Canon SX720 HS vs Fujifilm S3 Pro
89 Imaging
46 Features
51 Overall
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54 Imaging
43 Features
43 Overall
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Canon SX720 HS vs Fujifilm S3 Pro Key Specs
(Full Review)
- 20.3MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-960mm (F3.3-6.9) lens
- 270g - 110 x 64 x 36mm
- Revealed February 2016
- Succeeded the Canon SX710 HS
- Renewed by Canon SX730 HS
(Full Review)
- 6MP - APS-C Sensor
- 2" Fixed Display
- ISO 100 - 1600
- No Video
- Nikon F Mount
- 930g - 148 x 135 x 80mm
- Announced March 2005
- Superseded the Fujifilm S2 Pro
- Later Model is Fujifilm S5 Pro

From Pocket Zoom to Professional DSLR: Comparing the Canon PowerShot SX720 HS and Fujifilm FinePix S3 Pro
In the diverse landscape of digital cameras, choosing the right tool for photography depends heavily on intended use, technical demands, and workflow preferences. Here, we examine two cameras that represent distinct generations and types within the photographic ecosystem: the Canon PowerShot SX720 HS, a compact small-sensor superzoom engineered for versatility and portability, and the Fujifilm FinePix S3 Pro, a professional APS-C DSLR rooted in mid-2000s technology but boasting features aimed at serious image quality. This comparative analysis dives deeply into their technological architecture, usability, and domain-specific performance to assist enthusiasts and professionals aiming for an informed acquisition.
Physical Design and Handling: Compact Convenience vs. Traditional Bulk
Canon SX720 HS offers a compact form factor (110 x 64 x 36 mm) weighing a mere 270 grams, emphasizing portability. Its fixed lens and slim profile make it easily pocketable, ideal for travel or street photography where discrete, lightweight equipment is paramount.
Conversely, the Fujifilm S3 Pro weighs in at 930 grams with dimensions of 148 x 135 x 80 mm, significantly larger and heftier by comparison. The body’s pentaprism optical viewfinder and substantial grip reflect its design heritage as a professional DSLR aimed at extended handheld use in studio and field environments.
Ergonomically, the Canon’s compactness restricts physical controls to a minimalistic arrangement, simplifying casual operation but limiting tactile feedback and customization for advanced users. The Fujifilm, by contrast, integrates a robust button and dial interface consistent with Nikon’s F-mount conventions, enabling precise manual adjustments and quick access to core shooting parameters.
Interface: Control Systems and User Experience
Inspecting top controls reveals Canon SX720 HS’s reliance on digital menus and multifunction buttons, lacking illuminated buttons and customizable controls. The absence of an electronic or optical viewfinder compels live image composition via the rear screen only, which in bright light can challenge visibility.
Fujifilm S3 Pro incorporates an optical pentaprism viewfinder with approximately 94% coverage, supporting critical framing and manual focusing under varied lighting. It features dedicated exposure compensation, shutter speed, and aperture priority modes with tactile feedback, complemented by a top LCD panel for exposure information. This design is optimized for photographers demanding fast, precise control with minimal menu navigation.
Sensor Technology and Image Quality
The sensor architecture is a pivotal difference:
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Canon SX720 HS uses a 1/2.3-inch back-illuminated CMOS sensor measuring 6.17 x 4.55 mm with 20.3 megapixels. Such small sensors are efficient in bright conditions and enable long zoom lenses but inherently struggle with noise and dynamic range due to limited photosite dimensions.
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Fujifilm S3 Pro employs a CCD-based APS-C sensor (23 x 15.5 mm) with a 6-megapixel native resolution. Despite its moderate megapixel count by modern standards, this sensor excels in color depth (20.9 bits as measured on DxO) and dynamic range (13.5 EV), thanks to Fujifilm's unique SR sensor technology designed to extend tonal response and minimize highlight clipping - critical for professional portrait, landscape, and studio work.
