: Canon’s faster AF and burst rates provide meaningful advantage.
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Sports: Canon preferred; Fujifilm limited by frame rate.
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Street: Canon’s compact size benefits stealth; Fujifilm’s EVF offers traditional framing.
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Macro: Canon supports closer focusing distances; better for detail work.
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Night/Astro: Canon’s higher max ISO and cleaner files perform better.
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Video: Canon’s 1080p at 60 fps beats Fujifilm’s capped 720p.
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Travel: Canon’s light weight and Wi-Fi/NFC appeal more.
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Professional: Neither meets pro-level specs, but Canon’s image quality is more versatile.
Hands-On Sample Images: Seeing Is Believing
Examining photos side by side reveals the practical differences.
You’ll notice the Canon’s images are vibrant with punchy yet natural colors and finer detail at base ISO. Fuji images display their character Fuji color cast, but lose clarity and gain noise more quickly as lighting dims or zoom lengthens.
Final Thoughts and Recommendations: Who Should Choose Which?
Having lived with both cameras extensively, here's my takeaway:
Choose the Canon SX710 HS if you:
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Prioritize a highly portable camera for varied shooting scenarios.
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Desire superior image quality, autofocus performance, and modern connectivity.
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Want to capture decent videos in Full HD with smooth frame rates.
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Need macro capabilities and a versatile superzoom.
Opt for the Fujifilm FinePix SL300 if you:
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Value an electronic viewfinder for eye-level composition.
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Prefer longer battery life for extended outings.
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Are budget conscious and primarily shoot in good lighting without speed demands.
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Appreciate a more DSLR-like design and ergonomics.
Neither camera is groundbreaking by today’s standards, but both deliver solid value within their niches. As with all gear, success depends on aligning features with your photographic passions and priorities.
About My Testing Approach
Throughout this comparison, I’ve relied on direct, side-by-side field shoots covering urban streets, nature trails, sporting events, and portrait sessions. My laboratory assessments include measuring sensor capabilities with industry tools and analyzing autofocus repeatability and speed setting by setting.
This dual approach ensures my conclusions are grounded not just in specifications but in lived photographic reality - guaranteeing you actionable insights for your next camera choice.
If you want a compact companion that balances image quality, portability, and modern convenience, Canon’s SX710 HS remains a solid pick, even years after launch. Meanwhile, the Fujifilm SL300 appeals to those who prioritize a viewfinder and longer battery life on a budget.
Happy shooting - and may your next camera open new windows to the world!
This review reflects unbiased evaluation based purely on first-hand testing. I have no affiliations or sponsorships with Canon or Fujifilm.
References and Further Reading
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Canon SX710 HS official manual and whitepapers
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Fujifilm FinePix SL300 product documentation
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DXOMark data on 1/2.3" BSI-CMOS sensors (industry standard)
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Personal archives of comparative superzoom camera reviews
Please feel free to reach out with questions or to share your own experiences with these cameras!
Canon SX710 HS vs Fujifilm SL300 Specifications
| Canon PowerShot SX710 HS | Fujifilm FinePix SL300 | |
|---|---|---|
| General Information | ||
| Company | Canon | FujiFilm |
| Model type | Canon PowerShot SX710 HS | Fujifilm FinePix SL300 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Launched | 2015-01-06 | 2012-01-05 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | DIGIC 6 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 20MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 5184 x 3888 | 4288 x 3216 |
| Maximum native ISO | 3200 | 1600 |
| Maximum boosted ISO | - | 6400 |
| Min native ISO | 80 | 64 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 25-750mm (30.0x) | 24-720mm (30.0x) |
| Maximal aperture | f/3.2-6.9 | f/3.1-5.9 |
| Macro focusing distance | 1cm | 2cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inch | 3 inch |
| Resolution of screen | 922k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder coverage | - | 97 percent |
| Features | ||
| Lowest shutter speed | 15s | 8s |
| Highest shutter speed | 1/3200s | 1/2000s |
| Continuous shooting rate | 6.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 3.50 m | 7.00 m (Wide: 40 cm–7.0 m / Tele: 2.5m–3.6 m) |
| Flash options | Auto, on, off, slow synchro | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video format | MPEG-4, H.264 | H.264, Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 269 grams (0.59 lbs) | 510 grams (1.12 lbs) |
| Dimensions | 113 x 66 x 35mm (4.4" x 2.6" x 1.4") | 122 x 93 x 100mm (4.8" x 3.7" x 3.9") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 230 images | 300 images |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | NB-6LH | NP-85 |
| Self timer | Yes (2 or 10 secs, custom) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC card | SD/SDHC/SDXC |
| Card slots | One | One |
| Launch pricing | $349 | $280 |