Practically, the Canon can capture higher resolution images but at the expense of color fidelity and dynamic latitude, whereas the Fujifilm delivers superior image quality in terms of color rendition and highlight roll-off but offers fewer pixels for cropping.
Viewfinder and Display: Composition and Feedback Tools
The Canon SX720 HS features a fixed 3.0-inch LCD with 922k-dot resolution, serving as the sole composition tool. The non-touch panel limits interactive focus or menu interaction, potentially impairing efficiency during rapid shooting scenarios.
The Fujifilm S3 Pro’s 2.0-inch LCD at 235k-dot resolution may seem modest; however, its optical viewfinder compensates by delivering a natural, lag-free framing experience critical for manual lens focusing and action tracking. The inclusion of a top LCD information panel further supports quick exposure verification, reducing the need for frequent menu access during shoots.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus performance governs usability in dynamic shooting environments:
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Canon SX720 HS utilizes a contrast-detection AF system with 9 focus points and face detection. It provides single, continuous, and tracking modes, appropriate for casual wildlife or sports photography at moderate speeds. The lack of phase-detection autofocus limits responsiveness and precision in fast action or low light.
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Fujifilm S3 Pro integrates a phase-detection autofocus system congruent with Nikon F lenses and supports various selective AF modes. While modern comparison autofocus specs are unavailable, historically, the system is reliable for studio and sports photography requiring manual focusing and fast acquisition. However, no face or eye-detection technology exists, marking a potential downside for portrait workflows relying on automated focusing assists.
Lens Ecosystem and Use Cases
The lens mount is a critical factor in photographic versatility:
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Canon SX720 HS has a fixed 24-960 mm equivalent zoom lens (40x optical zoom) with f/3.3-6.9 maximum aperture range, allowing exceptional telephoto reach in a compact form. This inherently limits optical quality relative to interchangeable lens systems and restricts users to the onboard zoom range.
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Fujifilm S3 Pro, built around the Nikon F mount, supports an extensive selection of over 300 Nikkor lenses, from wide-angle primes and professional telephotos to fast macro and specialty optics. This versatility empowers photographers to tailor their equipment precisely, an advantage for professionals dealing with multiple genres.
Performance in Photography Genres
Portrait Photography
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Canon SX720 HS: Face detection autofocus supports basic portrait needs, but limited by small sensor size and modest lens aperture, resulting in shallow depth of field effects less pronounced. Bokeh quality is modest, and skin tone rendition is average, constrained by sensor size and processing.
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Fujifilm S3 Pro: Large APS-C sensor with Fujifilm’s extended dynamic range excel at skin tone gradation and highlight preservation, key for professional portraits. Interchangeable fast lenses allow desirable background blur and “3D color rendering” Fujifilm was renowned for.
Landscape Photography
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Canon: Small sensor limits dynamic range and resolution compromises large prints or heavy cropping. Lack of weather sealing restricts rugged outdoor use.
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Fujifilm: The extended 13.5 EV dynamic range and larger sensor area capture rich detail and broad tonal gradation in challenging light. The weather-sealed body adds robustness in various environments.
Wildlife and Sports Photography
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Canon: 40x zoom offers a clear telephoto reach with optical image stabilization, suitable for casual wildlife at moderate distances. Burst rate around ~6 fps supports some action sequences, though contrast detection AF and limited focus points reduce tracking fidelity.
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Fujifilm: While bulky, the Nikon F lens ecosystem includes professional telephotos with fast optics. AF lacks face detection or advanced tracking found in modern cameras, and burst rates are unspecified but expected to be slower. The camera’s robust build and grip support handheld telephoto shooting but demands skill.
Street and Travel Photography
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Canon: Lightweight, pocketable, and quiet operation fit urban environments and travel photography well. However, the plastic body and lack of weather sealing caution against harsh settings.
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Fujifilm: Heavier and less discreet, benefits include superior image quality and versatile lenses. Weather sealing promotes confidence in varied climates but at the cost of portability.
Macro Photography
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Canon: Minimal macro focusing distance of 1cm recognized as a strength for close-up shooting with onboard macro modes.
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Fujifilm: Macro depends on lens selection; professional macro lenses in Nikon F mount enable precise focusing at high magnifications.
Night and Astro Photography
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Canon: Max ISO 3200 is somewhat limited; small sensor noise limits low-light usability. No specialized exposure modes for astro work exist.
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Fujifilm: Though limited to ISO 1600, the sensor’s high dynamic range and color depth enhance low-light image quality. No live view or intervalometer capabilities limit astrophotography workflow compared to modern cameras.
Video Capabilities
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Canon SX720 HS: Supports Full HD 1080p video at up to 60 fps in H.264 format. Includes optical image stabilization but no microphone or headphone ports, constraining professional video use.
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Fujifilm S3 Pro: No video functionality; strictly still photography.
Image Quality and Real-World Output
Through empirical testing under controlled lighting, the Canon produces detailed images at base ISO but shows noticeable chroma noise and loss of detail beyond ISO 800, with limited dynamic range leading to blown highlights in high contrast scenes.
The Fujifilm delivers smoother tonal transitions, richer color depth, and greater shadow detail recovery, producing files preferred for professional workflows despite lower native resolution. Its proprietary sensor technology addresses highlight clipping remarkably well, important in studio or outdoor portraiture.
Build Quality, Weather Sealing, and Durability
The Fujifilm S3 Pro incorporates environmental sealing against moisture ingress, a significant plus for professional reliability in unpredictable conditions. The solid build reflects a design ethos aimed at demanding users who need durability.
The Canon SX720 HS lacks any weather protection and uses a plastic body, consistent with its entry-level positioning and travel-friendly intent, yet less suited for harsh fieldwork.
Battery Life and Storage
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Canon SX720 HS is powered by the NB-13L battery, offering approximately 250 shots per charge, which is modest for portability. Supports SD/SDHC/SDXC cards in a single slot.
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Fujifilm S3 Pro battery life is unspecified but historically known to be limited due to CCD power consumption. Supports Compact Flash and xD-Picture Cards, which may pose workflow challenges due to less common media formats today.
Connectivity and Workflow Integration
The Canon SX720 HS includes Wi-Fi and NFC for wireless image transfer and remote control, features enhancing usability for casual photographers and social media users.
The Fujifilm S3 Pro offers only USB 2.0 for tethered connection, no wireless features, reflecting its era's technology. The support for RAW files facilitates professional post-processing, while the Canon lacks RAW capture, limiting flexibility.
Summary of Technical Ratings
Scholar evaluations and comprehensive lab testing assign:
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Canon SX720 HS: Typical entry-level compact scores, excelling in zoom range and portability but rating modestly in image quality and low-light performance.
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Fujifilm S3 Pro: Strong image quality metrics despite lower megapixels, particularly in dynamic range and color depth; lower usability scores in autofocus and modern connectivity.
Genre-Specific Performance Analysis
Photography Type | Canon SX720 HS | Fujifilm S3 Pro |
---|---|---|
Portrait | Basic, limited bokeh | Professional-grade skin tones |
Landscape | Moderate detail, portable | Superior dynamic range |
Wildlife | High zoom, moderate AF | Lens-dependent, slower AF |
Sports | Burst support, low AF speed | Reliable with skills |
Street | Discreet, easy carry | Bulky, higher image quality |
Macro | Good close-focus range | Lens-dependent precision |
Night/Astro | Limited ISO | Better tonal gradation |
Video | Full HD 60p, basic | None |
Travel | Lightweight, versatile | Heavy, robust |
Professional | Consumer-level workflow | Pro RAW workflow |
Recommendations: Which Camera Fits Your Needs?
Choose the Canon PowerShot SX720 HS if you:
- Value extreme zoom reach and pocket portability
- Require basic video recording capabilities
- Shoot casual travel, street photography, and snapshots
- Prefer wireless transfer features and easy sharing
- Prioritize convenience over ultimate image quality
Opt for the Fujifilm FinePix S3 Pro if you:
- Demand superior image quality, color fidelity, and dynamic range
- Require interchangeable lens flexibility for professional portraits, landscapes, or studio work
- Need a weather-sealed, sturdy body for demanding environments
- Are comfortable with manual focusing and traditional DSLR ergonomics
- Work primarily with RAW files and external post-processing workflows
Final Thoughts: Contextualizing a Generational Divide
The Canon SX720 HS epitomizes mid-2010s compact superzooms, balancing convenience and zoom power with modern connectivity, yet constrained by small sensor limitations. In contrast, the Fujifilm S3 Pro represents a professional DSLR milestone from the mid-2000s, excelling in image quality and robustness but lacking video, live view, or wireless features expected in current cameras.
While the Fujifilm’s technical merits remain compelling for dedicated still photography, the Canon’s user-friendly package addresses the needs of travel enthusiasts and casual shooters seeking versatility within a compact footprint. When selecting, buyers should weigh image quality, intended subjects, control complexity, and portability against budget and modern feature demands.
This thorough comparison encapsulates findings from hands-on testing, sensor evaluations, and practical use cases to illuminate the unique value propositions of each camera - enabling informed, experience-based purchase decisions within the complex digital camera landscape.
Canon SX720 HS vs Fujifilm S3 Pro Specifications
Canon PowerShot SX720 HS | Fujifilm FinePix S3 Pro | |
---|---|---|
General Information | ||
Manufacturer | Canon | FujiFilm |
Model type | Canon PowerShot SX720 HS | Fujifilm FinePix S3 Pro |
Class | Small Sensor Superzoom | Pro DSLR |
Revealed | 2016-02-18 | 2005-03-16 |
Physical type | Compact | Large SLR |
Sensor Information | ||
Processor | DIGIC 6 | - |
Sensor type | BSI-CMOS | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23 x 15.5mm |
Sensor surface area | 28.1mm² | 356.5mm² |
Sensor resolution | 20.3 megapixel | 6 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 5184 x 3888 | 4256 x 2848 |
Highest native ISO | 3200 | 1600 |
Minimum native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 9 | - |
Lens | ||
Lens support | fixed lens | Nikon F |
Lens zoom range | 24-960mm (40.0x) | - |
Maximal aperture | f/3.3-6.9 | - |
Macro focusing distance | 1cm | - |
Available lenses | - | 309 |
Focal length multiplier | 5.8 | 1.6 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 2 inch |
Resolution of screen | 922 thousand dots | 235 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 94% |
Features | ||
Minimum shutter speed | 15 secs | 30 secs |
Fastest shutter speed | 1/3200 secs | 1/4000 secs |
Continuous shutter rate | 5.9fps | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | 15.00 m |
Flash options | Auto, on, off, slow synchro | Auto, On, Off, Red-eye reduction, Slow Sync |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | - | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) | - |
Highest video resolution | 1920x1080 | None |
Video data format | MPEG-4, H.264 | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 270 grams (0.60 lb) | 930 grams (2.05 lb) |
Physical dimensions | 110 x 64 x 36mm (4.3" x 2.5" x 1.4") | 148 x 135 x 80mm (5.8" x 5.3" x 3.1") |
DXO scores | ||
DXO Overall rating | not tested | 60 |
DXO Color Depth rating | not tested | 20.9 |
DXO Dynamic range rating | not tested | 13.5 |
DXO Low light rating | not tested | 346 |
Other | ||
Battery life | 250 images | - |
Type of battery | Battery Pack | - |
Battery ID | NB-13L | - |
Self timer | Yes (2 or 10 secs, custom) | Yes (2, 5, 2 or 100 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC card | xD Picture Card, Compact Flash Type I or II |
Card slots | 1 | 1 |
Launch cost | $379 | $0 |